SIRIUSXM CHANNEL LINEUP Your Subscription Package Will Determine Actual Channel Lineup

Total Page:16

File Type:pdf, Size:1020Kb

SIRIUSXM CHANNEL LINEUP Your Subscription Package Will Determine Actual Channel Lineup SIRIUSXM CHANNEL LINEUP Your subscription package will determine actual channel lineup. POP 32 The Whole World of U2 57 Kenny Chesney’s Music Channel 02 Today’s Pop Hits 33 Classic Alternative 58 ’80s/’90s Country Hits ’90s Alternative/Grunge 03 Today’s Trending Hits from Pandora XL 34 59 Willie’s Classic Country 35 Indie & Beyond 04 Music to Energize Your Soul 60 Rockin’ Country Rebels 05 Pop Hits 36 New Alternative Rock 61 2000s Country Hits 06 Pop Hits with Cousin Brucie 37 New Hard Rock 62 Bluegrass 07 Pop Hits with American Top 40 38 Ozzy’s Classic Hard Rock 349 Dwight Yoakam’s Music Channel 08 Pop Hits with Original MTV VJs 39 ’80s Hair Metal & Glam 350 Country Bar Songs 09 Pop Hits with Downtown Julie Brown 40 Heavy Metal XL CHRISTIAN 10 2000s Pop Hits 41 ’90s/2000s Hard Rock XL 63 Christian Pop & Rock 12 Rock & Pop from the ’90s & 2000s 309 Jam Bands 64 Kirk Franklin’s Gospel Channel 13 Worldwide Rhythmic Hits 310 Rock Hall Inducted Artists 65 Southern Gospel 14 Acoustic/Singer-Songwriters 311 ’70s/’80s Smooth-Sailing Soft Rock 15 Today’s Adult Hits 313 Rock & Roll Jukebox Songs JAZZ/STANDARDS/ CLASSICAL 16 Bright Pop Hits 314 Modern Punk XL 66 Smooth/Contemporary Jazz Mellow Classic Rock 17 316 Live Classic Rock 67 Classic Jazz 70 Love Songs HIP-HOP/R&B 68 New Age 158 Hot Latin Hits Reggae 42 69 Easy Listening 301 Music to Drive to! 43 LL COOL J’s Classic Hip-Hop XL 71 Standards by Sinatra & More 302 24/7 Cover Songs 44 Hip-Hop Hits XL 72 Show Tunes 303 Pop Music You Can Move to 45 Eminem’s Hip-Hop Channel XL 73 ’40s Pop Hits/Big Band 304 Today’s Pop Vocalists Hot R&B & Hip-Hop 46 B.B. King's Blues Channel ROCK 74 47 ’90s & 2000s Hip-Hop/R&B XL 75 Opera/Classical Vocals 18 The Fab Four, 24/8 48 Adult R&B Hits 76 Classical Music 19 Elvis 24/7 Live from Graceland 49 Classic Soul/Motown 20 Bruce Springsteen, 24/7 FAMILY 50 ’70s/’80s R&B 77 Pop Hits Sung by Kids for Kids 21 Little Steven's Garage Rock 330 Smooth R&B Love Songs 78 Kids’ Music 22 Pearl Jam, 24/7 DANCE & ELECTRONIC Pop Hits for the Entire Family 23 Grateful Dead, 24/7 79 51 Electronic Dance Music Hits 24 Escape to Margaritaville RELIGION 52 Future Sounds 25 ’70s/’80s Classic Rock 129 Talk for Saints and Sinners 53 Downtempo/Deep House 26 ’60s/’70s Classic Rock 130 Solid Catholic Talk 54 ’70s − 2000s Dance Hits 27 Deep Classic Rock 131 Christian Talk 341 ’90s/2000s Dance Hits 28 Classic Rock Meets New Rock 460 Messages from Billy Graham 29 The Phish Universe on SiriusXM COUNTRY Garth’s Own Channel, 24/7 30 24/7 Dave Matthews Band 55 Not available online & on the app Preemptable for Play-by-Play sports 31 Music from Rock Icon Tom Petty 56 Today’s Country Hits Available only with the All Access package EVERY MAJOR SPORT 190- 225- Live NFL Play-by-Play Live NCAA Play-by-Play 83 The Herd/Undisputed/Live Games 234 Online Ch. 800-831 200 24/7 NFL Talk & Play-by-Play 88 371 24/7 ACC Talk & Play-by-Play 85 We Invented the Internet XL Live MLB® Play-by-Play 176- 372 24/7 Big Ten Talk & Play-by-Play 87 Fantasy Sports Talk 189 Online Ch. 840-869 ® 156 Combat Sports Talk 159 MLB News & Games 373 24/7 Pac-12 Talk & Play-by-Play ® 89 24/7 MLB Talk & Play-by-Play 374 24/7 SEC