MSC Suffers Budget Cuts
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cooder Browne Cooder Browne Mp3, Flac, Wma
Cooder Browne Cooder Browne mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cooder Browne Country: US Released: 1978 Style: Southern Rock MP3 version RAR size: 1220 mb FLAC version RAR size: 1513 mb WMA version RAR size: 1822 mb Rating: 4.8 Votes: 422 Other Formats: VQF AU MIDI DMF RA DXD AA Tracklist A1 Lonesome Rider 3:09 A2 Two Trains/Orange Blossom Special 7:14 A3 What In The World 2:06 A4 Hanging On To A Lie 3:46 B1 Grizzly Bear 2:12 B2 Isle Of View 4:32 B3 Jalapeno Lady 3:57 B4 Cowboy Blue 4:40 B5 The Place I Love Best (Texas) 3:12 Companies, etc. Recorded At – Capricorn Studios Credits Drums, Congas, Percussion – Dale Bolin Electric Guitar – Jimmy Nalls Engineer – Sam Whiteside Mastered By – George Marino Producer – Paul Hornsby Steel Guitar – Toy Caldwell Vocals, Bass, Harmonica – Skip Tumbleson Vocals, Fiddle, Acoustic Guitar, Mandolin, Percussion – Larry Franklin Vocals, Piano, Organ, Accordion, Percussion – David Hawoth Notes Recorded At: Capricorn Studios, Macon, Ga Other versions Category Artist Title (Format) Label Category Country Year L-4604 Cooder Browne Cooder Browne (LP, TP, W/Lbl) Lone Star L-4604 US 1978 Related Music albums to Cooder Browne by Cooder Browne Robert Earl Keen - What I Really Mean Del Barber - Prairieography Willie Nelson - Across The Borderline The Isaacs - Carry Me Marshall Tucker Band - Where We All Belong Sea Level - On The Edge Tom Russell - Folk Hotel Bruce Henderson - Beyond The Pale The Marshall Tucker Band - A New Life The Marshall Tucker Band - The Marshall Tucker Band Missouri - Welcome Two Missouri Wet Willie - The Wetter The Better. -
Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (Guest Post)*
“Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (guest post)* The Eagles In 1971, the arrival of The Eagles signaled a major shift in popular musical tastes in America. If Woodstock was the funeral for both the music and the culture of a decade of drugged out, hippie, free love and cultish idealism, the Seventies was the decade of blatant decadence, political cynicism, sexual distrust, and rampant narcissism. No band represented both the rejection of the Sixties and the celebration of the Seventies more than its crown princes, the Eagles. Songs like “Lyin’ Eyes,” “Witchy Woman,” “One of These Nights,” and “Already Gone,” filled with spirited playing, close harmonies and an overlay of the Eagles’ war between the sexes, comprise four of the ten selections included in the initial compilation of Eagles’ hit songs from their first four albums, “Their Greatest Hits (1971-1975).” Ironically, although the Eagles’ laid-back sound was bright and natural as Southern California sunshine, none of the original four members were Golden State natives (Don Henley, vocalist, lyricist, drummer, was from Texas, bred on bluegrass and country music; Glenn Frey, vocalist, lyricist, rhythm guitar, pianist, came from the streets of Detroit, influenced by the music of Motown and mentored by Bob Seger; Randy Meisner, on bass, was a veteran bar band night sider out of Nebraska; Bernie Leadon, guitar, mandolin, banjo, was a Minnesotan who loved and loved to play classic country). Each migrated separately to Los Angeles, like lemmings, to The Troubadour, the musical and cultural ground zero club on Santa Monica Boulevard, owned and operated by Doug Weston, who favored putting on his stage country-rock bands and female vocalists. -
The New Hampshire, Vol. 66, No. 2 (Sep. 9, 1975)
the new Hampshire Volume 66 Number 2 Tuesday, September 9, 1975 " Durham, N.H. Traffic, ski team problems aired doesn’t know what’s going on. By Rich Mori There has been a lot of misinfor The parking problem and the mation handed out by them and elimination of the ski team dom the residence people; misinfor inated discussion at the first mation concerning parking stick Student Caucus meeting Sunday, ers, availability of parking, and n i g h t . the process of petition.” The Traffic Bureau’s new peo- Farnham urged all student sen cedure of monitoring cars by sta ators to tell their constituants tioning patrolmen in four booths “to see me at the student gov around campus, the elimination ernment office before paying of