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Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
Citizen Volunteers Help Juvenile Court
__ ... u.$ ..*_... ep ....i. ~- Barber clips his way through 36 years of haircuts By Peter A. Salinas son's first cut and laughed about "I do a lot of preachmg," he promment Pomter whom he StaN Writer "Sam originally had hIS shop have had theIr haIr tended to for saId "I'm not a mmlster, but I wouldn't IdentIfy. Thirty-six years ago haircuts on the second floor of what is four generations the trauma that ensued Lang. preach m the absence of the "It was a beautIful day and cost a dollar, coffee was a dime a now the NBD buildmg on Mack "JIm was the first barber I ford has envelopes on hand for mmlster II warm," Langford saId. "He was cup and Jim Langford fimshed and RIvard smce 1927," he said came to 36 years dgO," sald DICk collectmg the hall' of first-timers Langford and hIS WIfe Kath. m the chair and really relaxed barber school and began workmg "He later moved to thiS loca- Speer of the Farms, as he had "We're known for OUI cuckoo ryn have two chIldren, Barbara WIth hIS eyes closed. His WIfe m Grosse Pointe tlOn" hIS hall' trimmed I've never clocks alOund here," Langford and TImothy. He likes boatmg walked up to the door and put After spending hIs entire Cd- HIs shop, Jim's Halrcuttmg gone to anyone else and I stIli bald about the wooden clock on (he owns a wooden 18.foot Ly. her finger to her hps for me to reer in the same shop, he retIred and Stylmg Shop, at 359 FIsher, have most of my hall''' the wall that has become an 1m. -
Downloads/Publications/NPEC- Hybrid English 22-11-17 Digital.Pdf
UCLA UCLA Previously Published Works Title California Policy Options 2021 Permalink https://escholarship.org/uc/item/6bh7z70p Publication Date 2021 Peer reviewed eScholarship.org Powered by the California Digital Library University of California California2021 Policy Options 2021 California Policy Options Edited by Daniel J.B. Mitchell California Policy Options 2021 Copyright 2021 by the UCLA Luskin School of Public Affairs All rights reserved. Except for use in any review, the reproduction or utilization of this work in whole or in part in any form by electronic, mechanical, or other means, now known or thereafter invented, including a retrieval system is forbidden without the permission of the UC Regents. Published by the UCLA Luskin School of Public Affairs UCLA Luskin School of Public Affairs, Box 951656 Los Angeles, California 90095-1656 Editor: Daniel J.B. Mitchell Cover photo: iStock/artisteer Table of Contents p. 2 Preface p. 3 Introduction p. 5 Chapter 1: The Governor vs. the Fly: The Insect That Bugged Jerry Brown in 1981 Daniel J.B. Mitchell p. 27 Chapter 2: Policy Principles to Address Plastic Waste and the Throwaway Economy in California Daniel Coffee p. 53 Chapter 3: California Election Law and Policy: Emergency Measures and Future Reforms UCLA Voting Rights Project: Matthew Barreto, Michael Cohen and Sonni Waknin p. 75 Chapter 4: Before the Storm: Sam Yorty’s Second Election as Mayor of Los Angeles Daniel J.B. Mitchell p. 93 Chapter 5: Sexual Health Education Policy in the Los Angeles Unified School District Devon Schechinger and Keara Pina p. 121 Chapter 6: DNA Collection from Felony Arrestees in California Stanley M. -
Charles. Leslie Alabaster Police Department 201 1St Street North
Charles. Leslie Alabaster Police Department 201 1st Street North Alabaster, Alabama 35007 205- 664-6817 [email protected] Charles W. Wood Calhoun County Sheriff's Office 400 West 8th Street Anniston, Alabama 36201 (256) 820-6710 [email protected] Capt. Tom Stofer Auburn Department of Public Safety 161 North Ross Street Auburn, Alabama 36830 334-501- 3119 [email protected] La'Quaylin Parhm or Damon Johnson Birmingham Police Department 1710 First Avenue North Birmingham, Alabama 35203 (205) 933-4175 [email protected] James G. Fadely Jefferson County Sheriff's Office Reserves 2200 8th Avenue North Birmingham, Alabama 35203 205- 325-5700 [email protected] Robert Burnett Chelsea Citizen Observer Patrol City of Chelsea P.O. Box 111 Chelsea, Alabama 35043 205-281- 4082 [email protected] Officer David Hicks Clanton Police Department Police Explorers 601 1st Ave. Clanton, Alabama 35045 (205) 755-1194 [email protected] Jim Smith Police Chief