Talk & Play-by-Play 157 Soccer Talk & Play-by-Play 90 24/7 NASCAR® Talk & Races 375 24/7 Big 12 Talk & Play-by-Play 204 Trusted Source for Gaming News 205 NTT INDYCAR® Series Racing 206 Sports Talk, Jim Rome 80 Golic & Wingo/Sports Talk 212- Live NBA Play-by-Play 211 Opinionated Sports Talk Radio 217 Online Ch. 880-909 81 Get Up!, First Take, and SportsCenter 86 24/7 NBA Talk & Play-by-Play 84 College Sports Talk/Play-by-Play 219- Live NHL® Play-by-Play 223 Online Ch. 920-950 370 ESPN Podcasts 91 24/7 NHL® Talk & Play-by-Play For live sports schedules, visit siriusxm.com/sports 92 24/7 Golf Talk & Play-by-Play 82 Mad Dog Russo, Morning Men HOWARD STERN CANADIAN NEWS/PUBLIC RADIO 100 The Howard Stern Show XL 162 Canadian Indie Music First 112 CNBC Simulcast 101 The World of Howard Stern XL 163 Francophone Pop 113 FOX Business Simulcast ENTERTAINMENT 166 Francophone Country Folk 114 FOX News Simulcast 102 Andy Cohen/Pop Culture/More XL 167 Canadian Current Affairs 115 FOX News Headlines, 24/7 Norton/Roberts/Ellis XL 103 CNN Simulcast 170 Radio-Canada News & Info 116 Music Talk That Rocks 106 HLN Simulcast 171 New Canadian Country 117 108 The TODAY Show — All Day 118 MSNBC Simulcast 172 Final Sports Scores and Info 109 Smart & Funny Female Talk XL 119 Business News 173 New & Emerging Indie/Alt-Rock 110 Real Doctors, Real People 120 World News 174 The New Indie Pop Alternative 111 Dr. Laura, Dave Ramsey & More! 122 NPR News & Conversation 128 Positive Inspiration for Life 359 Americana Music 123 Independent Public Radio 132 Business Radio MORE 147 Agriculture/Western Lifestyle 146 Talk for Truckers 11 KIIS FM Los Angeles 169 Canada’s #1 Radio News Source 148 Classic Radio Shows 141 Real Talk with Real People News from Around the World 415 Superstars, Celebs, Hot Sex XL 454 142 HBCU Excellence in Education COMEDY 455 C-SPAN Live Simulcast 143 Talk About Good 93 Ad-free Netflix Standup XL POLITICS/ISSUES 144 Korean Music and News 94 All-Time Greatest Comedians XL 124 Non-Partisan Political Talk Conservative Talk 95 Comedy Central Uncensored XL 152 Where Music is Born 125 African-American Talk 96 Comedy & Shows with Kevin Hart XL 126 153 Live Hispanic Talk feat. Joe Madison Produced by Foxworthy/ 127 Progressive Talk 97 Larry the Cable Guy XL 154 American Latino Talk Radio 98 Comedy for the Entire Family 469 Spanish Series, Specials, More 99 The Best Uncensored Comedy XL Not available online & on the app Preemptable for Play-by-Play sports Available only with the All Access package 168 Just for Laughs Canada XL 470 Your Latino Variety Channel TRAFFIC & WEATHER 133- 136 New York | Boston | Philadelphia | Washington, DC | Chicago | Detroit | Dallas-Ft. Worth | Los Angeles ADDITIONAL CHANNELS AVAILABLE ONLINE & ON THE APP MUSIC 165 Modern Canadian Indigenous Music 718 Happy Songs for a Celebration 762 Ballads in Spanish & English 701 Carolina R&B Beach Music 715 Non-Stop Classic Rock 763 Today’s Latin Pop Hits 702 One-Hit Wonders, 24/7 720 Sway’s Lifestyle Channel XL 764 Latin Love Songs 703 Party Songs from the ’50s & ’60s 741 Folk 765 Latin Urban Music 704 ’70s & ’80s Super Party Hits 750 Movie Soundtracks & More 766 Latin Jazz 705 ’80s & ’90s Party Hits 751 Chant/Sacred/Spiritual Music 767 Classic Salsa 706 Reimagined Pop & Rock Classics 755 Classical Pops 768 Latin Rock 710 Eclectic Rock 756 French ’80s/’90s Pop-Rock Hits 776 Traditional Holiday