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Annual Results FY 2019/2020
Annual results FY 2019/2020 Operating margin rate at 31%, increasing significantly compared with previous fiscal years Continued decrease in overheads : new drop of €14 M compared with 2018/2019 overheads, which were already €7 M lower than the previous fiscal year Net result of €(95) M, mainly due to non-recurring items linked to the restructuring : exceptional result of €(64) M including €(60) M with no cash impact Finalization of the financial restructuring with the completion after closing of the share capital increases reserved for the Vine and Falcon funds for €193 M Saint-Denis, 29 July 2020 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, reports its annual consolidated income, which ended on 31 March 2020, as approved by the Board of Directors at its meeting on 28 July 2020. Presentation IFRS 5* Profit & Loss – € million 31 March 2019 31 March 2020 Var. 31 March 2019 31 March 2020 Var. Revenue 150,0 69,8 -80,2 148,7 69,8 -78,9 Cost of sales -121,6 -48,3 73,3 -121,4 -48,3 73,1 Operating margin 28,4 21,4 -6,9 27,3 21,4 -5,8 % of revenue 19% 31% 18% 31% Operating income -79,0 -59,1 19,9 -71,2 -59,1 12,1 % of revenue -53% -85% -48% -85% 0 Net Income -109,9 -95,1 14,8 -109,9 -95,1 14,8 % of revenue -73% -136% -74% -136% * To be compliant with IFRS 5, the activity related to the exploitation of the catalog Roissy Films, sold in March 2019, has been restated within the consolidated FY 2018/19 for a better comparison. -
Ce N'est Pas À Moi De Dire Que Fantozzi Est L'une Des Figures Les Plus
TAMASA présente FANTOZZI un film de Luciano Salce en salles le 21 juillet 2021 version restaurée u Distribution TAMASA 5 rue de Charonne - 75011 Paris [email protected] - T. 01 43 59 01 01 www.tamasa-cinema.com u Relations Presse Frédérique Giezendanner [email protected] - 06 10 37 16 00 Fantozzi est un employé de bureau basique et stoïque. Il est en proie à un monde de difficultés qu’il ne surmonte jamais malgré tous ses efforts. " Paolo Villaggio a été le plus grand clown de sa génération. Un clown immense. Et les clowns sont comme les grands poètes : ils sont rarissimes. […] N’oublions pas qu’avant lui, nous avions des masques régionaux comme Pulcinella ou Pantalone. Avec Fantozzi, il a véritablement inventé le premier grand masque national. Quelque chose d’éternel. Il nous a humiliés à travers Ugo Fantozzi, et corrigés. Corrigés et humiliés, il y a là quelque chose de vraiment noble, n’est-ce pas ? Quelque chose qui rend noble. Quand les gens ne sont plus capables de se rendre compte de leur nullité, de leur misère ou de leurs folies, c’est alors que les grands clowns apparaissent ou les grands comiques, comme Paolo Villaggio. " Roberto Benigni " Ce n’est pas à moi de dire que Fantozzi est l’une des figures les plus importantes de l’histoire culturelle italienne mais il convient de souligner comment il dénonce avec humour, sans tomber dans la farce, la situation de l’employé italien moyen, avec des inquiétudes et des aspirations relatives, dans une société dépourvue de solidarité, de communication et de compassion. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
De Filmkrant Van Filmkrant De
