CURRICULUM VITAE Jan-Christopher Horak

ADDRESS: [email protected] 545 Sierra Vista Ave, Pasadena, CA 91107, 310 694 7300

EDUCATION: Ph.D. Communications, English and History, Institut für Pubklizistik, Westfälische Wilhelms-Universität, Münster, Germany, magna cum laude M.Sc. School of Communications, Boston University B.A. History, University of Delaware

PROFESSIONAL EXPERIENCE:

2007- : DIRECTOR, UCLA Film & Television Archive

2007: VISITING PROFESSOR, Hollins University Screenwriting Program (Summer)

2006 - 2008, 2009: ACTING DIRECTOR, Moving Image Archives Studies Program, UCLA

2000 - 2006: CURATOR, Hollywood Entertainment Museum, Hollywood.

1999- : ADJUNCT PROFESSOR, Critical Studies/Moving Image Archive Studies, UCLA

1998 - 2000: FOUNDING DIRECTOR, Archives & Collections, Universal Studios, Los Angeles

1994 - 1998: DIRECTOR, Filmmuseum, Münchner Stadtmuseum, Munich, Germany

1994- 1998: GUEST PROFESSOR, Hochschule für Film und Fernsehen, Munich.

1996 - 1998: GUEST PROFESSOR, Junior Year Abroad, University of Munich/Wayne State University.

1996 - 1997: GUEST PROFESSOR, Institut für Publizistik und Kommunikationswissenschaft, University of Salzburg.

1987 - 1994: CURATOR, FILM COLLECTIONS, George Eastman Museum, Rochester, N.Y.; 1984-1987: ASSOCIATE CURATOR.

1994: PROFESSOR, Film Studies, English, German, University of Rochester, Rochester, N.Y. 1990-1993 ASSOCIATE PROFESSOR. 1985-1990 ASSISTANT PROFESSOR, part-time.

1990: FILM SPECIALIST, "Film in Amerika," USIA exhibition, Katowizce, Poland; 1989: SEMINAR ORGANIZER, "Film in Amerika," USIA exhibition, Prague, Czechoslovakia. 1988: FILM SPECIALIST, "Film in Amerika", USIA exhibition, Berlin (East), GDR.

1981: FILM RESEARCHER, HEIMAT (1984, Edgar Reitz Filmproduktion, Munich).

1980-1984: LECTURER, Institut für Publizistik, University of Münster, Germany.

GRANTS/HONORS: Andor Kraszna-Kraus Film Book Award Winner (L.A. Rebellion), 2016 Marfield Prize Nomination (Saul Bass book): National Award for Arts Writing, 2015 Wikipedia (German), 2015, https://de.wikipedia.org/wiki/Jan-Christopher_Horak National Film Preservation Board, Alternate, 2010- 2 Association of Moving Image Archivists, Board of Directors, 2007 - 2010 Katherine Kovacs Singer Essay Award of the Society of Cinema and Media Studies, 2007 Academy Film Scholars Award, Academy of Motion Picture Arts & Sciences, 2007 Institute for Museum and Library Services (IMLS) Peer Reviewer, 2004, 2005 Willy Haas Prize, Hamburg, Jury member, 2004, 2005, 2006, 2007. Certificate of Appreciation, Association of Moving Image Archivists, 2001 National Film Preservation Foundation Panel, 2000 International Society of Specialty Film Exhibitors and Distributors, Board of Directors, 1999-2000 Public Film Funding Panel, Kuratorium Junger Deutscher Film, 1994 – 1997 Congressional Testimony, Film Preservation 1993. A Study of the Current State of American Film Preservation, June 1993, Washington, D.C. Executive Committee, Federation Internationale des Archives du Film, 1993-1995 Who's Who in America, 1993, 1995, 1997, 1999, 2000, 2002, 2004, 2006, 2008, 2010; Who's Who in the East, 1993-94; Who’s Who in Entertainment, 1997 Association of Moving Image Archivists, President, 1992-93, Vice-President, 1991-92 New York State Council on the Arts, Film Panel, 1986-88, Chairperson, 1988-89 Heinrich Herz Stiftung, Research Fellowship, 1979-80, 1982-83 National Endowment for the Arts, Internship Grant, 1975-76 American Film Institute Oral History, Louis B. Mayer Foundation, 1975

PUBLICATIONS: Blog http://www.ithaca.edu/fleff/blogs/archival_spaces/archive/sep2009/ (September 2009 – Novfember 2010) http://www.cinema.ucla.edu/blogs/archival-spaces (December 2010 - ) bi-monthly

Books L.A. Rebellion: Creating a New Black Cinema, ed. by Allyson Nadia Field, J-C Horak, Jacqueline Najuma Stewart (Berkeley, CA: University of Califromnia Press, 2015) Saul Bass: Anatomy of Film Design (Lexington, KY: University Press of Kentucky, 2014) Making Images Move: Photographers and Avant-Garde Cinema (Washington DC: Smithsonian Press, 1997) Berge, Licht und Traum. Dr. Arnold Fanck und der deutsche Bergfilm (Munich: Bruckmann Verlag, 1997) Lovers of Cinema. The First American Film Avant-Garde 1919-1945 (Madison: University of Wisconsin Press, 1995, 1998) The Dream Merchants: Making and Selling Films in Hollywood's Golden Age (Rochester: George Eastman House, 1989) Bibliographie der Filmbibliographien/Bibliography of Film Bibliographies, ed. by Hans-Jürgen Wulff with the assistance of Karl-Dietmar Möller and Jan-Christopher Horak (Munich, New York, London, Paris, 1987) Anti-Nazi Filme der deutschsprachigen Emigration von Hollywood (Münster: MAkS-Verlag, 1984, 1992, fourth printing) Fluchtpunkt Hollywood. Eine Dokumentation zur Filmemigration nach 1933 (Münster: MAkS-Verlag, 1984, 1986 revised and expanded 2nd edition) Helmar Lerski - Lichtbildner. Fotographien und Filme 1910-1947, Ute Eskildsen and Jan-Christopher Horak, trans. by J.-C. Horak (Essen: Museum Folkwang, 1982) Film und Foto der zwanziger Jahre, ed. by Ute Eskildsen and Jan-Christopher Horak (Stuttgart: Verlag Gerd Hatje, 1979) Middle European Emigres in Hollywood 1933-1945 (Beverly Hills: American Film Institute, 1977)

Editorships Journal of Film Preservation, Editorial Board, 2009 - Cinema Journal. Society of Cinema Studies, Editorial Board, 2002- 2010; Associate Editor, 2008 - 2010 The Moving Image. Journal of the Association of Moving Image Archivists, Founding Editor, 2001-2006, Board, 2001 - Filmblatt Babelsberg, Corresponding Editor, 2000 - Wide Angle, Editorial Board, 1999 – 2001 "off" Kino-Texte (Edited by Robert Fischer-Ettel and Jan-Christopher Horak, monograph series of Munich Filmmuseum) No. 1: Buchka, Deutsche Augenblicke. Bilderfolge zu einer Typologie des Films (Munich: belleville, 1996) No. 2: Beier, Robert Wise (Berlin: Bertz Verlag, 1996) No. 3: Volkmer, Traum Fenster Garten. Die Film-Musiken von Takemitsu Tôru (Munich: KinoKonTexte, 1996) No. 4: Möller/Schifferle/Westphal, Ritual und Romantik. Das Kino des Eckhart Schmidt (Munich: belleville, 1997) 3 No. 5: Horak, Berge, Licht und Traum (Munich, Bruckmann, 1997) No. 6: Schönberg/Blonda/Huilet/Straub, Von heute auf morgen. Oper/Musik/Film (Munich: Vorwerk 8, 1997) Medienwissenschaft, Editorial Board, 1995 - Filmexil, Correspondent, 1992 – 2005 IAMHIST Newsletter, Editor,1989-1991 Historical Journal of Film, Radio & Television, Associate Editor, 1988-1992, Editorial Board, 1986 – 2002, Forum Editor 1995-2002 film theory. Newsletter and Bibliographic Information, edited by Jan-Christopher Horak, Hans-Juergen Wulff, Karl Dietmar Moeller, Hans-Joachim Paech, Nos. 1-29, 1982-1991

Refereed Articles Preserving Race Films, in: Barbara Tepa Lupack (ed): Early Race Filmmaking in America (London: Routledge, 2016) Samochód, kolej żelazna I miasto – wczwsne kino I awangarda, in: KINtop Antologia Wczesnego kina (Warsaw: Oficyna Wydawnicza, 2016), Polish trans. of Autos, Züge und Städte: Modernisierung, das frühe Kino und die Avantgarde, in: KINtop, No. 12, February 2004 Early American Avant-Garde Cinema, in: Cynthia Lucia, Roy Grundermann, Art Simon (eds): American Film History. Selected Readings, Origins to 1960 (Oxford: Wiley Blackwell, 2016), 200-214 Ausgeblieben? Nachkriegs-Remigration in Deutschland, in: Bastian Blachut et al (eds): Reflexionen des beschädigten Lebens? Nachkriegskino in Deutschland zwischen 1945 und 1962 (Munich: Edition Text Kritik, 2015) Surveying AMIA’s First Twenty Years, in: The Moving Image, Vol. 11, No. 1, Spring 2011 Helmar Lerski in Israel, in: Miri Talmon-Bohn (ed): Israeli Cinema. Identities in Motion (Austin, TX: University of Texas Press, 2011) Archiving, Preserving, Screening 16mm, in: Cinema Journal, Vol. 45, No. 3, Spring 2006 The Strange Case of The Fall of Jerusalem: States Rights, Orphans, and Film Identification, in: The Moving Image, Vol. 5, No. 2, Fall 2005 Old Media Become New Media: The Metamorphoses of Historical Films in the Age of their Digital Dissemination, in: Martin Loiperdinge (ed): The Movies Goe Digital (Trier: Uni-Verlag, 2003) German Film Comedy, in: Tim Bergfelder et al (eds): The German Cinema Book (London: BFI Publishing, 2002) The Hollywood History Business, in: Jon Lewis (ed): The End of Cinema as We Know It (New York: New York University Press, 2001) Spring Parade (1940): Imperial Austria Lives Again (at Universal), in: Austria in Film, Special Issue Modern Austrian Literature, Vol. 322, No. 4, 1999 Seeing With One's Own Eyes: Helen Levitt's Films, in: Yale Journal of Criticism, Vol. 8, No. 2, 1995 Avant-garde Film, in: Tino Balio: Grand Design: Hollywood as a Modern Business Enterprise 1930-1939 (New York: Charles Scribner's Sons, 1993) Eros, Thanatos, and the Will to Myth: Prussian Films in German Cinema, in: Bruce Murray and Christopher Wickham (eds.): Framing the Past: The Historiography of German Cinema and Television (Carbondale: University of Southern Illinois Press, 1992) How the West was Won, Nazi Style: Trenker's Der Kaiser von Kalifornien, in: Historical Journal of Film Radio & TV, Vol. 6, No. 2, October 1986 Wunderliche Schicksalsfügung: Emigranten im Hollywood Anti-Nazi-Film, in: Yearbook for Exile Studies / Exilforschung, Vol. 2, 1984 Zionist Film Propaganda in Nazi Germany, in: Historical Journal of Film Radio & TV, Vol. 4, No. 1, March 1984 Werner Herzog's Ecran Absurde, in: Literature/Film Quarterly, Vol. 7, No. 3, 1979

