Bibliography

Works by Anthony Burgess Burgess, Anthony, A Vision of Battlements (New York: W.W. Norton and Co., 1965). Burgess, Anthony, Time for a Tiger (London: Heinemann, 1956), repr. in The Malayan Trilogy (London: Minerva, 1996). Burgess, Anthony, Enemy in the Blanket (London: Heinemann, 1958), repr. in The Malayan Trilogy (London: Minerva, 1996). Burgess, Anthony, as Wilson, John Burgess, English Literature: A Survey for Students (London: Longmans, Green, 1958). Burgess, Anthony, Beds in the East (London: Heinemann, 1959), repr. in The Malayan Trilogy (London: Minerva, 1996). Burgess, Anthony, The Right to an Answer (London: Heinemann, 1960). Burgess, Anthony, The Worm and the Ring (London: Heinemann, revised ed. 1970, orig. pub. 1961). Burgess, Anthony, The Doctor is Sick (London: Heinemann, 1960, repr. Harmondsworth: Penguin, 1972). Burgess, Anthony, Devil of A State (London: Heinemann, 1961, repr. London: Hutchinson, 1983). Burgess, Anthony, One Hand Clapping (London: Peter Davies Ltd., 1961, repr. 1974). Burgess, Anthony, A Clockwork Orange (London: Heinemann, 1962). Burgess, Anthony, A Clockwork Orange (New York: W.W. Norton and Co., 1963). Burgess, Anthony, A Clockwork Orange, ed. Mark Rawlinson (New York: W.W. Norton and Co., 2011).

© The Editor(s) (if applicable) and The Author(s) 2017 273 J. Clarke, The Aesthetics of Anthony Burgess, DOI 10.1007/978-3-319-66411-8 274 Bibliography

Burgess, Anthony, The Wanting Seed (London: Heinemann, 1962, repr. New York: Ballantine, 1964/1970). Burgess, Anthony, Honey for the Bears (London: Heinemann, 1963, repr. London: Pan, 1965). Burgess, Anthony, Inside Mr. Enderby (London: Heinemann, 1963), repr. in Enderby (Harmondsworth: Penguin, 1982). Burgess, Anthony, The Eve of Saint Venus (London: Sidgwick and Jackson, 1964, repr. London: Hamlyn, 1981). Burgess, Anthony, The Eve of Saint Venus (London: Sidgwick and Jackson, 1964, repr. London: Arena, 1987). Burgess, Anthony, Nothing Like the Sun (London: Heinemann, 1964). Burgess, Anthony, Nothing Like the Sun (London: Penguin, 1982). Burgess, Anthony, Nothing Like the Sun (London: Vintage, 1982). Burgess, Anthony, “A Foreword”, in Nothing Like the Sun (1982 ed., repr. London: Vintage, 1992). Burgess, Anthony, A Vision of Battlements (New York: W.W. Norton and Co., 1965). Burgess, Anthony, “Silence, Exile and Cunning”, in The Listener, vol. 73, no. 1884, 6 May 1965. Burgess, Anthony, “The Manicheans” in The Times Literary Supplement 3340, 3 March 1966. Burgess, Anthony, “Letter from England”, in The Hudson Review, vol. XIX, August 1966. Burgess, Anthony, “On Being a Lapsed Catholic”, in Triumph, vol. 2, no. 2, February 1967. Burgess, Anthony, Tremor of Intent: An Eschatological Spy Novel (New York: Norton 1967, repr. New York: Ballantine, 1967/1972). Burgess, Anthony, Enderby Outside (London: Heinemann, 1968), repr. in Enderby, (Harmondsworth: Penguin, 1982). Burgess, Anthony, “If Oedipus had read his Lévi-Strauss, in Urgent Copy: Literary Studies (London: Jonathan Cape, 1968), pp. 258–261 (First pub- lished: Book World 26 November 1967). Burgess, Anthony, “Dr. Rowstus”, Urgent Copy: Literary Studies (London: Jonathan Cape, 1968), pp. 161–166 (First published: Anthony Burgess, “Dr. Rowse meets Dr. Faustus”, Nation, 1 February 1965, pp. 115, 117–118, cited in Jeutonne Brewer, Anthony Burgess: A Bibliography [Metuchen, NJ and London: Scarecrow Press], p. 66). Burgess, Anthony, The Novel Now (London: Faber and Faber, 1968, repr. 1971). Burgess, Anthony, Urgent Copy: Literary Studies (London: Jonathan Cape, 1968). Burgess, Anthony, “The Muse: A Sort of SF Story”, in The Hudson Review, 20th Anniversary Issue, vol. 21, no. 1, spring 1968, pp. 109–126. Bibliography 275

Burgess, Anthony, “Genesis and Headache”, in Thomas McCormack, ed., Afterwords: Artists and Their Novels (New York: Harper Row, 1969), pp. 28–47. Burgess, Anthony, Shakespeare (London: Jonathan Cape, 1970, repr. London: Vintage, 1996). Burgess, Anthony, “Durrell and the Homunculi”, The Saturday Review, 21 March 1970. Burgess, Anthony, MF (London: Jonathan Cape, 1971, repr. Harmondsworth: Penguin, 1973). Burgess, Anthony, “Thomas Robert Malthus 1766–1834”, in The Horizon Book of Makers of Modern Thought, intr. Bruce Mazlich (New York: American Heritage Publishing, 1972). Burgess, Anthony, Joysprick: An Introduction to the Language of James Joyce (London: 1973, repr. New York: Harvest and Harcourt Brace Jovanovich, 1975). Burgess, Anthony, The Clockwork Testament, or: Enderby’s End (London: Hart- Davis, MacGibbon, 1974) repr. in Enderby, (Harmondsworth: Penguin, 1982). Burgess, Anthony, Napoleon Symphony: A Novel in Four Movements (London: Jonathan Cape, 1974). Burgess, Anthony, “Introduction” in The White Company, Arthur Conan Doyle (London: Murray, 1975). Burgess, Anthony and the Editors of Time-Life Books, New York (Amsterdam: Time-Life Books, 1976, repr. 1977). Burgess, Anthony, A Long Trip to Teatime (London: Dempsey & Squires, 1976). Burgess, Anthony, Moses: A Narrative (London: Dempsey & Squires, 1976). Burgess, Anthony, ABBA ABBA (London: Faber and Faber, 1977). Burgess, Anthony, Beard’s Roman Women: A Novel (London: Hutchinson, 1977). Burgess, Anthony, 1985 (London: Hutchinson, 1978, repr. London: Arrow, 1985). Burgess, Anthony, Ernest Hemingway and his World (London: Thames and Hudson, 1978). Burgess, Anthony, Man of Nazareth (New York: McGraw Hill, 1979). Burgess, Anthony, “Foreword”, in Jeutonne Brewer, Anthony Burgess: A Bibliography (Metuchen, NJ and London: Scarecrow Press, 1980). Burgess, Anthony, Earthly Powers (London: Hutchinson, 1980). Burgess, Anthony, “Carlyle and Friends”, New York Times, Books Section, 22 March 1981. Burgess, Anthony, Earthly Powers (1980, repr. Harmondsworth: Penguin, 1981). Burgess, Anthony, “The Genesis of ‘Earthly Powers’”, Washington Post, Book World section, 23 November 1980, p. 2. 276 Bibliography

