Cooder Browne Cooder Browne Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Cooder Browne Cooder Browne mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cooder Browne Country: US Released: 1978 Style: Southern Rock MP3 version RAR size: 1220 mb FLAC version RAR size: 1513 mb WMA version RAR size: 1822 mb Rating: 4.8 Votes: 422 Other Formats: VQF AU MIDI DMF RA DXD AA Tracklist A1 Lonesome Rider 3:09 A2 Two Trains/Orange Blossom Special 7:14 A3 What In The World 2:06 A4 Hanging On To A Lie 3:46 B1 Grizzly Bear 2:12 B2 Isle Of View 4:32 B3 Jalapeno Lady 3:57 B4 Cowboy Blue 4:40 B5 The Place I Love Best (Texas) 3:12 Companies, etc. Recorded At – Capricorn Studios Credits Drums, Congas, Percussion – Dale Bolin Electric Guitar – Jimmy Nalls Engineer – Sam Whiteside Mastered By – George Marino Producer – Paul Hornsby Steel Guitar – Toy Caldwell Vocals, Bass, Harmonica – Skip Tumbleson Vocals, Fiddle, Acoustic Guitar, Mandolin, Percussion – Larry Franklin Vocals, Piano, Organ, Accordion, Percussion – David Hawoth Notes Recorded At: Capricorn Studios, Macon, Ga Other versions Category Artist Title (Format) Label Category Country Year L-4604 Cooder Browne Cooder Browne (LP, TP, W/Lbl) Lone Star L-4604 US 1978 Related Music albums to Cooder Browne by Cooder Browne Robert Earl Keen - What I Really Mean Del Barber - Prairieography Willie Nelson - Across The Borderline The Isaacs - Carry Me Marshall Tucker Band - Where We All Belong Sea Level - On The Edge Tom Russell - Folk Hotel Bruce Henderson - Beyond The Pale The Marshall Tucker Band - A New Life The Marshall Tucker Band - The Marshall Tucker Band Missouri - Welcome Two Missouri Wet Willie - The Wetter The Better.

Copy Link

Recommended publications

November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T.
[Show full text]
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-27-1975 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1975). The George-Anne. 767. https://digitalcommons.georgiasouthern.edu/george-anne/767 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. E1 e R K R y FEB 27 1975 roOWSWbOUTHEHWO E«E <r ^ eorse-annepublished by students cf georgia southern college SzI. 55 No. 21 Slalesboro, Georgia I'luirsdav, February 27, 1!17,»JC Marshall Tucker Band Coming Wednesday Since 1969, when The Allman drums, and percussion; and Brothers Band became the first Jerry Eubands, alto sax, flute, original blues and boogie band in and vocals. the South, there have been Lead guitarist Toy Caldwell several additions to the list. explains, "When we formed this Among these are the Marshall band, we said, 'Man, let's quit Tucker Band and Grinder Switch, doing all this copy music and try appearing March 5 at the Hanner to be a little more original about Fieldhouse. it all. Let's play what we want to The Marshall Tucker Band, one play.' " Their determination to of the South's biggest blues rock "go for broke" and devote all of groups, is based in Spartanburg, their efforts towards the success South Carolina.
[Show full text]
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
[Show full text]
MSC Suffers Budget Cuts
Montclair State University Montclair State University Digital Commons The Montclarion Student Newspapers 2-6-1974 The Montclarion, February 6, 1974 The Montclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The Montclarion, "The Montclarion, February 6, 1974" (1974). The Montclarion. 1427. https://digitalcommons.montclair.edu/montclarion/1427 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The Montclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Thurs., Feb. 6,1974 Vol. 50, No. 2 Montclair State College, Upper Montclair, NJ 07043 MSC Suffers Budget Cuts; Tuition Stable By Ann Karen McLean "Save your money -- it looks like hard tim es!'' is the advice given to MSC students from Vincent Calabrese, vice-president of administration and finance. Reflecting on Governor Brendan T, Byrne's budget recommendations for fiscal year (fy) 1975-76, Calabrese revealed that MSC's budget "w ill be short anywere from 12%-I5%." Despite the Governor's admittedly austere budget recommendations, the state has not recommended a tuition hike at the state colleges, in addition: "State Higher Education Chancellor Ralph A. Dungan has urged that New Jersey's 110,000 resident public college undergraduates be spared tuition increases this year but recommended drastic out-of-state fee hikes to discourage nonresidents from attending state schools," according to the Jan. 19 Star-Ledger. AT FIRST glance, it appears that $677,000 cut, Calabrese maintenance work w ill be done next MSC will suffer the most drastic cut approximated.