FILMTHEATER See all you can see met: HILVERSUM JUBILEUM DE FILMKRANT VAN WWW.FILMTHEATERHILVERSUM.NL Stichting Filmtheater Hilversum | Herenplein 5 | 1211DR Hilversum | 035 6235466 | PROGRAMMA Luc Freijer |TEKST Daniëlle van Nispen & Luc Freijer |EINDREDACTIE Anky Mulders ARTWORK Fred Trappenburg 6 SEPTEMBER T/M 10 OKTOBER Opening NIEMAND Filmfestival SIR IN WAD Hilversum OVERLEVEN DE OP DE GRENS STAD VAN WATER John Lennon & COLD EN LAND Yoko Ono WAR Zie pag. 3 IMAGINE Zie pag. 4 Zie pag. 3 Zie pag. 3 Zie pag. 3 en nieuw misdaadverhaal van de maker van logische proporties afspeelt. Marcello Fonte won WOENSDAG ‘Gomorra’, over een Italiaanse hondentrim- voor zijn rol de Gouden Palm voor Beste Acteur op VOORPREMIÈRE-AVOND DOGMAN Emer die in louche zaken verwikkeld raakt. het Cannes Filmfestival. e nieuwste films eerder tegen een extra Gebaseerd op ware gebeurtenissen. scherpe prijs! Kaartjes zijn slechts € 6,50. Italië 2018 102 min. Regie Matteo Garrone D Marcello bezit een hondentrimsalon in een ver- Met Marcello Fonte, Alida Baldari Calabria, De voorpremières deze maand: vallen buitenwijk aan de Italiaanse kust. Hij is een Nunzia Schiano, Edoardo Pesce bescheiden man, houdt van zijn werk en wordt zeer gewaardeerd door zijn buurtgenoten. De rust in de VANAF 5 SEPTEMBER 4ght wijk wordt verstoord als Simone, een ex-bokser ver- slaafd aan cocaïne, vrijkomt en de buurt terroriseert. De onzekere Marcello laat zich door Simone meesle- pen in een spiraal van geweld. Wanneer Marcello zich voor de zoveelste keer verraden ziet door Simone, is 5 september Dogman de maat vol en begint hij te zinnen op wraak. 12 september La Prière, Maria by Callas Regisseur Garonne toont in ‘Dogman’ een Italië 19 september The Children Act dat je nergens op de ansichtkaarten ziet. -
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Natale a Miami
Natale a Miami Luigi e Aurelio De Laurentiis presentano Natale a Miami regia di NERI PARENTI Distribuzione Natale a Miami CAST ARTISTICO (crediti non contrattuali) Ranuccio Massimo Boldi Giorgio Christian De Sica Mario Massimo Ghini Stella Vanessa Hessler Paolo Francesco Mandelli Lorenzo Giuseppe Sanfelice Diego Paolo Ruffini Daniela Raffaella Bergé Tiziana Caterina Vertova CAST TECNICO Regia Neri Parenti Soggetto e Sceneggiatura Neri Parenti, Fausto Brizzi, Marco Martani Fotografia Tani Canevari Scenografia Gerry Del Monico, Maurizio Marchitelli Costumi Nicoletta Ercole e Nadia Vitali Montaggio Luca Montanari Effetti Speciali Ottici Proxima Direttore di Produzione Elisabetta Bartolomei Produttore Esecutivo Maurizio Amati Line Producer Luigi De Laurentiis Prodotto da Aurelio De Laurentiis Distribuzione Filmauro Uscita 16 dicembre 2005 Durata 100 m Per ulteriori informazioni: Ufficio Stampa Filmauro 06 69958442 pressoffice@filmauro. Natale a Miami Siamo alla vigilia delle vacanze natalizie. RANUCCIO (Massimo Boldi), GIORGIO (Christian De Sica) e PAOLO (Francesco Mandelli) hanno in comune un destino sfortunato. Tutti e tre vengono lasciati dalle rispettive mogli e compagne. Tutti e tre cadono nella stessa terribile depressione. Giorgio si rifugia tra le braccia del suo migliore amico, MARIO (Massimo Ghini) in partenza per Miami per raggiungere la sua ex moglie e la figlia STELLA (Vanessa Hessler). Decide quindi di raggiungerlo in Florida nel tentativo di dimenticare la moglie DANIELA (Raffaella Bergè). Folle di gelosia per la moglie fuggita con un altro, Giorgio sarà oggetto di spudorate seduzioni da parte di Stella, da sempre innamorata di lui. Mentre Mario dovrà inventarsi mille storie per non far scoprire all’amico un segreto imbarazzante. Ranuccio si unisce al figlio ventenne Paolo, in partenza per una eccitante vacanza a Miami con due suoi amici, DIEGO (Paolo Ruffini) e LORENZO (Giuseppe Sanfelice). -
Elenco Film Dal 2015 Al 2020
