Cutting It Press Pack

Total Page:16

File Type:pdf, Size:1020Kb

Cutting It Press Pack Cutting It Main cast Left to right: Angela Griffin, Lucy Gaskell, Amanda Holden, Ben Daniels, Sarah Parish, Jason Merrells, James Midgley and Sian Reeves Cutting It 1 Contents Cutting It Introduction/Production Notes . 3 Regional Index . 5 Main cast &production team . .6 Interviews Amanda Holden (Mia) on beauty, style and playing a conniving hairdresser . 7 Sarah Parish (Allie) on motherhood and the man in her life . 10 Jason Merrells (Gavin) on always playing the good guy . 13 Ben Daniels (Finn) on being the resident sex addict . 15 Angela Griffin (Darcey) on liposuction and being a kept woman . 17 Debbie Horsfield, writer, on her inspiration for Cutting It . 19 Lino Carbosiero at Daniel Galvin on training Amanda for her role as a hairdresser . 20 Character profiles Sian Reeves (Sydney) . .21 James Midgley (Shane) . 21 Lucy Gaskell (Ruby) . .22 Pearce Quigley (Eugene) . 22 Annette Badland (Brawdie) . 23 Bill Thomas (Tom) . .23 Cutting It Introduction Amanda Holden, Sarah Parish, Jason Merrells, Ben Daniels and Angela Griffin star in Debbie Horsfield’s Cutting It “I have always been interested in the mayhem Before long, the beautiful yet conniving Mia has of family relationships, and if you opened a rival salon, Blade Runner, right across add to that the passion and power that’s the road from Henshall Ferraday. And the hairdressing, plus the havoc created by a ‘ charismatic Finn, once the love of Allie’s life, is blast from the past’, split ends are the least again making a play for her affection. With her of the problems!” business under threat from Mia and her heart Debbie Horsfield, writer under siege from Finn, Allie is forced to fight. And so begin ‘The Manchester hairdressing wars’… Amanda Holden and Sarah Parish sharpen their scissors in a war of passion and peroxide, to “My inspiration for Cutting It came from my run the best hair salon in Manchester in twin sisters, who owned a hairdressing business Cutting It, which transmits on BBC ONE some years ago on the outskirts of Manchester,” from April 2002. says writer Debbie Horsfield, who would often visit her sisters’ salon. “What surprised me more The competitive world of hairdressing provides than anything is just how willing customers the backdrop for this new drama series from the were to talk about their most intimate secrets. pen of award-winning writer, Debbie Horsfield. It was then I realised that this would be a “Hairdressing salons are no longer the place to fantastic format for a series.” go to have your hair restyled; you can chill out, get a massage or go in and talk to your stylist However ex-customers of the old Radcliffe- and offload all your problems,” says the writer. based salon need not worry about watching “There are so many human dilemmas going on their most intimate secrets played out on screen. a writer is never going to run out of ideas.” “None of the characters were inspired by the people I met in my sisters’ salon because I could Allie Henshall (Sarah Parish) and husband never do that. The characters are an amalgam of Gavin Ferraday (Jason Merrells) are the six or seven different people that I have met – proud proprietors of Henshall Ferraday, a including myself,” she adds candidly. successful family hairdressing business based in Manchester. Allie’s sisters, Darcey Head of BBC Drama Serials Laura Mackie says: (Angela Griffin) and Sydney (Siân Reeves), “Debbie is really adept at taking an ordinary take care of beauty and nails. The husband- situation – like Allie’s first love coming back and-wife team appear to have it all – except into her life – and twisting it so that it becomes a baby which Gavin desperately wants. As the the driving force behind the drama. couple celebrate the salon’s 10th anniversary, Allie announces plans to expand – the “The world of hairdressing wars is a rich forum business, not her waistline! Gavin is for her deft comic touch and distinctive mortified. However, new arrivals in town, emotional insights. The characters are vivid, Mia Bevan (Amanda Holden), and her warm and funny and we’re lucky to have husband, Finn (Ben Daniels), have plans of attracted such a great cast.” their own. Cutting It 3 Introduction For the acclaimed writer of Making Out, Born To Run, The Riff Raff Element and Sex, Chips & Rock ‘n’ Roll, this will be her third workplace drama. “Making Out was based on a factory, then there was Born To Run which centred on the car industry, and now this. What I am doing is working through the jobs that I have done in the past!” laughs the Eccles-born mother of four. With Manchester fast becoming the production capital for many new dramas on the BBC, Debbie is happy to continue the tradition of setting her dramas in the North. “I’ve only ever