[Show full text]
February 27, 1975 ALFRED UNIVERSITY STUDENT PRESS
February 27, 1975 ALFRED UNIVERSITY STUDENT PRESS editor's corner fiat lux Vol. 62, Number 14 February 27,1975 Students at Alfred University are NEWS MAGAZINE spoiled with the knowledge that they can attend any campus function without hassles»« there are always Editor in Chief....Barb Gregory tickets, there are always seats. Assistant Editor....Scott Schlegel However, this proved not to be the case when tickets for the Bonnie Bram lett-Marshall Tucker concert went on sale several weeks ago. This News Editor Hilary Raff Cultural Editor Scott Schlegel production was sponsored jointly by Sports Editor Evan Katz the Alfred Ag. Tech and University Business Manager David Moss concert committees; the cost and Advertising Manager Stephanie Rudo profit were to be evenly divided Writers Daryl Murray, Roger Feltner between the two. Mike Baldwin, Chris Bain University and Tech students alike Bill Pulos, Tim Scott rushed to purchase tickets for the Gary Weinstein, Bruce Frank February 22nd concert, and before Roman Olynyk most people realized...sold out! Photographers Stan ßucklin, Mary Ann Morphesi Typists Denni Sheffield, Laura Smith Although unable to speak for Tech. Faculty Advisor Fran Hassencahl students, I feel that many of the Student Advisor Nikki Humphrey University population who desperate- Cover Photo ly wanted to see Marshall Tucker, The FIAT LUX is published weekly by the students of Alfred University, Box 767, could not. And those students who Alfred,New York 14802. Editorial and production facilities are located in the were lucky enough to possess tickets Rogers Campus Center, phone 871-2192. Opinions expressed in the FIAT LUX do had to tolerate an over-crowded, not necessarily reflect the editorial board or the University community.
[Show full text]
Discos Zeppelin
DISCOS ZEPPELIN Para obtener más información puede visitar www.zeppelindiscos.com CATÁLOGO COMPLETO DE ARTÍCULOS A FECHA 25/08/2006 Autor Titulo Año E.Disco E.Carátula Precio 10 cc 10 cc 1973 VG++ VG+ 12.00 € 10 cc bloody tourist 1978 VG++ VG+ 6.00 € 10 cc look hear - - - VG++ VG+ 9.00 € 10 cc ten out of 10 - - - VG++ VG++ 9.00 € 10 cc the original soundtrack 1975 VG++ VG+ 9.00 € 10.000 maniacs in my tribe 1987 NM- NM- 9.00 € 11 WAYS TO GET OUT LMOOR RECs ,PUNK/KBD 1990 VG++ VG+ 9.00 € 13TH FOOR ELEVATOR,GREAT SOCIETY fillmore 26-27-agosto-1966 1966 Cartel 9.00 € 1994 please stand by.. 1979 VG++ VG+ 6.00 € 2001 a space odyssey banda sonora ,Stanley KUBRICK 1973 NM- NM- 12.00 € 2001 a space odyssey vol.2,banda sonora ,Stanley KUBRICK 1970 VG++ VG+ 12.00 € 5th dimension,the greatest hits 1970 VG++ VG++ 9.00 € 5th dimension,the individually & collectively 1972 VG++ NM- 10.00 € 5th dimension,the living together growing... 