Bill Withers Lovely Day Mp3, Flac, Wma

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Bill Withers Lovely Day mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Lovely Day Country: UK Released: 1977 Style: Soul MP3 version RAR size: 1824 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1581 mb Rating: 4.4 Votes: 856 Other Formats: AC3 AU RA ADX MP3 MPC FLAC Tracklist Hide Credits Lovely Day A 3:46 Strings [Arranged By] – Clarence McDonald It Ain't Because Of Me Baby B 3:31 Strings, Horns [Arranged By] – Paul Riser Companies, etc. Phonographic Copyright (p) – CBS Inc. Published By – Golden Withers Music Published By – Chappell & Co. Ltd. Pressed By – CBS Pressing Plant, Aston Clinton Credits Producer – Bill Withers, Clarence McDonald Written-By – Bill Withers, M. Jones* (tracks: B), S. Scarborough* (tracks: A) Notes Non-punchout center hole. Made in England. ℗ 1977 CBS Inc. Side A published by Chappell & Co. Side B published by Golden Withers Music. Both tracks taken from the album Menagerie. Barcode and Other Identifiers Matrix / Runout (Side A label): S CBS 5773A* Matrix / Runout (Side B label): S CBS 5773B* Matrix / Runout (Side A runout, etched / ("B" stamped)): CBS-S-5773-A-3 B Matrix / Runout (Side B runout, etched ("C" stamped)): CBS-S-5773-B-2 C Other versions Category Artist Title (Format) Label Category Country Year CBS 5773 Bill Withers Lovely Day (7", Single) CBS CBS 5773 Netherlands 1977 CBS S 5773 Bill Withers Lovely Day (7", Single, Promo) CBS CBS S 5773 Germany 1977 S CBS 5773 Bill Withers Lovely Day (7", Kno) CBS S CBS 5773 UK 1977 CBS S 5773 Bill Withers Lovely Day (7") CBS CBS S 5773 Germany 1977 S CBS 5773 Bill Withers Lovely Day (7", Single, Inj) CBS S CBS 5773 UK 1977 Related Music albums to Lovely Day by Bill Withers Bill Withers - Bill Withers' Greatest Hits Bill Withers - Family Table Bill Withers - The Best Of Bill Withers - Menagerie Bill Withers - Still Bill Bill Withers - Lovely Days Bill Withers - The Best Of Bill Withers Bill Withers - Ain't No Sunshine.

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Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless.
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Journal of Interdisciplinary Science Topics Lean on Me – Can Bill Withers stay true to his word? Jake Morris & Matt Perkins The Centre for Interdisciplinary Science, University of Leicester 27/03/2018 Abstract This paper aims to calculate the amount of force that Bill Withers would have to exert in order to support the people that have listened, or are listening to his song, Lean on Me, based upon the analytics from YouTube and Spotify. This will consider two scenarios: one in which everyone who has ever listened to his song leaned at him all at once, and another where all the concurrent listeners are leaning on him at any given time. These will be modelled through the use of component forces. The force that Bill Withers would have to exert when everyone leans on him at once, is calculated to equal 2.27×1010 N. The total force for the listeners at any given time is determined to be 19560 N. Introduction will be assumed that no sliding takes place. Bill The song Lean on Me was released in April 1972, by Withers is 1.87 m tall [4], and the average person’s the American singer songwriter Bill Withers [1]. In the height, representative of the constituents of the song Bill Withers sings “lean on me, when you’re not single mass being modelled, is 1.7 m tall [5]. If the strong”. This raises the question; what if everyone average head height, 23.9 cm [6] and neck length, that has listened, or is currently listening to the song 11 cm [7], for men, are taken away from Bill Withers’ took him up on his promise? This paper will height, the height that his shoulders are off the investigate the force Bill Withers would have to exert ground is found to be 1.52 m.