written about something that I have personal experience of, which is why I write about the North. It is where I grew up. It is my background. It’s what I know,” she says proudly. Jane Tranter, Controller of Drama Commissioning adds: “Cutting It has all the right ingredients – love, betrayal, humour and desire, written by Debbie Horsfield on top form. Her style is unique and we’re proud that she continues to write such quality drama for BBC ONE, after the success of her other shows with us.” The cast also includes: James Midgley as Shane; Lucy Gaskell as Ruby; Pearce Quigley as Eugene; Annette Badland as Brawdie; Bill Thomas as Tom; and Philip Martin Brown as Smedley. Produced by Diederick Santer, the directors are Andy De Emmony and Catherine Morshead; the executive producers are Sally Haynes, Debbie Horsfield and Laura Mackie. Cutting It is a BBC production for BBC ONE. For additional material, check out the BBC’s new Press Office website at www.bbc.co.uk/ pressoffice for recorded interviews with the main cast and writer Debbie Horsfield. Cutting It 4 Regional index Page 19 MANCHESTER Writer Debbie Horsfield was born in Eccles and lives in Manchester. Page 22 Educated at Manchester Poly, Pearce Quigley was born in Salford. Page 22 WIGAN Lucy Gaskell (Ruby Ferris) was brought up in this town. Page 15 NUNEATON Ben Daniels (Finn Bevan) was born in Nuneaton, near Coventry. Page 17 LEEDS Angela Griffin (Darcey Henshall) was born in Cottingley, Leeds. Page 21 James Midgley (Shane Ince) was born in Bradford. Page 10 SOMERSET Sarah Parish (Allie Henshall) was brought up in Yeovil, Somerset. Page 23 CORNWALL Born in Cornwall, Bill Thomas (Tom Henshall) grew up in Salisbury and the West Country Page 7 HAMPSHIRE Amanda Holden (Mia Bevan) was raised in Bishop’s Waltham Page 23 BIRMINGHAM Annette Badland (Brawdie Henshall) was born in Edgbaston. Page 21 Siân Reeves (Sydney Henshall) was born in West Bromwich (see below also). Page 21 STAFFORDSHIRE Siân Reeves was born in West Bromwich, near Birmingham before her family moved to Brewood, Staffordshire. Siân’s Welsh mother still has relatives living in Llanelli, Wales. Page 13 ESSEX Essex-born Jason Merrells (Gavin Ferraday) was brought up in Wanstead. Cutting It 5 Main cast/ production team Main cast Amanda Holden Mia Bevan Sarah Parish Allie Henshall Jason Merrells Gavin Ferraday Ben Daniels Finn Bevan Angela Griffin Darcey Henshall Siân Reeves Sydney Henshall James Midgley Shane Ince Lucy Gaskell Ruby Ferris Pearce Quigley Eugene Eubank Annette Badland Brawdie Henshall Bill Thomas Tom Henshall Production team Executive Producers Sally Haynes Debbie Horsfield Laura Mackie Writer Debbie Horsfield Producer Diederick Santer Directors Andy De Emmony (1-3) Catherine Morshead (4-6) Associate Producer Elizabeth Binns Director of Photography Ian Liggett Production Designer John Coleman Casting Director Andy Pryor Costume Designer Michael Johnson Hair and Make-up Designer Kathy Ducker Script Editor Manda Levin Composer Mark Hinton Stewart Film Editors Stephen O’Connell (1-3) Nick Arthurs (4-6) Cutting It 6 Interviews Amanda Holden plays Mia Bevan Amanda gossip: Do you confide in your hairdresser? Yes. My hairdresser is like my therapist. My mother loves him. He is completely trustworthy. Whose style do you most admire? I love Sharon Stone; I don’t think she has ever made a fashion mistake. I think she’s very classy. I also like Jennifer Aniston. She’s great. Whenever I watch Friends I often wonder where Did you know..? did she get that from, that looks really good! • Amanda once played Liesl Von Trapp in a touring production of The Sound Of Music. Which celebrity’s hair would you most like to cut? • She also appeared as a contestant on Blind I would like to do something with Anna Ford’s Date in 1990. hair, because it’s been like that for years! Perhaps put some layers in and some lowlights Place of birth: Bishop’s Waltham, Hampshire to bring out her face a bit. Trained: Mountview Academy of Theatre Arts in North London Appeared in: Kiss Me Kate, The Grimleys, Would you face the chop for your art? Happy Birthday Shakespeare, Hearts No! A bald cap and a good make-up artist And Bones please, unless it was for Steven Spielberg! Cutting It 7 Interviews Amanda Holden plays Mia Bevan “Mia might appear to be bitchy, but she “I play a Southerner in a Manchester-set drama, isn’t. She’s very sleek, just like her salon, so I insisted on training in London. I assisted Blade Runner.” my own hairdresser, Lino, for one week. I was like the junior – I picked up rollers, held hair Complicated and misunderstood? Or a dryers, washed hair, but didn’t do any cutting. conniving hairdresser from hell? Amanda Lino said at the end of the week that I had a job Holden’s new role as the beautiful, stylish and there if I wanted one,” she laughs.
