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César Franck's Violin Sonata in a Major
Honors Program Honors Program Theses University of Puget Sound Year 2016 C´esarFranck's Violin Sonata in A Major: The Significance of a Neglected Composer's Influence on the Violin Repertory Clara Fuhrman University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/honors program theses/21 César Franck’s Violin Sonata in A Major: The Significance of a Neglected Composer’s Influence on the Violin Repertory By Clara Fuhrman Maria Sampen, Advisor A thesis submitted in partial fulfillment of the requirements as a Coolidge Otis Chapman Scholar. University of Puget Sound, Honors Program Tacoma, Washington April 18, 2016 Fuhrman !2 Introduction and Presentation of My Argument My story of how I became inclined to write a thesis on Franck’s Violin Sonata in A Major is both unique and essential to describe before I begin the bulk of my writing. After seeing the famously virtuosic violinist Augustin Hadelich and pianist Joyce Yang give an extremely emotional and perfected performance of Franck’s Violin Sonata in A Major at the Aspen Music Festival and School this past summer, I became addicted to the piece and listened to it every day for the rest of my time in Aspen. I always chose to listen to the same recording of Franck’s Violin Sonata by violinist Joshua Bell and pianist Jeremy Denk, in my opinion the highlight of their album entitled French Impressions, released in 2012. After about a month of listening to the same recording, I eventually became accustomed to every detail of their playing, and because I had just started learning the Sonata myself, attempted to emulate what I could remember from the recording. -
Phd April 2019 Pp
The University of Adelaide Elder Conservatorium of Music Faculty of Arts Revisiting George Enescu’s 1921 Bucharest Recital Series: a performance-based investigation with recordings and exegesis. by Elizabeth Layton submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) Adelaide, April 2019 Table of Contents Abstract 5 Declaration 6 Acknowledgements 7 List of Musical Examples 8 List of Tables 11 Introduction 12 PART A: Sound recordings 22 A.1 CD 1 Tracks 1-4 Pierre de Bréville, Sonata no. 1 in C # minor 39:17 Tracks 5-8 Gabriel Fauré, Sonata no. 1 in A major, Op. 13 26:14 A.2 CD 2 Tracks 1-4 André Gédalge, Sonata no. 1 in G major, Op. 12 23:39 Tracks 5-7 Claude Debussy, Sonata in G minor (performance 1) 13:44 Tracks 8-10 Claude Debussy, Sonata in G minor (performance 2) 13:36 A.3 CD 3 Tracks 1-3 Ferruccio Busoni, Sonata no. 2 in E minor, Op. 36a 34:25 Tracks 4-7 Zygmunt Stojowski, Sonata no. 2 in E minor, Op. 37 29:30 A.4 CD 4 Tracks 1-4 Louis Vierne, Sonata in G minor, Op. 23 32:44 Tracks 5-7 Stan Golestan, Sonata in E flat major 26:56 Tracks 8-10 George Enescu, Sonata in F minor, Op. 6 22:34 PART B: Exegesis Chapter 1 George Enescu: Musician, and his path to the 1921 Bucharest Recital Series 27 1.1 Understanding the context and motivation behind the series 35 2 Chapter 2 The 1921 Bucharest Recital Series 38 2.1 Recital 1: Haydn, d’Indy, Bertelin 38 2.2 Recital 2: Mozart, Busoni, Vierne 39 2.3 Recital 3: Sjögren, Schubert, Lauweryns 41 2.4 Recital 4: Weingartner, Stojowski, Beethoven 42 2.5 Recital 5: Bargiel, Haydn, Golestan 42 2.6 Recital 6: Le Boucher, Mozart, Saint-Saëns 43 2.7 Recital 7: Gédalge, Dvorák, Debussy, Schumann 44 2.8 Recital 8: Huré, Bach, Lekeu 45 2.9 Recital 9: Beethoven, Fauré, Franck 46 2.10 Recital 10: Gallon, de Bréville, Beethoven 48 2.11 Recital 11: Magnard, Le Flem, Brahms 49 2.12 Recital 12: Franck, Enescu, Beethoven 49 Chapter 3 Performance notes on nine sonatas selected from the 1921 Bucharest Recital Series 3.1 Pierre de Bréville, Sonata no. -
Wednesday Playlist
