Jahresbericht 2009 Jahresbericht 2009

Total Page:16

File Type:pdf, Size:1020Kb

Jahresbericht 2009 Jahresbericht 2009 Jahresbericht 2009 Jahresbericht 2009 Jahresbericht 2009 Kunsthistorisches Museum mit MVK und ÖTM Impressum Medieninhaber und Herausgeber Generaldirektorin Dr. Sabine HAAG Redaktion Franz PICHORNER Elisabeth HERRMANN Lektorat Elisabeth HERRMANN Übersetzungen Matthew HAYES Elizabeth MORTIMER Art-Direktion Stefan ZEISLER Fotonachweis ©, falls nicht anders angegeben: KHM Leitung Fotografie und Bildbearbeitung Stefan ZEISLER Bildbearbeitung Michael AUmüllER Fotografen Christian MENDEZ Alexander ROSOLI Andreas ULDRICH Grafische Gestaltung ATELIER SIMMA, Wien Druck GRASL Druck & Neue Medien www.khm.at © 2010 Kunsthistorisches Museum Wien Alle Rechte vorbehalten. Inhalt 8 Vorwort der Generaldirektorin 12 Geschäftsführung 18 Aus der Chronik von KHM, MVK und ÖTM 26 Sammlungen des Kunsthistorischen Museums 94 Sammlungen des Museums für Völkerkunde 118 Sammlungen des Österreichischen Theatermuseums 130 Abteilungen 162 Ausstellungen 214 Publikationen 220 Diverses 228 Mitarbeiterinnen und Mitarbeiter 234 English Summary Geschäftsbericht 6 7 Vorwort der Generaldirektorin 8 Vorwort der Generaldirektorin Seit 2001 gibt das Kunsthistorische Museum Dr. Claudia Schmied die neue Museums- Maßnahmen zur Neugestaltung der Aus- mit seinen angeschlossenen Museen jeweils ordnung für alle Bundesmuseen erlassen, stellungsflächen werden mit März 2010, einen Tätigkeitsbericht heraus, in dem in der die Vermittlungsarbeit als vor rangige zugleich mit dem Beginn der Großausstel- die vielfältigen Aktivitäten eines großen Aufgabe unserer Museumsarbeit festge- lung zu Gustav Mahler, abgeschlossen sein. Museumskomplexes im Bereich der For- schrieben ist. In Hinblick auf das Ausstellungsprogramm schungs-, Vermittlungs- und Ausstellungs- Das Museum zu öffnen bedeutet natur- 2009 sind vor allem die sammlungsüber- tätigkeit ausführlich dargestellt werden. gemäß aber auch, die Sammlungen tat- greifende, von Sylvia Ferino kuratierte Aus- Als ich im Januar 2009 die Leitung dieses sächlich zugänglich zu machen. An erster stellung Wir sind Maske und die Interieur- Museumsverbundes übernommen habe, Stelle steht in diesem Zusammenhang Ausstellung Raum im Bild von Karl Schütz hielt ich daran fest. Dem von mir gewähl- unser dringlichstes Vorhaben, die Wieder- zu erwähnen. Zugleich war es – etwa bei ten Motto „öffnen und eröffnen“ ent- eröffnung der Kunstkammer. Diese welt- der Schau zu Karl dem Kühnen – mein sprechend waren die vorrangigen Ziele weit einzigartige Sammlung soll Ende 2012 Bestreben, eine Verbindung der eigenen in diesem Jahr mehr Öffentlichkeit, mehr neu eröffnet werden. Für die 13 Säle und Sammlungsschwerpunkte und Forschungs- Wahrnehmung und daraus resultierend 9 Kabinette auf 2700 m² mit insgesamt ergebnisse mit Ausstellungsprojekten auch mehr Besucherinnen und Besucher 3.000 Objekten liegt ein fertiges Aufstellungs- herzustellen, an denen sich internationale für die Museen. Unsere musealen Einrich- konzept vor − die Gesamtkosten belaufen Kooperationspartner beteiligten. tungen sollen Orte der Anregung und sich auf 18 Millionen Euro –, für welches Mit Beginn des Jahres 2009 habe ich zur Bereicherung, der Entspannung, aber auch meine MuseumskollegInnen mit Optimierung des Gesamteindrucks des vor allem Orte des Staunens und des Ge- ganzer Kraft einstehen. Die Neueinrichtung Museumsverbundes die neue Stabsstelle schichten-Erzählens sein und von unseren der ständigen Schausammlungen des „Corporate Design“ eingerichtet und BesucherInnen auch so erlebt werden. Museums für Völkerkunde, nur die Samm- den Leiter der Abteilung Visuelle Medien Mit einem Open House unter dem