parking spaces, and the park what they believe are unjust ing status of cars owned by mini fines. I’ve seen students with dorm students has caused a $100 to $300 in fines last year great deal of confusion among and they had to pay them re members of the university com gardless of whether they had a munity. legitimate reason for parking David Famham, a member of their cars where they were Student Government who is also tagged, because the registrar can a member of the University withold their grades.” Parking and Traffic Committee Later he criticized the resi said that “the system of student dence office for telling large Ever have thirteen roommates? Fourteen residents of Randall Hall live in this commune type input did not work. Last semes numbers of perspective mini build-up. -
Yesterday and Today Records March 2007 Newsletter
March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 2-27-1975 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1975). The George-Anne. 767. https://digitalcommons.georgiasouthern.edu/george-anne/767 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. E1 e R K R y FEB 27 1975 roOWSWbOUTHEHWO E«E <r ^ eorse-annepublished by students cf georgia southern college SzI. 55 No. 21 Slalesboro, Georgia I'luirsdav, February 27, 1!17,»JC Marshall Tucker Band Coming Wednesday Since 1969, when The Allman drums, and percussion; and Brothers Band became the first Jerry Eubands, alto sax, flute, original blues and boogie band in and vocals. the South, there have been Lead guitarist Toy Caldwell several additions to the list. explains, "When we formed this Among these are the Marshall band, we said, 'Man, let's quit Tucker Band and Grinder Switch, doing all this copy music and try appearing March 5 at the Hanner to be a little more original about Fieldhouse. it all. Let's play what we want to The Marshall Tucker Band, one play.' " Their determination to of the South's biggest blues rock "go for broke" and devote all of groups, is based in Spartanburg, their efforts towards the success South Carolina. -
Saturday, Sept. 8, 2012 Harnessracingupdate.Com
Saturday, Sept. 8, 2012 Kentuckiana To Downsize...p2 Quigley, Stillings to Hall...p2 harnessracingupdate.com Big Night at Mohawk...p3 (732) 530-6678 Towers: Do Times Really [email protected] Matter?...p4 Chapter Seven Beaten by a Hot Shot Hot Shot Blue Chip won for just the third time this year By Bill Finley from 14 starts and had seemed outclassed against Chap- On paper, it looked pretty easy for Chapter Seven last ter Seven and Mister Herbie, but he came through when it night at Vernon Downs in the Credit Winner. He only had to mattered in the stretch. beat three horses and the second choice, Mister Herbie, “I just wanted to sit as long as possible,” Callahan said. was the same horse he had just whipped in the Nat Ray at “As soon as I felt Trond nudge off my back I moved my the Meadowlands. But the 1-2 horse and the horse did the favorite wasn’t good enough to rest. This horse has a lot of hold off Hot Shot Blue Chip trot to him. You don’t make (Revenue S) in the stretch drive $1 million not being able l to of the $200,000 race. trot a quarter in 26.” Hot Shot Blue Chip won by a Bred by Blue Chip Farms head over Chapter Seven. Arch and trained by Jonas Madness was third and Mister Czernyson, Hot Shot Blue Herbie checked in fourth and Chip paid $20. The win last. pushed his career earnings Driven by Jody Jamieson from over the $1 million mark, to the four post, Mister Herbie went $1,064,492. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
Ceremonial Role Events and Ticket/Pass Distributions a Public Document 1
Agency Report of: Ceremonial Role Events and Ticket/Pass Distributions A Public Document 1. Agency Name Date Stamp California California Department of Food & Agriculture Form 802 Division, Department, or Region (if applicable) [ 32nd District Agricultural Association Designated Agency Contact (Name,Title) Ken Karns, VP Business Operations Amendment (Must Provide Explanation in Part 3.) Area Code/Phone Number E-mail Date of Original Filing: (714) 708-1500 [email protected] (month, day, year) 2. Function or Event Information Varies see spreadsht ! Yes No 2019 OC Fair Concert Series 7619 82219 !" Date(s) / / / / Provide Title/ Explanation Ticket(s)/Pass(es) provided