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-----------------------------------------Spins --------------------------------------- Wooden Nickel Phil Solem CD of the Week Hodgepodge BACKTRACKS $9.99 One of the reasons a fellow Bill Withers starts writing album reviews, aside from mental dysfunction, is because Still Bill (1972) he’s found an amazing album and Still Bill was the second album re- wants to share this discovery. In the leased by Bill Withers following the case of Phil Solem’s Hodgepodge, huge success of his 1971 single, “Ain’t I’ve had to sit on this self-produced No Sunshine.” Withers had the soul and self-recorded treasure for 18 vibe that blended mid-60s Motown months. At one point I was even with the soft country sound of his na- driven to contact the artist to see if there was anything I could do to tive West Virginia. help him give these incredible songs an official release. Mr. Solem The record opens with “Lonely Town, Lonely Street,” a funky was extremely accommodating and receptive, but life happened to R&B track that has a nice string arrangement and the jazzy guitar $11.99 one or both of us, and the next thing I know it’s 2011. of Benorce Blackman. It sets a positive tone for the whole record That, however, is all in the past. You can now download and and served as a backdrop for Withers’ cool vocals. “Let Me in immerse yourself in 12 astounding songs by half of the power-pop Foo FigHTeRS Your Life” slows things way down and reminds me of early Al Wasting Light duo The Rembrandts.
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Ruby Lee” Off the Album +Justments by Bill Withers
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Guide to the Sue Cassidy Clark Collection
Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Sue Cassidy Clark Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COL L EGE CHICAG, 0 CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Sue Cassidy Clark Collection, 1948-1999 EXTENT Papers: 36 boxes, 25.5 linear feet COLLECTION SUMMARY Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. The Sue Cassidy Clark papers include Clark's recorded interviews, interview transcripts, photographs, published articles, correspondence, handwritten notes, clippings, promotional print material, and commercial sound recordings. PROCESSING INFORMATION Processed by CLIR funded Black Metropolis Research Consortium “Color Curtain Processing Project.” By T.J. Szafranski and Dominique Fuqua, September 26, 2012 BIOGRAPHICAL NOTE Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. She authored the books Rock: A World Bold as Love (Cowles, 1970) and The Superstars: In Their Own Words (Music Sales, 1972), and she contributed articles and record reviews to several periodicals, including Billboard, Black Stars, Creem, Hit Parader, Rolling Stone, Rock, Soul Illustrated, and Soul Sounds. SCOPE & CONTENT/COLLECTION DESCRIPTION The collection includes recorded interviews that Clark conducted with significant and influential African-American musicians, typed transcriptions of many of these interviews, copies of published articles, photographs, many of which were taken by Clark, correspondence, handwritten notes, research material (including clippings and promotional print material), and her collection of recordings.
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Bill Withers Artists’ Stories Choosing to make music Look at Bill Withers in the YouTube videos, sitting at a piano or playing guitar on a stage, handsome and relaxed in a Hawaiian shirt or a turtleneck, as his band plays around him. Sometimes in our lives, we all have pain. We all have sorrow, he sings. But if we are wise, we know that there is always tomorrow. He is singing Lean on Me , one of his most famous songs. Just call on me, brother, when you need a hand. We all need somebody to lean on. In the video, he is Mister Cool. But when Bill Withers was growing up in a little coal town in Raleigh County, West Virginia, he was not Mister Cool. “I stuttered badly. All the girls were taller than me. I had asthma.” “Some people are born cool,” he said. “I was not.” He stuttered till he was 28 years old. “I used to avoid the phone and any situation where you had to talk. People would laugh when I stuttered. They’d get up in my face and say ‘Spit it out! Just spit it out!’ They’d try all kinds of folky cures on me, like hitting you in the face with a dishrag.” Nobody, back then, would have predicted Bill Withers would grow up to be a fa - mous singer and songwriter. Now he is a musical legend. He has sold millions of records. Michael Jackson, Paul McCartney, Aretha Franklin, Mick Jagger, The Temp - tations, Barbra Streisand, Linda Ronstadt, Sting, Kenny Rogers – many of the most famous musicians of his time – have recorded songs he wrote.
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