Recommended publications
  • Broadcast Bulletin Issue Number 149 11/01/10
    Ofcom Broadcast Bulletin Issue number 149 11 January 2010 1 Ofcom Broadcast Bulletin, Issue 149 11 January 2010 Contents Introduction 3 Standards cases In Breach Drivetime Radio XL 1296 AM (West Midlands), 5 October 2009, 15:00 4 The Gospel Truth with Andrew Womack Revelation TV, 7 October 2009, 08:30 8 Live 960 Live 960, 11 September 2009, 22:00 10 Top Shelf TV Top Shelf TV, 17 September 2009, 16:45 13 MTV Live: Isle of MTV music festival, featuring Lady Gaga MTV One, 2 November 2009, 16:00 15 Club Paradiso Club Paradiso, 24 October 2009, 5:30 16 Resolved F1: Grand Prix BBC1, 1 November 2009, 12:10 18 Fairness & Privacy cases Not Upheld Complaint by Ms Emma Czikai Britain’s Got Talent, ITV1, 9 May 2009 20 Other programmes not in breach 30 2 Ofcom Broadcast Bulletin, Issue 149 11 January 2010 The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes which broadcasting licensees are required to comply. These include: a) Ofcom’s Broadcasting Code (“the Code”) which took effect on 16 December 2009 and covers all programmes broadcast on or after 16 December 2009. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/. Note: Programmes broadcast prior to 16 December 2009 are covered by the 2005 Code which came into effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). The 2005 Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode_2005/.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Friedman, S. (2013). Les Dennis: Man Out of Time. Comedy Studies, 4(2), doi: 10.1386/cost.4.2.249_1 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2876/ Link to published version: http://dx.doi.org/10.1386/cost.4.2.249_1 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Man Out of Time: An Interview with Les Dennis’, Comedy Studies, 4 (2) Les Dennis has been spotted. “Ye’ve been captured, Les”, slurs a bleary-eyed regular in The Strathmore Bar, a classic Leith boozer and one-time working men’s club tucked away near the bottom of Leith Walk. Idling up to our table with a finger pointed at the bemused entertainer, the man continues, “Aw the boys back there, they aw spied ye.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Weekly Highlights Week 04/05: Sat 30Th January - Fri 5Th February 2021
    Weekly Highlights Week 04/05: Sat 30th January - Fri 5th February 2021 Joanna Lumley’s Home Sweet Home - Travels in My Own Land Tuesday, 8pm The presenter sets off on a journey around the UK. This information is embargoed from reproduction in the public domain until Tue 26th January 2021. Press contacts Further programme publicity information: ITV Press Office [email protected] www.itv.com/presscentre @itvpresscentre ITV Pictures [email protected] www.itv.com/presscentre/itvpictures ITV Billings [email protected] www.ebs.tv This information is produced by EBS New Media Ltd on behalf of ITV +44 (0)1462 895 999 Please note that all information is embargoed from reproduction in the public domain as stated. Weekly highlights Simply Raymond Blanc Saturday, 11.40am 30th January ITV Join Raymond Blanc and enjoy some Le Manoir Magic as he rustles up a selection of simple yet delicious dishes from the heart of his Oxfordshire kitchen. In this series opener, the chef is joined by Angela Hartnett, who’s cooking a stunning tagliatelle for her friend. Plus, the host creates food for every palette, from a sumptuous meringue with blackcurrant coulis to a heritage salad with beetroot. The Masked Singer Saturday, 7pm 30th January ITV TV’s craziest guessing game continues its second series. Joel Dommett presents as a gang of celebrities don costumes and sing with their identities hidden. There are shocks in store as the remaining seven are cut to five in a double elimination. Will Rita Ora, Jonathan Ross, Davina McCall, Mo Gilligan and guest Alan Carr be able to guess who is performing? Two singers are unmasked at the end of tonight’s show.