7 Minuti Regia: Michele Placido Cast: Cristiana Capotondi, Violante Placido, Ambra Angiolini, Ottavia Piccolo Genere: Drammatico Distributore: Koch Media Srl Uscita: 03 novembre 2016 7 Sconosciuti Al El Royale Regia: Drew Goddard Cast: Chris Hemsworth, Dakota Johnson, Jeff Bridges, Nick Offerman, Cailee Spaeny Genere: Thriller Distributore: 20th Century Fox Uscita: 25 ottobre 2018 7 Uomini A Mollo Regia: Gilles Lellouche Cast: Mathieu Amalric, Guillaume Canet, Benoît Poelvoorde, Jean-hugues Anglade Genere: Commedia Distributore: Eagle Pictures Uscita: 20 dicembre 2018 '71 Regia: Yann Demange Cast: Jack O'connell, Sam Reid Genere: Thriller Distributore: Good Films Srl Uscita: 09 luglio 2015 77 Giorni Regia: Hantang Zhao Cast: Hantang Zhao, Yiyan Jiang Genere: Avventura Distributore: Mescalito Uscita: 15 maggio 2018 87 Ore Regia: Costanza Quatriglio Genere: Documentario Distributore: Cineama Uscita: 19 novembre 2015 A Beautiful Day Regia: Lynne Ramsay Cast: Joaquin Phoenix, Alessandro Nivola, Alex Manette, John Doman, Judith Roberts Genere: Thriller Distributore: Europictures Srl Uscita: 01 maggio 2018 A Bigger Splash Regia: Luca Guadagnino Cast: Ralph Fiennes, Dakota Johnson Genere: Drammatico Distributore: Lucky Red Uscita: 26 novembre 2015 3 Generations - Una Famiglia Quasi Perfetta Regia: Gaby Dellal Cast: Elle Fanning, Naomi Watts, Susan Sarandon, Tate Donovan, Maria Dizzia Genere: Commedia Distributore: Videa S.p.a. Uscita: 24 novembre 2016 40 Sono I Nuovi 20 Regia: Hallie Meyers-shyer Cast: Reese Witherspoon, Michael Sheen, Candice -
Nemla Italian Studies
Nemla Italian Studies Journal of Italian Studies Italian Section Northeast Modern Language Association Editor: Simona Wright The College of New Jersey Volume xxxi, 20072008 i Nemla Italian Studies (ISSN 10876715) Is a refereed journal published by the Italian section of the Northeast Modern Language Association under the sponsorship of NeMLA and The College of New Jersey Department of Modern Languages 2000 Pennington Road Ewing, NJ 086280718 It contains a section of articles submitted by NeMLA members and Italian scholars and a section of book reviews. Participation is open to those who qualify under the general NeMLA regulations and comply with the guidelines established by the editors of NeMLA Italian Studies Essays appearing in this journal are listed in the PMLA and Italica. Each issue of the journal is listed in PMLA Directory of Periodicals, Ulrich International Periodicals Directory, Interdok Directory of Public Proceedings, I.S.I. Index to Social Sciences and Humanities Proceedings. Subscription is obtained by placing a standing order with the editor at the above The College of New Jersey address: each new or back issue is billed $5 at mailing. ********************* ii Editorial Board for This Volume Founder: Joseph Germano, Buffalo State University Editor: Simona Wright, The College of New Jersey Associate Editor: Umberto Mariani, Rutgers University Assistant to the Editor as Referees: Umberto Mariani, Rugers University Federica Anichini, The College of New Jersey Daniela Antonucci, Princeton University Eugenio Bolongaro, McGill University Marco Cerocchi, Lasalle University Francesco Ciabattoni, Dalhousie University Giuseppina Mecchia, University of Pittsburgh Maryann Tebben, Simons Rock University MLA Style Consultants: Framcesco Ciabattoni, Dalhousie University Chiara Frenquellucci, Harvard University iii Volume xxxi 20072008 CONTENTS Acrobati senza rete: lavoro e identità maschile nel cinema di G. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