October 16, 2019: (Full-page version) Close Window “The only love affair I have ever had was with music.” —Maurice Ravel Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Overture ~ A Midsummer Night’s Dream, Op. 00:01 Buy Now! Mendelssohn Cleveland Orchestra/Szell CBS Records 37760 07464377602 Awake! 21 00:13 Buy Now! Mozart Flute Concerto No. 1 in G, K. 313 Galway/Chamber Orchestra of Europe RCA Victor 7861 078635786125 Rhine Chamber Orchestra of 00:40 Buy Now! Gluck Suite ~ Don Juan Ballet Christophorus 74507 n/a Cologne/Corazolla 01:01 Buy Now! Chopin Scherzo No. 2 in B flat minor, Op. 31 Ivan Moravec Dorian 90140 053479014023 01:12 Buy Now! Tchaikovsky Symphony No. 5 in E minor, Op. 64 Chicago Symphony/Abbado Sony 42094 0746442094 01:59 Buy Now! Zelenka Capriccio No. 4 in A Camerata Bern/Wijnkoop Archiv Produktion 423 703 028942370326 02:27 Buy Now! Haydn Symphony No. 047 in G, "Palindrome" Austro-Hungarian Haydn Orchestra/Fischer Nimbus 5531 710357553028 02:48 Buy Now! Wagner Good Friday Music ~ Parsifal Basel Symphony/Jordan Erato 88015 326965880152 03:01 Buy Now! Mozart Piano Sonata No. 15 in C, K. 545 Marc-Andre Hamelin Hyperion 68029 034571280295 03:10 Buy Now! Mendelssohn String Quartet in E flat, Op. 12 Juilliard String Quartet Sony 60579 074646057926 03:36 Buy Now! Massenet Alsatian Scenes Monte Carlo Opera Orchestra/Gardiner Erato 45859 022924585920 04:00 Buy Now! Bach Flute Sonata in E minor, BWV 1034 Galway/Moll/Cunningham RCA 62555 090266255528 04:16 Buy Now! Brahms Sixteen Waltzes, Op. -
Rachael Dobosz Senior Recital
Thursday, May 11, 2017 • 9:00 p.m Rachael Dobosz Senior Recital DePaul Recital Hall 804 West Belden Avenue • Chicago Thursday, May 11, 2017 • 9:00 p.m. DePaul Recital Hall Rachael Dobosz, flute Senior Recital Beilin Han, piano Sofie Yang, violin Caleb Henry, viola Philip Lee, cello PROGRAM César Franck (1822-1890) Sonata for Flute and Piano Allegretto ben Moderato Allegro Ben Moderato: Recitativo- Fantasia Allegretto poco mosso Beilin Han, piano Lowell Liebermann (B. 1961) Sonata for Flute and Piano Op.23 Lento Presto Beilin Han, piano Intermission John La Montaine (1920-2013) Sonata for Piccolo and Piano Op.61 With driving force, not fast Sorrowing Searching Playful Beilin Han, piano Rachael Dobosz • May 11, 2017 Program Wolfgang Amadeus Mozart (1756-1791) Quartet in C Major, KV 285b Allegro Andantino, Theme and Variations Sofie Yang, violin Caleb Henry, viola Philip Lee, cello Rachael Dobosz is from the studio of Alyce Johnson. This recital is presented in partial fulfillment of the degree Bachelor of Music. As a courtesy to those around you, please silence all cell phones and other electronic devices. Flash photography is not permitted. Thank you. Rachael Dobosz • May 11, 2017 Program notes PROGRAM NOTES César Franck (1822-1890) Sonata for Flute and Piano Duration: 30 minutes César Franck was a well known organist in Paris who taught at the Paris Conservatory and was appointed to the organist position at the Basilica of Sainte-Clotilde. From a young age, Franck showed promise as a great composer and was enrolled in the Paris Conservatory by his father where he studied with Anton Reicha. -
Graduate Recital: Robin Alfieri, Violin Robin Alfieri
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 2-5-2011 Graduate Recital: Robin Alfieri, violin Robin Alfieri Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Alfieri, Robin, "Graduate Recital: Robin Alfieri, violin" (2011). All Concert & Recital Programs. 