    [Show full text]
  • Student Guide to Living in Liverpool
    A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT
    [Show full text]
  • Oxford Lecture 1 - Final Master
    OXFORD LECTURE 1 - FINAL MASTER HOW TO GROW A CREATIVE BUSINESS BY ACCIDENT The legendarily bullish film director Alan Parker once adapted Shaw's famous dictum about the academic profession - "those who can, do. Those who can't teach." So far so familiar. And to many in this room, no doubt, so annoying. But he went on: "those who can't teach, teach gym. And those who can't teach gym, teach at film school." I appreciate that Oxford is not a film school, though it has a more distinguished record than any film school for supplying the talent that has fuelled the British film and TV industries for almost a century - on and off camera. Writers like Richard Curtis, who brought us 4 Weddings and a Funeral, Love Actually, The Vicar of Dibley and Blackadder; or The Full Monty and Slumdog Millionaire scribe Simon Beaufoy; directors of the diversity of Looking for Eric's Ken Loach and 24 Hour Party People's Michael Winterbottom; writer/directors like Monty Python's Terry Jones and the Thick of It's Armando Iannucci; actors and performers ranging from Hugh Grant to Rowan Atkinson; and broadcasting luminaries like the BBC's Director General Mark Thompson and News International's very own Rupert Murdoch. So, Oxford has been a pretty efficient film and TV school, without even trying. And perhaps that is Parker's point. Can what passes for creativity in film and TV ever really be taught? But here in my capacity as News International Visiting Professor of Broadcast Media (or if you prefer an acronym, NIVPOB - the final M is silent) I may be even further down Parker's food chain.
    [Show full text]
  • Will Mellor Shaftesbury Avenue London W1D 6LD
    www.cam.co.uk Email [email protected] Address 55-59 Will Mellor Shaftesbury Avenue London W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production CORONATION STREET Harvey Various ITV Oskar Thor Axelsson/Enrico SANCTURY Redpath Yellow Bird Production Maria Artale NO OFFENCE (Series 1, 2 & 3) Spike (Regular) Catherine Morshead Channel 4 IN THE CLUB (Series 1 & 2) Rick (Regular) Various BBC One LINE OF DUTY (Series 3) PC Rod Kennedy Michael Kiellor BBC THE JOB LOT Greg Various Big Talk Productions DEATH IN PARADISE Dr. Karl Slater Richard Signy BBC One/Red Planet DATES David John Maybury Balloons for Channel 4 BROADCHURCH (Series 1) Stephen Turner James Strong Judos Film and Television RORY & WILL Will - IWC Ben Kellett, Dominic Caryn Mandabach IN WITH THE FLYNNS (Series 1 & 2) Liam Flynn Brigstocke Productions WATERLOO ROAD Dan - BBC TWO PINTS OF LAGER AND A PACKET OF CRISPS (Series 1- Gaz (Regular) Various BBC 5) HARLEY STREET Joe Lacey-Guest Lead Paul Whittington Carnival/ITV Knight Valliant - Guest MERLIN James Hawes BBC Lead UNFORGIVEN Brad-Lead David Evans Granada WHITE VAN MAN Ollie David Evans Granada DIRECTORS DEBUT: BABY BOOM Jed Sarah Parish BBC THE STREET (Series 2) Tom Terry McDonough Granada/BBC MARPLE Waddy Nicholas Winding Refn ITV SORTED Barn Pott (Series) Steven Lightfoot BBC M.I.T Jed Grifths- Lead Various Thames Television WHERE THE HEART IS Ed- Guest Ian Bevitt Anglia Television CASUALTY Jack Miller- series 14-16 Various BBC FAT FRIENDS Gareth David Wheatley Yorkshire Television/ITV BROOKSIDE Paul Howard Various Mersey Television CHILDREN'S WARD Ben Rowlinson Various Granada Television HARBOUR LIGHT'S Granger Various BBC HOLLYOAKS Jambo - Regular Various Mersey Television Film Title Role Director Production OF GODS & WARRIORS Lord Soini David L G Hughes 101 Films Limited OF GODS & WARRIORS Lord Soini David L.G.