Non-refereed Articles Foreword, in: Patricia R. Zimmermann, Open Spaces. Openings, Closings, and Thresholds of International Public Media (Edgecliff, The Scores, St. Andrews, Fife: University of St. Andrews, 2016) Mid-Century Mark for UCLA Film & Television Archive, in: UCLA Film & Television Archive. 50 Years (Los Angeles: UCLA Film & Television Archive, 2015) Transmitting the Knowledge of the Ancestors: Native American Filmmakers Today, in: Through Indian Eyes: Native American Cinema (Los Angeles: UCLA Film & Television Archive, 2014) Rudi Joseph gründet das Filmmuseum, in: Programmheft zum 40. Jubuläum des Filmmuseum, December 2003, reprinted “50 Jahre Filmmuseum München,” 30 November 2013 Post-War Traumas in Wozzeck (1947), in: Eric Rentschler (ed.): German Film and Literature/Adaptations and Transformations (London: Methuen, 1986), reprinted Wozzeck, DVD Release, DEFA Film Library, September 2013 4 Out of the Past: UCLA’s Festival of Preservation, in: Alex Marlow-Mann (ed), Film Festival Yearbook 5: Archival Film Festivals (St, Andrews: S, Andrews Film Studies, 2013) Kino, in: Dan Diner (ed), Enzyklopädie jüdischer Geschichte und Kultur, Band 3 (Stuttgart: Verlag J.B. Metzler, 2012) Vorwort, in: Reiner Boller, Kurt Kreuger – Ein Deutscher in Hollywood (Marzling: Verlagsallianz, 2012) Die Unschuld vom Lande, in: Christine N. Brinckmann et al (eds), Motive des Films, ein kasuistischer Fischzug (Berlin: Schüren, 2012) Hollywood im Krieg: Die zögerliche Anti-Nazi Propaganda Maschine, in: Werner Hanak-Lettner (ed): Bigger Than Life: Hundert Jahre Hollywood, eine jüdische Erfahrung (Vienna: Das jüdische Museum, 2011) Early American Avant-Garde Cinema, in: Cynthia Lucia, Roy Grunderman, Art Simion (eds), The Wiley-Blackwell History of American Film (London: Wiley-Blackwell, 2011), online at http://onlinelibrary.wiley.com/doi/10.1002/9780470671153.wbhaf025/abstract Film Preservation. A Critical Symposium, in:: Cineaste, Vol.v 37, No. 4, Fall 2011 L.A. Rebellion Comes Home, in: L.A. Rebellion: Creating a New Black Cinema (Los Angeles: UCLA Film & Television Archive, 2011) “Brother can you spare a Dime?” Zur Misere des Hollywood Filmmuseums, in: Film-Dienst, Vol. 64, No. 16, 4 August 2011 Regarding Mekas: Avant-Garde Film and Audience Subjectivity, in: Millennium Film Journal, No. 53, Fall/Winter 2010 / 2011 Düstere Weltanschauung, hell ausgeleuchtet. Zur restaurierten Fassung von Max Nossecks THE HOODLUM (1951), in: Filmblatt,Vol. 14, No. 2, Summer 2009 Anny und Schwejk: Der Prager Stummfim in der Weimarer Republic, in: Johannes Rschlau (ed): Zwischen Barrandov und Babelsberg. Deutsch-tschechische Filmbeziehungen im 20. Jahrhundert (Munich: edition text + kritik, 2008) The Instinct to Kill, in: Domenico De Geatano (ed): Chromosomes. A Project by David Cronenberg (Rome: Volumina, 2008) Unplumbed Possibilities: James Sibley Watson’s Avant-Garde Industrial Films, in: Film History, Vol. 20, No. 1, 2008 Reactionary Expressionism in Robert Reinert’s Nerven, NERVEN dvd linear notes, Edition Filmmuseum 41, 2008 Hollywood, in: Wolfgang Dosbach (ed): International Encyclopedia of Communication, Vol. 5 (London, Blackwell, 2008) Photography, in: Wolfgang Dosbach (ed): International Encyclopedia of Communication, Vol. VIII (London, Blackwell, 2008) Jeremias (1922), in: Christoph Fiuchs, Michael Töteberg (ed): Fredy Bockheim trifft Mister Dynamit (Munich: Edittion text+kritik, 2007) The Gap Between1 and 0: Digital Video and the Omissions of Film History, In: The Spectator, Vol. 27, No. 1, Spring 2007 Wildlife Films: From Classical Documentary to Reality TV, in: Film History, Vol. 18, No. 4, 2006 Fassbinder Looks at Life, in: Village Voice, October 3, 1974, reprinted as Ali: Fear Eats the Soul, in: Dennis Lim (ed): The Village Voice Film Guide: 50 Years of Movies from Classics to Cult Hits (New York: Wiley Publishers, 2006) “Black Fox,” Program notes, “Oscar’s Docs, Part II, Linwood Dunn Theatre, Academy of Motion Picture Arts & Sciences, 18 September 2006 “One of those little things the cinema needs”, in: Günther Krenn (ed): Louise Brooks: Rebellin, Ikone, Legende (Wien: Filmarchiv Austria, 2006) Archives, UFA, Erich Pommer, Expressionism, Fritz Lang, in: Barry Grant (ed): Schirmer Encyclopedia of Film (Farmington Hills, MI: Schirmer-Gale, 2006) Die Tierwelt im Dokumentarfilm, in: Ute Eskildsen and Hans-Jürgen Lechtreck (eds): Nützkich, süß und museum. Das fotografierte Tier (Göttingen: Steidl, 2005) Sauerkraut and Sausages with a Little Goulash: Germans in Hollywood, in: Film History, Vol. 17, No. 2/3, 2005 Anti-Nazi-Filme, in: filmarchiv 23 (Vienna), April/May 2005 Richard Oswald im amerikanischen Exil, in: Loacker (ed): Richard Oswald (Vienna: Filmarchiv Austria, 2005) Reminiscences of a Journey to Lithuania, in: http://www.oldfilm.org/nhfWeb/ed/04Symp/chris_horak_Jouney_To_Lithuania.htm accessed October 2004. Louis Feuillade’s Judex, dvd linear notes, Los Angeles: Flicker Alley, 2004 Reisch führt Regie: Song of Scheherezade, in: Günther Krenn (ed), Walter Reisch (Vienna: Filmarchiv Austria, 2004) Ca. 180 entries (JCH) in: Han-Juergen Wulff and Theo Bender (ed): Lexikon der Filmbegriffe http://lexikon.bender-verlag.de/suche.php , uploaded December 2003 Silent Classics by Ernst Lubitsch, Boston Jewish Film Festival Program, November 2003 La première avant-garde cinématographique américaine , in: Jean-Michel Bouhours et al (eds): En marge de Hollywood. La première avant-garde cinématographique américaine (Paris: Centre Pompidou, 2003) “We Love the Viennese”: Willi Forst nach Hollywood Art, in: Armin Loacker (ed): Willi Forst. Ein Filmstil aus Wien (Vienna: Filmarchiv Austria, 2003) 5 Fritz Lang’s Die Nibelungen, dvd linear notes, New York, Kino International, April 2003 The First American Film Avant-Garde 1919-1945, in: Wheeler Dixon and Gwendolyn Foster (ed)s: Experimental Cinema, The Film Reader (London: Routledge, 2002) Geschichten aus der Gruft oder wenn Filmrestaurierung jetzt sexy ist, dann sind wir alle nekrophil, in: Synema (ed): Auf der Suche nach dem Filmischen (Vienna: Synema, 2002) Munich's First Fiction Feature, Die Wahrheit, in: Thomas Elsaesser (ed): A Second Life. German Cinema's First Decades (Amsterdam: Amsterdam University Press, 1996); German trans. in: Kino der Kaiserzeit (Munich: Edition Text + Kritik, 2002) Three Nitrate Stories, in: Roger Smither (ed): this film is DANGEROUS. A Celebration of Nitrate Film (Brussels: FIAF, 2002) Österreichische Monumentalfilme in Amerika, in: Armin Loacker, Ines Steiner (eds): Imaginierte Antike. Österreichische Monumental-Stummfilme (Vienna: Filmarchiv Austria, 2002) Anti-Nazi-Filme des deutschen Exils, in: John M. Spalek (ed): Deutsche Exilliteratur seit 1933. USA, Bd. 3 (Bern/Munich: K.G. Saur, 2002) Foreward, in: Unseen Cinema. Early American Avant-Garde Film 1893-1941 (New York: Anthology Film Archives, 2001); Maurice Toureur and The Bluebird, in: Unseen Cinema. “Die Luxusnutte”: Hedy Lamarrs Starimage in Amerika, in: Armin Loacker (ed): Exstase (Vienna: Filmarchiv Austria, 2001); Engl. Trans. High Class Whore. Hedy Lamarr’s Star Image in Hollywood, in: CineAction, No. 55, July 2001 The Dreamer: Remembering James Card, in: The Moving Image. Journal of AMIA, Vol. 1, No. 1, May 2001 Geschwindigkeit und Städte/Speed and Cities, in: 47. Internationale Kurzfilmtage Festivalkatalog (Oberhausen: Verlag Karl Maria Laufen, 2001) F.W. Murnau’s Faust, dvd linear notes, New York, Kino International, April 2001 Introduction to Film Stocks, in: Encyclopedia of Moving Image Archive Studies Curricular Resources (http://www.cinema.ucla.edu/TANK/subjecttours.asp), uploaded December 2000 Introduction to Film Gauges, in: Encyclopedia of Moving Image Archive Studies Curricular Resources (http://www.cinema.ucla.edu/TANK/subjecttours.asp), uploaded December 2000 In geistiger Freiheit. Zum Tod von Curt Siodmak, in: Film-Dienst, Vol.53, No. 20, 26 September 2000 Der letzte Filmstar. Zur Rezeption von Curd Jürgens in Amerika, in: Curd Jürgens (Frankfurt/Main: Deutsches Filmmuseum, 2000) Der Pirat der Liebe (zum Film). Zur Erinnerung an James Card, in: Film-Dienst, Vol. 53, No. 8, 11 April 2000 Hitchcock bei der Universal, in: Sabine Lenk (ed): Obsessionen. Die Alptraum-Fabrik des Alfred Hitchcock (Marburg: Schüren Verlag, 2000) Das neue Archiv der Universal Studios, in: Medienwissenschaft, No. 4, December 1999 Three Smart Guys: How a few penniless German émigrés saved Universal Studios, in: Film History, Vol. 11, No. 2, 1999 Die letzten Tage des Louise Brooks, in: Paolo Caneppele, Günther Krenn (ed): Film ist Comics. Wahlverwandtschaften zweier Medien. Die Projektion des Filmstars Louise Brooks in den Comics (Vienna: Filmarchiv Austria, 1999) Dr. Arnold Fanck and the Genesis of the German Bergfilm, in: Leonardo Quaresima et al (ed): la nascita dei generi cinematografici. V. International Film Studies Conference Proceedings (Udine: Editrice Forum, 1999) Der Fall Die freudlose Gasse. Eine Rekonstruktion im Münchner Filmmuseum, in: Ursula von Keitz (ed.): Frühe Filme, Späte Folgen. Restaurierung, Rekonstruktion und Neupräsentation historische Kinematographie (Marburg: Schüren, 1998); abridged Italian and English trans. in: Cinegrafie (Bologna), No. 10, June 1997; Engl. trans. as Film History and Film Preservation: Reconstructing the Text of The Joyless Street, in: Screening the Past, No. 5 http://www.latrobe.edu.au/screeningthepast/firstrelease/fir1298/jhfr5b.html , downloaded December 1998; Swedish trans. Filmhistoria och konsten att bevara film, in: film häftet, Vol. 27, No. 105, Spring 1999; revised German version in: Armin Loacker (ed): Wien, die Inflation und das Elend. Essays und Materialien zum Stummfilm DIE FREUDLOSE GASSE,(Vienna: Verlag Filmarchiv Austria, 2008) Tales from the Crypt or if Film Preservation is Sexy, Then We are all Necrophiliacs, in: Palmira Gonzales Lopez (ed), Seminari de Patrimoni Cinematografic (Barcelona: University of Barcelona, 1998) Awodah. Helmar Lerski’s erste Filmregie, in: Film Exil, No. 11, November 1998 Out of the Attic: Archiving Amateur Films, in: Journal of Film Preservation, No. 56, June 1998 Ewig auf der Flucht. Die Romanverfilmung So Ends Our Night, in: Thomas F. Schneider (ed.): Erich Maria Remarque. Leben, Werk und weltweite Wirkung (Osnabrück: Universitätsverlag Rasch, 1998). Reprinted in Thomas F. Schneider (ed.): Das Auge ist ein starker Verführer:Erich Maria Remarque und der Film (Osnabrück: Universitätsverlag Rasch, 1998). NACHT UND NEBEL. Einführung zum Film, in: Ursula Haeusgen (ed): Celan wiederlesen (Munich: Lyrik Kabinett, 1998) Soy Cuba. “Ich bin Kuba”, 1962-1964, in: Rainer Rother (ed.): Mythen der Nationen. Völker im Film (Berlin: Deutsches Historisches Museum, 1998) 6 Berge, Licht und Traum. Dr. Arnold Fanck. Pionier des Bergfilms. In: Der Bergsteiger, December 1997 The Infatuated Camera. The Films of Ed van der Elsken, in: Bas Vroege et al (ed.): Long Live Me! Ed an der Elsken (Amsterdam: Paradox, 1997) Die deutsche Film-Avantgarde der zwanziger Jahre, in: Szeenenwechsel. German Design goes Rocky Mountain High (Frankfurt/Main: Verlag form, 1997) A dokumentarizmus mint a filmmûvészet egyik fajtája , in: Filmspirál (Budapest), No. 7. , 1997 Film as Metaphor: The Films of Robert