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Bibliography BIBLIOGRAPHY Works by Anthony Burgess Burgess, Anthony, A Vision of Battlements (New York: W.W. Norton and Co., 1965). Burgess, Anthony, Time for a Tiger (London: Heinemann, 1956), repr. in The Malayan Trilogy (London: Minerva, 1996). Burgess, Anthony, Enemy in the Blanket (London: Heinemann, 1958), repr. in The Malayan Trilogy (London: Minerva, 1996). Burgess, Anthony, as Wilson, John Burgess, English Literature: A Survey for Students (London: Longmans, Green, 1958). Burgess, Anthony, Beds in the East (London: Heinemann, 1959), repr. in The Malayan Trilogy (London: Minerva, 1996). Burgess, Anthony, The Right to an Answer (London: Heinemann, 1960). Burgess, Anthony, The Worm and the Ring (London: Heinemann, revised ed. 1970, orig. pub. 1961). Burgess, Anthony, The Doctor is Sick (London: Heinemann, 1960, repr. Harmondsworth: Penguin, 1972). Burgess, Anthony, Devil of A State (London: Heinemann, 1961, repr. London: Hutchinson, 1983). Burgess, Anthony, One Hand Clapping (London: Peter Davies Ltd., 1961, repr. 1974). Burgess, Anthony, A Clockwork Orange (London: Heinemann, 1962). Burgess, Anthony, A Clockwork Orange (New York: W.W. Norton and Co., 1963). Burgess, Anthony, A Clockwork Orange, ed. Mark Rawlinson (New York: W.W. Norton and Co., 2011). © The Editor(s) (if applicable) and The Author(s) 2017 273 J. Clarke, The Aesthetics of Anthony Burgess, DOI 10.1007/978-3-319-66411-8 274 BIBLIOGRAPHY Burgess, Anthony, The Wanting Seed (London: Heinemann, 1962, repr. New York: Ballantine, 1964/1970). Burgess, Anthony, Honey for the Bears (London: Heinemann, 1963, repr. London: Pan, 1965). Burgess, Anthony, Inside Mr. Enderby (London: Heinemann, 1963), repr. in Enderby (Harmondsworth: Penguin, 1982). Burgess, Anthony, The Eve of Saint Venus (London: Sidgwick and Jackson, 1964, repr. London: Hamlyn, 1981). Burgess, Anthony, The Eve of Saint Venus (London: Sidgwick and Jackson, 1964, repr. London: Arena, 1987). Burgess, Anthony, Nothing Like the Sun (London: Heinemann, 1964). Burgess, Anthony, Nothing Like the Sun (London: Penguin, 1982). Burgess, Anthony, Nothing Like the Sun (London: Vintage, 1982). Burgess, Anthony, “A Foreword”, in Nothing Like the Sun (1982 ed., repr. London: Vintage, 1992). Burgess, Anthony, A Vision of Battlements (New York: W.W. Norton and Co., 1965). Burgess, Anthony, “Silence, Exile and Cunning”, in The Listener, vol. 73, no. 1884, 6 May 1965. Burgess, Anthony, “The Manicheans” in The Times Literary Supplement 3340, 3 March 1966. Burgess, Anthony, “Letter from England”, in The Hudson Review, vol. XIX, August 1966. Burgess, Anthony, “On Being a Lapsed Catholic”, in Triumph, vol. 2, no. 2, February 1967. Burgess, Anthony, Tremor of Intent: An Eschatological Spy Novel (New York: Norton 1967, repr. New York: Ballantine, 1967/1972). Burgess, Anthony, Enderby Outside (London: Heinemann, 1968), repr. in Enderby, (Harmondsworth: Penguin, 1982). Burgess, Anthony, “If Oedipus had read his Lévi-Strauss, in Urgent Copy: Literary Studies (London: Jonathan Cape, 1968), pp. 258–261 (First pub- lished: Book World 26 November 1967). Burgess, Anthony, “Dr. Rowstus”, Urgent Copy: Literary Studies (London: Jonathan