Cottonwood Police Department P. O. Box 447 Cottonwood, Alabama 36320 334- 691-2113 [email protected] Capt. David J. Sandlin Cullman County Sheriff's Office 1910 Beech Avenue, S.E. Cullman, Alabama 35055 256-734- 0342 [email protected] Tom Barry Decatur Citizens Police Academy Alumni Association P O Box 5581 Decatur, Alabama 35601 256-301- 3139 [email protected] Tommie J. Reese, Chief of Police Demopolis Police Department 301 East Washington Street Demopolis, Alabama 36732 334- 289-3073 [email protected] Samuel Crawford Wiregrass Retired Senior Volunteer Program 501 North Foster St. Dothan, Alabama 36303 334-836- 1300 [email protected] Alan Hicks, Asst. Chief Douglas Police Reserves P. -
An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
UCLA UCLA Entertainment Law Review Title Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California Permalink https://escholarship.org/uc/item/88z2z7wm Journal UCLA Entertainment Law Review, 20(2) ISSN 1073-2896 Author Tsai, Patricia Publication Date 2013 DOI 10.5070/LR8202027172 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Tal- ent Agencies Act of California Patricia Tsai* The 360 deal has been an attractive option for music labels in the United States to gain traction in the faltering music industry, but po- tential legal obstacles may hinder the incentive to enter into the deals both for the label andfor the artist. Labels entering into 360 deals may find themselves liablefor violating the Seven-Year Statute or the Talent Agencies Act (TAA). With 360 agreements becoming more popular, labels should turn to an existing music industry that has dealt with the potentiallegal problems of 360 dealsfor years. The Korean pop industry, commonly called "K-pop, " has taken advantage of a 360-deal-like model for many years, and as a conse- quence, many Korean labels have experienced the potential legal prob- lems that American labels may face. Particularly,the legal problems faced by S.M Entertainment, a talent agency and music label giant in South Korea, as a result of their contract with TVXQ, a popular and hugely successful boy band,reveal exactly the type ofpotential liability faced by American music labels. -
CITY MANAGER CITY of CAPE Co~
CITY MANAGER CITY OF CAPE co~. DEPARTMENT OF COMMUNITY D~~~aPMi=tfff 3: ftO MEMORANDUM TO: John Szerlag, City Manager FROM: Vincent A. Cautero, Community Develop~-n~.t Director{!t';)\__, Robert H. Pederson, Planning Manager~ Wyatt Daltry, Planning Team Coordinator vl> DATE: September 6, 2016 SUBJECT: Future Land Use Map Amendment Request-LU16-0012 The City has initiated a large scale future land use map amendment for a large area in Northern Cape Coral; the proposed area is 2,818.49 acres. This request is a follow-up to LU15-0004, which brought over 4,000-acres from the Urban Services Reserve Area into the Urban Services Transition Area. Once the amendment is adopted by Council, property owners could rezone their property for development to permit densities supported by centralized water and sewer utilities. The proposed amendment request includes the following: Current FLU Proposed FLU Acreage Single Family/Multi-Family by PDP (SM) SinQle-Family Residential (SF) 2,686.04 SM Multi-Family Residential (MF) 63.16 SM Parks and Recreation (PK) 10.24 Commercial Activity Center (CAC) SF 29.39 CAC MF 29.66 Thank you for your consideration of this future land use map amendment. Please contact Wyatt Daltry, Planning Team Coordinator, at 573-3160 if you have any questions. VAC/wad(North1 +2FLUMAmemoofintent) Attachment Planning Division Case Report LU 16-0012 Review Date: November 2, 2016 Applicant: City of Cape Coral, Department of Community Development Property Owners: See Attachment A Site Address: See Attachment A Authorized Representative: Wyatt Daltry, AICP Planning Team Coordinator City of Cape Coral Department of Community Development (239) 573-3160 Case Staff: Wyatt Daltry, AICP, Planning Team Coordinator Review Approved By: Robert Pederson, AICP, Planning Manager Purpose: The City has initiated this large-scale future land use map amendment for a large area in Northern Cape Coral. -
A Feminist Political Economy of the Korean Popular Music Industry
A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry. -
DISTINGUISHED Residentsof