Reinert, in: Griffithiana, Nos. 60/61 (October 1997) Die Jagd nach den Bildern: Fotofilme von Chris. Marker, in: Birgit Kämper/Thomas Tode (ed.): Chris Marker. Filmessayist (Munich: CICIM edition, 1997) also in: CICIM: Revue pour le Cinema Francais, No. 45/46/47 Sept 1997 „UFA,“ in: Hans-Michael Bock and Wolfgang Jacobsen (ed): Recher4che: Film. Qulennen und Methoden der Filmforschung (Munich: Edition text + kritik, 1997) Die deutsche Filmavantgarde der zwanziger Jahre, in: Szenenwechsel. German Design Goes Rocky Mountain High (Frankfurt/Main: Verlag form, 1997) Hans Richter koncepciója a filmnyelvrõl, in: Filmspirál (Budapest), No. 6, 1997 Die Tradition des deutschen Films, in: Heike Amend/Michael Bütow (ed.), Der bewegte Film. Aufbruch zu neuen deutschen Erfolgen (Berlin: VISTAS, 1997) Kasper Hauser. Eine deutsche Geschichte, in: Thomas Koebner (ed): Idole des deutschen Films (München: Edition Text+Kritik, 1997) In der Fremde. Exilfilm 1933-1945, in: Hans-Helmut Prinzler, Wolfgang Jacobsen, Anton Kaes (eds.): Geschichte des deutschen Films (Stuttgart: J.B. Metzler, 1993); English trans. German exile cinema, 1933-1950, in: Film History, Vol. 8, No. 4, December 1996 Chris Marker's Reality Bytes, in: Aperture, No. 145, Fall 1996 Ein Zwischenspiel in Hollywood, 1933-1955, in: Viktor Rotthaler (ed): Friedrich Hollaender (Hambergen: Bear Family Records, 1996) A vizuális nyelv kifejlõdése a némafilmben, Filmspirál (Budapest), No. 5., 1996 Ein Connaisseur: William K. Everson, Filmsammler (1927-1996), in: Filmgeschichte, Nos. 7/8, June 1996 Großstadtzigeuner, Mysterien eines Friseursalons, The Love of Zero, in: Les Cahiers du Muet (Brussels), Nos. 20, 21, 27, 1996 Der Unterwasserfilm, in: Handbuch Tauchen (Munich/Wien/Zürich: BLV Verlag, 1996); Dutch trans. De onderwaterfilm, in: Handbok Tauchen (Amsterdam, 1998) FIAF: The Traditionalists' View, in: Journal of Film Preservation, No. 51, November 1995; Internet version: http://www.cinema.ucla.edu/FIAF/Journal/html51/jan.html Deutsche Filmemigranten aus dem heutigen Rheinland Pfalz (1933-1945), in: Odeon - Scala - Capitol. 100 Jahre Kino (Koblenz: Landesmuseum Koblenz, 1995) Hollywood - Film und Kino als das ganz große Geschäft, in: Neue Züricher Zeitung, No. 99, 29/30 April 1995 Preserving the American Film Heritage, in: Lectures for "American Films - The Little Known" (Japanese/English) (Tokyo: National Film Center, 1995) The Penetrating Power of Light: The Films of Helmar Lerski, in: Image, Vol. 36, Nos. 3/4, 1993 Schauplatz Wien: Österreich im Anti-Nazi-Film Hollywoods, in: Christian Cargnelli and Michael Omasta (ed.): Aufbruch ins Ungewisse: Österreiche Filmschaffende in der Emigration vor 1945 (Wien: Wespennest-Film, 1993) "None Shall Escape" (1944): War Criminals on Trial, in: Helmut F. Pfanner (ed.): World War II and the Exiles. A Literary Response (Bonn: Bouvier, 1991); German trans. Kriegsver-brecherprozesse in Hollywood: None Shall Escape, in: Joachim Schmitt-Sasse (ed.): Widergänger: Faschismus und Antifaschismus im Film (Münster: MAkS-Publikationen, 1993) Rin-Tin-Tin erobert Berlin oder amerikanische Filminteressen in Weimar, in: Uli Jung und Walter Schatzberg (ed.): Filmkultur zur Zeit der Weimarer Republik (München/New York: K.G. Saur, 1992); English trans. Rin-Tin-Tin in Berlin or American Cinema in Weimar, in: Film History, Vol. 5, No. 1, March 1993 L'Avanguardia Cinematographica Americana 1921-1945, in: Paolo Bertetto (ed.): Il grande occhio della notte. Cinema d'Avanguardia Americano 1920-1990 (Torino: Museo Nationale del Cinema, 1992) Die Anti-Ufa. Amerikaner gründen die EFA, in: Hans-Michael Bock and Michael Töteberg (ed.): Das Ufa-Buch (Frankfurt/Main: Zweitausendeins, 1992) Wo liegt Deutschland. Hitlerjunge Quex (1933), in: Bock/Töteberg (1992) No News Is Bad News: Vanderbilt Television Archives, in: The Independent, Vol. 15, No. 8, October 1992 7 The Ambiguous Image: Hollywood, Propaganda, and the Spanish Civil War, in: Image, Vol. 32, Nos. 2-4, December 1989, reprinted in: Luis Costa et al (ed.): German and International Perspectives on the Spanish Civil War: The Aesthetics of Partisanship (Columbia, S.C: Camden House, 1992) Ridere da Sentirsi male. Il Cinema comico Tedesco e Karl Valentin / Laughing Until it Hurts: Karl Valentin and German Film Comedy, in: Prima di Caligari. Cinema tedesco, 1895-1920, P. Cherchi Usai, L. Codelli (Pordenone: Le Giornate del Cinema Muto, 1990); German trans. Schadenfreude: Deutsche Filmkomödien und Karl Valentin, in: Kintop, No. 1 (1992) Filmkünstler im Exil. Der Weg nach Hollywood, in: Edith Böhne and Wolfgang Motkau-Valeton (ed.): Die Künste und die Wissenschaften im Exil 1933-1945 (Gerlingen: Verlag Lambert Schneider, 1992) Imaging Myths: George Hurrell, in: The Consort, April 1992 Diese Gefahr der Unvernuft, dieser bedrohender Raum einer absoluten Freiheit / That danger of unreason, that threatening space of an absolute freedom, in: Ute Eskildsen (ed.): Danny Lyon: Fotografien und Filme (Essen: Museum Folkwang, 1991) Helmar Lerski in Israel, in: Nurith Getz et al (eds.): Fictive Looks – On Israeli Cinema (Tel Aviv: Open University, 1991) Trans. into Hebrew. Interview with Nina Rosenblum, in: The Consort, October 1990 Modernist Perspectives and Romantic Desire: Manhatta, in: Afterimage, Vol. 15, no. 4, November 1987; reprinted in abridged form in: Maren Stange (ed.): Paul Strand. Essays on His Life and Work (New York: Aperture, 1990) Hollywood Film Stills/Historical Documents, in: The Independent, Vol. 13, No. 2 (March 1990); reprinted in: Historical Journal of Film Radio & TV, Vol. 10, No. 1, March 1990 G.W. Pabst in Hollywood or Every Modern Hero Deserves a Mother, in: Film History, Vol. 1, No. 1, June 1987. Reprinted in Eric Rentschler (ed.): The Films of G.W. Pabst. An Extraterritorial Cinema (New Brunswick, N.J.: Rutgers U. Press, 1990); German trans: G.W. Pabst in Amerika, in: Gottfried Schlemmer, Bernhard Riff, Georg Haberl (eds.): G.W.Pabst (Münster: MAkS Publikationen, 1990) Emile De Antonio, 1919-1989, in: Afterimage, Vol. 17, No. 7, February 1990 Russi bianchi a Hollywood, in: Cinemazero, Vol. 9, No. 8, October 1989 Daddy Searching for the Truth: The Films of Robert Frank, in: William Johnson (ed.): "The Pictures are a Necessity: Robert Frank in Rochester, R.F. & P.C. Occasional Papers, No. 2, December 1988. Revised version in Afterimage, Vol. 16, No. 9, April 1989 Good-Morning Babylon. Maurice Tourneur's Battle Against the Studio System, in: Image, Vol. 31, No. 2, September 1988. Italien trans.: Maurice Tourneur e l'Ascesa dello Studio System, in: Il Cinema American degli Anni Dieci (Pordenone: La Cineteca del Friuli, 1988) American Literature and the Silent Film, in: Alfred Weber (ed): Film und Literatur in Amerika (Darmstadt: Wissenschaftliche Buchgesellschaft, 1988) Archivists' Agenda for Independent Media, in: The Independent, Vol. 11, No. 2, March 1988 Preservation Pressures, in: The Independent, Vol. 10, No. 5, June 1987 Ein Foto-Film von Chris Marker: La Jetee, in: Foto-Kritik, No. 17, November 1986 Beheading a Chinese Prisoner, in: Before Hollywood (New York: American Federation of the Arts, 1986) Ralph Steiner 1898-1986, in: Afterimage, Vol. 14, No. 4, November 1986 On the Road to Hollywood: German Speaking Filmmakers in Exile 1933-1950, in: Helmut F. Pfanner (ed.), Kulturelle Wechsel-beziehungen im Exil/ Exile Across Cultures (Bonn: Bouvier Verlag Herbert Grundmann, 1986) W. H. or the Mysteries of Walking in Ice, in: Timothy Corrigan (ed.), Werner Herzog (London: Methuen, 1986) The Other Germany in Zinnemann's The Seventh Cross (1944), in: Rentschler (1986) The Magic Lanterne Moves: Early Cinema Reappraised, in: Film Reader, No. 6, 1985 Herbert Bayer, in: Afterimage, Vol. 13, No. 4, November 1985 Lerski et le Cinema, in: Photographies (Paris), No. 8, September 1985 Exil-Drehbuchautoren in Hollywood, in: PEN International (ed), Symposium Exil U.S.A. (Schriesheim: Verlag Frank Albrecht, 1985) Parallel Editing in Dziga Vertov's The Man With the Movie Camera, in: Karl-Dietmar Möller (ed.), Untersuchungen zur Syntax des Films (Münster: MAkS-Publikationen, 1985) Lothar Wolff, in: Cinegraph (Munich: Verlag Text und Kritik, 1985) The Films of Moholy-Nagy, in: Afterimage, Vol. 13, No. 1/2, Summer 1985 La Photographie Tcheque Entre les Deux Guerres, in: Photographies, No. 5, May 1985 Anti-Nazi Films in Hollywood (Diss. Abstract), in: Historical Journal of Film Radio & TV, Vol. 4, No. 2, March 1985 Wilhelm Thiele, in: Cinegraph (Munich: Verlag Text und Kritik, 1984) Widerstand und Faschismus im Anti-Nazi-Film Hollywood. Sirks HITLER'S MADMAN und Langs HANGMEN ALSO DIE, in: Hans-Jürgen Wulff (ed.): Filmbeschreibungen (Münster: MAkS-Publikationen, 1984) 8 A Bibliography of Film Bibliographies, by H.J. Wulff, K.-D. Möller, J.-C. Horak, in: Film Theory, No. 4-7, May 1984 West German Film Politics: From A to Zimmermann, in: Afterimage, Vol. 11, No. 9, April 1984 Zionist Film Propaganda in Nazi Germany, in: Historical Journal of Film Radio & TV, Vol. 4, No. 1, March 1984 Mother Krausen’s Trip to Happiness. Kino-Culture in Weimar, Part II, in: Jump Cut, No. 27, 1982 Kinderseelen klagen Euch an; Der Schinderhannes; Das letzte Fort, in: Hans Helmut Prinzler et al (ed.): Aufruhr der Gefühle. Die Kinowelt des Curtis Bernhardt (Munich/Lucern: Bucher, 1982) Intervista a John Brahm, in: Leonardo Quaresima (ed): Il sogno Hollywoodiana della Mitteleuropa (Bologna: Commune di Bologna, 1982) Prometheus Film Collective (1925-1932). German Communist Kinokultur, Pt. 1, in: Jump Cut, No. 26, 1981 Liebe, Pflicht und die Erotik des Todes, in: Axel Marquandt und Heinz Rathsack (ed.): Preussen im Film (Reinbek bei Hamburg: Rowohlt Verlag, 1981) Discovering Pure Cinema: Avantgarde Film in the 1920s, in: Afterimage, Vol. 8, No. 1/2, Summer 1980 The Palm Trees Were Gently Swaying: German refugees From Hitler, in: Image, Vol. 23, No. 1, June 1980. Italian trans. Le palme ondeggiavano dolcemente: i refugiati tedeschi a Hollywood; Bibliografia essenziale, in: Vienna-Berlino-Hollywood. Il cinema della grande emigrazione (Venice: Edizioni "la Biennale di Venezia", 1981); reprinted in: Image, Vol. 25, No. 3/4, September/December 1982 (30th Anniversary Issue) Film and Foto: Towards a Language of Silent Film, in: Afterimage, Vol. 7, No. 5, December 1979 Film Archiven in den Vereinigten Staaten, in: Der Archivar, Vol. 32, No. 2, May 1979 Ophuls' Celebration of Love in Liebelei, in: Image, Vol. 120, No. 3/4, September/December 1977 Maurice Tourneur's Tragic Romance: The Last of the Mohicans (1920), in: Gerald Peary and Roger Shatzkin (eds.): Classic American Novel at the Movies (New York: Ungar, 1977) Three Penny Opera: Brecht vs. Pabst, in: Jump Cut, No. 15, 1977 Landscapes of the Mind's Eye: D.W. Griffith's The White Rose, in: Image, Vol. 19, No. 4, December 1976; reprinted in: Marshall Deutelbaum (ed.): IMAGE on the Art and Evolution of Film (New York: Dover, 1979) Pre-Hollywood Lubitsch, in: Image, Vol. 18, No. 4, December 1975; reprinted in: Deutelbaum (1979), and in: Thomas Elsaesser (ed.): Space Frame Narrative. Silent Cinema 1916-1926 (Norwich: University of East Anglia, 1984) Ernst Lubitsch and the Rise of Ufa 1917-1922, unpublished Master's Thesis, Boston University, 1975