“Burgess Anthony: Double Vision”, Jean Kennard, in Anthony Burgess: Modern Critical Views, ed. HaroldBloom, Chelsea House, New York, 1987. Burgess, Anthony, On Going to Bed (London: André Deutsch, 1982). Burgess, Anthony, This Man and Music (London: Hutchinson, 1982). Burgess, Anthony, The End of the World News (London: Heinemann, 1982, repr. Harmondsworth: Penguin, 1983). Burgess, Anthony, Ninety Nine Novels (London: Allison and Busby, 1984). Burgess, Anthony, Enderby’s Dark Lady, or No End to Enderby (London: Hutchinson, 1984). Burgess, Anthony, Flame Into Being: The Life and Work of D.H. Lawrence (London: Heinemann, 1985, repr. London: Abacus, 1986). Burgess, Anthony and Bragg, Melvyn, “Anthony Burgess and Melvyn Bragg, in conversation”, ICA Talks, Institute of Contemporary Arts, London, 23 March, 1984. Audio recording at http://sounds.bl.uk/Arts-literature-and- performance/ICA-talks/024M-C0095X0101XX-0100V0. Accessed 16 January 2014. Burgess, Anthony, Oberon Old and New (London: Hutchinson, 1985). Burgess, Anthony, The Kingdom of the Wicked (London: Hutchinson, 1985, repr. London: Abacus, 1986). Burgess, Anthony, Blooms of Dublin (London: Hutchinson, 1986). Burgess, Anthony, Carmen: An Opera in Four Acts (London: Hutchinson, 1986). Burgess, Anthony, Homage to QWERT YUIOP: Selected Journalism 1978–1985 (London: Hutchinson, 1986). Burgess, Anthony, The Pianoplayers (London: Hutchinson, 1986, repr. London: Arrow, 1987). Burgess, Anthony, Little Wilson and Big God: Being the First Part of the Confessions of Anthony Burgess (London: Heinemann, 1987). Burgess, Anthony, Any Old Iron (London: Hutchinson, 1989, repr. London: Vintage, 1992). Burgess, Anthony, The Devil’s Mode and other stories (London: Hutchinson, 1989, repr. London: Vintage, 1990). Burgess, Anthony, “Creatures of decadent light and violent darkness; Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson”, The Independent, 27 April 1990. Burgess, Anthony, You’ve Had Your Time: Being the Second Part of the Confessions of Anthony Burgess (London: Heinemann, 1990, repr. Harmondsworth: Penguin, 1991). Burgess, Anthony, Mozart and the Wolf Gang (London: Hutchinson, 1991, repr. London: Vintage, 1992). Burgess, Anthony, On Mozart: A Paean for Wolfgang. Being a celestial colloquy, an opera libretto, a flm script, a schizophrenic dialogue, a bewildered rumina- tion, a Stendhalian transcription, and a heart felt homage upon the bicentenary Bibliography 277

of the death of Wolfgang Amadeus Mozart (New York: Ticknor & Fields, 1991). Burgess, Anthony, “Mozart and the Wolf Gang”, The Wilson Quarterly, vol. 16, no. 1, winter, 1992. Burgess, Anthony, A Mouthful of Air: Language and Languages, Especially English (London: Hutchinson, 1992). Burgess, Anthony, A Dead Man in Deptford (London: Hutchinson, 1993). Burgess, Anthony, Byrne (London: Hutchinson, 1995). Burgess, Anthony, One Man’s Chorus, sel. and intr. Ben Forkner (New York: Carroll and Graff, 1998). Burgess, Anthony, Revolutionary Sonnets and other poems, Jackson, Kevin, ed. (Manchester: Carcanet, 2002). Burgess, Anthony, Chance Would be a Fine Thing, broadcast BBC Radio 3, 31 August 2011.

Works by Other Authors Achebe, Chinua, Things Fall Apart (London: Heinemann, 1958). Achilles, Sabrina, Literature, Ethics, and Aesthetics (Basingstoke: Palgrave Macmillan, 2012). Adamson, Katherine, “A Bit of Unoriginal Sin: Allusions to the Fall in Selected Novels of Anthony Burgess” (doctoral thesis, Liverpool: University of Liverpool, 2010). Aggeler, Geoffrey, Anthony Burgess: The Artist as Novelist (Tuscaloosa, AL: University of Alabama Press, 1979). Aggeler, Geoffrey, Critical Essays on Anthony Burgess (Boston, MA: G.K. Hall, 1986). Aldiss, Brian and David Wingrove, Trillion Year Spree: The History of Science Fiction (London: Victor Gollancz, 1986). Allain, Marie-Françoise, The Other Man: Conversations with Graham Greene (London: Simon and Schuster, 1983). Amis, Kingsley, New Maps of Hell (London: NEL, 1960). Amis, Martin, “Abba Abba by Anthony Burgess”, New Statesman, June 1977, repr. in The War Against Cliché (London: Jonathan Cape, 2001), pp. 113–116. Amis, Martin, “Burgess at His Best”, New York Times Book Review, 7 December 1980. Amis, Martin, Money: A Suicide Note (London: Jonathan Cape, 1984). Amis, Martin, London Fields (London: Jonathan Cape, 1989). Apuleius, The Golden Ass, trans. William Aldington, rev. Stephen Gaselee (London: Heinemann, 1915, repr. 1935). Aristotle, The Nichomachean Ethics, in Aristotle in 23 Volumes, vol. 19, trans. Harris Rackham (London: Heinemann, 1934). 278 Bibliography

Aristotle, Politics, trans. Arthur Lovejoy and George Boas, in “Primitivism and Related Ideas”, Contributions to the History of Primitivism, vol. I (Baltimore, MD: Johns Hopkins Press, 1935). Ashbery, John, Self-portrait in a Convex Mirror (New York: Viking Press, 1976). Athenaeus of Naucratis, Deipnosophistae (Banquet of the Learned), trans. Charles Burton Gulick (Loeb Classical Library, vols. I, 1927, and II, 1928, Greek texts and facing English translation, Cambridge, MA: Harvard University Press, 1927–1941). Augustine of Hippo, The City of God, trans. Marcus Dodds (Edinburgh, 1872, repr. New York: Modern Library, 1950). Baines, Richard, The Confession of Richard Baines Priest and late Stvdent of the Colledge of Rhemes, made after he was remoued out of the common gaile to his chamber http://themarlowestudies.org/wraight_baines_confession.html. Accessed 2 September, 2011. Baines, Richard, Deposition to the Privy Council, British Library Harley Manuscript 6848. Bakhtin, Mikhail, The Dialogic Imagination, trans. Caryl Emerson and Michael Holmquist (Austin: University of Texas Press, 1981). Bakeless, John, The Tragicall History of Christopher Marlowe (Cambridge MT: Harvard University Press, 1942). Bal, Mieke, Reading Rembrandt: Beyond the Word–Image Opposition, (Cambridge: Cambridge University Press, 1991). Barclay, William, Jesus of Nazareth (London: Collins, 1977). Bartas, Saluste Du, The Divine Weeks and Works of Guillaume de Saluste Sieur du Bartas, trans. Joshua Sylvester, ed. S. Snyder (Oxford: Oxford University Press, 1979). Barthelme, Donald, “Kierkegaard Unfair to Schlegel”, The New Yorker, 12 October 1968. Barthes, Roland, Camera Lucida: Refections on Photography (London: Jonathan Cape, 1982). Bate, Jonathan, The Genius of Shakespeare (London: Picador, 1997, repr. 1998). Bates, Stephen, “Researchers fnd 20 unpublished Anthony Burgess stories”, The Guardian, 11 May 2011 www.guardian.co.uk/books/2011/may/11/ unpublished-anthony-burgess-stories-manchester. Accessed online 18 April 2012. Baudrillard, Jean, Simulacra and Simulation, trans. Sheila Glaser (Ann Arbor MI: University of Michigan Press, 1994). Beard, Thomas, The Theatre of Gods Iudgements reuised, and augmented. VVherein is represented the admirable justice of God against all notorious sin- ners, both great and small; but especially against the most eminent persons of the world, (London, 1597, repr. and exp., London: Michael Sparke, 1661). Bibliography 279