Music 711 Tom Petty’s Buried Treasure, 24/7 757 The Tragically Hip Radio 712 Marky Ramone’s Classic Punk 758 Pop Hits of the ’90s & 2000s 713 Emotionally Driven Alt Rock 759 French Canadian Hits Home for Limited-Run Channels 714 First-generation Indie Rock 761 Regional Mexican Music 707, 708, 717, 719, 721, 726, 730, 742, 743 SPORTS NEWS, TALK & ENTERTAINMENT MORE 800- Live NFL Play-by-Play 790 Home for Limited-Run Channels 145 Sports and Entertainment Talk 831 791 Jason Ellis Show Nonstop XL 760 Asian Television Network 840- Live MLB® Play-by-Play 869 792 Your Trusted Voice on Money 769 Z100 Plays All The Hits 793 Court TV Simulcast 880- Live NBA Play-by-Play 909 CNN’s 24-Hour 795 Spanish-language News 920- ® COMEDY 950 Live NHL Play-by-Play 770 One and Only George Carlin XL Not available online & on the app Preemptable for Play-by-Play sports Available only with the All Access package 953- College Sports Play-by-Play & More The Funniest Female Comedians XL 994 771 XL May include frequent explicit language or mature programming. Call SiriusXM Listener Care at 1-800-967-2346 and ask about Family Friendly packages. All programming subject to change. Satellite and streaming lineups vary. © 2020 Sirius XM Radio Inc. SiriusXM, Pandora and all related logos are trademarks of Sirius XM Radio Inc. and its respective subsidiaries. Other marks, channel names and logos are the property of their respective owners. All rights reserved. Effective Date: 7/1/20 ENTERTAINMENT TUNED TO YOU. Tell us what you like to hear so we can send you updates and information on cool opportunities we think you’d be interested in hearing about. Head to siriusxm.com/whatilike and let us know..
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Licht Ins Dunkel“
    O R F – J a h r e s b e r i c h t 2 0 1 3 Gemäß § 7 ORF-Gesetz März 2014 Inhalt INHALT 1. Einleitung ....................................................................................................................................... 7 1.1 Grundlagen........................................................................................................................... 7 1.2 Das Berichtsjahr 2013 ......................................................................................................... 8 2. Erfüllung des öffentlich-rechtlichen Kernauftrags.................................................................. 15 2.1 Radio ................................................................................................................................... 15 2.1.1 Österreich 1 ............................................................................................................................ 16 2.1.2 Hitradio Ö3 ............................................................................................................................. 21 2.1.3 FM4 ........................................................................................................................................ 24 2.1.4 ORF-Regionalradios allgemein ............................................................................................... 26 2.1.5 Radio Burgenland ................................................................................................................... 27 2.1.6 Radio Kärnten ........................................................................................................................