Reviews Bilder des Jahrhunderts. Staatliches Filmarchiv der DDR, 1955-1990. Erinnerungen (Klaue et al), in: Journal of Film Preservcation, No. 94, April 2016 Wie der Film unsterblich wurde.Vorakademische Filmwissenschaft inn Deutschland (Aurich/Forster), in: Filmblatt, Vol. 20, No. 58/59, Winter 2015/16 Edgar Reitz: Chronist deutscher Sehnsuch. Eine Biographie (Koebner), in: Medienwissenschaft, No. 1, March 2016 The Emergence of Film Culture: Knowledge Production, Institution Building and the Fate of the Avant-Garde in Europe, 1919-1945 (Hagener), in: Medienwissenschaft, No. 3, September 2015 Lubitsch Can’t Wait: A Theoretical Examination (Navak, Krečič, Dolar), in: Medienwissenschaft, No. 3, September 2015 2015 FIAF Congress: Symposium, a Personal View, in: fiaf bulletin online, June 2015 http://en.calameo.com/read/000918540f520e7611839 downloaded 1 December 2015 Continental Strangers. German Exile Cinema (Gemünden), in: German Quarterly, Vol. 88. No. 2, Spring 2015 Hollywood Exiles in Europe. The Blacklist and Cold War Film Culture (Prime), in: Medienwissenschaft, No. 1, March 2015 Kinoarchitektur im Nationalsozialismus. Eine kultur- ud medienhistorische Studie zur Vielfalt der Moderne (Steidle), in: Medienwissenschaft, No. 4, December 2014 Fotografie und Film im Archiv. Sammeln, Bewahren, Erforschen (Ziehe/Hägele), in: Medienwissenschaft, No. 4, December 2014 Importing Asta Nielsen: The International Film Star in the Making 1910-1914 (Loiperdinger/Jung), in: Filmblatt, Vol. 19, No. 54, Summer 2014 Lady in the Dark: Iris Barry and the Art of Film (Sitton), in: Film Quarterly, Vol. 67, No. 4, Summer 2014 Education in the School of Dreams. Travelogues and Early Nonfiction Film (Peterson), in: Screening the Past, No. 38, http://www.screeningthepast.com/2013/12/education-in-the-school-of-dreams-travelogues-and-early-nonfiction-film/, downloaded 25 December 2013 The Modern Jewish Experience in World Cinema (Baron), in: Shofar, Vol. 31, No.4 Summer 2013 Tender Comrades: A Backstory of the Hollywood Blacklist (McGilligan/Buhle), in: Screening the Past, No. 36, http://www.screeningthepast.com/2013/05/tender-comrades-a-backstory-of-the-hollywood-blacklist/, downloaded June 2013 9 Die rote Filmfabrik: Meschrabpom-Film und Prometheus 1921-1936 (Agde/Schwarz), in: Filmblatt, Vol. 17, No. 50, Winter 2012/13 Der Fotograf als Filmemacher (Düppe), in: Medienwissenshaft, No. 4, December 2012 Saving Cinema: The Politics of Preservation (Frick), in: The Moving Image, Vol. 12, No. 2, Fall 2012 Liberty-Shtunk! Die Freiheit wird abgeschafft. Charlie Chaplin und die Nationalsozialisten (Aping), in: Historical Journal of Film Radio & Television, Vol. 32, No. 3, Fall 2012 The Continental Connection. German-speaking émigrés and British cinema, 1927-45 (Hochscherf), in: Filmblatt, Vol. 16, No. 46/47, Winter 2011/12 Counter-Archive. Film, the Everyday and Albert Kahn’s Archive de la Planéte (Amad), in: Screening the Past, No. 32, http://www.screeningthepast.com/2011/10/counter-archive-film-the-everyday-and-albert-kahn%E2%80%99s-archives-de-la-plane te/, downloaded December 2011 Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff (Koszarski), in: Quarterly Review of Film and Video, Vol. 28, No. 5, October 2011 Shell-Shock Cinema: Weimar Culture and the Wounds of War (Kaes), Weimer Cinema. AN Essential Guide to Classic Films (Isenberg), in: Film Quarterly, Vol. 64, No. 4, Summer 2011 The Last Silent Picture Show: Silent Films on American Screens in the 1930s (Drew), in: Screening the Past , No. 30, http://screeningthepast.com/?p=331, downloaded May 2011 Dismantling the Dream Factory. Gender, German Cinema and the Postwar Quest for a New Film Language (Baer), in: Medienwissenschaft, No. 1, January 2011 Film 1900. Technology, Perception, Culture (Ligensa/Kreimeier), Georg Simmel im Kino (Fritsch), in: Medienwissenschaft, No. 3, October 2010 The Uncanny Gaze: The Drama of Early German Cinema (Schlüpmann), Universal Women: Filmmaking and Institutional Change in Early Hollywood (Cooper), in: Screening the Past, No. 28, http://www.latrobe.edu.au/screeningthepast/28/uncanny-gaze-and-universal-women.html, downloaded September 2010 Sparchversionen aus Babelsberg. Die Internationale Strategie der Ufa 1929-1939 (Wahl), in: Medienwissenschaft, No. 2, July 2010 Film Curatorship. Archives, Museums and the Digital Marketplace (Cherchi Usai, Francis, etc.), in: Senses of Cinema, 55, http://www.sensesofcinema.com/2010/book-reviews/film-curatorship-archives-museums-and-the-digital-marketplace-edited-b y-paolo-cherchi-usai-david-francis-alexander-horwath-and-michael-loebenstein-2/, downloaded July 2010 Alice Guy Blaché: Cinema Pioneer. (Simon), in: Screening the Past, No. 27, http://www.latrobe.edu.au/screeningthepast/27/alice-guy-blache-cinema-pioneer.html, downloaded May 2010 The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture (King), in: Screening the Past, No. 26, http://www.latrobe.edu.au/screeningthepast/26/the-fun-factory.html, downloaded 22 December 2009 Kurt Pinthus. Filmpublizist (Aurich/Jacobsen), in: Medienwissenschaft, No. 3, October 2009 Inventing Film Studies (Grieveson/Wasson), in: Screening the Past, No. 25, http://www.latrobe.edu.au/screeningthepast/25/inventing-film-studies.html, downloaded September 2009 Cinema All the Time: An Anthology of Czech Film Theory and Criticism, 1908-1939 (Szczepanik), in: Journal of Film Preservation, Nos. 79-80, May 2009 Theatres of Occupation. Hollywood and the Reeducation of Postwar Germany(Fay), in Screening the Past, No. 24, http://www.latrobe.edu.au/screeningthepast/24/theatres-of-occupation.html, downkoaded April 2009 Women’s Experimental Cinema: Critical Frameworks (Blaetz) and Avant-Garde Film (Graf/Scheunemann), in: Screening the Past, No. 23, http://www.latrobe.edu.au/screeningthepast/23/womens-experimental-avant-garde.html, downloaded December 2008 Kafka on Film: Huillet and Straub’s Class Relations (1984), in: Journal of Film Preservation, No. 77/78, October 2008 Der deutsche Musikfilm. Archäologie eines Genres 1914-1945 (Wedel), Medienwissenschaft, No. 2, July 2008 Scenes of Instruction. The Beginnings of the U.S. Study of Film (Polan), in: Screening the Past, No. 22, http://www.latrobe.edu.au/screeningthepast/22/story-kelly-gang.html, downloaded December 2007 The Picture That Will Live Forever: The Story of the Kelly Gang (Bertrand/Routt), and The Story of the Kelly Gang (DVD), in: Screening the Past, No. 22, http://www.latrobe.edu.au/screeningthepast/22/story-kelly-gang.html, , downloaded December 2007 Mediale Mobilmachung I: Hollywod, Exil und Nachkrieg (Segeberg), in: Medienwissenschaft, No. 3, September 2007 Journeys of Desire: European Actors in Hollywood (Phillips/Vincendeau), in: Historical Journal of Radio, Film and Television, Vol. 27, No. 2, Spring 2007 Watching Wildlife (Cynthia Chris), in: The Moving Image, Vol. 7, No. 1, Spring 2007 Bilder vom Norden. Schwedisch-deutsche Filmbeziehungen (Vonderau), in: Filmblatt, Vol. 12, No. 33, Spring 2007 In the Line of Sight (Arthur), The Most Typical Avant-Garde (James), in: The Moving Image, Vol. 6, No. 2, Fall 2006 10 Shadows, Spectres, Shards: Making History in Avant-Garde Film (Skoller), in: Screening the Past, No. 20, http://www.latrobe.edu.au/screeningthepast/20/shadows-specters-shards.html, downloaded December 2006 Blackout: World War II and the Origins of Film Noir (Biesen), in: Screening the Past, No. 20 http://www.latrobe.edu.au/screeningthepast/20/blackout-wwii-origins-film-noir.html, downloaded December 2006 The Hollywood Studio System: A History (Gomery), in: Medienwissenschaft, No. 1, April 2006 A Culture of Light. Cinema and technology in 1920s Germany (Guerin), in: Screening the Past, No. 19 http://www.latrobe.edu.au/screeningthepast/reviews/rev_19/CHbr19a.html, downloaded March 2006 Bergführer Lorenz. Karriere eines missglückten Films (Zimmermann), in: Filmblatt, Vol. 10, No. 29, Winter 2005 Paul Fejos. Die Welt macht Film (Büttner), in: Medienwissenschaft, No. 4, December 2005 Policing Cinema: Movies and Censorship in Early-Twentieth-Century America (Grieveson), in: The Moving Image , Vol. 5, No. 2 (Fall 2005) Allierte für den Film. Arnold Pressburger , Gregor Rabinowtsch und die Cine-Allianz (Distelmeyer), in: Medienwissenschaft, No. 3, September 2005 American cinema's transitional era. Audiences, institutions, practices (Keil/Stamp), in: Screening the Past, No. 18 http://www.latrobe.edu.au/screeningthepast/reviews/rev_18/CHbr18a.html, downloaded July 2005 Film Preservation Guide (NFPF), Film Quarterly, Vol. 58, No. 3, Spring 2005 City of Darkness, City of Light (Phillips), Filmblatt, Vol. 9, No. 26, Winter 2004 Filmstandbilder. Passagen zwischn Kunst und Kino (Pauleit), Medienwissenschaft, No. 4, December 2004 Hollywood Outsiders (Morey), in: Screening the Past, No. 17 (http://www.latrobe.edu.au/screeningthepast/stp17/newreviews) downloaded December 2004. Der deutsche Animationsfilm. (Schoemann), in: Medienwissenschaft, No. 2, June 2004 Lachen über Hitler- Auschwitz Gelächter (Froelich/Loewy), in: Filmblatt, Vol. 9, No. 24, Spring/Summer 2004 The Dark Mirror (Koepnick), in: Screening the Past, No. 16 (http://www.latrobe.edu.au/screeningthepast/), downloaded April 2004 Friedrich Wilhelm Murnau. Ein Melancholiker des Films (Prinzler), in: Medienwissenschaft, No. 3/4, December 2003 Change Mumified (Rosen), in: Film Philosophy Salon (http://www.film-philosophy.com/vol7-2003/n40horak) , downloaded November 2003 Hitler’s Heroines. Stardom and Womanhood in Nazi Cinema (Ascheid), in: Filmblatt, Vol. 8, No. 22, Fall 2003 M wie Nebenzahl. Eine Firma zwischen Europa und Amerika (Wottrich), in: Medienwissenschaft, No. 2, Juni 2003 Cinema 16 (McDonald), in: The Moving Image , Vol. 3, No. 1, Spring 2003 Zwischen Regie und Regime: SED Filmpolitik (Schittley), in: Medienwissenschaft, No. 1, April 2003 Ich mache alles mit den Beinen… (Zolchow), in: Medienwissenschaft, No. 4, December 2002 Carl Zuckmayer und die Medien (Nickel), Hollywood Modernism. Film and Politics in the Age of the New Deal (Giovacchini), Filmblatt, Vol. 7, No. 19/20, Summer/Fall 2002. Meine zweite Heimat Hollywood (Blum), Deutsche Universal (Wottrich), Medienwissenschaft, No. 2, June 2002 Kämpfer. Biografie eines Films und seiner Macher (G. Agde), in: Filmblatt, Vol. 7, No. 18, Winter/Spring 2002 Die Geschichte des deutschsprachigen Theaters im Ausland (Kitching), Medienwissenschaft, No. 4, December 2001 Into the Arms of Strangers (2000), The Moving Image, Vol. 1. No. 2, Fall 2001 Veit Harlan. “Des Teufels General” (Noack), Medienwissenschaft, No. 3, September 2001 Der Filmstar (Lowry/Korte), Medienwissenschaft, No. 2, July 2001 Home Movies. A History of the American Industry (Katelle), The Moving Image, Vol. 1, No. 1, Spring 2001 Leni Riefenstahl. Die Verführung des Talents (Rother), Medienwissenschaft, No. 1, March 2001 Die lange Nacht der Schatten. Filmnoir und Filmexil(Steinbauer-Grötsh), Filmexil. Heft 12, in: literaturkritik.de, Vol. 3, No. 2, February 2001 Zwischen Ideologie und Autonomie. DDR-Forschung über die deutsche Filmgeschichte (Becker); The BFI Companion to German Cinema (Elsaesser), in: Medienwissenschaft, No. 4, December 2000 Umerziehung durch Dokumentarfilm? Ein Instrument amerikanischer Kulturpolitik im Nachkriegsdeutschland (Hahn), in: Medienwissenschaft, No. 3, October 2000 The Ufa Story. a history of Germany’s greatest film company (Kreimeier), in: Screening the Past, No. 11, October 2000 Propaganda und Film im Dritten Reich (Donner), Jüdische Figuren im Film und Karikatur (Kugelmann), in: Shofar, Vol. 18, No. 4, Summer 2000 Film & Schokolade. Stollwerks Geschäfte mit lebenden Bildern (M. Loiperdinger), in: Historical Journal of Film Radio & TV, Vol. 20, No. 2, June 2000 11 Der N-S Film in der Schweiz im Urteil der Presse 1933-1945. Eine Dokumentation (E. Prodolliet), in: Medienwissenschaft, No. 1, April 2000 Flimmernde Versprechen (G. Agde); Der österreichischer Film (Sclemmer/Mayr), in: Medienwissenschaft, No. 4, December 1999 “Staatspolitisch besonders wertvolle” Filme der Jahre 1934-1938 (von der Osten), in: Medienwissenschaft, No. 3, October 1999 Frühe Filmzensur in Deutschland (G. Kilchenstein), in: Medienwissenschaft, No. 2, June 1999 The Panorama. History of a Mass Medium (book by S. Oettermann), in: Screening the Past, No. 6 (http://www.latrobe.edu.au/screeningthepast/shorts/reviews/rev0499/jhbrapr.htm), uploaded 16 April 1999 The Archeology of Vision. The Image in Dispute (book ed. By D. Andrew), in: Film Philosophy Listserve, 17 Dec. 1998 Sirk on Sirk (M. Bock), in: Medienwissenschaft, No. 1, March 1998 Mexican Cinema (P. Paranagua); Waterloo in Gasteig (P. Putz); Max Mack (M. Wedel); Im Spiegelkabinett der Illusionen (Karpf et al), in: Medienwissenschaft, No. 4, December 1997 The Ministry of Illusion: Nazi Cinema and its Afterlife (Rentschler); Entertaining the Third Reich (Schulte-Sasse), in: Shofar, Vol. 16, No. 1, Fall 1997 Le Giornate del Cinema Muto, Pordenone, 12-20 October, in: Journal of Film Preservation, Vol. 26, No. 54, April 1997; reprinted in: Historical Journal of Film Radio & TV, Vol. 17, No. 2, June 1997 Offene Bilder (Bernard Frankfurter); Die DEFA von ihren Anfängen bis 1949 (Mückenberger/Jordan); Fantasies russes (Jörg Schöning), in: Medienwissenschaft, No. 4, December 1996 Israel Before Israel: silent cinema in the Holy Land (H. Tryster), in: Historical Journal of Film Radio & TV, Vol. 16, No. 4, October 1996 Pathos und Politik. Ideologie im Spielfilm des National-sozialismus (Lowry); Lachende Erben, Toller Tag (Witte), in: Historical Journal of Film Radio & TV, Vol. 16, No. 2, June 1996 Die ambivalente Macht des Films (Decker), in: Medienwissenschaft, No. 2, June 1996 Avantgarde Film (Weiss); Lachende Erben: Film Komödie im Dritten Reich (Witte), in: Medienwissenschaft, No. 1, March 1996 Oskar Messter - Forgotten Pioneer of German Cinema, in: Historical Journal of Film Radio & TV, Vol. 15, No. 4, October 1995 Giornate del Cinema Muto, Pordenone 1994, in: Journal of Film Preservation, Vol. 24, No. 50, March 1995 Österreicher in Hollywood (Ulrich), in: Austria Kultur, August 1994 Back and Forth. Early Cinema and the Avant-Garde (Testa), in: Historical Journal OF Film Radio & TV, Vol. 14, No. 2, June 1994 Film Presevation 1993. A Report of the Library of Congress, in: Historical Journal of Film Radio & TV, Vol. 14, No. 2, June 1994 FIAF Newsreels in Mo i Rana (conference review), in: Journal of Film Preservation, No. 47, November 1993 Die Ufa-Story. Geschichte eines Konzerns (Kreimeier), in: Griffithiana, No. 44/45, May-Sept. 1992 Die Unheimlichkeit des Blicks. Das Drama des frühren deutschen Kinos (Schlüpmann); Der expressionistische Film (book), in: Griffithiana, No. 44/45, May-Sept. 1992 Film unter Denkmalschutz? (book) in: FIAF Bulletin, No. 44, March 1992 Interior Ministries (exhibition review), in: Afterimage, Vol. 19, No. 6, January 1992 Designing Dreams, Modern Architecture in the Movies (Albrecht), in: Iris, No. 12, 1991 Bonfires of the Humanities (review of Degenerate Art: The Fate of the Avant-Garde in Nazi Germany) in: Afterimage, Vol. 19, No. 4, November 1991 Film and the German Left (Murray), in: Historical Journal of Film Radio & TV, Vol. 11, No. 3, October 1991 Primi di Caligari: Cinema Tedesco, 1895-1920, in: Historical Journal of Film Radio & TV, Vol. 11, No. 1, March 1991 Almanac of Archives (book review of Footage 89), in: The Independent, Vol.13, No. 8, October 1990 Giornate del Cinema Muto; Soviet Film Today (festival and conference review) in: Historical Journal OF Film Radio & TV, Vol. 10, No. 1, March 1990 Pordenone Days of Silent Cinema (festival), in: Historical Journal of Film Radio & TV, Vol. 9, No. 1, March 1989 Constructivism in Film (Petric), in: Afterimage, Vol. 16, No. 4, November 1988 Of War and Peace. International Leipzig Film Festival (festival), in: Afterimage, Vol. 13, No. 7, February 1986 Europe on Five Dollars a Day. Concepts of Film Theory (Andrew), in: Afterimage, Vol. 12, No. 9, March 1985 Three Decades of Czech Photography (exhibition), in: Afterimage, Vol. 12, No. 1/2, Summer 1984 50's Revival. German Subjectivity (exhibition), in: Afterimage, Vol. 11, No. 8, March 1984 Strangers in Paradise (Taylor), in: Historical Journal of Radio Film & TV, Vol. 1, March 1984 Vending Machine. Photography 1922-1982 (exhibition), in: Afterimage, Vol. 10, No. 6, January 1983 Westdeutsche Kurzfilmtage, Oberhausen (festival), IAMHIST Newsletter, No. 14, Winter 1982/1983 Tagung Film and Radio Propaganda in WW II: A Global Perspective (conference), in:Mitteilungen Studienkreis Rundfunk und Geschichte, Vol. 8, No. 3, July 1982 12 Film im Zwielicht (Rabenalt); ... reitet für Deutschland (Mertens); Die Verstrickung (Hippler); Die grosse Zeit des deutschen Films 1933-1945 (Sakkara), in: Historical Journal of Film Radio & TV, Vol. 2, No. 1, March 1982 Mass Meditation. Life on the Ruhr (exhibition), in: Afterimage, Vol. 9, No. 8, March 1982 Color Bind (exhibition), in: Afterimage, Vol. 9, No. 3, October 1981 Inquisition in Hollywood (Ceplair/Englund), in: Historical Journal of Film Radio & TV, Vol. 1, No. 2, October 1981 Exponential Notation (exhibition), in: Afterimage, Vol. 8, No. 7, February 1981 Inquisition in Hollywood(Ceplair/Englund), in: IAMIST Newsletter, No. 9, Autumn 1980 Photokino Notebook (exhibition), in: Afterimage, Vol. 8, No. 4, November 1980 25 film reviews in: Delaware Review, February 1972/April 1973