Motto lung Süd-, Südostasien und Himalayaländer Stefan Zeisler mit dieser Aufgabe betraut. „Der Kunst ein Fest“ habe ich folglich am wurde im November 2008 eröffnet, ist das Mein Dank gilt allen Mitarbeiterinnen und 24. Januar 2009 die Sammlungen des KHM zweite große bauliche Vorhaben. Eine aus Mitarbeitern für ihre im Berichtsjahr ge- sowie das Museum für Völkerkunde und Vertretern des BMUKK und des Museums leistete Arbeit und ihr großes Engagement das Österreichische Theatermuseum bei bestehende Expertenrunde hat 2009 eine für unsere Häuser und das uns anvertraute freiem Eintritt geöffnet. Das österreichische inhaltliche Neudefinition als Haus der Sammlungsgut. Allen, die am Zustande- Publikum besonders ansprechen wollen Kulturen bzw. als Museum für europäische kommen dieses Jahresberichtes mitgewirkt wir mit der Einführung einer neuen, preis- und außereuropäische Ethnographie unter haben, sei an dieser Stelle aufrichtig gedankt. günstigen Jahreskarte, die seit November möglicher Einbeziehung der Bestände des 2009 sehr erfolgreich vertrieben wird. Museums für Volkskunde diskutiert. Hinzu Während meines turnusmäßigen Vorsitzes kommt das Projekt der Neueinrichtung der in der DirektorInnenkonferenz der Bundes- ständigen Schausammlungen des Öster- Dr. Sabine HAAG museen wurde von Bundesministerin reichischen Theatermuseums. Die baulichen Generaldirektorin VORWORT DER GENERALDIREKTORIN 9 Foreword of the Director General Since 2001, the Kunsthistorisches Museum the Kunstkammer, is our first priority in this and its associated museums have each year context. This worldwide singular collection produced an activity report, in which the is to be newly opened at the end of 2012. varied undertakings of a large museum An exhibition concept with altogether complex in the areas of research, educa- 3,000 objects has been finalized for the tion, and exhibitions are depicted in detail. 13 galleries and 9 cabinet rooms with over When I assumed the leadership of this 2,700 m² – at a total cost of € 18 million – consortium of museums in January 2009, which my colleagues at the museum also I retained this practice. In keeping with the fully support. The new installation of the motto that I set forth, “open and opening,” permanent collections of the Museum of the foremost goals this year were more Ethnology – only the collections of South publicity, increased awareness, and as a and Southeast Asia and the Himalaya coun- result more visitors for the museums. Our tries were opened in November 2008 – Simultaneously, it was my attempt – for museum institutions should be places of is the second major construction objective. instance in the show on Charles the Bold – excitement and enrichment, of relaxation, In 2009, a committee of experts comprising to forge connections between our own but especially places of wonder and of representatives from the Federal Ministry collection strengths and research results storytelling, and likewise be so experienced for Education, Art, and Culture (BMUKK) and exhibition projects involving the by our visitors. With an Open House under and the museum discussed a conceptual cooperation of international partners. the motto “Celebrate Art,” I opened the redefinition as a house of cultures, or as At the beginning of 2009, I established collections of the KHM, the Museum of museum for European and non-European a new departmental head of “Corporate Ethnology, and the Austrian Theatre Museum ethnography, with the possible incorporation Design” to strengthen the overall image free of charge on January 24, 2009. We of the holdings of the Museum of Folk Life of the museum consortium, and trusted particularly wish to address the Austrian and Folk Art. An