Benatar, David, Better Never to Have Been: The Harm of Coming into Existence (Oxford: Oxford University Press, 2006). Bergonzi, Bernard, The Situation of the Novel (London: Macmillan, 1970). Bergonzi, Bernard, “Anthony Burgess”, in Contemporary Novelists, ed. James Vinson (London: St James Press, 1972). Bertholet, Denis, Claude Lévi-Strauss (Paris: Plon, 2003). Biswell, Andrew, “Artifce and insemination”, The Guardian, 25 January 2003 www.theguardian.com/books/2003/jan/25/poetry.fction. Accessed 9 December 2013. Biswell, Andrew, The Real Life of Anthony Burgess (London: Picador, 2005). Biswell, Andrew, “Anthony Burgess’s 007 obsession”, New Statesman, 9 April, 2013. Blau, Eleanor, “500 Lincoln Center Events For Mozart Bicentennial”, New York Times, Arts Section, 24 May 1990. Bloom, Harold, ed., Anthony Burgess: Modern Critical Views (New York: Chelsea House Publishing, 1987). Bloom, Harold, Shakespeare: The Invention of the Human (New York: Riverhead Books, 1998, repr. London: Fourth Estate, 1999). Bly, James I., “Sonata form in Tremor of Intent”, in Modern Fiction Studies, vol. 27, no. 3, autumn (Lafayette IN: Purdue University, 1981). Boas, Frederick S., Christopher Marlowe: A Biographical and Critical Study (Oxford: Clarendon Press, 1940). Boytinck, Paul, Anthony Burgess: An Annotated Bibliography and Reference Guide (New York: Taylor and Francis, 1985). Bray, Alan, Homosexuality in Renaissance England (London, 1982, repr. and rev., New York: Columbia University Press, 1995). Brewer, Jeutonne, Anthony Burgess: A Bibliography (Metuchen, NJ and London: Scarecrow Press, 1980). Brown, Craig, The Tony Years (London: Ebury Press, 2006). Brown, P.R.L., Augustine of Hippo: A Biography (London: Faber and Faber, 1967 revised ed., Berkeley: Univ. Of California Press, 2000). Brown, Sue, Joseph Severn: A Life (Oxford: Oxford University Press, 2009). Bruno, Giordano, The Expulsion of the Triumphant Beast, trans. Arthur Imerti (Lincoln NE: University of Nebraska Press, 1992). Burroughs, William, The Adding Machine: Collected Essays (London: Calder, 1985). Byatt, A.S., On Histories and Stories: Selected Essays (London: Chatto & Windus, 2000). Byrne, Katherine, Tuberculosis and the Victorian Literary Imagination (Cambridge: Cambridge University Press, 2011). Carlyle, Thomas, On Heroes, Hero-Worship and the Heroic in History (London: James Fraser, 1841). 280 Bibliography

Carlyle, Thomas, Sartor Resartus, eds. Mark Engel and Rodger Tarr (Berkeley: University of California Press, 2000). Chew, Shirley, “Mr. Livedog’s Day: The Novels of Anthony Burgess”, Encounter, vol. 38, no. 6, June 1972. Clark, T.J., The Painting of Modern Life: Paris in the Art of Manet and his Followers (New York: Alfred A. Knopf Inc., 1984). Clarke, Jim, “A Cheery Swansong”, Sunday Independent, 10 December 1995, p. 10L. Clarke, Jim, “Burgess’s fctional afterlives—part two—Burgess in France”, IABF website http://www.anthonyburgess.org/?mediablog burgesss-fctional- = afterlives-part-two-burgess-in-france. Accessed 10 December 2013. Clarke, Jim, “Burgess’s fctional afterlives—part three, Burgess and Erica Jong”, IABF website http://www.anthonyburgess.org/?mediablog burgesss-fc- = tional-afterlives-part-3-burgess-and-erica-jong. Accessed 10 December 2013. Clarke, Jim, “Burgess’s fctional afterlives—part six”, IABF website http://www. anthonyburgess.org/?mediablog the-fctional-afterlives-of-anthony-burgess- = part-six. Accessed 10 December 2013. Crace, Jim, Quarantine (London: Picador, 1997). Churchill, Thomas, “An Interview with Anthony Burgess”, Malahat Review, no. 17, January 1971. Clemons, Walter, “Anthony Burgess: Pushing On”, New York Times Book Review, 29 November 1970. Coale, Samuel, “An Interview with Anthony Burgess”, Modern Fiction Studies, vol. 27, no. 3, autumn 1981. Coale, Samuel, Anthony Burgess (New York: Frederick Ungar, 1981). Coale, Samuel, In Hawthorne’s Shadow (Lexington: University of Kentucky Press, 1985). Connor, Steven, The English Novel in History: 1950–1955 (London: Routledge, 1996). Cosgrave, Brian, “Graham Greene”, in Post-War Literatures in English (December 1988). Cullinan, John, “Interview with Anthony Burgess”, in Writers at Work (The Paris Review Interviews, 4th Series), ed. George Plimpton, (Harmondsworth: Penguin, 1978). Currie, Mark, ed. and intr., Metafction (London: Longman, 1995). Davidson, Nicholas, “Marlowe and Atheism”, In Christopher Marlowe and English Renaissance Culture, eds. Darryll Grantley and Peter Roberts (Aldershot: Ashgate. 1996). Davies, Robertson, “And God Created Them Both”, Washington Post Book World, 23 November 1980. De Duve, Thierry, Arielle Pelenc and Boris Groys, Jeff Wall (London: Phaidon, 1996). Bibliography 281