19. http://digitalcommons.ithaca.edu/music_programs/19 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Graduate Recital: Robin Alfieri, violin Mary Holzhauer, piano and harpsichord Rachel Fannick, piano Bradley Pipenger, clarinet Hockett Family Recital Hall Saturday, February 5, 2011 4:00 p.m. Program Suite in A major, BWV 1025 J.S. Bach after Fantasia Silvius Leopold Weiss Courante 1685-1750, 1686-1750 Entrée Rondeau Sarabande Menuet Allegro Serenade for Three Peter Schickele Dances b. 1935 Songs Variations Rachel Fannick, piano Bradley Pipenger, clarinet Intermission Concerto in A major, KV 219 Wolfgang Amadeus Mozart Allegro aperto 1756-1791 Sonata in D major, Op. 94b Sergei Prokofiev Moderato 1891-1953 Presto Andante Allegro con brio This is a Graduate Recital in partial fulfillment of a Master of Music in Suzuki Pedagogy. Robin Alfieri is from the studios of Nicholas DiEugenio and Sanford Reuning. Program Notes Suite in A Major, BWV 1025 Suite in A major, which has been attributed to J.S. Bach (1685-1750), was originally written by Silvius Leopold Weiss (1686-1750). Weiss was regarded as the greatest lutenist of the Baroque period and was a contemporary of Bach. -
The Development of the French Violin Sonata
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Tasmania Open Access Repository THE DEVELOPMENT OF THE FRENCH VIOLIN SONATA (1860 – 1910) BY DAVID ROGER LE GUEN B.Mus., The Australian National University, 1999 M.Mus., The University of Tasmania, 2001 Submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy (Violin Performance) University of Tasmania Hobart (May, 2006) ii DECLARATION This exegesis contains the results of research carried out at the University of Tasmania Conservatorium of Music between 2003 and 2006. It contains no material that, to my knowledge, has been accepted for a degree or diploma by the University or any other institution, except by way of background information that is duly acknowledged in the exegesis. I declare that this exegesis is my own work and contains no material previously published or written by another person except where clear acknowledgement or reference has been made in the text. This exegesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Date: David Le Guen iii ACKNOWLEDGMENTS I would like to thank the supervisors of my exegesis Dr Anne-Marie Forbes, Dr Marina Phillips and my violin teachers, Mr. Yun Yi Ma and Mr. Peter Tanfield, for their guidance and support throughout my studies. My special thanks to Professor Jan Sedivka, my mentor, who not only provided me with the inspiration for undertaking this research, but whose words of wisdom and support have also given me so much joy and motivation throughout my years of study in Hobart. -
Vorwort Bei Paris Nieder (Heute Quincy-Sous- Und Namentlich Die Neue Sonate – Wie Sénart)
Vorwort bei Paris nieder (heute Quincysous und namentlich die neue Sonate – wie Sénart). Den Datierungen am Ende der derum vom Duo Ysaÿe/BordesPène vier Sätze zufolge – 24. August, 1., 8. vorgetragen – fand begeisterte Zustim und 15. September 1886 – ging die mung. Komposition sehr rasch von statten. Al Zu diesem Zeitpunkt hatte Franck Ein Großteil der heute fest im Konzert lerdings trägt die Handschrift deut die Stichvorlage, eine heute verscholle repertoire verankerten Werke César lich den Charakter eines noch nicht ne, vermutlich eigenhändige Abschrift Francks (1822 – 90) – etwa das Kla ganz vollständig ausgearbeiteten Ar der Partitur, bereits dem Pariser Ver vierquintett, das Streichquartett, die beitsmanuskripts. In der rasch folgen leger Julien Hamelle übergeben; der Variations symphoniques für Klavier den zweiten Niederschrift vervollstän am 14. November begonnene Stich (vgl. und Orchester oder die Symphonie digte Franck das Manuskript zur end Fauquet, Franck, S. 644) war dann je dmoll – entstand erst in den letzten gültigen Partitur und arbeitete außer doch aus unbekannten Gründen ins Lebensjahren des Komponisten. Dazu dem einige Passagen in den Sätzen II Stocken geraten, sodass sich die Veröf zählt auch seine 1886 geschriebene und III um. Hinzu kam nun auch die fentlichung bis ins nachfolgende Früh Violinsonate Adur, die sich jedoch Widmung an den jungen belgischen jahr hinzog. In einem Brief Francks im Gegensatz zu anderen Spätwerken Geiger Eugène Ysaÿe (1858 – 1931), an Hamelle vom 9. Februar 1887 heißt noch zu seinen Lebzeiten im Kon den Franck durch Vermittlung von es: „Ich sende Ihnen hiermit die Vio zertsaal durchsetzen konnte. Für die Henry Vieuxtemps 1877 in Paris ken linstimme meiner Sonate zurück, eine „bande à Franck“, wie Francks engerer nengelernt und der mit seiner makello weitere Fahne ist nicht mehr nötig. -