1973 VG++ VG++ 9.00 € 5th dimension,the Love's Lines, Angles and Rhymes 1971 VG++ VG++ 10.00 € 5th dimension,the portrait 1970 VG+ VG++ 9.00 € 5th dimension,the star dancing 1978 VG++ VG++ 9.00 € 5th dimension,the The 5th Dimension Live 1971 VG VG++ 10.00 € 5th dimension,the The 5th Dimension Live 1971 VG+ VG+ 12.00 € 5th dimension,the the age of aquarius 1969 VG++ VG++ 10.00 € 5th dimension,the worst that could happen 1967 VG+ VG+ 12.00 € 5th dimension,the,marilyn mccoo and billy davis i hope we get to love in time 1976 VG++ VG++ 9.00 € 8th day,the the 8th day 1983 VG++ VG++ 6.00 € A Chorus Line Broadway Cast 1975 VG++ VG++
[Show full text]
KLASSICS LIST Criteria
KLASSICS LIST criteria: 8 or more points (two per fan list, two for U-Man A-Z list, two to five for Top 95, depending on quartile); 1984 or prior release date Sources: ten fan lists (online and otherwise; see last page for details) + 2011-12 U-Man A-Z list + 2014 Top 95 KSHE Klassics (as voted on by listeners) sorted by points, Fan Lists count, Top 95 ranking, artist name, track name SLCRPS UMan Fan Top ID # ID # Track Artist Album Year Points Category A-Z Lists 95 35 songs appeared on all lists, these have green count info >> X 10 n 1 12404 Blue Mist Mama's Pride Mama's Pride 1975 27 PERFECT KLASSIC X 10 1 2 12299 Dead And Gone Gypsy Gypsy 1970 27 PERFECT KLASSIC X 10 2 3 11672 Two Hangmen Mason Proffit Wanted 1969 27 PERFECT KLASSIC X 10 5 4 11578 Movin' On Missouri Missouri 1977 27 PERFECT KLASSIC X 10 6 5 11717 Remember the Future Nektar Remember the Future 1973 27 PERFECT KLASSIC X 10 7 6 10024 Lake Shore Drive Aliotta Haynes Jeremiah Lake Shore Drive 1971 27 PERFECT KLASSIC X 10 9 7 11654 Last Illusion J.F. Murphy & Salt The Last Illusion 1973 27 PERFECT KLASSIC X 10 12 8 13195 The Martian Boogie Brownsville Station Brownsville Station 1977 27 PERFECT KLASSIC X 10 13 9 13202 Fly At Night Chilliwack Dreams, Dreams, Dreams 1977 27 PERFECT KLASSIC X 10 14 10 11696 Mama Let Him Play Doucette Mama Let Him Play 1978 27 PERFECT KLASSIC X 10 15 11 11547 Tower Angel Angel 1975 27 PERFECT KLASSIC X 10 19 12 11730 From A Dry Camel Dust Dust 1971 27 PERFECT KLASSIC X 10 20 13 12131 Rosewood Bitters Michael Stanley Michael Stanley 1972 27 PERFECT
[Show full text]
Marshall Tucker Band Where We All Belong Mp3, Flac, Wma
Marshall Tucker Band Where We All Belong mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Folk, World, & Country Album: Where We All Belong Country: UK Released: 1974 Style: Country Rock MP3 version RAR size: 1426 mb FLAC version RAR size: 1645 mb WMA version RAR size: 1294 mb Rating: 4.3 Votes: 881 Other Formats: AC3 FLAC MMF VQF MOD XM MP1 Tracklist Hide Credits This Ol' Cowboy A1 Lead Vocals, Steel Guitar, Written-By – Toy Caldwell Low Down Ways A2 Written-By – Toy Caldwell In My Own Way A3 Written-By – Toy Caldwell How Can I Slow Down B1 Written-By – Toy Caldwell Where A Country Boy Belongs B2 Slide Guitar – Elvin Bishop, Johnny VernazzaWritten-By – Toy Caldwell Now She's Gone B3 Written-By – Tommy Caldwell, Toy Caldwell Try One More Time B4 