DISTINGUISHED 1 RESI D ENTS of Hillside Memorial Park and Mortuary DISTINGUISHED RESIDENTS IRV I NG AA RONSON (1895 – 1963) EV E RL A ST I NG Pea C E Irving Aaronson’s career began at the age of 11 as a movie theater pianist. DISTINGUISHED RE S I D E NTS GU I D E : A LE G A CY OF LE G E NDS In the 1920’s he became a Big Band leader with the Versatile Sextette and Irving Aaronson & the Commanders. The Commanders recorded “I’ll Get By,” Cole Porter’s “Let’s Misbehave,” “All By Ourselves in the Hillside Memorial Park and Mortuary has provided a place to Moonlight,” “Don’t Look at Me That Way” and “Hi-Ho the Merrio.” Irving Aaronson His band included members Gene Krupa, Claude Thornhill and Artie honor the accomplishments and legacies of the Jewish community Shaw. He later worked for MGM as a music coordinator for “Arrivederci Roma” (1957), “This Could Be the Night” (1957), “Meet Me in Las Vegas” since 1942. We have made it our mission to provide southern (1956) and as music advisor for “The Merry Widow” (1952). California with a memorial park and mortuary dedicated to ROSLYN ALF I N –SL A T E R (1916 – 2002) GA RD E N OF SA R A H honoring loved ones in a manner that is fitting and appropriate. Dr. Roslyn Alfin-Slater was a highly esteemed UCLA professor and nutrition expert. Her early work included studies on the relationship between cholesterol and essential fatty acid metabolism. -
Juvenile Protection and Sexual Objectification: Analysis of the Performance Frame in Korean Music Television Broadcasts1
ACTA KOR ANA VOL. 16, NO. 2, DECEMBER 2013: 329–365 JUVENILE PROTECTION AND SEXUAL OBJECTIFICATION: ANALYSIS OF THE PERFORMANCE FRAME IN KOREAN 1 MUSIC TELEVISION BROADCASTS By CEDARBOUGH T. SAEJI2 The wide-spread sexual objectification of women in Korean popular music performance subconsciously teaches men and boys that women and girls are sexual objects that exist to please them. Simultaneously sexual objectification disempowers girls and women by emphasizing superficial beauty. Although many decisions related to K- pop choreography, costumes, or lyrics may be attributed to music management companies, this article analyzes how music television programs Inkigayo (Seoul Broadcasting System) and Music Core (Munhwa Broadcasting Company) contribute to the sexual objectification of women through the ways that emcees frame performances and the ways the camera draws attention to sexualized body parts. In August 2012 racy performances by the girl group Kara raised public debate and spurred calls for amendments to the Juvenile Protection Law. At that time commentary focused on the impact of sexually provocative performances on young people. The law places responsibility for monitoring content onto the content producers and broadcasters, yet frame analysis of Kara’s performances, compared with performances in early 2013, demonstrated that neither Inkigayo nor Music Core had changed the sexually objectifying performance frame on their shows. The final version of the revised law, 1 This research was supported by Hankuk University of Foreign Studies Research Fund of 2013. 2 Author’s Note: Thank you to the editor and enormously helpful anonymous reviewers at Acta Koreana as well as friends and colleagues with whom I discussed aspects of this paper: my gratitude to Logan Clark, Timothy Gitzen, Meredith Perry, Jungwon Kim, Jisoo Hyun, Thea Suh, Go Gwanyeong, and the audience for my presentation at the 2013 International Association for the Study of Popular Music conference. -
Verse Superhero Film “Black Immigration at the White House
VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax THURSDAY, DECEMBERSEPTEMBER 12 17,- 18, 2015 2013 VOL. LXXXV NO 6 $1.00 +CA. Sales Tax“For Over “For Eighty Over Eighty Years YearsThe Voice The Voiceof Our of CommunityOur Community Speaking Speaking for forItself Itself” THURSDAY, FEBRUARY 8, 2018 PHOTO CREDIT: LIROY WILLIAMS Mayor Eric Garcetti celebrates with the I Heart Watts Organization at the grant press conference. BY NIELE ANDERSON in the community Contributing Writer of Watts. The press conference was held The grant will at the site of the new help fund develop- Watts Healing Tech ment and infrastruc- Garden, located at PHOTO E. MESIYAH MCGINNIS ture projects that Edwin Markham L.A. City Councilmember Marqueece Harris-Dawson, Tony Cox, Danny J. Bakewell, Sr., Beverly White, Jim Hill, L.A. City