Cape, 1968), pp. 161–166 (First published: Anthony Burgess, “Dr. Rowse meets Dr. Faustus”, Nation, 1 February 1965, pp. 115, 117–118, cited in Jeutonne Brewer, Anthony Burgess: A Bibliography [Metuchen, NJ and London: Scarecrow Press], p. 66). Burgess, Anthony, The Novel Now (London: Faber and Faber, 1968, repr. 1971). Burgess, Anthony, Urgent Copy: Literary Studies (London: Jonathan Cape, 1968). Burgess, Anthony, “The Muse: A Sort of SF Story”, in The Hudson Review, 20th Anniversary Issue, vol. 21, no. 1, spring 1968, pp. 109–126. BIBLIOGRAPHY 275 Burgess, Anthony, “Genesis and Headache”, in Thomas McCormack, ed., Afterwords: Artists and Their Novels (New York: Harper Row, 1969), pp. 28–47. Burgess, Anthony, Shakespeare (London: Jonathan Cape, 1970, repr. London: Vintage, 1996). Burgess, Anthony, “Durrell and the Homunculi”, The Saturday Review, 21 March 1970. Burgess, Anthony, MF (London: Jonathan Cape, 1971, repr. Harmondsworth: Penguin, 1973). Burgess, Anthony, “Thomas Robert Malthus 1766–1834”, in The Horizon Book of Makers of Modern Thought, intr. Bruce Mazlich (New York: American Heritage Publishing, 1972). Burgess, Anthony, Joysprick: An Introduction to the Language of James Joyce (London: 1973, repr. New York: Harvest and Harcourt Brace Jovanovich, 1975). Burgess, Anthony, The Clockwork Testament, or: Enderby’s End (London: Hart- Davis, MacGibbon, 1974) repr. in Enderby, (Harmondsworth: Penguin, 1982). Burgess, Anthony, Napoleon Symphony: A Novel in Four Movements (London: Jonathan Cape, 1974). Burgess, Anthony, “Introduction” in The White Company, Arthur Conan Doyle (London: Murray, 1975). Burgess, Anthony and the Editors of Time-Life Books, New York (Amsterdam: Time-Life Books, 1976, repr. 1977). Burgess, Anthony, A Long Trip to Teatime (London: Dempsey & Squires, 1976). Burgess, Anthony, Moses: A Narrative (London: Dempsey & Squires, 1976). Burgess, Anthony, ABBA ABBA (London: Faber and Faber, 1977). Burgess, Anthony, Beard’s Roman Women: A Novel (London: Hutchinson, 1977). Burgess, Anthony, 1985 (London: Hutchinson, 1978, repr. London: Arrow, 1985). Burgess, Anthony, Ernest Hemingway and his World (London: Thames and Hudson, 1978). Burgess, Anthony, Man of Nazareth (New York: McGraw Hill, 1979). Burgess, Anthony, “Foreword”, in Jeutonne Brewer, Anthony Burgess: A Bibliography (Metuchen, NJ and London: Scarecrow Press, 1980). Burgess, Anthony, Earthly Powers (London: Hutchinson, 1980). Burgess, Anthony, “Carlyle and Friends”, New York Times, Books Section, 22 March 1981. Burgess, Anthony, Earthly Powers (1980, repr. Harmondsworth: Penguin, 1981). Burgess, Anthony, “The Genesis of ‘Earthly Powers’”, Washington Post, Book World section, 23 November 1980, p. 2. 276 BIBLIOGRAPHY “Burgess Anthony: Double Vision”, Jean Kennard, in Anthony Burgess: Modern Critical Views, ed. HaroldBloom, Chelsea House, New York, 1987. Burgess, Anthony, On Going to Bed (London: André Deutsch, 1982). Burgess, Anthony, This Man and Music (London: Hutchinson, 1982). Burgess, Anthony, The End of the World News (London: Heinemann, 1982, repr. Harmondsworth: Penguin, 1983). Burgess, Anthony, Ninety Nine Novels (London: Allison and Busby, 1984). Burgess, Anthony, Enderby’s Dark Lady, or No End to