Deleuze, Gilles, Nietzsche and Philosophy, trans. Hugh Tomlinson (London: The Athlone Press, 2002; 1986 ed., orig. pub. as Nietzsche et la philosophie, Paris: Presses Universitaires de France, 1962). Deleuze, Gilles and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi (Minneapolis: Univ. Of Minnesota Press, 1987). Dervin, Daniel, Creativity and Culture: A Psychoanalytic Study of the Creative Process in the Arts, Sciences, and Culture (London: Associated Universities Press, 1990). Derrida, Jacques, Writing and Difference, trans. Alan Bass (London: Routledge Classics, 2001). Deutsch, Helene, A Psychoanalytic Study of the Myth of Dionysus and Apollo: Two Variants of the Son–Mother Relationship (New York: International Universities Press, 1969). De Vitis, A.A., Anthony Burgess (New York: Twayne, 1972). Dix, Carol M., Anthony Burgess (Writers & Their Work) (London: Northcote House, 1972). Durrell, Lawrence, The Revolt of Aphrodite: Tunc and Nunquam (London: Faber, 1974). Eagleton, Terry, The Ideology of the Aesthetic (London: Wiley-Blackwell, 1990). Eco, Umberto, Faith in Fakes: Travels in Hyperreality (London: Vintage, 1995). Eco, Umberto, The search for the Perfect Language, trans. James Fentress (Oxford: Blackwell, 1995). Eco, Umberto, On Beauty, trans. Alistair McEwen (London: Secker and Warburg, 2004). Eliot, T.S., Collected Poems 1909–1962 (London: Faber and Faber, 1963, repr. 1989). Ellis-Fermor, U.M., Christopher Marlowe (London: Methuen, 1927). Else, Gerald F., The Origin and Early Form of Greek Tragedy (Cambridge, MA: Harvard University Press, 1965). Evans, Robert O., “Nadsat: The argot and its implications in A Clockwork Orange”, Journal of Modern Literature 1:3, 1971. Farkas, Á.I., Will’s Son and Jake’s Peer: Anthony Burgess’s Joycean Negotiations (Budapest: Akadémiai Kiadó, 2002). Ferrer, Daniel, “What Song the Sirens Sang… Is No Longer Beyond All Conjecture: A Preliminary Description of the New ‘Proteus’ and ‘Sirens’ Manuscripts”, James Joyce Quarterly, vol. 39, no. 1, fall, 2001. Feuer, Lewis, “Recollections of Harry Austryn Wolfson”, American Jewish Archives, April 1976. Filippini, Serge, The Man in Flames, trans. Liz Nash (Cambridge: Dedalus, 1999; orig. pub. Paris: Editions Phébus, 1990). 282 Bibliography

Finan Thomas and Vincent Twomey, eds., The Relationship between Neo-Platonism and Christianity (Proceedings of the First Patristic Conference, Maynooth 1990), (Dublin: Four Courts Press, 1993). Fitzpatrick, Nina, Fables of the Irish Intelligentsia (London: Fourth Estate, 1991). Foucault, Michel, Folie et Déraison: Histoire de la folie à l’âge classique (Paris: Gallimard, 1971; 1st pub. 1961). Fox, Robin Lane, Pagans and Christians: In the Mediterranean World from the Second Century AD to the Conversion of Constantine (London: Viking, 1986). Franklin, H. Bruce, The Wake of the Gods: Melville’s Mythology (Palo Alto, CA: Stanford University Press, 1963). Franssen, Paul J.C.M., “Portraits of Mr. W.S.: The Myth of Sweet Master Shakespeare in Asimov, Wilde and Burgess”, in Reclamations of Shakespeare, A.J. Hoenselaars, ed., (Amsterdam: Rodopi, 1994). Fraser, Russell, The Language of Adam: On the Limits and Systems of Discourse (New York: Columbia University Press, 1977). Frazer, James George, The Golden Bough (London: Wordsworth Reference Editions, 1993; 1st pub. 1890). Furdell, Elizabeth Lane, “The Death of Christopher Marlowe”, The Sixteenth Century Journal, vol. 27, no. 2, summer, 1996. Gately, Iain, Tobacco: The Story of How Tobacco Seduced the World (New York: Grove Press, 2001). Ghosh-Schellhorn, Martina, Anthony Burgess: A Study in Character (Frankfurt am Main: Peter Lang Publications, 1986). Giddens, Anthony, Modernity and self-identity: Self and Society in the Late Modern Age (Cambridge: Polity Press, 1991). Gioia, Dana, “Deathbed Confessions”, New York Times, Books Section, 30 November 1997. Gittings, Robert, John Keats: The Living Year (London: Heinemann, 1954; repr. 1978). Grantley, Darryl and Peter Roberts, eds., Christopher Marlowe and English Renaissance Culture (Aldershot: Ashgate, 1996; repr. 1999). Grauer, Victor A., “Modernism/Postmodernism/Neomodernism”, Downtown Review, vol. 3, nos. 1–2, fall/winter/spring, 1981/82. Greaney, Michael, Contemporary Theory and the Uses of Theory (Basingstoke: Palgrave Macmillan, 2006). Greene, Graham, The Virtue of Disloyalty (London: The Bodley Head, 1972). Greene, Graham, The Honorary Consul (London: The Bodley Head, 1973). Greene, Robert, A Groatsworth of Wit bought with a Million of Repentance (London: Henry Chettle, 1592). Greer, Germaine, Shakespeare (Oxford: Oxford University Press, 1986, repr. 1996). Bibliography 283

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A Aeneas ABBA, 163, 165, 169, 171–173. See Virgil, 112 also ABBA ABBA Aeneid, 93 ABBA ABBA, 18, 55, 98, 126, 145, Aeschylus, 57, 60, 137 158, 161, 162, 164, 166, 167, Aesthetic, 12, 14, 15, 19, 20, 22, 170, 252, 261, 264. See also 23, 42, 49, 50, 53, 55, 56, 61, ABBA 63, 66, 75, 76, 81, 126, 127, Achebe, Chinua, 96 132, 159, 176, 182–184, 187, A Clockwork Orange, 3, 5, 10–12, 190, 193, 198, 202, 203, 208, 31, 41, 42, 46, 49, 54, 65, 66, 210–213, 249, 250, 257–260 75, 76, 101–103, 118, 125, 133, Aggeler, Geoffrey, 6–8, 39, 46, 50, 54, 144, 145, 205, 228, 266. See also 185, 259 ACO Aldiss, Brian, 195 A Clockwork Testament, 110 Amis, Kingsley, 196, 259 ACO, 104. See also A Clockwork Amis, Martin, 18, 262, 263, 271 Orange A Mouthful of Air, 225 A Dead Man in Deptford, 9, 18, 55, Amundsen, Roald, 145 62, 66, 73, 79, 99, 110, 119, Analogue, 13 126, 175, 176, 183, 189, 224, Anatomy of Melancholy, 85 225, 227, 228, 230, 234, 235, Anaximander, 29, 33 239, 241, 245, 251, 262, 264, Andreas-Salome, Lou, 92, 194 270 Anglicanism, 89 A Defence of Poesie, 230 Anthropologist, 68, 135 A Defence of Poetry, 119 Anthropology, 96, 97, 129, 130, 133, Adorno, Theodore, 58 134, 160