additional project involves this task to the director of the Visual Media public with the introduction of a new, the new installation of the permanent Department, Stefan Zeisler. economical annual ticket, which has been collection of the Austrian Theatre Museum. sold very successfully since November 2009. The construction work for the renovation I extend my thanks to the entire staff for their work during the past year and for During my chairmanship of the conference of the exhibition spaces will be completed their great engagement for our institutions of directors of the federal museums, the in March 2010, concurrent with the be- and the valuable collections entrusted to new directives for all federal museums were ginning of the major exhibition on Gustav us. My sincere thanks likewise go to every- issued by Minister Dr. Claudia Schmied, in Mahler. one involved in the production of this which education is established as the fore- With regard to the 2009 exhibition program, annual report. most duty of our museum work. the interdepartmental exhibitions Masks Opening the museum naturally also means curated by Sylvia Ferino, and the interiors actually making the collections accessible. exhibition Rooms in Pictures by Karl Schütz Dr. Sabine HAAG Our most urgent project, the reopening of are particularly to be mentioned. Director General 10 Geschäftsführung 11 12 Kaufmännische Geschäftsführung Vorwort Erstmals in der Geschichte des Jahresbe- Im Zuge unserer großen internationalen richts ergänzt 2009 ein eigenständiger, Ausstellungskooperationen, 2009 insbe- dem umfangreichen wissenschaftlichen sondere in Fernost, haben wir nicht nur und museologischen Bericht angeschlos- knapp zwei Millionen Menschen außer - sener Geschäftsbericht die Darstellung halb Österreichs für unsere Kunstschätze der Tätigkeiten, Leistungen und Erfolge begeistern können, sondern auch in des KHM mit MVK und ÖTM. Wir tragen wirkungsvollen Präsentationen in Japan damit nicht nur dem Umstand Rechnung, und Korea die dortige Tourismuswirtschaft dass erfolgreiche Museumsarbeit auch auf uns aufmerksam gemacht. Die Fort- wirtschaftlich erfolgreiches Handeln ein- setzung dieser professionellen Marktbe- schließt, sondern wollen vor allem die arbeitung im Tourismus brachte uns 2009 unternehmerischen
Recommended publications
  • Russian and Soviet Views of Modern Western Art
    Russian and Soviet Views of Modern Western Art 1890s to Mid-1930s EDITED BY ILI A DORO NTC H E N KO V TRANSLATED BY CHARLESROUGLE CONSULTING EDITOR NINA GURIANOVA UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON CONTENTS Preface and Acknowledgments xiii Introduction 1 RUSSIAN CRITICISM BEFORE THE REVOLUTION: 1890S-1917 I Facing Europe: Impressions, Contacts, and Criticisms 27 1 Mark Antokol'skii, "Notes on Art" (1897] 28 2 Igor' Grabar', "Decline or Renaissance? A Survey of Contemporary Trends in Art" (1897] 30 3 Vladimir Stasov, Nineteenth-Century Art: Painting (1901 ] 32 4 Vasily Kandinsky, "An Artist's Text" (1918] 34 5 Andrei Belyi, On the Border of Two Centuries (1930) 35 6 Pavel Muratov, "On Grand Art" (1907) 36 7 Sergei Diaghilev [and Dmitrii Filosofov], "The Bases of Artistic Judgment" (1899] .... 40 8 Sergei Diaghilev, "European Exhibitions and Russian Painters" (1896) 41 9 Sergei Diaghilev, "The Exhibition in Helsingfors" [18991 42 10 Vladimir Stasov, "Exhibitions" [1898] 43 11 Grigorii Miasoedov, Letter to Vladimir Stasov (1898) 45 12 Vladimir Stasov, "The Court of Miracles" (1899) 46 13 Igor'Grabar', "Around European Exhibitions" (1904) 48 14 Vasily Kandinsky, "A Letter from Munich" (1909-10) 50 11 Western Influences: Symbolism, Impressionism, Post-Impressionism, and the Golden Fleece Exhibitions 55 15 Ivan Konevskoi, "Bocklin's Painting" (1900) 57 16 Alexandre Benois, "Maurice Denis" (1901) 59 17 Igor' Grabar', "Around Europe" (1902) 61 18 Alexandre Benois, "An Artist's Conversations: 1. On Impressionism" (1899)