achieve major envi- Middle School (1650 Council President Herb Wesson, Pat Harvey, Derrin Horton, L.A. City Councilmember Curren Price, Tony McEwing and other ronmental, health, E. 104th Street, LA). media professionals at the Los Angeles City Council presentation for African American Heritage Month. and economic bene- The initiative fits to the Watts com- was led by Hous- BY KIMBERLEE BUCK social justice, equal era and radio personali- local media profession- can Heritage Month, munity. ing Authority of the Staff Writer rights, women’s rights, ties, the digital media, als who have helped as a reminder of the Los Angeles - City of Los Ange- and human rights. print publications and shape Southern Califor- historic impact African Mayor Eric Garcetti les (HACLA). John Since the 1800s, These journalists and so many more who nia through the produc- Americans have made recently hosted a King, community African American jour- newsmakers made it have reintroduced the tion and dissemination in journalism and the press conference relations officernalists have worked their mission to pub- Constitutional meaning of news. -
American Motorcycle Races
American Motorcycle Races National Championship Superbike Series Dodge City Savannah Talladega Catalina Daytona Windber Laconia Tacoma Marion Elgin Rob Semmeling Contents Road Races 3 American Federation of Motorcyclists 18 United States Grand Prix 23 AMA National Championship 26 AMA Non-Championship Races 35 AMA Superbike Championship 36 Formula USA 50 Endurance Racing 54 Track Races 58 FAM National Championships 68 M&ATA National Championships 72 Motorcycle Asphalt Racing Series 73 Abbreviations 74 Sources 75 Copyright © Rob Semmeling 2010-2016 / all rights reserved [email protected] www.wegcircuits.nl Road Races 3 Waltham Held in Waltham, Massachusetts Handicap road race over 25 miles on 5-mile course Part of FAM national meet 09/08/1905: G.H. Curtiss (Curtiss) Circuit ran via Lexington Street, Beaver Street, Forest Street and Trapelo Road in North Waltham Rochester Held in Rochester, New York Handicap road race over 24 miles on 6-mile course up-and-down Henrietta Road Part of FAM national meet 05/07/1906: Jake DeRosier (Indian) Providence Held in Providence, Rhode Island Colonial handicap road race over 20 miles on 3.3-mile course up-and-down Blackstone Boulevard Part of FAM national meet 01/08/1907: J.S. Seidell (RS) Lowell Held in Lowell, Massachusetts Race over 51.2 miles (16 laps) on 3.2-mile Merrimack Valley course Part of Lowell Automobile Carnival scheduled for 6-10 September 11/09/1909: Walter Goerke (Indian) (*) The race was originally scheduled for Friday 10 September and ten laps of the 10.6-mile Merrimack Valley course -
Public Enemy Turns 25 Era
“Don’t Worry, Flavor- Vision Ain’t Blurry” IT ALMOst DIDN’T HAPPEN. Chuck D was an increasingly dense collection of sonic arguably remains a high-water They Even Had It On The News already 26 when Def Jam’s Rick Rubin alarms that would become their trademark. mark for rap music. Made during first heard the taped single “Public Each track combined a staggering number what is regarded as the golden age Enemy No. 1” by Chuck D and Spectrum of samples—beats, grooves, sound effects of hip-hop, when clearing samples VOL. PE25 ROOSEVELT, LONG ISLAND, 1987-2012 NO $ELL OUT City. So when Rubin called to sign him, and piercing sound bites that infused the was not as heavily monitored, The Chuck told the hip-hop label maestro that music with as much urgency as the lyrics. Bomb Squad created a massive he was too old, noting that the recently Encouraged by Rubin, other Def Jam collage of sound that reached BROTHERS signed LL Cool J was only 16, and that he artists had found success combining rap beyond the scope of pop music and SHIT HITS was instead considering his options as a and rock; PE took it further, sampling into the avant garde. Chuck’s raps GONNA WORK graphic designer. But after six months of and collaborating with heavy-metal were increasingly political, taking a The hip-hop group, Public Enemy. relentless attempts by Rubin (and despite acts like Slayer and eventually Anthrax. sharp bead on society’s ills, racism THE FAN! IT OUT the ambivalence of Rubin’s partner at Def Tracks like “Louder than a Bomb” and and the self-inflicted wounds of the African Black the next year.