Translations Nikolaus Wostry: Sodom and Gomorrah: Notes on a Reconstruction, or Less is More, in: The Moving Image, Vol. 3, No. 2 (Fall 2003) Heide Schlüpmann: Cinematographic Enlightenment Versus "the Public Sphere": A Year in Wilhelminian Cinema, in: Lorenzo Codelli (ed.): Anno 1913 (Pordenone: Le Giornate del Cinema Muto, 1993) Ute Eskildsen: The Historic View of the Present… The Late Work of Paul Strand, in: Aperture (1994) Helmut Diedrichs: The Origins of the Autorenfilm; Manfred Lichtenstein: The Brothers Skladanowsky; Heide Schlüpmann: The sinister gaze. Three films by Franz Hofer, in: Prima di Caligari. Cinema tedesco, 1895-1920, P. Cherchi Usai, L. Codelli (Pordenone: Le Giornate del Cinema Muto, 1990) Gertrud Koch: The Body's Shadow Realm, in: October, No. 50 (Fall 1989); reprinted in: Jump Cut, No. 35 (1990) Heide Schlupmann: The First German Art Film: Rye's The Student of Prague (1913), Gertrud Koch: Between Two Worlds: Sternberg's The Blue Angel (1930), Karsten Witte: How Nazi Cinema Mobilizes the Classics: Schweikert's Das Fräulein von Barnhelm (1940), in: Rentschler (1986) Ute Eskildsen (ed.): Helmar Lerski: Metamorphosis Through Light (Freren: Laterna Verlag, 1983) Ute Eskildsen: Innovative Photography in Germany Between the Wars, in: Van Deren Coke (ed.), Avant-garde Photography 1919-1939 (San Francisco: Museum of Modern Art, 1981) Ute Eskildsen: The A-I-Z and the Arbeiter Fotograf: Working Class Photographers in Weimar, in: Image, Vol. 23, No. 2, December 1980