    [Show full text]
  • Hermitage Magazine 27 En.Pdf
    VIENNA / ART DECO / REMBRANDT / THE LANGOBARDS / DYNASTIC RULE VIENNA ¶ ART DECO ¶ THE LEIDEN COLLECTION ¶ REMBRANDT ¶ issue № 27 (XXVII) THE LANGOBARDS ¶ FURNITURE ¶ BOOKS ¶ DYNASTIC RULE MAGAZINE HERMITAGE The advertising The WORLD . Fragment 6/7 CLOTHING TRUNKS OF THE MUSEUM WARDROBE 10/18 THE INTERNATIONAL ADVISORY BOARD OF THE STATE HERMITAGE Game of Bowls 20/29 EXHIBITIONS 30/34 OMAN IN THE HERMITAGE The State Hermitage Museum, St. Petersburg. Inv. № ГЭ 9154 The State Hermitage Museum, St. Petersburg. Inv. Henri Matisse. 27 (XXVII) Official partners of the magazine: DECEMBER 2018 HERMITAGE ISSUE № St. Petersburg State University MAGAZINE Tovstonogov Russian State Academic Bolshoi Drama Theatre The Hermitage Museum XXI Century Foundation would like to thank the project “New Holland: Cultural Urbanization”, Aleksandra Rytova (Stella Art Foundation, Moscow) for the attention and friendly support of the magazine. FOUNDER: THE STATE HERMITAGE MUSEUM Special thanks to Svetlana Adaksina, Marina Antipova, Elena Getmanskaya, Alexander Dydykin, Larisa Korabelnikova, Ekaterina Sirakonyan, Vyacheslav Fedorov, Maria Khaltunen, Marina Tsiguleva (The State Hermitage Museum); CHAIRMAN OF THE EDITORIAL BOARD Swetlana Datsenko (The Exhibition Centre “Hermitage Amsterdam”) Mikhail Piotrovsky The project is realized by the means of the grant of the city of St. Petersburg EDITORIAL: AUTHORS Editor-in-Chief Zorina Myskova Executive editor Vladislav Bachurov STAFF OF THE STATE HERMITAGE MUSEUM: Editor of the English version Simon Patterson Mikhail Piotrovsky
    [Show full text]
  • SAVE up to RIVER CRUISE River £150 Per Couple See Inside for Cruise Details
    January to December 2012 SHEARINGS HOLIDAYS SHEARINGS HOLIDAYS EDITION 2 SAVE up to RIVER CRUISE River £150 Per couple see inside for Cruise details Three easy ways to book… Call 0844 874 7788 Visit www.shearings.com/rivercruises EDITION 2 JANUARY TO DECEMBER 2012 EDITION 2 JANUARY Or see your local travel agent DISCOVER THE WORLD OF SHEARINGS Call Cruise.co.uk’s dedicated River Cruise team on 0800 408 6202 Join by coach, rail or air • Sightseeing shore excursions • Exclusively chartered ships Great destinations, River Cruises superb choice and fantastic value. Contents easy ways MPS Rotterdam Dutch Bulbfi elds & Belgian Delight • Dutch Gardens Extravaganza • German & Swiss 16 to book Rhine • Scenic Switzerland, Alsace & Rhine Valley • Rhine Valley Explorer • The Magical 3 Moselle • Moselle Valley Explorer • Romantic Rhine & Moselle Melody • Rhine in Flames Extravaganza • Colours of Autumn • Festive Markets of the Rhine & Moselle Christmas on the German & Swiss Rhine • New Year on the Swiss & German Rhine MPS Da Vinci Welcome to our new 2012 River Cruise brochure Romantic Rhine & Main Valley • Main Valley to the Blue Danube 42 which is packed with a huge range of ideas for Danube Symphony Cruise • Main Danube Canal Explorer Historic Towns & the Loreley Valley fabulous river cruises. 1 MV Virginia Floriade, Holland in Bloom • The Classic Rhine • The Classic Moselle 54 Whether this is your fi rst time holidaying with us or Valleys of the Rhine & Moselle • Rhine in Flames • Autumn on the Rhine Call our friendly Rhine Inclusive Cruise you’ve travelled with us before, in 2012 you’ll fi nd and helpful team MV Esmeralda even more amazing river cruises and itineraries 0844 874 7788 Great Cities of the Danube 68 brought to you by Shearings Holidays.