Written-By – Toy Caldwell Ramblin' C1 Written-By – Toy Caldwell 24 Hours At A Time C2 Fiddle – Charlie DanielsWritten-By – Toy Caldwell Everyday (I Have The Blues) D1 Bass Guitar, Backing Vocals – Tommy CaldwellLead Guitar, Lead Vocals – Toy CaldwellWritten- By – Peter Chapman* Take The Highway D2 Written-By – Toy Caldwell Companies, etc. Produced For – Capricorn Records Inc. Recorded At – Wally Heider Recording Mastered At – Sterling Sound Phonographic Copyright (p) – Capricorn Records Inc. Copyright (c) – Capricorn Records Inc. Marketed By – Polydor Ltd. Printed By – MacNeill Press Ltd. Credits Acoustic Guitar, Electric Guitar, Banjo – George McCorkle Bass Guitar, Backing Vocals – Tommy Caldwell Congas – Jerry Joseph Drums – Paul Riddle Electric Guitar, Acoustic Guitar – Toy Caldwell Engineer – Ken Caillat Engineer [Additional] – Buddy Thornton Engineer [Assistant] – Biff Dawes, Jerry Stroud Engineer [Assistant], Engineer [Remix Engineer Assistant] – Tony Humphreys Engineer [Maintenance Engineer] – Jack Crymes Engineer [Tape Assistant] – Richard Schoff Engineer, Engineer [Remix Engineer] – O.
[Show full text]
Request for Proposals and Interpretive Area Concept
REQUEST FOR PROPOSALS AND INTERPRETIVE AREA CONCEPT TABLE OF CONTENTS REQUEST FOR PROPOSALS Project Overview 3 Background 3 Scope of Work 4 Proposal Contents 5 Budget Note 6 Submission Procedures 7 Additional Materials 8 Question and Answer Period 8 INTERPRETIVE AREA CONCEPT Narrative Overview 9 Exhibit Modules and Content 13 Digital Interactive 19 Off-Site Accessibility and Community Partnerships 21 Discography Interactive 22 ADDENDA Mercer Music at Capricorn Case Statement 24 Floor Plans 36 Capricorn Records Discography 38 Resources 51 2 | Mercer Music at Capricorn, 2018 REQUEST FOR PROPOSALS PROJECT OVERVIEW Mercer University is seeking an Exhibit Designer to develop and install a permanent interpretive area as part of Mercer Music at Capricorn, a project which seeks to restore the historic Capricorn Sound Studios building as part of the largest market-rate residential development in the history of downtown Macon. Mercer Music at Capricorn will have a music incubator for aspiring young musicians, restored and expanded recording studios, offices for arts-related non-profits such as Macon Film Festival, Bragg Jam and Macon Pops, space for small concerts, special events and educational programs through Mercer’s Townsend School of Music and a two-story interpretive area that tells the story of Capricorn Records and Macon’s musical heritage through historic artifacts, static exhibits and interactive digital kiosks featuring music, video and text. This Request for Proposals represents the next step in the development of the interpretive area. Envisioned as not just a museum, but as a tool to advance a vibrant music scene, the project seeks to leverage Macon’s rich, nationally important music heritage to shape Macon’s music future.