by agency? Yes No If no: Name of Source Was ticket distribution made at the behest If yes: Yes No "!R$%&'* [ 3. Recipients tUse Section A to identify the agency’s department or unit. t Use Section B to identify an individual. t Use Section C to identify an outside organization. Number A. Name of Agency, Department or Unit of Ticket(s)/ Describe the public purpose made pursuant to the agency’s policy Passes Number B. Name of Individual of Ticket(s)/ Identify one of the following: &'* Passes Aitken, Ashleigh #$% Other Income If checking “Ceremonial Role” or “Other” describe below: 78 Job duties of the OCFEC Official require his or her attendance at the event (Policy 2.11.3.E.iii.b) #$% Other Income If checking “Ceremonial Role” or “Other” describe below: Number Name of Outside Organization C. of Ticket(s)/ Describe the public purpose made pursuant to the agency’s policy (include address and description) Passes 4. [ !!! with the requirements. -
Atlanta Rhythm Section, Firefall, Pure Prairie League, And
120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org Media Contact: Jason Nichols [email protected] Atlanta Rhythm Section, Firefall, Pure Prairie League, and The Family Stone to nd appear at 42 Annual Norfolk Harborfest®! Don’t miss the sounds of Southern Rock Saturday featuring Atlanta Rhythm Section, Firefall, and Pure Prairie League on Saturday, June 9, 2018 AND Soul Rock Legend, The Family Stone, on Sunday, June 10, 2018. FREE * Open to the public * Rain or shine Norfolk, Virginia (November 28, 2017) – And they’re coming in hot! Norfolk Festevents is pleased to announce the first of many headliners for the 42nd Annual Norfolk Harborfest®! Beloved by locals and visitors alike, Norfolk Harborfest® is an out-of-this-world three-day love letter to all things nautical, tradition, and community. The longest-running, free maritime festival kicks off Friday, June 8, 2018. On Southern Rock Saturday, June 9, 2018, southern rock greats, Atlanta Rhythm Section, Firefall, and Pure Prairie League will get you off your feet and dancing before one of the largest fireworks show on the East Coast begins at 9:30 pm. 120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org Atlanta Rhythm Section Performing on the Main Stage, Saturday, June 9, 2018 at 8:15 pm* For more than 30 years, members of The Atlanta Rhythm Section have entertained audiences all over the world with their hits. The members of Atlanta Rhythm Section originally came together as a session band 120 W. -
Nuevo Flamenco: Re-Imagining Flamenco in Post-Dictatorship Spain
Nuevo Flamenco: Re-imagining Flamenco in Post-dictatorship Spain Xavier Moreno Peracaula Submitted in fulfilment of the degree of PhD Newcastle University March 2016 ii Contents Abstract iv Acknowledgements v Introduction 1 Chapter One The Gitano Atlantic: the Impact of Flamenco in Modal Jazz and its Reciprocal Influence in the Origins of Nuevo Flamenco 21 Introduction 22 Making Sketches: Flamenco and Modal Jazz 29 Atlantic Crossings: A Signifyin(g) Echo 57 Conclusions 77 Notes 81 Chapter Two ‘Gitano Americano’: Nuevo Flamenco and the Re-imagining of Gitano Identity 89 Introduction 90 Flamenco’s Racial Imagination 94 The Gitano Stereotype and its Ambivalence 114 Hyphenated Identity: the Logic of Splitting and Doubling 123 Conclusions 144 Notes 151 Chapter Three Flamenco Universal: Circulating the Authentic 158 Introduction 159 Authentic Flamenco, that Old Commodity 162 The Advent of Nuevo Flamenco: Within and Without Tradition 184 Mimetic Sounds 205 Conclusions 220 Notes 224 Conclusions 232 List of Tracks on Accompanying CD 254 Bibliography 255 Discography 270 iii Abstract This thesis is concerned with the study of nuevo flamenco (new flamenco) as a genre characterised by the incorporation within flamenco of elements from music genres of the African-American musical traditions. A great deal of emphasis is placed on purity and its loss, relating nuevo flamenco with the whole history of flamenco and its discourses, as well as tracing its relationship to other musical genres, mainly jazz. While centred on the process of fusion and crossover it also explores through music the characteristics and implications that nuevo flamenco and its discourses have impinged on related issues as Gypsy identity and cultural authenticity.