    [Show full text]
  • In the Early 2000S, the Music Industry Was Shocked When Internet Users Started Sharing Copyrighted Works Through Peer-To-Peer Networks Such As Napster
    In the early 2000s, the music industry was shocked when Internet users started sharing copyrighted works through peer-to-peer networks such as Napster. Software such as Napster made it very easy for people with digital copies of recorded music to share these digital copies with other users. The industry reacted by suing Napster and users of the software that allowed the digital sharing. While the industry’s lawsuits seemed like a reasonable reaction to this epidemic, it should have immediately established an online marketplace for digital music. Eventually, Apple did address the issue by releasing iTunes. Since the introduction of iTunes, the recording industry has seen a rise in profits. Users are willing to pay for digital music as long as the access to it is simple. However, these digital downloads from legal marketplaces are not actually sales; the purchases are actually licenses to the music. This means that a user who purchases a song cannot resale the song in a secondary marketplace because the first sale exception does not apply to licensed material. Courts have given the software and recording industry great power to control their copyrighted work, but it seems ridiculous that a user who purchases a song cannot sell their song when they no longer care to listen to it. The problem for the recording industry lies in the fact that the digital recording of the work is very easy to copy and transfer. If sales in the secondary market were allowed, one could easily make a digital copy then make then resale the original. It is very hard to track whether a copy of the work is still located on a hard drive, cloud, or other storage device.
    [Show full text]
  • Lop40* with CASEY KASEM
    r41~tlt~tt·1~1 *lOP40* WITH CASEY KASEM TO: AMERICAN TOP 40 SUBSCRIBERS FROM: ABC WATERMARK DATE: OCTOBER 28, 1985 RE: TOP 100 OF 1985 This is to advise you that we're approaching AMERICAN TOP 40's Annual Year-End Countdown of the year's 100 biggest hits. The AT40 special countdown of the Top 100 of 1985 (program #861-1) is an eight hour show scheduled for the weekend of January 4-5, 1986 (there will be no regular countdown that week) . Please allow for the additional four hours of programming. This special countdown will be shipped to you along with your regular weekly countdown program #854-13 on December 21, 1985. If you have any late or damaged shows to report, please notify the Distribution Department as soon as possible at (800) 423-2502 or (818) 980-9490. [ABc WotermarkJ • 3575 Cahuenga Blvd. West D Suite 555 D los Angeles, CA 90068 D 818/980-9490 WITH CASEY KASEM 'ID: AMERICAN 'IDP 40 SUBSCRIBERS F'Ra-1: ABC WATERMARK DATE: 10/29/85 RE: LOCAL c:xM-lERCIAL AVAILABILITY IN THIS WEEK'S AMERlCAN 'IDP 40 PROGRAM #854-5 FOR AIR NOVEMBER 2-3 I 1985 I THERE IS AN ADDITIONAL SIX MINUI'ES OF lOCAL CCM-1ERCIAL AVAILABILITY. THERE ARE THIRrY SECONDS IN ALL HOURS AT C-1 1 C-3 AND C-5. I ABC Watermark I e 3575 Cahuenga Blvd. West D Suite 555 D Los Angeles, CA 90068 D 818/980-9490 /~Ji~l!!' I ABCWatennark I • ../\, I I 't t . • I ' ~ .