Enderby (London: Hutchinson, 1984). Burgess, Anthony, Flame Into Being: The Life and Work of D.H. Lawrence (London: Heinemann, 1985, repr. London: Abacus, 1986). Burgess, Anthony and Bragg, Melvyn, “Anthony Burgess and Melvyn Bragg, in conversation”, ICA Talks, Institute of Contemporary Arts, London, 23 March, 1984. Audio recording at http://sounds.bl.uk/Arts-literature-and- performance/ICA-talks/024M-C0095X0101XX-0100V0. Accessed 16 January 2014. Burgess, Anthony, Oberon Old and New (London: Hutchinson, 1985). Burgess, Anthony, The Kingdom of the Wicked (London: Hutchinson, 1985, repr. London: Abacus, 1986). Burgess, Anthony, Blooms of Dublin (London: Hutchinson, 1986). Burgess, Anthony, Carmen: An Opera in Four Acts (London: Hutchinson, 1986). Burgess, Anthony, Homage to QWERT YUIOP: Selected Journalism 1978–1985 (London: Hutchinson, 1986). Burgess, Anthony, The Pianoplayers (London: Hutchinson, 1986, repr. London: Arrow, 1987). Burgess, Anthony, Little Wilson and Big God: Being the First Part of the Confessions of Anthony Burgess (London: Heinemann, 1987). Burgess, Anthony, Any Old Iron (London: Hutchinson, 1989, repr. London: Vintage, 1992). Burgess, Anthony, The Devil’s Mode and other stories (London: Hutchinson, 1989, repr. London: Vintage, 1990). Burgess, Anthony, “Creatures of decadent light and violent darkness; Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, The Independent, 27 April 1990. Burgess, Anthony, You’ve Had Your Time: Being the Second Part of the Confessions of Anthony Burgess (London: Heinemann, 1990, repr. Harmondsworth: Penguin, 1991). Burgess, Anthony, Mozart and the Wolf Gang (London: Hutchinson, 1991, repr. London: Vintage, 1992). Burgess, Anthony, On Mozart: A Paean for Wolfgang. Being a celestial colloquy, an opera libretto, a flm script, a schizophrenic dialogue, a bewildered rumina- tion, a Stendhalian transcription, and a heart felt homage upon the bicentenary BIBLIOGRAPHY 277 of the death of Wolfgang Amadeus Mozart (New York: Ticknor & Fields, 1991). Burgess, Anthony, “Mozart and the Wolf Gang”, The Wilson Quarterly, vol. 16, no. 1, winter, 1992. Burgess, Anthony, A Mouthful of Air: Language and Languages, Especially English (London: Hutchinson, 1992). Burgess, Anthony, A Dead Man in Deptford (London: Hutchinson, 1993). Burgess, Anthony, Byrne (London: Hutchinson, 1995). Burgess, Anthony, One Man’s Chorus, sel. and intr. Ben Forkner (New York: Carroll and Graff, 1998). Burgess, Anthony, Revolutionary Sonnets and other poems, Jackson, Kevin, ed. (Manchester: Carcanet, 2002). Burgess, Anthony, Chance Would be a Fine Thing, broadcast BBC Radio 3, 31 August 2011. Works by Other Authors Achebe, Chinua, Things Fall Apart (London: Heinemann, 1958). Achilles, Sabrina, Literature, Ethics, and Aesthetics (Basingstoke: Palgrave Macmillan, 2012). Adamson, Katherine, “A Bit of Unoriginal Sin: Allusions to the Fall in Selected Novels of Anthony Burgess” (doctoral thesis, Liverpool: University of Liverpool, 2010). Aggeler, Geoffrey, Anthony Burgess: The Artist as Novelist (Tuscaloosa, AL: University of Alabama Press, 1979). Aggeler, Geoffrey, Critical Essays on Anthony Burgess (Boston, MA: G.K. Hall,
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