Marlina the Murderer in Four Acts
JANUARY 2019 MARLINA THE MURDERER IN FOUR ACTS “velveteen glamour and brilliant programming...” (The Guardian) “possibly Britain’s most beautiful cinema..” (BBC) JANUARY 2019 • ISSUE 166 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm All-embracing, inclusive, diverse, International. More to come from somewhere else… ith no time for no doubt continue to be. posing as arty, So we will pro-actively go Wholy or worthy, we out and find them. These are are netting the best and most to be included in among the interesting new films from general popular releases, Europe and other countries which will also include CONTENTS throughout the year now documentaries and other there are more available to us interesting independent Films At A Glance 16-17 than has been for months. releases. So watch out for Rants & Pants 27 We will continue this until them and come. You will they dry up again. We are be surprised BOX OFFICE: 01442 877759 aware to have severely how diverse, neglected world cinema in exciting and Mon to Sat 10.30-6.30 2018, purely because the beautiful they Sun 4.30-5.30 releases available to us in the are, even the UK have been scarce and will brutal ones. SEAT PRICES Circle £9.50 FILMS OF THE MONTH Concessions/ABL £8.00 Back Row £8.00 Table £11.50 Concessions/ABL £10.00 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 Matinees - Upstairs £5, Downstairs £6.50, Royal Box £10 Disabled and flat access: through the gate on High Street (right of apartments) Shoplifters (Japan) Dogman (Italy) Mon 7th 7.30pm, Tue 8th 2pm Mon 14th 7.30pm See page 13 See page 18 Director: James Hannaway 01442 877999 Advertising: Chloe Butler THE FOOD AND DRINK AND 01442 877999 Artwork: Demiurge Design ROCK AND ROLL TOUR 01296 668739 The Rex Tickets on sale 1 February. -
Non Si Ruba a Casa Dei Ladri - Il Film
Non si ruba a casa dei ladri - Il Film Domenico Palattella (122) “Non si ruba a casa dei ladri”: Salemme e la differenza tra una “grassa” risata e una di “classe” Quante volte si sente dire in giro, sia presso gli esperti del settore, che tra gli appassionati, “ah ma il cinema del passato era tutta un’altra cosa”. Più classe, più stile, più talento cinematografico, quello che per inteso, issò il cinema italiano, come il più importante del mondo. Soprattutto nella commedia questa differenza di stile è più evidente che mai. Forse perché non si fa più la gavetta, forse perché mancano Maestri di tale genere. Eppure nella moderna commedia all’italiana non mancano gli specialisti del genere, alcuni di essi di altissimo valore. Non è un caso che uno dei migliori attori della moderna commedia all’italiana sia ritenuto un po’ da tutti, l’attore napoletano Vincenzo Salemme. Salemme, classe 1957, è l’ultimo grande esponente dell’arte della commedia, che vede nella lingua e nell’ambientazione napoletana la maniera migliore per esprimersi. Salemme, comico e attore sensibile e intelligente, viene da una tradizione precisa, quella di Eduardo e sa come si fanno le commedie, sa qual è il valore dei tempi, delle battute, dei passaggi di consegna. Il suo teatro, come il suo cinema, non è “vintage” ma è la ripetizione felice e creativa di un modello di commedia che ha illustri precedenti. A differenza di altri comici prestati al cinema, Salemme non si esaurisce perché la sua formula, pur sempre fondata su identici dispositivi, in qualche modo si rinnova. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.