    [Show full text]
  • PRELIMINARY SYLLABUS St. Petersburg
    PRELIMINARY SYLLABUS Stanford Continuing Studies, HIS 199, 2 units Spring Quarter 2018 St. Petersburg: A Cultural Biography Tuesdays, 7:00 pm - 8:50 pm Course Subject In this leCture Course we will explore the riCh Cultural history of St. Petersburg, Russia, through the works of its arChiteCts, planners, artists, writers, and Composers. LeCtures will be slide-illustrated. No prior knowledge of Russian history, arChiteCture, urban design, or art is assumed, although any of those backgrounds will be useful, and your Contributions will be welcome. Few Cities in the world lend themselves so readily to a study of their Cultural "biography" as St. Petersburg. Founded just over 300 years ago (1703) by Peter I the Great, St. Petersburg was "premeditated" (umyshlennyi, Dostoevsky's term) as the planned, rational, West-European-styled Capital City of the Russian Empire, a deliberate Counterpoise to MosCow and its tradition-bound MusCovite Culture. From its inCeption until the present, St. Petersburg has raised more questions than answers in the Russian mind: Is it Russian or West European? And what of modern (post-Peter the Great) Russia itself: Is it European, or something else? Through the arChiteCture, City planning, art, and literature of St. Petersburg, we will follow the Cultural evolution and mythology of the City, from Peter to Putin. Lectures will be slide-illustrated, drawing on my ColleCtion of photographs I have made in Russia over the last 59 years. We will also watch oCCasional videos of relevant doCumentaries, ballet, and opera. Each leCture will be acCompanied by an outline handout and suggestions for further reading.
    [Show full text]
  • № Wca № Castles Prefix Name of Castle Oe-00001 Oe-30001
    № WCA № CASTLES PREFIX NAME OF CASTLE LOCATION INFORMATION OE-00001 OE-30001 OE3 BURGRUINE AGGSTEIN SCHONBUHEL-AGGSBACH, AGGSTEIN 48° 18' 52" N 15° 25' 18" O OE-00002 OE-20002 OE2 BURGRUINE WEYER BRAMBERG AM WILDKOGEL 47° 15' 38,8" N 12° 19' 4,7" O OE-00003 OE-40003 OE4 BURG BERNSTEIN BERNSTEIN, SCHLOSSWEG 1 47° 24' 23,5" N 16° 15' 7,1" O OE-00004 OE-40004 OE4 BURG FORCHTENSTEIN FORCHTENSTEIN, MELINDA-ESTERHAZY-PLATZ 1 47° 42' 34" N 16° 19' 51" O OE-00005 OE-40005 OE4 BURG GUSSING GUSSING, BATTHYANY-STRASSE 10 47° 3' 24,5" N 16° 19' 22,5" O OE-00006 OE-40006 OE4 BURGRUINE LANDSEE MARKT SANKT MARTIN, LANDSEE 47° 33' 50" N 16° 20' 54" O OE-00007 OE-40007 OE4 BURG LOCKENHAUS LOCKENHAUS, GUNSERSTRASSE 5 47° 24' 14,5" N 16° 25' 28,5" O OE-00008 OE-40008 OE4 BURG SCHLAINING STADTSCHLAINING 47° 19' 20" N 16° 16' 49" O OE-00009 OE-80009 OE8 BURGRUINE AICHELBURG ST. STEFAN IM GAILTAL, NIESELACH 46° 36' 38,6" N 13° 30' 45,6" O OE-00010 OE-80010 OE8 KLOSTERRUINE ARNOLDSTEIN ARNOLDSTEIN, KLOSTERWEG 3 46° 32' 55" N 13° 42' 34" O OE-00011 OE-80011 OE8 BURG DIETRICHSTEIN FELDKIRCHEN, DIETRICHSTEIN 46° 43' 34" N 14° 7' 45" O OE-00012 OE-80012 OE8 BURG FALKENSTEIN OBERVELLACH-PFAFFENBERG 46° 55' 20,4" N 13° 14' 24,6" E OE-00014 OE-80014 OE8 BURGRUINE FEDERAUN VILLACH, OBERFEDERAUN 46° 34' 12,6" N 13° 48' 34,5" E OE-00015 OE-80015 OE8 BURGRUINE FELDSBERG LURNFELD, ZUR FELDSBERG 46° 50' 28" N 13° 23' 42" E OE-00016 OE-80016 OE8 BURG FINKENSTEIN FINKENSTEIN, ALTFINKENSTEIN 13 46° 37' 47,7" N 13° 54' 11,1" E OE-00017 OE-80017 OE8 BURGRUINE FLASCHBERG OBERDRAUBURG,
    [Show full text]
  • Restitution Report 2003/2004