© The Editor(s) (if applicable) and The Author(s) 2017 293 J. Clarke, The Aesthetics of Anthony Burgess, DOI 10.1007/978-3-319-66411-8 294 Index

The Scope of Anthropology, 138 A Vision of Battlements, 5, 8, 10, 12, Any Old Iron, 13, 59, 175, 202, 204, 53, 55, 75–77, 83, 91, 181, 183, 206, 207, 211–213, 222, 223. See 245, 258, 261, 271 also AOI AOI, 205, 209. See also Any Old Iron Apollonianism, 13–15, 41, 56–59, B 62–64, 66, 67, 70–73, 75–90, Baines, Richard, 226, 227, 234, 238 92–97, 99, 103–105, 108, Bakhtin, Mikhail, 271 109, 111, 116, 118–120, 123, Barthelme, Donald, 262 125, 126, 134, 137–140, 144, Barthes, Roland, 135, 139, 253, 271 146–150, 159, 160, 162–165, CameraLucida, 156 168, 169, 172, 173, 175–177, Bataille, Georges, 58 179, 183, 184, 186–190, 193– Battlements, 79, 81, 84 195, 198–203, 204, 209, 210, Baudrillard, Jean, 222 212–214, 223–225, 227–232, Beard’s Roman Women, 13, 83, 235–237, 239–246, 248–250, 125, 126, 145, 150, 151, 154, 252–255, 257, 261, 270 157–159, 161, 162, 166, 167, A Portrait of the Artist as a Young 172, 187, 188, 222, 259, 261. Man, 26 See also BRW Apuleius, 229 Beckett, Samuel, 48 Aquinas, 34 Beethoven, Ludwig Van, 101, 102, Aristotelian, 46, 62, 230, 231 145, 147, 216, 228 Arthur, King, 204 Belastagui, Nuria, 117, 118 Ashbery, John, 151, 161 Belli, Giuseppe Gioachino, 16, 126, Atheism, 28, 29, 31, 66, 72, 110, 163, 145, 158, 162, 165–167, 169, 225–229, 233, 234, 236, 237, 170, 173, 261 239 Bellow, Saul, 205 Attila the Hun, 17, 55, 145, 204 Benson, Robert Hugh, 34 Auden, W.H., 151 Benveniste, Émile, 264 Musée des Beaux Arts, 151 Berkeley, George (Bishop), 209 Augustinianism, 9–12, 27, 34–42, 43, Bernard Shaw, George, 16 46–49, 53, 54, 56, 63, 65, 73, Biswell, Andrew, 2, 5, 10, 68, 145, 77, 128, 132, 133, 165, 167, 245, 254, 259 169, 180, 182, 186–190, 199, Bloom, Harold, 6, 7 236, 266, 267 Boas, Franz, 226 Pelagianism, 64 Bonaparte, Napoleon, 17, 171 Auteur theory, 146 Bond, James, 145 Autobiography, 4, 10, 13, 17, 26, 44, Borges, Jorge Luis, 263 76, 77, 114, 128, 166, 175, 178, Boyd, William, 3, 178 201, 202, 225, 258, 259, 262, Boytinck, Paul, 7 269, 271 Breughel, Pieter (the elder), 151 Index 295

Brewer, Jeutonne, 7 Catholicism, 1, 4, 11, 23–26, 28, British Empire, 1 32–34, 43, 45–47, 49, 51, 54, Bronte, Emily, 84 69, 70, 88, 93, 127, 128, 133, Brown, Craig, 10 180–182, 226–228, 260 Bruno, Giordano, 32, 33, 43, 71, 227, Catullus, 84, 185 228, 232, 237, 240–243, 251 Celestius, 37 BRW, 155, 160. See also Beard’s Cervantes, Miguel Roman Women Don Quixote, 268 Buddhism, 27, 28, 96, 141 Chapman, George, 118 Buelens, Yves, 92 Chaucer, Geoffrey, 262 Burgess, Anthony, 1, 5–11, 13, 17, 19, Chettle, Henry, 226 20, 23–26, 28, 31, 32, 34, 36, Chevalier, Tracy, 151 39, 44, 46–48, 53, 84, 92, 111, Girl with a Pearl Earring, 151 113, 114, 117, 127, 138, 140, Christian doctrine, 5 142, 143, 145, 149, 156, 157, Christianity, 14, 28, 32, 34, 39, 45, 170, 180, 188, 201, 213–215, 46, 50, 52, 56, 57, 64, 69, 83, 219, 223–225, 243, 246, 248, 87, 96, 113, 199, 237, 255 253, 257–259, 261, 262, 264, Churchill, Winston, 204 268, 272 Clarke, Jim, 244, 251, 264 Burke, Edmund, 47 Classicism, 169 Burton, Robert, 85, 88 Coale, Samuel, 6–8, 16, 43, 47, 48, Byatt, A.S., 188, 259, 264, 271 50, 52, 53, 67, 147, 236 Byrne, 9, 12, 55, 73, 175, 243–245, Coetzee, John Maxwell, 263 248, 251–255 Coleridge, Samuel Taylor, 84, 165 Byron, George Gordon (Lord), 243 Colonialism, 27, 55, 95, 96, 158 Beppo, 167 Confessions, 36 Childe Harolde’s Pilgrimage, 243, Copernicus, Nicolaus, 240, 242 249, 250 Copy, 59 Don Juan, 243 Corneille, Pierre, 47 Counterpoint, 82, 100, 191, 192, 214–221 C Crace, Jim, 29–31 Calvin, John, 47, 243, 249, 251 Cromwell, Oliver, 71 Camus, Albert, 48 Cronin, Archibald Joseph, 205 Cape, Jonathan, 117 Cubism, 224 Cardinal Newman, 34 Carlyle, Thomas, 144, 146, 148, 160, 168, 194, 201, 203, 243, 271 D Sartor Resartus, 149 Dante, 93, 94 Carol Oates, Joyce, 51 Dead Man, 228, 229, 231, 232, 236, Carter, Jimmy, 192 237, 240, 242, 243 Catholic Christianity, 36 de Bergerac, Cyrano, 195 296 Index