    [Show full text]
  • A Toolkit for Working with the Media
    Utilizing the Media to Facilitate Social Change A Toolkit for Working with the Media WEST VIRGINIA FOUNDATION for RAPE INFORMATION and SERVICES www.fris.org 2011 Media Toolkit | 2 TABLE OF CONTENTS Media Advocacy……………………………….. ……….. 3 Building a Relationship with the Media……... ……….. 3 West Virginia Media…………………………………….. 4 Tips for Working with the Media……………... ……….. 10 Letter to the Editor…………………………….. ……….. 13 Opinion Editorial (Op-Ed)…………………….. ……….. 15 Media Advisory………………………………… ……….. 17 Press/News Release………………………….. ……….. 19 Public Service Announcements……………………….. 21 Media Interviews………………………………. ……….. 22 Survivors’ Stories and the Media………………………. 23 Media Packets…………………………………. ……….. 25 Media Toolkit | 3 Media Advocacy Media advocacy can promote social change by influencing decision-makers and swaying public opinion. Organizations can use mass media outlets to change social conditions and encourage political and social intervention. When working with the media, advocates should ‘shape’ their story to incorporate social themes rather than solely focusing on individual accountability. “Develop a story that personalizes the injustice and then provide a clear picture of who is benefiting from the condition.” (Wallack et al., 1999) Merely stating that there is a problem provides no ‘call to action’ for the public. Therefore, advocates should identify a specific solution that would allow communities to take control of the issue. Sexual violence is a public health concern of social injustices. Effective Media Campaigns Local, regional or statewide campaigns can provide a forum for prevention, outreach and raising awareness to create social change. This toolkit will enhance advocates’ abilities to utilize the media for campaigns and other events. Campaigns can include: public service announcements (PSAs), awareness events (Take Back the Night; The Clothesline Project), media interviews, coordinated events at area schools or college campuses, position papers, etc.
    [Show full text]
  • The Romanization of Romania: a Look at the Influence of the Roman Military on Romanian History and Heritage Colleen Ann Lovely Union College - Schenectady, NY
    Union College Union | Digital Works Honors Theses Student Work 6-2016 The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage Colleen Ann Lovely Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, European History Commons, and the Military History Commons Recommended Citation Lovely, Colleen Ann, "The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage" (2016). Honors Theses. 178. https://digitalworks.union.edu/theses/178 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage By Colleen Ann Lovely ********* Submitted in partial fulfillment of the requirements for Honors in the Departments of Classics and Anthropology UNION COLLEGE March 2016 Abstract LOVELY, COLLEEN ANN The Romanization of Romania: A Look at the Influence of the Roman Military on Romanian History and Heritage. Departments of Classics and Anthropology, March 2016. ADVISORS: Professor Stacie Raucci, Professor Robert Samet This thesis looks at the Roman military and how it was the driving force which spread Roman culture. The Roman military stabilized regions, providing protection and security for regions to develop culturally and economically. Roman soldiers brought with them their native cultures, languages, and religions, which spread through their interactions and connections with local peoples and the communities in which they were stationed.
    [Show full text]
  • Michigan Model in Ad Campaign That Queers '70S Beauty Standards
    Cold As Hell Winter Pride Brings Back Kink Pushing Forward: Roland Leggett Talks Long-Term Goals Black Queer Kids: Latrice Royale Has Something to Tell You Vintage With a Twist BTL Photo: AndrewMichigan Potter Model in Ad Campaign That Queers ’70s Beauty Standards PRIDESOURCE.COM FEBRUARY 18, 2021 | VOL. 2908 | FREE 18 14 2 BTL | January 14, 2021 www.PrideSource.com NEWS VOL. 2908 • February 18, 2021 4 A New Campaign Redefines ‘70s Beauty Standards With LGBTQ Themes ISSUE 1168 6 Michigan’s Poppin: A Closer Look at Prim-n-Poppin Model Jesi Taylor Cruz PRIDE SOURCE MEDIA GROUP 8 Cold As Hell Winter Pride Brings Back Kink in 2021 Phone 734-263-1476 PUBLISHERS 9 Pushing Forward: Roland Leggett Reelected MDP LGBT&A Caucus Chair, Talks Benjamin Jenkins Term Goals [email