    Translation from German RESTITUTION REPORT 2003/2004 SIXTH REPORT OF THE FEDERAL MINISTER FOR EDUCATION, SCIENCE AND CULTURE TO THE NATIONALRAT [LOWER CHAMBER OF THE AUSTRIAN PARLIAMENT] ON THE RESTITUTION OF ART OBJECTS FROM AUSTRIAN FEDERAL MUSEUMS AND COLLECTIONS Section 2 (3) of the Federal Statute of 4 December 1998 on the Restitution of Art Objects from the Austrian Federal Museums and Collections provides for an annual obligation to inform the Nationalrat of restitutions of art objects effected during the reporting period. The first report covered restitutions effected during the period from 19 December 1998 to 18 August 1999, the second report covered restitutions effected during the period from 27 October 1999 to 28 November 2000, the third one covered the period from 23 January 2001 to 1 October 2001, the fourth report covered the period from 10 April 2002 to 3 December 2002 and the fifth one covered the period from 11 March 2003 to 27 January 2004. All five reports were acknowledged by the Nationalrat. The purpose of the Restitution Act is to restitute art objects from the Austrian federal museums and collections which passed into the ownership of the Republic of Austria in the course or as a consequence of Nazi tyranny to the original owners or their legal successors. In order to fulfil this mission of the Act a systematic and complete review of the entire inventory of the Austrian federal museums and collections as to their provenance is necessary. The Commission for Provenance Research established in 1998 is fulfilling this task. The staff of the Commission is working in the individual federal museums and collections, where they inspect the inventories, archives and objects themselves as to indications of provenance, which they follow using relevant databases, card files and files from public archives.
    [Show full text]
  • Diaghilev Society Materials
    FOR SOME, LIFE IS TO BE LIVED AS AN Impresario Sergei Diaghilev (1872–1929) Russian promoter and catalyst for innovation in the arts who revitalized ballet by integrating the ideals of other art forms — music, design, and drama — with those of dance. Diaghilev (dee ah guh lef) showcased his own musical compositions before writing about art with a dazzling, innovative, unconventional perspective. He surrounded himself with influentials involved in cultural output. Thus in 1899, Diaghilev launched the magazine Mir Isskustva (“World of Art”). He became involved with the Maryinsky Theatre in Saint Petersburg, Russia, managing editorial projects for the imperial venue as well as overseeing performances, quickly earning a reputation as a connoisseur of great artistic works. He took a Russian portraiture exhibit to Paris in 1907. There, he also assembled concerts featuring composers from his homeland and kept company with a circle of artists including Leon Balst, designer Alexandre Benois, choreograper Mikhail Fokine, fashion icon Coco Chanel, and artist Pablo Picasso. In 1909, Diaghilev founded the Ballets Russes, a dance company that changed the face of the performance world forever. Russes, with initial dance stars like Vaslav Nijinsky, Anna Pavlova and Ida Rubenstein, ran for two decades, satiating audiences’ hunger for new material. His artistic vision to blend the arts became international, tour Europe, South America, and the United States. Ballets Russes became known for movements not confined to classical dance, defying the convention that female dancers should always be delicate and giving male dancers more of a spotlight. Diaghilev supervised each production, integrating the story with music and design, ultimately creating a new standard.