Debussy, Claude, 100, 127 E de Cervantes, Miguel, 262 Eagleton, Terry, 20 Deconstructionist, 130 Earthly Powers, 3, 5, 12, 16, 28, 44, Dee, John, 71 54, 55, 92, 99, 110, 125, 132, Defence of Poesie, 231 133, 175–178, 180, 182–184, Defence of Poetry, 253 188, 212, 236, 238, 241, 250, Defoe, Daniel, 195, 196 269. See also EP Deleuze, Gilles, 14, 22, 58 Eckhart, Meister, 141 DeLillo, Don, 17 Eco, Umberto, 222, 259 de Montaigne, Michel, 209 Eden, Robert Anthony, 204 Derrida, Jacques, 14, 58, 264 Einstein, Albert, 194 Writing and Difference, 264 Eisenstein, Sergei, 152 de Sade, Donatien Alphonse François Elgar, Edward, 245 (Marquis), 209, 211, 235, 252 Eliot, Thomas Stearns, 76, 252 de Saussure, Ferdinand, 128, 129, 271 Ellis, Havelock, 269 Descartes, René, 62 Empson, William, 221 Deutsch, Helene, 15, 195 Enderby Outside, 83, 90, 105, 250, De Valera, Éamon, 204 253 Devereux, Robert (Earl of Essex), 242 Enderby quadrilogy, 3, 89 Devil of a State, 8, 13, 28, 94, 102, Enderby, F.X., 12, 16, 18, 40, 41, 261 67, 68, 70, 75, 80, 83, 89, 98, DeVitis, A.A., 6–9, 45, 48, 259 99, 104–114, 121–123, 131, di Bosio, Gianfranco, 150 133, 142, 185–187, 242, 248, Dickinson, Emily, 15 252–255, 257, 260, 265, 266, Dionysianism, 13–15, 41, 56–63, 268, 269 85, 66, 67, 69, 70, 72, 73, Enderby’s Dark Lady, 114, 266–268 75–80, 82–84, 86–90, 92–97, 99, England, 1, 24, 46, 121, 128, 197 102–106, 109, 112–115, 118, Enlightenment, 46, 209, 227, 240 123, 125, 126, 133, 134, 136, EOTWN, 195–197, 199, 200. See also 137, 141, 142, 146, 148, 150, The End of the World News 159, 160, 162–164, 168–173, EP, 179, 181, 185, 187–191, 237, 175, 177, 179, 184–187, 190, 239. See also Earthly Powers 193–197, 199, 200, 202–205, Epicureanism, 47, 226 209–211, 231, 237, 239–242, Ernst, Haas, 152 244–248, 250, 251, 253–255, Esther Petix, 49 257, 260, 261, 265, 267, 269, Euripides, 60, 61 270 Existentialism, 23, 48–50, 52, 92 Disregard, 70 Dix, Carol M., 7, 45 Doctor Faustus, 227 F Donoghue, Denis, 212 Feminism, 15, 65 Duino Elegies, 92 Finnegans Wake, 127, 130, 216, 217, Durrell, Lawrence, 143, 144, 271 221, 255 Index 297

Fitzpatrick, Nina, 264 Grétry’s, André-Ernest-Modeste, 205, Flame Into Being, 202, 214, 246, 247 206 Florio, John, 171 Guattari, Félix, 22 Flusser, Vilém, 154, 159 Forster, Edward Morgan, 3 Foucault, Michel, 14, 58 H Folie et Déraison, 14 Haas, Ernst, 151, 156, 160 Fowles, John, 268, 271 Habermas, Jurgen, 14, 58 The French Lieutenant’s Woman, Hall, Radclyffe, 190 268 Hamlet, 100 Frazer, James George, 68, 82, Handel, George Frideric, 25, 214 134–136, 186, 255 Hariot, Thomas, 225, 227, 229 Free will, 11, 34, 36, 38, 39, 42, 47, Harrison, Harry, 196 49, 53, 54, 56, 65, 81, 82, 86, Hawthorne, Nathaniel, 43, 50, 51, 53 101, 103, 104, 132, 142, 144, Hegel, George Wilhelm, 19, 33, 47, 204 129 Freud, Sigmund, 17, 55, 92, 127, Hegelian, 157 145–147, 192–195, 199, 217, Heidegger, Martin, 14, 58 246, 250 Hemingway, Ernest, 2, 18 Futurism, 200, 240 Heraclitus, 29, 33, 49 Herbert, George, 111 Here Comes Everybody, 32 G Hero-Worship and the Heroic in Gandhi, Mohandas K., 182 History, 146 Gautier, Théophile, 20, 189 Herschel, John, 152 Gay, 175 Himmler, Heinrich, 17 homosexuality, 184, 185 Hinduism, 27, 33 Gershwin, George, 218 Hobbes, Thomas, 47, 54 Ghosh-Schellhorn, Martina, 7, 47, 48 Hölderlin, Friedrich, 57 Giacchino Belli, Guiseppe, 18 Homer, 57, 92, 105, 149 Gibraltar, 77, 78, 258 Homosexuality, 30, 53, 54, 63, 66, Giuseppe Belli, 55 80, 87, 90, 120, 140, 141, 144, Gluck, Christophe Willibald, 218 181, 180, 182, 183, 187, 188– Gnosticism, 44, 46 190, 198, 231, 233–239, 245 Golding, William, 271 Honey for the Bears, 13, 45, 53, 102, Gottlieb Baumgarten, Alexander, 19 144, 175, 236, 261 Grade, Lew, 145, 166 Hopkins, Gerard Manley, 41 Graves, Robert, 67–70, 110, 111, Hughes, Ted, 67, 240 113, 182, 251 Human, All-too-human, 56, 101 Greene, Graham, 25, 29, 32, 34, 36, Humanism, 108, 109, 200 43, 201 Hume, David, 47, 210 Greene, Robert, 16, 110, 226 Hutcheon, Linda, 258 298 Index

Huxley, Aldous, 141, 188 Kabir, Sant, 141 Hyperion, 164 Kant, Immanuel, 19, 162, 163 Karantzakis, Nikos, 30 Keats, John, 12, 16–18, 55, 160, 162, I 164–166, 168–173, 251, 257, Impressionism, 101 261, 264, 272 Inside Mr. Enderby, 71, 105, 144, The Fall of Hyperion, 164 252–254 Hyperion, 171 Isherwood, Christopher, 156, 161, Kepler, Johannes, 195 259 Kermode, Frank, 109, 131, 138, 139, A Berlin Diary, 155 142 Goodbye to Berlin, 156 Kierkegaard, Søren, 222, 262 Islam, 26–28, 243, 254 Kingdom of the Wicked, 12, 126, 193 Klein, Melanie, 195 Kubrick, Stanley, 3, 101, 125, 145, J 193, 266 Jackson, Kevin, 68 Kyd, Thomas, 16, 110, 226 Jakobson, Roman, 128, 129, 134 James, Henry, 223 James, Montague Rhodes (M.R.), 38 L Jansen, Cornelius, 36, 47 Lacan, Jacques, 264 Jansenism, 43, 47 Lawrence, David Herbert, 2, 51, 170, Jefferson, Thomas, 47 214, 246, 247 Jesus Christ, 17, 28–31, 37, 42, 55, The Man Who Died, 246 65, 82, 93, 145, 146, 150, 160, The Plumed Serpent, 170 183, 190, 193, 203, 229, 226, Women in Love, 246 237, 238, 254 Leibnitz, Gottfried Wilhelm, 165 Jones, John, 162 Leigh Hunt, 121 Jong, Erica, 250, 264 Lennon, John, 105 Journalism, 1–4, 23, 24, 86, 87, 94, Lesbian 102, 104, 125, 132, 145, 195, Homosexuality, 86 205, 244 Levin, Harry, 226, 242 Joyce, James, 2, 17, 18, 24, 26, 27, 32, Levings, Anthony, 257–259 40, 55, 130, 133, 188, 191, 214, Levi-Strauss, Claude, 126–139, 143, 216, 217, 221, 262, 269, 272 144, 148, 149, 158, 172 Finnegans Wake, 2, 27, 32, 41, 266 The Apotheosis of Augustus, 135–138 Ulysses, 32 Lew Grade, 31 Joysprick, 32 Lewis, Percy Wyndham, 269 Juan, Don, 249 Lewis, Roger, 10, 17, 83, 132, 159, 165, 178, 179, 244, 259 Little Wilson and Big God, 26, 105, K 201. See also LWBG Kabbala, 143 Lodge, David, 259, 262 Index 299