Supraphon Classical Music Catalogue 2019
s cla ssical music cat alogue 2020 Pavel Haas Quarte t 2 # Gramophone Award, 2007 # BBC Music Magazine Award, 2007 # BBC Radio 3 Disc of the Week, 2006 # Supersonic Award of Pizzicato, 2006 SU 3877-2 # BBC Music Magazine Chamber Choice, 2008 # BBC Radio 3 Disc of the Week, 2007 # Gramophone Editor’s Choice, 2008 # Cannes Classical Award, MIDEM 2009 SU 3922-2 # Gramophone Disc of the Month, 2010 # BBC Radio 3 Disc of the Week, 2010 # Caecilia, 2010 # Diapason d’Or de l’Année, 2010 # Choc de Classica, 2011 SU 3957-2 # Gramophone Award, Recording of the Year, 2011 # BBC Music Magazine Disc of the Month, 2010 # Sunday Times Album of the Week, 2010 # ClassicsToday Disc of the Month, 2011 SU 4038-2/1 # Gramophone Award, 2014 SU 4110-2 # Gramophone Award, 2015 # BBC Music Magazine Award, 2016 # Presto Classical Recordings of the Year, 2016 # Sinfini Best Chamber Album of the Year, 2015 # BBC Radio 3 Disc of the Week, 2015 # MusicWeb International Recording of the Month, 2015 SU 4172-2/1 SU 3877-2 SU 3922-2 SU 3957-2 SU 4038-2/1 # Gramophone Award, 2018 # Presto Classical Recordings of the Year, 2017 # Gramophone Editor’s Choice, 2017 # BBC Music Magazine Disc of the Month, 2017 # Sunday Times Album of the Week, 2017 # Diapason d’Or, 2018 SU 4195-2/1 # Presto Classical Recording of the Week, 2019 # Europadisc Disc of the Week, 2019 # The Times 100 Best Records of the Year, 2019 SU 4110-2 SU 4172-2/1 SU 4195-2/1 SU 4271-2 SU 4271-2 tomáš NetoPil co ndu ctor 3 You hear everything and yet not a single note obtrudes. -
Boston Symphony Orchestra Concert Programs, Season 83,1963-1964, Trip
JANUARY 15, 1964 PROMPTER <', Beautiful Galina Samtsova, new star of National Ballet of Canada (Page 7) Joan Sutherland Concert Next Month . Announcement Boston Symphony Orchestra Program iUSHNELL MEMORIAL "Samson and Delilah" Program 66 Capitol Avenue iartford, Connecticut 06103 Film on Israel Booked Announcement BUSHNELL center of Conneclio.il living since 1847 PROMPTER GrFOX'CQ Hartford 15, Connecticut JANUARY 15, 1964. Page Entertainment Guide. ... 3 Programs Boston Symphony Orchestra . 9 "Samson and Delilah" ... 13 Articles and Features Amazing Joan Sutherland Coming 6 National Ballet of Canada . 7 Story of "Samson and Delilah" . 12 Israel New Film Subject . .14 Curtain Talk 15 MAGNAVOX ASTROSONIC STEREO . Published on the 1st and 15th of each month by EXCITING TO SEE AND HEAR the Horace Bushnell Memorial Hall Corporation. Subscription $1 a year for 24 issues. Subscrip- tions are included with all season ticket purchases Bushnell Lecture Magnavox Astrosonic high fidelity stereo . truly a treat to the eye and to: Bushnell Symphony Series: Course; Civic Music Association Series. ear. Carefully crafted and tastefully styled furniture cabinets with exciting dimension and realism in sound. Inside and outside, here is beauty to Box Office Information The Bushnell Memorial Box Office opens daily, listening complement any room. A wonderful new concept in enjoyment. except Sundays, at 10 a. m. For ticket information call 525-3177. Please avoid calling between 12 All have solid state circuitry tubes), record changer with (no Micromatic noon and 2 p. m. Mail Orders: Be sure to enclose stamped self- 1 year stylus guarantee. All with AM/FM and FM Stereo radio. addressed return envelope. -
Light & Matter
THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC LIGHT & MATTER JENNIFER KOH, vIOLIN ANSSI KARTTUNEN, cELLO IEVA JOKUBAVICIUTE, pIANO Friday, May 22, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions, contemporary music and its performers. Presented in association with the European Month of Culture Part of National Chamber Music Month Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Friday, May 22, 2015 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC LIGHT & MATTER JENNIFER KOH, vIOLIN ANSSI KARTTUNEN, cELLO IEVA JOKUBAVICIUTE, pIANO • Program CLAUDE DEBUSSY (1862–1918) Sonate pour Violoncelle et Piano (1915) Prologue: Lent, Sostenuto e molto risoluto–(Agitato)–au Mouvt (largement déclamé)–Rubato–au Mouvt (poco animando)–Lento Sérénade: Modérément animé–Fuoco–Mouvt–Vivace–Meno mosso poco– Rubato–Presque lent–1er Mouvt–au Mouvt– Finale: Animé, Léger et nerveux–Rubato–1er Mouvt–Con fuoco ed appassionato–Lento. -
Season 20 Season 2011-2012
Season 2020111111----2020202011112222 The Philadelphia Orchestra Thursday, February 23, at 8:00 Friday, February 242424,24 , at 222:002:00:00:00 Saturday, February 252525,25 , at 8:00 Rafael Frühbeck de Burgos Conductor Emanuel Ax Piano Mozart Serenade in D major, K. 239 (“Serenata notturna”) I. Marcia: Maestoso II. Menuetto—Trio—Menuetto da capo III. Rondeau: Allegretto—Allegro David Kim, violin Kimberly Fisher, violin Kirsten Johnson, viola Michael Shahan, double bass Mozart Piano Concerto No. 25 in C major, K. 503 I. Allegro maestoso II. Andante III. Allegretto Intermission Brahms Symphony No. 1 in C minor, Op. 68 I. Un poco sostenuto—Allegro II. Andante sostenuto III. Un poco allegretto e grazioso IV. Adagio—Più andante—Allegro non troppo, ma con brio—Più allegro This program runs approximately 2 hours. A regular guest with North America’s top orchestras, Rafael Frühbeck de Burgos conducts the Cincinnati, Boston, Pittsburgh, Saint Louis, and Montreal symphonies, and the Los Angeles and New York philharmonics in the 2011-12 season. He appears annually at the Tanglewood Music Festival and regularly with the National, Chicago, and Toronto symphonies. Born in Burgos, Spain, in 1933, Mr. Frühbeck studied violin, piano, music theory, and composition at the conservatories in Bilbao and Madrid and conducting at Munich’s Hochschule für Musik, where he graduated summa cum laude and was awarded the Richard Strauss Prize. From 2004 to 2011 he was chief conductor and artistic director of the Dresden Philharmonic. With the 2012-13 season he takes up the post of chief conductor of the Danish National Orchestra. -
David Finckel, Cello Wu Han, Piano
Sunday, November 24, 2019, 3pm Hertz Hall David Finckel, cello Wu Han, piano PROGRAM Ludwig van BEETHOVEN (1770–1827) Cello Sonata No. 3 in A major, Op. 69 Allegro ma non tanto Scherzo: Allegro molto Adagio cantabile – Allegro vivace Johannes BRAHMS (1833–1897) Cello Sonata No. 2 in F major, Op. 99 Allegro vivace Adagio affettuoso Allegro passionato – Trio Allegro molto INTERMISSION Claude DEBUSSY (1862–1918) Nocturne and Scherzo for Cello and Piano César FRANCK (1822–1890) Violin Sonata in A Major (trans. cello) Allegro ben moderato Allegro Recitativo-fantasia (Ben moderato – Molto lento) Allegretto poco mosso David Finckel and Wu Han appear by arrangement with David Rowe Artists (www.davidroweartists.com). Public Relations and Press Representative: Milina Barry PR (www.milinabarrypr.com) David Finckel and Wu Han recordings are available exclusively through ArtistLed (www.artistled.com). Artist website: www.davidfinckelandwuhan.com Wu Han performs on the Steinway Piano. This performance is made possible, in part, by Patron Sponsors Will and Linda Schieber. Cal Performances’ 2019–20 season is sponsored by Wells Fargo. 21 PROGRAM NOTES Ludwig van Beethoven The cello and piano continue trading motifs, Cello Sonata No. 3 in A major, Op. 69 each repeating what the other has just played. Beethoven composed the Sonata in A major— A heroic closing theme is the culmination of one of the greatest works in the cello litera- the section and a brief, contemplative recollec- ture—between 1807 and 1808, in the midst of tion of the opening motif leads to the repeat one of his most phenomenally prolific periods of the exposition.