    [Show full text]
  • Annual Report Opening Statement of Financial Position for the Austrian Federal Government As at 1 January 2013 Prepared by the Austrian Federal Ministry of Finance
    Annual Report Opening Statement of Financial Position for the Austrian Federal Government as at 1 January 2013 prepared by the Austrian Federal Ministry of Finance -HAND ST IR F OPENING STATEMENT OF FINANCIAL POSITION N I O I N T F O R M A Statement of Financial Position at a glance CONDENSED STATEMENT OF FINANCIAL POSITION OF THE FEDERAL GOVERNMENT OF AUSTRIA AS AT 1 JANUARY 2013 ASSETS in Euro A Non-current assets 76,102,292,902.39 A.I Intangible assets 368,174,458.38 A.II Property, plant and equipment 39,588,678,261.93 A.III Securities and other financial assets 3,824,000,000.00 A.IV Equity investments 25,189,128,452.17 A.V Long-term receivables 7,132,311,729.91 B Current assets 13,406,897,790.94 B.I Short-term financial assets 0.00 B.II Short-term receivables 8,499,492,321.12 B.III Inventories 698,836,278.74 B.IV Cash and cash equivalents 4,208,569,191.08 TOTAL ASSETS 89,509,190,693.33 Table 1: Condensed Statement of Financial Position - ASSETS NET ASSETS AND LIABILITIES in Euro C Net assets (balancing item) -133,873,299,331.09 D Non-current liabilities 187,219,596,890.75 D.I Long-term financial liabilities, net 169,702,071,074.72 D.II Long-term payables 14,004,805,522.87 D.III Long-term provisions 3,512,720,293.16 E Current liabilities 36,162,893,133.67 E.I Short-term financial liabilities, net 19,848,526,578.95 E.II Short-term payables 15,931,759,970.13 E.III Short-term provisions 382,606,584.59 TOTAL NET ASSETS AND LIABILITIES 89,509,190,693.33 Table 2: Condensed Statement of Financial Position - NET ASSETS AND LIABILITIES Annual Report – Opening Statement of Financial Position for the Austrian Federal Government 3 4 Annual Report – Opening Statement of Financial Position for the Austrian Federal Government Contents 1.
    [Show full text]
  • The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917)
    University of Alberta The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917) by Hanna Chuchvaha A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Modern Languages and Cultural Studies Art and Design ©Hanna Chuchvaha Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. To my father, Anatolii Sviridenok, a devoted Academician for 50 years ABSTRACT This interdisciplinary dissertation explores the World of Art (Mir Iskusstva, 1899- 1904), The Golden Fleece (Zolotoe runo, 1906-1909) and Apollo (Apollon, 1909- 1917), three art periodicals that became symbols of the print revival and Europeanization in late Imperial Russia. Preoccupied with high quality art reproduction and graphic design, these journals were conceived and executed as art objects and examples of fine book craftsmanship, concerned with the physical form and appearance of the periodical as such. Their publication advanced Russian book art and stimulated the development of graphic design, giving it a status comparable to that of painting or sculpture.
    [Show full text]
  • The Problems of Studying the Ballet in the Culture of the Late XIX - Early XX Centuries
    International Journal of Humanities Social Sciences and Education (IJHSSE) Volume 5, Issue 9, September 2018, PP 11- 15 ISSN 2349-0373 (Print) & ISSN 2349-0381 (Online) http://dx.doi.org/10.20431/2349-0381.0509002 www.arcjournals.org The Problems of Studying the Ballet in the Culture of the Late XIX - Early XX Centuries Тatiana Portnova Doctor of Art History, Professor of Choreography Art department of Slavic Culture Institute, Professor of Art History Department of A. Kosygin Russian State University *Corresponding Author: Тatiana Portnova, Doctor of Art History, Professor of Choreography Art department of Slavic Culture Institute, Professor of Art History Department of A. Kosygin Russian State University Abstract: The article reveals the role of the Russian ballet in the cultural pattern at the turn of the 20th century. Purpose of the article is to determine the direction of development of interaction between national choreography and artistic and imaginative interpretation of its synthetic whole against a background of complex and ambiguous processes taking course at critical stages of the Russian culture, based at the existing visual materials of archive and museum funds. An aspect of art review was selected, allowing consideration of the diverse options of synthesis of ballet and plastic arts. The attraction of the visual arts to “balletness” and the tendency of Russian choreography to rely on images of painting, graphics and sculpture characteristic to the turn of the century are two sides of the single process. In this context, the Sergei Diaghilev's Ballets Russes company, being saturated with expressive plastic spectacular imagery, served as the bright frame for the last stage of the Russian Silver Age.