CURATED EXHIBITIONS (Selected): 2014: “Through Indian Eyes: Native American Cinema,” UCLA Film & Television Archive, 4 October – 13 December 2014: “Exile Noir,” UCLA Film & Television Archive, 22 August – 28 September 2011: “L.A. Rebellion: Creating a New Black Cinema,” UCLA Film & Television Archive, 7 October – 17 December 2009: “Two Western Myths: Billy the Kid & Jesse James,” UCLA Film & Television, January – February 2005: “Gay Hollywood,” Hollywood Entertainment Museum, 15 September 2005 - 4 December 2005: “Hollywood Gegen Hitler: Filmemigranten im Anti-Nazi-Kino,” Filmarchiv Austria, 14 April – 1 May 2005: “Loew’s: A Century of Entertainment,” Hollywood Entertainment Museum,16 December 2004 – 27 February 2004: “Integrating Hollywood: Brown vs. Board of Education,” Hollywood Entertainment Museum, 30 Sept. – 12 Dec. 2004: “Emmy 2004: Art Direction/Costume Design,” Hollywood Entertainment Museum, 3 Aug – 27 Sept. 2004: “Film Noir: Music That Sets the Tone,” Hollywood Entertainment Museum, 10 April – 6 June 2004: “Blaxploitation: African American Cinema in the 1970s,” Hollywood Entertainment Museum, 4 February – 6 April 2003: “Sergei Parajanov: Celebration After Life,” Hollywood Entertainment Museum, 4 December – 2 February 2004 2003: “Max Factor: Hollywood’s First Makeover Artist,” Hollywood Entertainment Museum, 4 September – 1 December 2003: “Saul Bass: Designer,” Hollywood Entertainment Museum, 20 February – 13 April 2003: “Oscar Micheaux: America’s First African American Filmmaker,” Hollywood Entertainment Museum, 13 Feb. – 13 April 2002: “La Perspectivas de Hollywood: Contemporary Latino Printmaking,” Hollywood Entertainment Museum, 21 Feb. - 6 April 2001: “Yellowface: Asians on White Screens,” Hollywood E. Museum, 13 November - 31 December 2001: “Hollywood Archeology: The 10 Commandments Project,” Hollywood E. Museum, 13 September – 6 November 2001: “Speed and Cities”, Internationale Kurzfilmtage Oberhausen, Germany, 7 May 2001 2001: “Televisionary: The Art of Phil Savenick”, Hollywood Entertainment Museum, 24 March – 29 May 2001: “Film Posters From Africa”, Hollywood Entertainment Museum, 5 January – 25 March 1999: “Stars at the Inn. Images From the Universal Commissary, 1930-1936,” Universal Commissary, 12 October - February 13 2000; Hollywood Entertainment Museum, 6 June – 30 September 2000. 1999: “Hitchcock at Work,” Universal Studios Commissary, 6 July –30 September 1999; Directors’ Guild of America, 5 October – 31 December 1999. 1999: RESEARCHER, “Alfred Hitchcock: Behind the Silhouette,” Museum of Modern Art, New York, 14 April - 17 August 1999 1997: "Berge, Licht und Traum. Dr. Arnold Fanck und der deutsche Bergfilm", Münchner Stadtmuseum, 21 Nov. 1997 - 1 Feb. 1998; St. Anton (Austria), 19 Feb. - 15 March 1998. 1996: "Gestalt: Visions of German Design - Film", International Design Conference, Aspen, CO. 5-9 June 1993: Montage 93. International Film Festival, Rochester, N.Y. July 19-31 1992: "Selling Them Big: United Artists Posters, 1951-1981," George Eastman House 1991: "Imaging Myths: George Hurrell," George Eastman House 1990: "The Elegant Image: Clarence Sinclair Bull," George Eastman House 1990: "Images of the Holy Land," DC Film Fest, Washington, D.C., April 26-30 1989: "The Dream Merchants: Making and Selling Films in Hollywood's Golden Age," George Eastman House, Fort Washington Public Library (N.Y.), Museum of the Moving Image (London), Deutsches Filmmuseum (Frankfurt), Museum of Modern Art (New York) 1984: "Photographers Make Films," Photokina International Trade Fair, Cologne, Germany 1983: "Helmar Lerski / Lichtbildner, Fotographien und Filme" Museum Folkwang (Essen), Tel Aviv Museum, Munich Stadtmuseum, Frankfurter Kunstverein, San Francisco Museum of Modern Art 1982: "When Words Fail / Still Photograph and Moving Image," International Center of Photography, New York. 1979: "Film und Foto der zwanziger Jahre," Würtembergische Kunstverein (Stuttgart), Museum Folkwang (Essen), Kunsthaus (Zurich), Hamburger Kunstervein