    [Show full text]
  • Holden, A.S. 2008. Estimating Contributions of Primary Biomass
    THESIS ESTIMATING CONTRIBUTIONS OF PRIMARY BIOMASS COMBUSTION TO FINE PARTICULATE MATTER AT SITES IN THE WESTERN UNITED STATES Submitted by Amanda S. Holden Department of Atmospheric Science In partial fulfillment of the requirements For the Degree of Master of Science Colorado State University Fort Collins, CO Fall, 2008 COLORADO STATE UNIVERSITY September 26, 2008 WE HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER OUR SUPERVISION BY AMANDA HOLDEN ENTITLED ESTIMATING CONTRIBUTIONS OF PRIMARY BIOMASS COMBUSTION TO FINE PARTICULATE MATTER AT SITES IN THE WESTERN UNITED STATES BE ACCEPTED AS FULFILLING IN PART REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE. Committee on Graduate work _______________________________________ Dr. Charles S. Henry (Outside Committee Member) _______________________________________ Dr. Sonia M. Kreidenweis (Committee Member) _______________________________________ Dr. Jeffrey L. Collett, Jr. (Adviser) _______________________________________ Dr. Richard H. Johnson (Department Head) ii ABSTRACT OF THESIS ESTIMATING CONTRIBUTIONS OF PRIMARY BIOMASS COMBUSTION TO FINE PARTICULATE MATTER AT SITES IN THE WESTERN UNITED STATES Biomass combustion occurs throughout the world and has many implications for human health, air quality and visibility, and climate change. To better understand the impacts of biomass combustion in the western United States, six-day integrated fine particle samples were collected during the winter and summer seasons of 2004-2006 at seven IMPROVE sampling sites using Hi-Vol samplers. These sites included both urban and rural locations. Filter samples were analyzed for organic and elemental carbon, levoglucosan, and a suite of particulate ions. Levoglucosan, a thermal degradation product of cellulose, is a widely used tracer for primary biomass combustion. Measurements of levoglucosan and other carbohydrates were made using a new approach involving aqueous filter extraction followed by direct analysis using High Performance Anion Exchange Chromatography.
    [Show full text]
  • Leeds Students' Outrage at Mp's Remarks
    ~:T# 1194 28thJanuaiy1994 sairi LEEDS STUDENTS' OUTRAGE AT MP'S REMARKS MP'S LETTER SPARKS ROW "I do not think it remotely sensible to give up the protection we now have for children of 16, 17 and 18 against the seductive influence of older men, whose main concern may well be simply to have anal intercourse with youngsters and to turn them into homosexuals. - Sir Ivan Lawrence, QC, MP Leeds tnisersity student He went on: "I do not think it claimed this week that her NIP tip David Smith remotely sensible to give up the Ais a "bigot'. after he refused her protection we now have for children of plea to vote in favour of lowering the Bradbury had written urging her 16. 17 and 1$ against the seductive age of homosexual consent. MP to support the forthcoming motion influence of older men, whose main Teresa Bradbury, a third year in the Commons to reduce the age of concern may well be simply to have Leeds I. niversity Biology student, who consent. The swift response dismissed anal intercourse with youngsters and is not herself gay, was shocked when her arguments and confidently stated: to turn them into homosexuaLs. Sir Ivan Lawrence, her MP. declared ''I believe that the majority of my "I do not we youngsters in this age that the spread of homosexuality is constituents will agree with me.' group clamouring to have the shackles "dangerous not only for young boys "I was really pissed off." said of the law taken from them, but I do but fur society.
    [Show full text]
  • Shameless Television: Gendering Transnational Narratives
    This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation.
    [Show full text]
  • Known Nursery Rhymes Residencies Fruit Eaten Remembered World
    13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.
    [Show full text]
  • Operaharmony
    #OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too .
    [Show full text]