Lorca, Federico Garcia, 205 McCulloch, Diarmuid, 230 Lucretius, 81, 181 McLuhan, Marshall, 143 Luther, Martin, 47, 146 Melville, Herman, 50, 51, 53 LWBG, 24, 27, 28, 247, 258. See also Mendelssohn, Felix, 247 Little Wilson and Big God Metafction, 258, 263, 265, 266, 270 Lyotard, Jean-François, 50, 58 MF, 5, 18, 73, 104, 125–127, 130– 133, 138–145, 176, 198, 199, 201, 207, 245, 261, 266 M Michelangelo, 181, 184 Mailer, Norman, 29, 43, 50–53 Middlemarch, 190 Malaya, 27, 95–99, 260 Milner, Andrew, 20 Malayan Trilogy, 75, 76, 91, 95, 97, Milton, 71 102 Modernism, 1, 11, 16, 18, 20, 21, 86, Malta, 132, 188 88, 90, 127, 150, 173, 177, 189, Maltese, 177 215, 262, 271, 272 Malthus, Thomas Robert, 198, 236 Mopsuestia, 37 Mani, 34, 35, 52, 66 Morris, Robert K., 6–8, 45 Manicheanism, 10, 26, 28, 30, 35, 36, Moses, 55, 126, 144–146, 149, 150, 38, 43, 44, 46, 47, 49, 51, 57, 193, 227 79, 186 A Narrative, 17, 147 Manicheism, 5, 6, 8, 11, 23, 33, 34, Mosley, Oswald, 183 37, 39, 42, 45, 48–50, 52, 53, Mossad, 207, 211, 212 58, 66, 128 Mozart and the Wolf Gang, 9, 13, 17, Man of Nazareth, 12, 28–31, 126, 73, 175, 213–215, 218, 221, 193 222, 225, 242, 245, 246, 261, Markowska, Martyna, 151, 152 264, 270 Marlowe, Christopher, 12, 16, 17, 55, Mozart, Wolfgang Amadeus, 3, 17, 56, 62, 66, 110, 119, 120, 143, 200, 205, 206, 213–216, 218– 160, 176, 184, 224, 225–239, 225, 229, 244–247, 261, 270 241–245, 251, 257, 264, 270, 272 Doctor Faustus, 120, 143, 226 N Edward II, 234 Napoleon, 55, 145–150, 160, 164, The Massacre at Paris, 234 165, 214 Tamburlaine, 231 Napoleon Symphony, 5, 28, 79, 126, Marx, Adolf Bernhard, 220 142, 144, 149, 164, 193, 201, Marxism, 20, 21, 59, 65 216–218, 220, 221 Marx, Karl, 47 Nationalism, 204–206 Mathews, Richard, 7, 8, 46 Neoplatonism, 33, 71, 149, 184, 242 Maugham, William Somerset, 176, Neuroscience, 178 263. See also The Razor’s Edge, New York, 2, 7, 140, 152, 166, 192, 263 193, 196, 214, 268 300 Index

Nicholas of Cusa, 32, 33 Otto, Walter, 15 Nicholl, Charles, 176, 224, 241 Outside, Enderby, 17 Niehardt, John, 82, 83 Nietzsche, Friedrich, 13–16, 41, 56, 57, 59, 60, 63–65, 69, 70, 72, P 73, 75, 76, 78, 82–84, 86, 90, Paglia, Camille, 15, 16, 57, 58, 61–67, 92, 94, 101, 102, 105, 137, 160, 69–71, 73, 75, 78, 84, 86, 88, 182, 194, 227, 228, 240 90, 93, 96, 99, 100, 109, 112, Dawn, 16 113, 115, 117, 122, 142, 182, The Birth ofTragedy, 13 185, 209, 210, 231, 235, 236, Thus Spoke Zarathustra, 16 240, 241, 249 Twilight of the Idols, 61 Sexual Personae, 142 Untimely Meditations, 16 Paine, Thomas, 47 Nietzschean, 71, 179, 258 Paris, 128, 184 Ninety Nine Novels, 20, 173, 263 Parmigianino, 151 NLTS, 115–119, 121, 122, 231. See Pascal, Blaise, 47, 209 also Nothing Like The Sun Pater, Walter, 21 Nothing Like The Sun, 5, 18, 55, 68, Pelagianism, 5, 9–12, 31, 34, 37–43, 70, 71, 75, 84–86, 89, 90, 98, 46–49, 53, 54, 56, 65, 66, 71, 108, 110, 111, 113–115, 133, 77, 103, 128, 132, 133, 164, 137, 142, 144, 169–171, 176, 165, 167, 168, 180, 183, 184, 187, 214, 225, 226, 230, 238, 187, 188, 190, 199, 265–267 240–242, 245, 247, 251, 260, Percy, Henry (Duke of 261, 264, 265, 267, 269. See also Northumberland), 227, 229 NLTS Perennialism, 141 NS, 147, 148 Pervigilium, 88, 89, 181 Nunquam, 143 Pervigilium Veneris, 85 Petix, 50 Petrarch, 173 O Philips, Paul, 11, 219 O'Brien, Flann, 263 Plato, 19, 62, 67, 87, 88, 91, 117, At Swim-Two-Birds, 263 159, 165 Oedipus the King, 131 Plutarch, 186 Onassis, Aristotle, 145 Polo, Marco, 145 1985, 17, 40, 145, 215–217, 221, 262 Postcolonialism, 1, 96 On Heroes, 146 Postmodernism, 11, 17, 18, 20, Original Sin, 12, 34, 36, 37, 39, 42, 50, 224, 258, 262, 263, 265, 43, 47, 53, 54, 56, 66, 88, 110, 270–272 132, 185, 186, 238, 242 Poststructuralism, 14, 58, 129, 258, Orwell, George, 16–18, 262–264 145, 217, 262 Prometheanism, 9, 55, 77–79, 81, Nineteen Eighty-Four, 170, 262 131, 147, 148, 183, 187, 189 Index 301