FILMS/DVDs The L.A Rebellion: Creating a New Black Cinema, 2016, exec. producer DIE FREUDLOSE GASSE (1925), Munich Filmmuseum 1997, reconstruction THE LAST OF THE MOHICANS (1920), Lumivision 1994, exec. producer THE LOST WORLD (1925), Lumivision 1993, exec. producer PHANTOM OF THE OPERA (1925), Lumivision 1991, exec. producer

LECTURES/CONFERENCE PRESENTATIONS: Hugo Münsterberg: A German Jew (?) in America, Conference: A Hundred Years of Film Theory. Münsterberg and beyond, Universität Leipzig, 1 July 2016 Classic Latin American Cinema in Los Angeles, 1930-1960: A Preservation Challenge, Society of Cinema and Media Studies Conference Panel, Atlanta, 1 April 2016 Introducing OUTFEST UCLA’s “In the Life Project, Keynote, Queer Academy, Berlin Film Festival, Berlin, 16 February 2016 Double Jeopardy: German Jewish Refugees in the Crossfire of HUAC, Goethe Institute, Los Angeles, 12 December 2015 Moving Image Production and the Construction of History, Centro de Cultura Digital, Mexico City, 11 August 2015 In the Life: 20 Years of LBGT News, FIAF Symposium, Sydney, Australia, 13 April 2015 Through Indian Eyes: Programming Native American Cinema, SCMS Conference Montreal, 26 March 2015 Reconsidering US Newsfilm: History, Medium, Archive (workshop presentation), SCMS Conference Montreal, 25 March 2015 Jay Leyda’s A Bronx Morning, Beyond Ruttman and Vertov: Minor City Symphonies, Symposium, University of Ghent, Belgium, 6 December 2014 Preserving the L.A. Rebellion, Film Archives and Scholarship Panel, TIFF Higher Learning Program, Toronto, Simulcast throughout Canada, 14 November 2014 German Émigrés and the Anti-Nazi Film, “Light & Noir: Exiles and Émigrés in Hollywood, 1933-1950,” Skirball Cultural Center, Los Angeles, 30 October 2014 Saul Bass: Anatomy of Film Design, Academy of Motion Picture Arts & Sciences, Linwood Dunn, Hollywood, CA, 20 October 2014, Collecting, Preserving, Programming, “Memory! International Heritage Film Festival Conference,” Phnom Penh, Cambodia, 1 June 2014 Saul Bass: Creating a Brand, Society of Cinema and Media Studies Conference, Seattle, WA, 21 March 2014 Saul Bass, Vernacular Modernism and Hollywood Design, California Institute for the Arts, Valencia, CA, 18 Feb. 2014 Preserving African-American Film: L.A. Rebellion, “Regeneration in Digital Contexts: Early Black Film Conference,” Black Film Center, Indiana University, Bloomington, IN, 15 November 2013 14 Digitalisierung und Langzeitkonservierung von Filmen, Hochschule für Fernsehen und Film, Munich, Germany, 5 June 2013 Die Bildersprache des Stummfilms: Maurice Tourneurs The Last of the Mohicans, Hochschule für Fernsehen und Film, Munich, Germany, 4 June 2013 Saul Bass Cinema: From Here to There, Orphans Film Symposium, Academy of Motion Picture Arts & Sciences Pickford Center, 11 May 2013 Film Preservation in the Age of Digitality, Massachusetts Institute of Technology, Cambridge, MA, 25 April 2013 Some Origins of Film Noir in German Cinema and German Exile, Oregon State University, Corvalis, OR, 28 January 2013 Film Archives Seminar, University of California Santa Barbara, Goleta, CA, 22 January 2013 Under Blue Skies: German-Jewish Filmmakers in Hollywood Exile, CSP Adult Retreat/Jewish Community of Orange County, Ranch Bernardo, CA, 20 January 2013 Film Preservation in the Age of Digitality (Keynote address), 2nd International Forum, Busan (Korea) International Film Festival, 8 October 2012 “These Relics Have a History”: Preserving Sherlockian silent film, Sherlock Holmes: Behind the Canonical Screen, Baker Street Irregulars, Los Angeles, CA., 1 September 2012 Reemigration nach Deutschland ausgebliebeb? Deutschsprachige Filmexilanten in der Bundesrepublik, Symposium Reflexionen des beschaedigten Lebens, Johann Wolfgang Goethe Universitaet Frankfurt/Main, 7 July 2012 Creating a Digital Archive, Association of Moving Image Archivists Conference, Austin, TX., 17 November 2011 Blaxploitation and the L.A. Rebellion, L.A Rebellion: Creating a New Black Cinema Symposium, UCLA, 12 November 2011 Moving into the Digital Future: Archives, Film Studies and the Internet (Keynote), Screen Studies Conference, Glasgow, 2 July 2011 Saul Bass: The ALCOA Account, Celebrating Orphan Films Conference, UCLA, 14 May 2011 The Czech Film Industry after 1918: Questioning National Cinema, Symposium “Cinema Across Media: The 1920s” at University of California at Berkeley, 26 February 2011 Moving into the Digital Future. Symposium: “Reimagining the Archive: Remapping and Remixing Traditional Modes in the Digital Age,” UCLA, 14 November 2010 http://polaris.gseis.ucla.edu/reimagining/ MENSCHEN AM SONNTAG and Exile (4 lectures), Internationale Film Schule Cologne, 21-24 June 2010. http://peopleonsunday2010.com/2010/06/ Careers in Moving Image Archiving, Emerson College, Boston, 23 October 2009 Saul Bass and Film History, Now casting: Design Theory + Digital Humanities Conference, UCLA, 16 October 2009 Moving Into the Digital Future, Forum for the Preservation of Audio-Visual Memory in Israel, Jerusalem, 10 July 2009 American Cinema: Inside and Outside (Six lectures), Tomaš Masaryk University, Brno, Czech Republic, 4-6 May 2009 Saul Bass, Movie Advertising, and the Bauhaus Aesthetic, University of Wisconsin, Madison, 16 April 2009 Tales from the Crypt: Film Preservation and Black Film History, “Scren Archives: A Symposium on Moving Image Collections and Historiography,” Northwestern University 6 March 2009 Writing Film History/Graduate Student Colloquium, University of Chicago, 5 March 2009 Saul Bass, Movie Advertising, and the Bauhaus Aesthetic, University of California at Santa Barbara, 23 February 2009 Lost and Found, Thinking Gender Conference, UCLA, 6 February 2009 Digitality and the Archive, 50 Anniversary Information Studies, UCLA, 31 January 2009 California in Global Imagination, Envisioning California Conference, Sacramento, 19 September 2008 The Audiovisual Archive in the Modern World: Creation, Preservation and Historical Transcendence, Global Foundation for Democracy and Development, Santo Domingo, Dominican Republic, 4 September 2008 Anny und Schweijk: Die deutsche Rezeption des Prager Stummfilms, Kongress “Film im Herzen Europas,” Universität Hamburg/Cinegraf, 22 November 2007 Saul Bass, Movie Advertising, and the Bauhaus Aesthetic, University of Miami, 26 October 2007 We Love the Viennese. Will Forst in Hollywood, German Studies Association Conference, San Diego, 6 Oct 2007 Do It Yourself Exhibition Planning & Execution, Association of Moving Image Archivists Conference, Rochester, 29 Sept 2007 Curating Moving Image Ephemera: Constructing History, New York University, 20 March 2007 Saul Bass, Movie Advertising, and the Bauhaus Aesthetic, University of Southern California, 19 March 2007 Robert Reinert and Reactionary Modernism in Weimar Germany, Duke University, 15 November 2006 Charles Sheeler and Manhatta, National Gallery of Art, Washington, D.C., 11 June 2006 Rereading Mekas: Avant-garde Film and Audience Subjectivity, Harvard University, 17 April 2006 Under Blue Skies: German-Jewish Filmmakers in Hollywood Exile, University of South Carolina, 13 February 2006 The Importance of Film-Related Collections in Research & Scholarly Work, Association of Moving Image Archives Conference, Austin, TX, 3 December 2005 15 Under Blue Skies: German-Jewish Filmmakers in Hollywood Exile, Chicago Humanities Festival, 6 November 2005 Rereading Mekas: Avant-garde Film and Audience Subjectivity, Society of Cinema and Media Studies Conference, London, 31 March 2005; Hollins College (Virginia), 8 July 2005 Reminiscences of a Journey to Lithuania, Biography Conference, Northeast Historic Film, Bucksport, Maine, 31 July 2004 Film History and the Archive, Harvard University, 5 May 2004 The Strange Case of THE FALL OF JERUSALEM, Orphans IV Film Conference, Columbia, SC. 26 March 2004 Early American Avantgarde, “Kino-Eye: Unseen Cinema,” Filmmuseum, Antwerp, Belgium, 7 November 2003 Moving Image Preservation and the Construction of History, Symposium on Film Archives and Academic Research, Birkbeck College, University of London, 10 June 2003 Old Media Become New Media – Metamorphoses of Historical Films in the Age of Their Digital Dissemination, “Celluloid Goes Digital” Conference, Universität Trier, 21 October 2002 The Fall of Jerusalem and the Difficulty of Film Identification, Northeast Historic Film, Bucksport, ME., 21 August 2002 Film Preservationa and Film Archiving, UCLA Film & Televsion Studies, Los Angeles, 6 May 2002 Autos, Züge und Städte: Modernisierung, das frühe Kino und die Avantgarde, “Avantgarde und das frühe Kino” Conference, SixPackfilm/Filmarchiv Austria, Vienna, 9. March 2002 Tales from the Crypt: Moving Image Preservationa and the Construction of Film History, New York University, 15 February 2002 Avantgarde und das fruehe Kino, Oberhausen International Shortfilm Festival, 6 May 2001 Imagination to Image (avant-garde cinema), Haggerty Museum of Art, Milwaukee, 30 November 2000 Orphaned in Old Age? Hollywood Studio Silents, “Orphans in the Storm” Conference (University of South Carolina, Columbia), 24 September 1999 Spring Parade or Imperial Austria Rises Again (at Universal), “Austria in Film” Conference (University of California, Riverside), 15 April 1999 Helen Levitt, eine feministische Filmemacherin, Villa Stuck (Munich), 20 November 1998 Dr. Arnold Fanck and the German Mountain Film, “La nascita dei generi cinematografici”, 5th International Conference of Cinema Studies, University of Udine, Italy, 27 March 1998 Douglas Sirk’s Religious Iconography in Hitler’s Madman, “Douglas Sirk - One Hundred Years” Conference (Dartmouth College), 1 November 1997 F.W: Murnau’s Nosferatu, Boston University, 30 October 1997 Erich Maria Remarque's So Ends Our Night, “100 Years E. M. Remarque”, Erich Maria Remarque Society, Osnabrück, 25 September 1997 Down by the River (Isar) or ARRI Goes West, "Back in the Saddle Again..." Utrecht University, 25 July 1997 Helmar Lerski, the Filmmaker, Israel Museum, Jerusalem, 24 June 1997 German Silent Cinema, Chinese World Film Society, Bejing, 20 March 1997 Filmgeschichte/Filmarchive: Der Fall Die freudlose Gasse, Friedrich Wilhelm Murnau Ges., Bielefeld, 26 Oct. 1996 Ein Fest auf Haderslevhuus, Theodore Storm Tagung, Husum, 12 September 1996 Autorenfilme der 70er und 80er Jahre, Seminar Literatur und Film, Akademie f. Lehrerfortbildung, Dillingen, 25 June 1996 Geschichten aus der Gruft oder wenn Filmrestaurierung jetzt sexy ist, dann sind wir alle nekrophil, "Auf der Suche nach dem Filmischen" (Lecture-Series), Vienna, 11 May 1996 Zionistische Filmpropaganda in den 30er Jahren, Fritz Bauer Institut, Frankfurt/Main, 9 December 1995 Tales From the Crypt or If Film Preservation is Sexy, Then We Are All Necrophiliacs, De Patrimoni Cinnematografic, Universitat de Barcelona, 22 November 1995 Bewegte Bilder: Fotografen machen Filme, Symposium "Photography Goes to the Movies", Hamburg, 18 November 1995 Kasper Hauser: Eine deutsche Geschichte, "100 Jahre Deutscher Film," Universität Mainz, 10 October 1995 Fotografie und Film: ein medientheoretischer Vergleich, DGPh Tagung, Filmmuseum Potsdam, 20 May 1995 Die kleinen Ladenmädchen betrachten sich im Kino, Folkwangmuseum, Essen, 17 October 1994 Locked-Up Time: Germany after the Fall (of the Wall), Conference: Germany in Film/Post-Projections, SUNY Buffalo, 12 March 1994 German Exile Film or Whose National Cinema Is This?, Society for Cinema Studies, Syracuse, 4 March 1994 Under Palm Trees: German Film Emigres in Hollywood, Conference: Exile in Los Angeles, University of California at Santa Barbara, 25 Feb.1994 Early American Avant-Garde, Innes Film Society, Toronto, 3 Feb.1994 American Cinema in the 1910s, Tokyo Museum of Modern Art, 11 April 1993 16 Oscar Micheaux's Veiled Aristocrats, Miami Film Festival, 8 February 1993 Depression Era Documentary and the Avant-Garde, Symposium "Documentary Film During the 1930s," University Galler of U. Mass Amherst, 3 October 1992 Thomas Ince in the Teens, Filmpodium, Zürich, 26-30 June 1992 The First American Film Avant-Garde, Society for Cinema Studies, Pittsburgh, 3 May 1992 Berlin, Symphony of a City, Buffalo State College, 6 April 1992 CDS, HDTV and the Issue of Historical Veracity in Film Preservation, Symposium "Sur la Conversation et la mise en valeur du patrimoine cinématographique et audiovisuel en Suisse," Lausanne (CH), 21 Nov. 1991 The Slums of Berlin: A Social Realist Critique in Weimar Cinema, Art Institute of Chicago, 13 August 1991 American Avant-Garde (Panel Chair), Society for Cinema Studies, Los Angeles, 26 May 1991 John Collins and Blue Jeans, Filmpodium Zürich, Zürich, 8 Jan. 1991 Die Warner Brothers und das amerikanische Studio System, Deutsches Filmmuseum, 6 Dec. 1991 Early American Avant-Garde Cinema: Artists and Amateurs, Symposium "American Modernism Between the Wars," National Gallery of Art, Washington, D.C., 1 Dec.1990 Avant-garde film in the 1960s, Symposium "Photography in the 60s," Rochester, N.Y. 14 Nov. 1990 Early film in Palestine, Washington DC Film Fest, 29 April 1990 American Film in Weimar, University of Michigan, 7 Feb. 1990; Symposium "Weimar Modernism and Urbanism," Goethe Institute, Boston, 24 Feb. 1990 Films of Moholy-Nagy, Metropolitan Museum of Art, New York, 6/7 Oct. 1989 The Dream Merchants, Port Washington Public Library, Port Washington, N.Y., 17 July 1989 Rin-Tin-Tin erobert Berlin oder amerikanische Filminteressen in Weimar, Symposium "Die Weimarer Republic im Film," Luxembourg City, 16 June 1989 Escape to Hollywood: Hitler's Madman, Museum of the Moving Image, Astoria, N.Y., 11 June 1989 Using Hollywood Film Stills as Historical Evidence, Society for Cinema Studies, Iowa City, IA, 15 April 1989 Nazi War Criminals on Trial in Hollywood, German Exile Literature Conference, Lincoln, NE, 8 April 1989 Eros, Thanatos, and the Will to Myth: Prussian Films in German Cinema, Conference: German Film and History, University of Illinois at Chicago, 27 October 1988 Films of Moholy-Nagy, International Center of Photography, New York, 18 October 1988 Deutsche Emigranten in Hollywood, Humbolt Universität, Berlin (East), 8 April 1988; Film und Fernsehakademie "Konrad Wolf", Neu-Babelsberg, 11 April 1988 Enemy Mine: Images of War in World War II, Conference "The War Film, Contexts and Images," University of Massachusetts at Boston, 24 March 1988 Early Cinema in America, Deutsches Film Museum, Frankfurt/Main, 10 January 1988 Paul Strand's Manhatta, New York University, 20 November 1987 Early American Film Avantgarde, Society for Cinema Studies, Montreal, 24 May 1987 (also panel chair) Amerikanische Filmtheorie heute, Freie Universität, Berlin, 7 May 1987 Borderline, Washington DC Film Fest, 22 April 1987 Josephine Baker, Walker Arts Center, Minneapolis, 6 February 1987 G.W. Pabst in Amerika, G.W. Pabst 100. Jubelaeums-Symposium, Vienna, Austria, 9 November 1986 Paul Strand's Romantic Impulse, California Institute for the Arts, 26 October 1986 Blockade: Propaganda or Entertainment?, Literature and the Spanish Civil War Conference, Texas A & M, 16 October 1986 Borderline and H.D., H.D. Centennial Symposium, Moravian College, September 12, 1986 Eisenstein's Influence on Left Filmmaking (respondent), Society for Cinema Studies, New Orleans, 3 April 1986 Deconstructing the Myth of Heimat in New German Cinema, "Genres, Structures and Present Trends in New German Cinema" Conference, University of Texas at Austin, 28 February1986 Foto-Roman, Foto-Film, Karl Hofer Symposium, Hochschule der Künste, Berlin (West), 27 November 1985 American Film Policy and Post-War German Cinema, Goethe House, New York, 21 October 1985 Weimar Film Theory and the Avantgarde, Society for Cinema Studies, New York, 17 June 1985 How the West was Won in Der Kaiser von Kalifornien, International Conference on Visual Communication, University of Pennsylvania, 1 June 1985 Life After Fassbinder, New German Cinema in the 80's, University of Rochester, 23 April 1985 Moholy-Nagy's Films, Jewett Arts Center, Wellesley College, 20 April 1985; Rochester Institute of Technology, 15 April 1985 Exil-Drehbuchautoren in Hollywood, International PEN Conference, German Section, New York, 21 March 1985 17 On the Road to Hollywood. German Filmmakers in Exile, German Exile Studies Conference, University of New Hampshire, Durham, 7 March 1985 New German Cinema and Literary Adaptation, Modern Language Association, Washington DC, 27 December 1984 Zionism and Film, International Association of Audio-Visual Media and History Conference, Imola, Italy, 15 September 1983 Sequenzenanalyse aus Der Mann mit der Filmkamera, Deutsche Ges. für Semiotik, Osnabrück, Germany, 17 March 1983 Helmar Lerski in Palastine, Tel Aviv Museum, 3 March 1983 Zionistische Filmpropaganda in Palaestina, Museum Folkwang, Essen, Germany, 23 January 1983 Still Photograph and Moving Picture, When Words Fail Symposium, Goethe House, New York, 18 February 1982 Theodore Koerner und der preussischer Film, Hochschule für Film und Fernsehen, Munich, 20 January 1982 Anti-Nazi-Films in Hollywood, Symposium "Vienna-Berlino-Hollywood," Biennale di Venezia, Venice, Italy, 21 November 1981 Der Unterhaltungsfilm im Dritten Reich, Essener Kunstring, Essen, Germany, 27 May 1981 Die Entwicklung von Filmgenres in der Frühzeit des Kinos. Notizen zur Brighton Konferenz der FIAF 1900-1906, Symposium Münsteraner Arbeitskreis für Semiotik, Münster, Germany, 21 November 1980 Maurice Tourneurs' tragische Romanze: Romanverfilmung während der Stummfilmzeit in Amerika, Lecture series "American Literature and Mass Media", Universität Tübingen, Amerikahaus Freiburg, Universität Stuttgart, 19-21 June 1977 Möglichkeiten für audiovisuelle Forschung in den Vereinigten Staaten, International Association of Audio-Visual Media and History, Tutzing, Germany, 20 September 1977 Stroheim's Victorian Iconography, Modern Language Association, San Francisco, 29 Dec. 1975