protected] Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Analysis: How Michigan’s Surrogacy Law Harms Prospective Parents, Gay and DIRECTOR OF OPERATIONS Straight Alike Tom Wesley 18 [email protected] OPINION EDITORIAL Entertainment Editor Chris Azzopardi 10 Parting Glances [email protected] 10 Viewpoint: By Rhiannon Chester-Bey News & Feature Editor Eve Kucharski 11 One Million Moms [email protected] News & Feature Writers Michelle Brown, Ellen Knoppow, Jason A. Michael, PETS Drew Howard, Jonathan Thurston 14 Gay-Owned Bingo Institue of CREATIVE Columnists Grooming Outgrows Old Location, Charles Alexander, Michelle E. Brown, 8 Moves Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith, Dana Rudolph 16 Lesbian-Owned Detroit Vet Clinic Oldest in US
    [Show full text]
  • Lyle Tompsen, Student Number 28001102, Masters Dissertation
    Lyle Tompsen, Student Number 28001102, Masters Dissertation The Mari Lwyd and the Horse Queen: Palimpsests of Ancient ideas A dissertation submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Master of Arts Celtic Studies 2012 Lyle Tompsen 1 Lyle Tompsen, Student Number 28001102, Masters Dissertation Abstract The idea of a horse as a deity of the land, sovereignty and fertility can be seen in many cultures with Indo-European roots. The earliest and most complete reference to this deity can be seen in Vedic texts from 1500 BCE. Documentary evidence in rock art, and sixth century BCE Tartessian inscriptions demonstrate that the ancient Celtic world saw this deity of the land as a Horse Queen that ruled the land and granted fertility. Evidence suggests that she could grant sovereignty rights to humans by uniting with them (literally or symbolically), through ingestion, or intercourse. The Horse Queen is represented, or alluded to in such divergent areas as Bronze Age English hill figures, Celtic coinage, Roman horse deities, mediaeval and modern Celtic masked traditions. Even modern Welsh traditions, such as the Mari Lwyd, infer her existence and confirm the value of her symbolism in the modern world. 2 Lyle Tompsen, Student Number 28001102, Masters Dissertation Table of Contents List of definitions: ............................................................................................................ 8 Introduction ..................................................................................................................
    [Show full text]
  • In What Way Is the Rhetoric Used in Youtube Videos Altering the Perception of the LGBTQ+ Community for Both Its Members and Non-Members?
    In What Way Is the Rhetoric Used in YouTube Videos Altering the Perception of the LGBTQ+ Community for Both Its Members and Non-Members? NATALIE MAURER Produced in Thomas Wright’s Spring 2018 ENC 1102 Introduction The LBGTQ community has become a much more prevalent part of today's society. Over the past several years, the LGBTQ community has been recognized more equally in comparison to other groups in society. June 2015 was a huge turning point for the community due to the legalization of same sex marriage. The legalization of same sex marriage in June 2015 had a great impact on the LBGTQ community, as well as non-members. With an increase in new media platforms like YouTube, content on the LGBTQ community has become more accessible and more prevalent than decades ago. LGBTQ media has been represented in movies, television shows, short videos, and even books. The exposure of LQBTQ characters in a popular 2000s sitcom called Will & Grace paved the way for LGBTQ representation in media. A study conducted by Edward Schiappa and others concluded that exposure to LGBTQ communities through TV helped educate Americans, therefore reducing sexual prejudice. Unfortunately, the way the LBGTQ community is portrayed through online media such as YouTube has an effect on LGBTQ members and non-members, and it has yet to be studied. Most “young people's experiences are affected by the present context characterized by the rapidly increasing prevalence of new (online) media” because of their exposure to several media outlets (McInroy and Craig 32). This gap has led to the research question does the LGBTQ representation on YouTube negatively or positively represent this community to its members, and in what way is the community impacted by this representation as well as non- members? One positive way the LGBTQ community was represented through media was on the popular TV show Will & Grace.