Proust, Marcel, 62 Salieri, Antonio, 218, 219 Psychiatry, 106, 177 Salome, Lou, 195 Psychoanalysis, 14, 15, 19, 45, 81, Sappho, 70 127, 195, 199 Sartre, Jean Paul, 48 Psychology, 178 Saussure, 132, 133 Purcell, Henry, 25 Schiller, Friedrich, 19 Pynchon, Thomas, 17, 50 Schlegel, Karl Wilhelm Friedrich, 94, 262 Schoenberg, Arnold, 218, 223 Schopenhauer, Arthur, 208, 209, 212 R Schrödinger, Erwin, 270 Rachmaninoff, Sergei, 101 Schubert, Franz, 79 Racine, Jean, 47 Schweitzer, Albert, 157 Radclyffe Hall, 183 Science Fiction, 143, 195, 196, 199, Raleigh, Walter (Sir), 225, 228, 232, 200, 267 233, 227, 236, 237, 240–242 Sci-f, 251 Rand, Ayn, 15, 58 Self, Will, 262, 271 Realism, 211 Servetus, Michael, 251 Real Life, 259 Sexual Personae, 15, 16, 57, 61, 64, Refections, 153, 154, 161 67, 70, 210, 241. See also SP Rembrandt, 152 Shaftesbury, 47 Rilke, Rainer Maria, 91–94, 179, 194 Shakespeare, William, 12, 16–18, Duino Elegies, 93, 179 55, 56, 68, 70, 73, 86, 90, 99, Roberts, Adam, 195 108, 120, 110, 111, 113–115, Robinson, David, 125, 145, 150–156, 117, 118, 122, 133, 142, 145, 158–162, 188. See also Refections, 160, 170–172, 187, 198, 214, 151 225–227, 230, 231, 234, 235, Romanticism, 47, 162, 169, 170, 209 238, 240, 242, 247, 257, 260, Rome, 25, 111, 125, 150, 151, 154, 264–268, 272 155, 159, 162, 165, 167–169, Hamlet, 191, 268 171, 188 Henry IV Part II, 120 Rossini, Gioachino, 223 Love’s Labours Lost, 118 Rostand, Edmond, 195 Syphilis, 169 Rousseau, Jean-Jacques, 47, 54, 65, Venus and Adonis, 90 66, 211 Shelley, Mary, 143, 195 Rushdie, Salman, 28, 271 Shelley, Percy Bysshe, 161, 163 Shockley, Alan, 11, 216, 219, 220 Sidney, Philip (Sir), 73, 119, 223, 230, S 231, 240, 242, 253 Sadean, 212, 213, 253 Sloterdijk, Peter, 14, 58 Saint Augustine, 34 Sociology, 20 Saint Augustine of Hippo, 5 Socrates, 41, 59–61, 64, 69, 71, 72, Saint Bernard of Clairvaux, 141 91, 228, 240 302 Index

Solipsism, 59, 142, 209, 211–213, Tchaikovsky, Pyotr Ilyich, 101 242, 252, 253, 255 Thackeray, William, 250 Sollers, Philippe, 264 The Beds in the East, 95, 99, 116 Sonnets to Orpheus, 92 The Birth of Tragedy, 14, 16, 41, Sons and Lovers, 246 56–60, 62, 69, 72, 76, 94, 95, Sophism, 47 102, 105, 137, 160 Sophocles, 57, 60, 127, 131, 137 The Clockwork Testament, 13, 39, 40, Sowell, Thomas, 157 54, 265–267 Soylent Green, 196 The Doctor is Sick, 91, 102, 161, 261 SP, 88, 112, 115, 117. See also Sexual The End of the World News, 18, 92, Personae 127, 148, 175, 191–194, 201, Spengler, Erwin, 143 216, 217, 221, 261, 264. See also Spenser, Edmund, 243, 249 EOTWN The Faerie Queene, 249 The Enemy in the Blanket, 28, 95, 97, Spinoza, 165, 207–210, 212, 242 245 St Augustine of Hippo, 33 The Eve of Saint Venus, 12, 75, 76, 78, St Paul, 37 85, 90, 103, 137, 181, 192, 193, Stalin, Joseph, 204 196 Stendhal, 215, 219 The Golden Bough, 82, 134, 136, 185 Stinson, John J., 6, 8, 9, 131, 139 The Kingdom of the Wicked, 29 Stoicism, 38 The Malayan Trilogy, 8, 12, 13, 28, Stravinsky, 127, 216 55, 76, 79, 258, 261 Structural Anthropology, 126, 128 The Novel Now, 36. See also TNN Structuralism in Literature, 135 Theodorus, 37 Structuralism, 44, 47, 126, 127, 129, The Pianoplayers, 13, 175, 202, 205. 130, 132, 133, 137–139, 158, See also TPP 173, 199, 255, 266, 271, 272 The Raw and the Cooked, 128 Stuart Mill, Edward Bellamy, 47 The Right to an Answer, 4, 13, 91, 102 Stuart, James Charles (King of Theroux, Paul, 18, 259, 262, 264, Scotland and England), 233, 234 271 Surrealism, 141 The Scope of Anthropology, 126, 127, Suvin, Darko, 195 130 Swift, Jonathan, 47 The Wanting Seed, 39, 40, 46, 53, 66, Syphilis, 113, 114, 120–122, 170, 144, 196, 197, 199, 236, 244. 235, 260, 265 See also TWS Szarkowski, John, 154, 159 The White Goddess, 67. See also WG The Worm and the Ring, 13, 75, 91, 93, 110, 179, 261 T Things Fall Apart, 96 Taoism, 49 Thirwell, Adam, 271 Taoism, Zoroastrianism, 33 This Man and Music, 7, 20, 131, 138, Tarot, 116 198, 201, 225 Index 303

Time For A Tiger, 95, 97 Walsingham, Thomas, 230, 231 Tolkien, J.R.R., 134 Walsingham, Tom, 239, 251 TPP, 203, 204. See also The Waugh, Evelyn, 25, 34 Pianoplayers Waugh, Patricia, 32, 270 Tremor of Intent, 44, 46, 108, 127, Welles, Orson, 152 130, 131, 144, 206 Wells, Herbert George (H.G.), 194, Trilogy, 98, 100, 101 243, 246, 248 Tristes Tropiques, 127, 129, 136, 138. WG, 110, 113. See also The White See also TT Goddess Trotsky, Leon, 55, 145, 147, 192– Wilde, Oscar, 246, 249, 252 195, 199, 217 Williams, Jeffrey, 258 TT, 135, 137. See also Tristes Tropiques Wittgenstein, Ludwig, 210, 211 Tuberculosis, 95, 168–171 Wittgensteinian, 213 TWS, 198. See also The Wanting Seed Wolfson, Harry Austryn, 207, 208 Worthington, Kim, 258, 262, 263

U Ulysses, 40 Y Joyce, James, 262 Yates, Frances, 240, 241 Updike, John, 43, 50, 52, 53, 67 YHYT, 4, 30, 45, 156, 159, 166, 167, Urgent Copy, 7 183, 194, 216, 217, 221, 259, Utopianism, 77–79, 168, 183, 207, 260, 266. See also You’ve Had 238 Your Time You’ve Had Your Time, 193, 201. See also YHYT V Yung-Chia Ta-Shih, 141 Valerius, Gaius, 185 Venus, 86, 88, 89, 103 Virgil (Publius Vergilius Maro), 93, Z 247 Zeffrelli, Franco, 29 Aeneid, 91 Zhang, Longxi, 33 Voltaire, 62, 164 Zionism, 205, 207 von Goethe, Johann Wolfgang, 79

W Wagner, Richard, 13, 64, 91, 93, 101, 224