Interviews With/Articles About: “More than Just 30 Years: Anders als die Anderen,” 11 February 2016, http://www.exberliner.com/culture/film/more-than-just-30-years-of-lgbt-film-anders-als-die-andern/ Press Play with Madeleine Brand, KCRW/NPR, 8 January 2016, http://www.kcrw.com/news-culture/shows/press-play-with-madeleine-brand The Cinephiliacs # 55, Podcast with Peter Labuza, 5 March 2015 http://www.thecinephiliacs.net/2015/03/episode-55-jan-christopher-horak-her.html “Live G+ With Alicia Mayer,” 14 December 2014, https://www.youtube.com/watch?v=UXQ3Bm-Mf8U “On Film With Charles Horak, KTEP Radio, 22 November 2014, http://ktep.org/programs/film All Things Considered, National Public Radio, 8 August 2014, http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=266515266&m=266515267&live=1 Weekend Edition Sunday, National Public Radio, 24 January 2014 Pandora’s Digital Box: Pix and Pixels, Observations on film art and FILM ART, 13 February 2012, http://www.davidbordwell.net/blog/2012/02/13/pandoras-digital-box-pix-and-pixels/ “Bass, o profundo!, Observations on film art and FILM ART, 22 April 2009, www.davidbordwell.net/blog/?paged=2 Brunch (Q Television), 28 November 2005 On Q Live! (Q Television), 3 November 2005 The History Detectives (PBS), 13 July 2004 National Television, Tokyo, 18 January 2004 University of Delaware Messenger, Vol. 12, No. 1, August 2003, 13 Dnes, Prague, 13 May 2003, CNN, 13 February 2003 Today Show (NBC), 30 May 2002 Inside Edition (Cable TV), 23 May 2002 Morning Edition, National Public Radio, 31 July 2001 Poster Exhibit Spotlights Politics in Movies, Los Angeles Times, 1 August 2000, B3 Dracula (1931), Universal Home Video dvd, wrap-around, 1999 Der Geschichtspolizist, Die Zeit, 3 June 1999, 43 Jakten på den försvunna filmskatten, film häftet, Stockholm, Vol. 27, No. 105, Spring 1999 Breakthrough Books, Lingua Franca, February 1999, 14 Dejiny filmu a rekonstrukce filmu, Iluminace, Prague, Vol. 10, No. 4, Dec. 1998, 113-116 Spotlight Chat with Chris Horak, RealHollywood.com, 11 November 1998 Der Chef geht, Süddeutsche Zeitung, Munich, No. 93, 23 April 1998 18 Une bouée dans l’océan, Le Devoir, Montreal, 8,0 November 1997, B1-2 Ernst Lubitsch enfin visible, La Presse, Montreal, 8 November 1997, C3 Doppelänger-Existenzen, Göttinger Tageblatt, 29 April 1996 Kino ist ein Pokerspiel, Süddeutsche Zeitung, No. 26, 1 February 1996, 13 http://michaelalthen.de/interviews/horak-jan-christopher-2/ Journal do Brasil, Rio de Janeiro, 3 June 1995, 4 24, No. 6, March 1995 Horaks Museumspläne, Filmecho/Filmwoche, No. 5, 3 February 1995, 43 Keine Angst vor neuen Medien, Passauer Neue Presse, 4 January 1995 München Film News, No. 4, Winter 1994, 11 An Interview with Jan-Christopher Horak, Cantrill's Film Notes (Australia), Nos. 75/76, November 1994, 40, 60-61 Früher Wenders ist schon Archivmaterial, Münchner Tageszeitung, 29/30 October 1994 Ein Historiker, der Welt von heute auf der Spur, Münchner Tageszeitung, 29/30 October 1994 Nicht nur Neues, Münchner Merkur, No. 225, 29 September 1994, 10 Applause, Vol. 18, No. 9, September 1994, 79 Filmmuseen sind nicht elitär, Film-Dienst, Vol. 47, No. 18, 30 August 1994, 13 Thumbs Up, Thumbs Down, Democrat & Chronicle, Rochester, 6 August 1994, 10A Neue Impulse durch zweites Programm, Münchner Merkur, No. 149, 1 July 1994, 29 Größeres Filmmuseum, Münchner Abendzeitung, 30 June 1994, 22 Der Nachfolger, Münchner Tageszeitung, 30 June 1994 Ich glaube ich kann das ganz gut, Süddeutsche Zeitung, 25. März 1994 http://michaelalthen.de/interviews/horak-jan-christopher/ Hollywood a nejenom on, Mlady Svet, Prague, Vol. XXXI, No. 32, July 1989, 20-21 Eastman House’s Dream Merchant, Little Theatre Newsletter, Rochester, Spring 1989, 5 A New Film Curator, Little Theatre Newsletter, Rochester, Fall 1987, 1 Curator Discovers Lost Black Film, Democrat & Chronicle, 12 November 1985, 1C, 5C Der Aufbau, New York, 24 February 1984, 12

DOCUMENTARY FILM APPEARANCES Be Natural: The Untold Story of Alice Guy Blaché (2016, USA) Directed by Pamela Green Silent Legend: The Max Sennett Story (2016, USA) Directed by Sean Patrick Shaul Saul Bass COWBOY Trailer – How to Brand a Film (2015, USA) Directed by Robert Fischer https://vimeo.com/139397940 Stardust Hollywood - Sternenstaub und Götterwelten (2013, Germany) Directed by Eckhart Schmidt Alexander Granach (2012, USA) Directed by Angelika Wittlich Lost Forever (2011, USA) Directed by Paul Mariano, Kurt Norton Der Weg des Ruhms (2011, Germany) Directed by Eckhart Schmidt These Amazing Shadows (2011, USA) Directed by Paul Mariano, Kurt Norton Mythos Metropolis (2010, Germany) Directed by Eckhart Schmitdt Shoot Up/Shoot Out: The Story Behind 'The Man with the Golden Arm’ (2008, USA) Directed by New Wave Entertainment Brecht vs. Pabst (2007, USA) Directed by Isa Clubb Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood (2006, Germany) Directed by Robert Fischer Hedy Lamarr – Secrets of a Star (2006, Italy) Directed by Donatello and Fusco Dubini Silent Hollywood: Cult, Stars, Scandals (2005, Germany) Directed by Eckhart Schmidt Valley of the Dreamers (2004, Germany) Directed by Aurelia Mihai Männer im Trenchcoat, Frauen im Pelz (2004, Germany) Directed by Eckhart Schmidt The Frankenstein Files: How Hollywood Made a Monster (2002, USA) Directed by David J. Skal Monster by Moonlight! The Immortal Saga of 'The Wolf Man' (1999, USA) Directed by David J. Skal G.W. Pabst arbeitet (1997, Germany) Directed by Martin Koerber Der Andere Blick: Der lange Weg des G.W. Pabst (1994, Austria) Directed by Schmiedl und Hofer

UNIVERSITY TEACHING: 1999 - : ADJUNCT PROFESSOR, Graduate Critical Studies/Archival Training Program, UCLA Winter 1999 Film&TV 208B Seminar Classical Film Theory Spring 1999 Film&TV 298B Modern Film Preservation and Restoration 19 Winter 2001 IS 287-2 Film Restoration Fall 2001 Film&TV 206A European Silent Cinema Fall 2002 Film&TV 206A American Silent Cinema Fall 2003 Film&TV 206A European Silent Cinema Winter 2004 MIAS 240 Collections Development /Management Fall 2004 Film & TV 298 American Silent Cinema Spring 2005 MIAS 210 Ethics of Film Restoration Fall 2005 Film & TV 298 European Silent Cinema Winter 2006 Film & TV 219 Film Propaganda Spring 2006 MIAS 210 Ethics of Film Restoration Summer 2006 Film & TV 222 Film Genre: Film Noir Fall 2006 Film& TV 206C American Film Film & TV 206B Silent Film Winter 2007 Film & TV 106A American Film: A History of MGM (undergrad lectiure) Film & TV 200 Bibliography: Methods & Research Spring 2007 Film & TV 206A European Cinema: Genres Film & TV 106B European Cinema Fall 2007 MIAS 200 Introduction to Film Archiving Film & TV 106B European Cinema Winter 2010 MIAS 240 Film Archive Administration Fall 2010 MIAS 210 Ethics of Film Restoration Winter 2015 MIAS 210 Ethics of Film Restoration

Summer 2007 Visiting Professor, Hollins University Summer Screenwriting Program Film 287 Film Research and Criticism

1996 - 1998: GUEST PROFESSOR, Junior Year Abroad, University of Munich/ Wayne State University. WS 1996/97 JY 530 Film and Film Theory: German Cinema History WS 1997/98 JY 530 Film and Film Theory: German Cinema History

1996 - 1997: GUEST PROFESSOR, Institut für Publizistik, University of Salzburg. SS 1996 Filmgedächnis des 20. Jahrhunderts: Film im Exil (Film Memory in the 20th Century: German Exile Cinema) SS 1997 (History of Documentary Film)

1994- 1998: GUEST PROFESSOR, Hochschule für Film und Fernsehen, Munich. WS 1994-95 Filmgeschichte/Filmtheorie II: Memente im Deutschen Film (Film History/Theory II: German Cinema) SS 1995 (Film History/Theory I: Nouvelle Vague/Post Classical Cinema WS 1995/96 (Film History/Theory II: New German Cinema) SS 1996 (Film History/Theory II: Film Noir ) WS 1996/97 (Film History/Theory II: Film in the Third Reich) SS 1997 (Film History/Theory II: Third World Cinema) WS 1997/98 (Film History/Theory II: Third World Cinema)

1994: ADJUNCT PROFESSOR, Film Studies, English, German, Art History, University of Rochester, Rochester, N.Y. 1990-1993 ASSOCIATE PROFESSOR. 1985-1990 ASSISTANT PROFESSOR, part-time. Fall 1985 ENG 251/FS 201 The Idea of Genre Spring 1986 FS 286/CLT 386 Narrative in Classical World Cinema Fall 1986 ENG 251/451 FS 201 Popular Film Genres: Film Noir Spring 1987 FS 287 / GR 287 German Cinema: From Weimar to the 80’s Summer 1987 ENG 132 Intro to the Art of Film Fall 1987 AH 111 / ENG 131 Intro to History of Cinema Spring 1988 AH 273 / ENG 250/450 Art of Motion Pictures: Film Theory 20 Summer 1988 ENG 132 Intro to Art of Film Fall 1988 AH 111 / ENG 131 Intro to History of Cinema Spring 1989 ENG 255 / ENG 591 Film Criticism Fall 1989 AH 273 / ENG 250 / 450 Film Analysis Fall 1989 ENG 394 Internship Spring 1990 AH 111 / ENG 131 Intro to History of Cinema: Sound Cinema Spring 1990 ENG 591 PhD. Readings Spring 1990 FS 394 Internship Fall 1990 ENG 251 / 451 / FS 201 Popular Film Genres: Film Noir Fall 1990 FS 394 Internship Spring 1991 AH 111 / ENG 131 Intro to History of Cinema: Sound Cinema Spring 1991 ENG 591 PhD. Readings Spring 1991 FS 393 Senior Project Spring 1991 CASS 899 Masters Dissertation Fall 1991 ENG 551 Film Historiography Spring 1992 AH 111 / ENG 134 Intro to History of Cinema: Sound Cinema Spring 1992 ENG 591 PhD. Readings Spring 1992 ENG 999 Doctoral Dissertation Fall 1992 ENG 329 / 450 Modernism and Avant-Garde Cinema Spring 1993 AH 111 / ENG 134 Intro to History of Cinema: Sound Cinema Spring 1993 ENG 999 Doctoral Dissertation Fall 1993 AH 111 / ENG 133 Intro to Film History: Silent Cinema Fall 1993 ENG 999 Doctoral Dissertation Spring 1994 EN 256 / 456 / AH 273 / GER 288 / German Cinema Spring 1994 ENG 999 Doctoral Dissertation Spring 1994 FS 394 Internship

1980-1984: LECTURER, Institut für Publizistik, Westfälische Wilhelms-Universität, Münster, Germany WS 1980/81 Orientierungskurs Kommunikationswissenschaft (Introduction to Communications) WS 1980/81 Reflexionskurs: Hörfunk und Fernsehen in den U.S.A. (Radio and Television in the United States) SS 1981 Orientierungskurs Kommunikationstheorien (Introduction to Communications Theory) SS 1981 Einführung in die Film Analyse (Film Analysis I) WS 1981/82 Grundkurs Kommunikation (Basic Course in Communications) WS 1981/82 (Seminar: Theory of Visual Communication) SS 1982 Grundkurs Medien (Basic Course in Media) SS 1982 (History of World Cinema) WS 1982/83 Grundkurs Kommunikation WS 1982/83 Einführung in die Film Analyse (Film Analysis II) SS 1983 Grundkurs Medien SS 1983 (Seminar: German Film Industry after 1945) SS 1984 Seminar: Geschichte der Filmtheorie (History of Film Theory) SS 1984 (Seminar: Photojournalism and Advertising)

REFERENCES: Furnished upon request