    [Show full text]
  • Mirror, Mediator, and Prophet: the Music Indaba of Late-Apartheid South Africa
    VOL. 42, NO. 1 ETHNOMUSICOLOGY WINTER 1998 Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa INGRID BIANCA BYERLY DUKE UNIVERSITY his article explores a movement of creative initiative, from 1960 to T 1990, that greatly influenced the course of history in South Africa.1 It is a movement which holds a deep affiliation for me, not merely through an extended submersion and profound interest in it, but also because of the co-incidence of its timing with my life in South Africa. On the fateful day of the bloody Sharpeville march on 21 March 1960, I was celebrating my first birthday in a peaceful coastal town in the Cape Province. Three decades later, on the weekend of Nelson Mandela’s release from prison in February 1990, I was preparing to leave for the United States to further my studies in the social theories that lay at the base of the remarkable musical movement that had long engaged me. This musical phenomenon therefore spans exactly the three decades of my early life in South Africa. I feel privi- leged to have experienced its development—not only through growing up in the center of this musical moment, but particularly through a deepen- ing interest, and consequently, an active participation in its peak during the mid-1980s. I call this movement the Music Indaba, for it involved all sec- tors of the complex South African society, and provided a leading site within which the dilemmas of the late-apartheid era could be explored and re- solved, particularly issues concerning identity, communication and social change.
    [Show full text]
  • Fall 2005 of Rifle Magazine
    Table of Contents Welcome to the fall edition 3-RiFLe-Fall 2005 of RiFLe Magazine. Blogging 3 Blogging Down the House WRFL 88.1 fm is excited to host another semester of great In the days before the Fox News Channel, Americans Down the House programming to further accommodate the listening needs of were forced to receive their information through non-corpo- Matt Jordan 4 Music Reviews campus and the community. Bringing quality radio to Lexing- rate-sponsored outlets. It was the town crier who broke the and a band interview. Through a little bit of searching through blogs, 7 All Age Venue Round-up ton is a top priority for the WRFL staff and volunteers and we story of England’s invasion, and he did so without taking a one should be able to find a wealth of information on even the tiniest August hope you are satisfied with the experience known as Radio break for live coverage of a celebrity trial. In the music in- of bands. 8 Free Lexington. dustry, we find ourselves torn between two similar options Another important factor to consider when becoming 10 We eat small children!!! This issue of RiFLe has an awesome interview with Sufjan Ste- - the corporate and slick, or the amateur, but heartfelt. a frequent blog patron is that you find one that fits your personal taste. 11 Outside the Spotlight vens as well as tons of record reviews, comics, show reviews While magazines such as Rolling Stone and Spin Because most focus on a very specialized area of music, it’s key to find and more.
    [Show full text]
  • FOR CODESRIA Anyidoho/Madame Virginie Niang Sept 17-19
    1 THE IMPORTANCE OF AFRICAN POPULAR MUSIC STUDIES FOR GHANAIAN/AFRICAN STUDENTS by John Collins INTRODUCTION A) The role of popular music and mass entertainment in the independence struggle and the consequent importance of local popular performance in the vision of pioneer African leaders: i.e. a mass music for a mass party (eg highlife as the product of the ‘veranda boy’ class). Thus the state support of popular as well as traditional and western type art/religious music sectors by the pioneering leaders Nkrumah, Nyere, Sekou Toure, President Keita. Their approach can therefore be considered as tri-musical B) The failure of this tri-musical approach being transmitted into the Ghanaian tertiary education system. This became rather bi-musical; i.e. the training of students only in traditional African and imported western art idioms C) Some reasons for this intellectual university hostility to popular music/culture 1) imported elitist, Marxist and Frankfurt School ideas concerning the ephemeral, frivolous, low status and inconsequential nature (cf. high art) of popular music and performance. 2) Residual African traditional attitudes towards professional musicians. Low regard and apprehension of such indigenous professional traditional groups as West African jalis/griots, praise drummers and goje players D) The negative consequences of the narrow bi-musical approach has effected both the university students and the evolution of local musical forms such as highlife music and the concert party. It fosters elitist attitudes by students who do not consider the creative role of the masses and intermediate classes important in musical development. It has in a lack of intellectual input into local popular music: few books and biographies on the topic, no intellectual input into it.
    [Show full text]