    [Show full text]
  • Danube Explorer Hungary • Slovakia • Austria • Germany • the Czech Republic
    TOURCY presents... FREE AIRFARE WHEN BOOKED BY 3/31/2021 Danube Explorer Hungary • Slovakia • Austria • Germany • the Czech Republic Tour Dates: August 31 – September 10, 2022 Danube Explorer Vienna’s Imperial Hofburg Palace Dürnstein, Austria – The ‘Pearl of the Wachau Valley’ DAY 1 Depart the USA: Depart the USA on your overnight flight to of the ancient town center, seeing the Slovak National Theater Budapest, Hungary. and a range of Gothic and Art Nouveau buildings. Alternatively, embark on a guided hike to Bratislava Castle, a landmark steeped DAY 2 Budapest, Hungary: Welcome to the “Pearl of the Danube”. in legends that looks as though it came from the pages of a fairytale You will be met at the airport and transferred to your Emerald book. Meals: B, L, D Waterways Star-Ship, home for the next seven nights. This EmeraldACTIVE: A guided hike to Bratislava Castle evening, join your fellow guests for a folklore performance onboard EmeraldPLUS: Local Slovakian entertainment onboard and a traditional Hungarian dinner. After dinner, relax on the Sun Deck and enjoy the fabulous view of the Parliament Building, aglow DAY 5 Vienna, Austria: Welcome to Vienna, Austria’s capital and in nighttime splendor. Meal: D the capital of classical music. The city perfectly encapsulates the EmeraldPLUS: A traditional Hungarian folklore show opulence of the Habsburg Monarchy and their ornate Baroque palaces. On the included city tour, see monuments and buildings DAY 3 Budapest: Explore Budapest’s cobbled medieval quarter, of grandeur as the coach drives along the famous Ringstrasse. as you embark on a coach tour through the UNESCO World During the walking tour, stroll with your guide through the city Heritage-listed city center.
    [Show full text]
  • Jahresbericht 2011 Kunsthistorisches Museum Mit MVK Und Ötm Jahresbericht 2011
    M ÖT Sammlungen in der Neuen Burg www.khm.at Ephesos Museum Hofjagd- und Rüstkammer Sammlung alter Musikinstrumente 1010 Wien, Heldenplatz Kunsthistorisches Museum 1010 Wien, Maria Theresien-Platz Schatzkammer 1010 Wien, Hofburg – Schweizerhof Wagenburg 1130 Wien, Schloss Schönbrunn Museum für Völkerkunde 1010 Wien, Neue Burg, Heldenplatz Theseustempel Jahresbericht 1010 Wien, Volksgarten 2011 Schloss Ambras 6020 Innsbruck, Schlossstraße 20 978-3-99020-015-5 Österreichisches Theatermuseum 1010 Wien, Palais Lobkowitz, Lobkowitzplatz 2 Jahresbericht 2011 Kunsthistorisches Museum mit MVK und Jahresbericht 2011 2 SAMMLUNG Jahresbericht 2011 Kunsthistorisches Museum mit MVK und ÖTM IMPRESSUM MEDIENINHABER UND HERAUSGEBER Generaldirektorin Dr. Sabine HAAG REDAKTION Franz PICHORNER Elisabeth HERRMANN LEKTORAT Elisabeth HERRMANN Annette SCHÄFER ÜBERSETZUNGEN Elizabeth MORTIMER ART-DIREKTION Stefan ZEISLER FOTONACHWEIS ©, falls nicht anders angegeben: KHM Leitung Fotografie und Bildbearbeitung Stefan ZEISLER Bildbearbeitung Michael AUMÜLLER Fotografen Christian MENDEZ Thomas RITTER Alexander ROSOLI Andreas ULDRICH GRAFISCHE GESTALTUNG ATELIER SIMMA, Wien DRUCK Druckerei Walla GmbH www.khm.at © 2012 Kunsthistorisches Museum Wien Alle Rechte vorbehalten. INHALT 8 Geschäftsführung 17 Aus der Chronik von KHM, MVK und ÖTM 21 Sammlungen des Kunsthistorischen Museums 73 Sammlungen des Museums für Völkerkunde 91 Sammlungen des Österreichischen Theatermuseums 103 Abteilungen 137 Ausstellungen 169 Publikationen 173 Diverses 183 Mitarbeiterinnen und Mitarbeiter 187 English Summary Geschäftsbericht 6 SAMMLUNG SAMMLUNGEN KHM 7 GESCHÄFTSFÜHRUNG 8 VORWORT Seit 10 Jahren gibt das Kunsthistorische tungsphase ist ein problemloser Umzug aus im Fundraising und die wertvolle finanzielle Museum mit seinen angeschlossenen Museen den alten Depots erfolgt, wofür wir allen Unterstützung unseres Wiener Freundesver- jeweils einen Tätigkeitsbericht heraus, in Beteiligten unseren großen Dank aus- eins sowie der International Friends of KHM dem seine Forschungs-, Vermittlungs- und sprechen.
    [Show full text]