[Show full text]
Where We All Belong
AROUND TOWN WE MAKE YOUR HOME OUR LOCALLY OWNED LOCALLY OPERATED KEY FOCUS LOCALLY L♥VED Where We All Belong Cameron Styer, Ricky Bodaford, Michele Clay 912-459-2555 BodafordRealty.com PROUD SPONSOR 10221 Ford Avenue Suite 3 Richmond Hill, GA 31324 PHOTO BY JAMIE WAGASKY Master technique, SCOTT CLARK TIM JONES then forget BY MARY HENDERSON about it and PHOTOGRAPHY COURTESY OF {be a natural} THE MARSHALL TUCKER BAND ACROBATICS BALLET TAP JAZZ HIP HOP CONTEMPORARY MODERN LYRICAL IT’S NOT TOO LATE TO aybe you were sitting next to a record player in trends and time. Following a prolific career—with over 45 years REGISTER your college dorm. Maybe you were in a dimly lit in the music business and counting—the Marshall Tucker Band FAMILY AND PET FRIENDLY bar, making your way to the dance floor. Maybe is bringing its famous, unique blend of blues, country and jazz PEST, TERMITE AND you were buckled into a car seat in the backseat right here to Richmond Hill as the headlining act of this year’s Mof your parents’ car. Wherever you may have been, it’s like- Great Ogeechee Seafood Festival. MOSQUITO CONTROL ly you’ve heard—and tapped your feet along to—a Marshall “It’s going to be fun, I’m looking forward to being there,” LOW RISK ALL-NATURAL PRODUCTS Tucker Band song. says Doug Gray, the lead vocalist and the only still-remaining Deedie Love Davis & Katherine Davis Collins WHEN PESTS ARE SEEN Whether it’s “Can’t You See” or “Heard it in a Love Song,” original member of the band.
[Show full text]
Southern Rock Music As a Cultural Form
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 6-25-2009 Southern Rock Music as a Cultural Form Brandon P. Keith University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Keith, Brandon P., "Southern Rock Music as a Cultural Form" (2009). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/2039 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Southern Rock Music as a Cultural Form By Brandon P. Keith A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of American Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Raymond Arsenault, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: June 25, 2009 Keywords: the South, race, politics, formations, genre Copyright 2009, Brandon P. Keith Dedication This thesis is dedicated to my beloved Oma, who is a constant and renewing source of inspiration and encouragement. Acknowledgements I would like to thank my advisor, Dr. Andrew Berish, for his assistance and patience in this endeavor, as well as committee members Dr. Raymond Arsenault and Dr. Dan Belgrad. I would also like to thank Gene Odom and Rick Hirsch
[Show full text]
Le Tre Grandi Famiglie Del Southern Rock
Mappasouthern 5-12-2005 11:31 Pagina 22 MAP MUSIC PAGES SOUTHERN ROCK Penso che tutti o quasi i lettori di Late sappiano che il southern LE TRE GRANDI rock o rock sudista è nato e si è sviluppato principalmente negli stati del Sud degli Stati Uniti nei primi anni ‘70. In realtà non in FAMIGLIE DEL tutto il sud, ma principalmente in Georgia, Florida, Alabama, Nord SOUTHERN ROCK e Sud Carolina. Stati come il Texas, il Tennessee e la Louisiana ne sono rimasti ai margini, forse perché avevano un’identità Gli Allman Brothers sono i padri del musicale predominante ben precisa, il country per i primi due e il rock sudista, su questo non ci sono rhythm and blues con il cajun per la regione di New Orleans. È dubbi, pur essendo una band che è andata ben oltre questo genere musi- vero che in tutto il sud le band sudiste hanno avuto grande cale e ne fa parte più come influenza successo, ma la provenienza dei musicisti è localizzata in gran che come protagonista assoluta. Dua- parte negli stati del sud est citati in precedenza. Come si può ne e Gregg Allman formano la band definire il southern rock? Se noi consideriamo i generi musicali nel 1969 a Macon, Georgia, dove si stabiliscono in una casa gestita in co- che hanno sempre influenzato il sud (blues, rhythm and blues, mune, The Big House, sulla falsariga country, bluegrass, rock n’roll e rockabilly dei fifties, western delle band psichedeliche californiane. swing) e li misceliamo con la british invasion della seconda metà Influenzati dal rock inglese e dal blues degli anni ‘60 (Cream, Who, Rolling Stones, Free, Animals) e con i nero ma anche dalle modalità improv- visative del free jazz, gli Allman inven- sentimenti dei ragazzi nati sotto la Mason-Dixie Line (ribellione tano un suono che anticipa di vent’an- verso l’autorità, rabbia per la non del tutto superata sconfitta ni le jam band degli anni ‘90 e influen- nella guerra civile, convinzione di essere in qualche modo zerà generazioni di musicisti.
[Show full text]