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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Mike Mangini
/.%/&4(2%% 02):%3&2/- -".#0'(0%4$)3*4"%-&34&55*/(4*()54 7). 9!-!(!$25-3 VALUED ATOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 0/5)& '0$64)*)"5 "$)*&7&5)&$-"44*$ 48*/(406/% "35#-",&: 5)&.&/503 50%%46$)&3."/ 45:-&"/%"/"-:4*4 $2%!-4(%!4%23 Ê / Ê" Ê," Ê/"Ê"6 , /Ê-1 -- (3&(03:)65$)*/40/ 8)&3&+";;41"45"/%'6563&.&&5 #6*-%:06308/ .6-5*1&%"-4&561 -ODERN$RUMMERCOM 3&7*&8&% 5"."4*-7&345"33&.0108&34530,&130-6%8*("5-"4130)"3%8"3&3*.4)05-0$."55/0-"/$:.#"-4 Volume 36, Number 3 • Cover photo by Paul La Raia CONTENTS Paul La Raia Courtesy of Mapex 40 SETTING SIGHTS: CHRIS ADLER Lamb of God’s tireless sticksman embraces his natural lefty tendencies. by Ken Micallef Timothy Saccenti 54 MIKE MANGINI By creating layers of complex rhythms that complement Dream Theater’s epic arrangements, “the new guy” is ushering in a bold and exciting era for the band, its fans, and progressive rock music itself. by Mike Haid 44 GREGORY HUTCHINSON Hutch might just be the jazz drummer’s jazz drummer— historically astute and futuristically minded, with the kind 12 UPDATE of technique, soul, and sophistication that today’s most important artists treasure. • Manraze’s PAUL COOK by Ken Micallef • Jazz Vet JOEL TAYLOR • NRBQ’s CONRAD CHOUCROUN • Rebel Rocker HANK WILLIAMS III Chuck Parker 32 SHOP TALK Create a Stable Multi-Pedal Setup 36 PORTRAITS NYC Pocket Master TONY MASON 98 WHAT DO YOU KNOW ABOUT...? Faust’s WERNER “ZAPPI” DIERMAIER One of Three Incredible 70 INFLUENCES: ART BLAKEY Prizes From Yamaha Drums Enter to Win We all know those iconic black-and-white images: Blakey at the Valued $ kit, sweat beads on his forehead, a flash in the eyes, and that at Over 5,700 pg 85 mouth agape—sometimes with the tongue flat out—in pure elation. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
New-Musical-Express
WORW'S LARGES! ORCUIA110N OF ANY MUSIC PAPER-WEEKLY IALEI EXCEED 175.000 1MEMBERS OF ABQ ;o-;o. 951 EVERY FRIDAY PRICE 6d. April 9, t965 Regls1trrd :It Ch e G.P.O. IIS o NrH·spapcr A BREATH OF SPRING FROM WALES-THE LAND OF SONG, DAFFODILS AND TOM JONES MIA LEWIS with "WIS& I DIDN'T LOVB RIM" (A LARRY PAGE PRODUCTION) DECCA F.12117 ' ' 1 THANK YOU TO : Personal Management : "About Anglia" Radio London DENMARK PRODUCTIONS LTD. , : Radio Carolin e "Gadzoolcs" cov 3026 "Easybeat" "Discs A Goga" Sole Agency : Radio Lu,cembourg "Roundup" ACUFF-ROSE LTD. "Th ank Your Lucky Stars" MAY 7600 Chrl~ BLACKWELL. .. Chri~ PEERS ... Hany ROBINSON ... ' I\ "'"'enla. BROuB·B1~ JAPMUESMO"!w ,, r'fP R;CDRDS :::E MR.MAILMAN ~R:R::~~R::rel : 'lEGent 8 71 6 . LLT:~DON. w., ~-acsi~i~rs.l RADIO LONDON CLIMBER OF THE WEEK * APPEAR ING OH DISCS A GO GO APRIL 12 SATURDAY CLUI APRIL 17 7 NEW MUSIC.AL EXPRESS Frilluy. April 9, l9fi~ ALL SET FOR SUN DA Y'S GREATEST-EVER POLL WINNERS' CONCERT Cl.LI.A 81..ACK ANI MAIS STOP PRESS More great The stars are all keyed-up! attractions ! SEE NEWS PAGES ISLE OF MAN TV TALENT DISCOVERIES BEAT-JAZZ-FOLK {Group, of four or more members -Folk Group, onl y, throe or more members} PALACE BALLROOM, DOUGLAS 24th to 27t h August, 1 9 6 5 £750 IN PRIZES ,f TOP-PRI ZE TOP GROUP £250 l and 'SWINGI NG-U.K.' T,ophy Competition~ OY""en all ,,;,;1~ mod"un and f-ollf Group music Somi Finals 1 24th & 25rh Augu1t Final , 27th August Special Day Excursion from limpool • \\'rllcnn"· fo r riu1ln1br,, Or,:.unbcr, bk of )fan TV T•l~n l Ubco1 crle1. -
5-Stepcoordination Challenge Pat Travers’ Sandy Gennaro Lessons Learned Mike Johnston Redefining “Drum Hero”
A WILD ZEBRA BLACK FADE DRUMKIT FROM $ WIN DIXON VALUED OVER 9,250 • HAIM • WARPAINT • MIKE BORDIN THE WORLD’S #1 DRUM MAGAZINE APRIL 2014 DARKEST HOUR’S TRAVIS ORBIN BONUS! MIKE’S LOVES A GOOD CHALLENGE 5-STEPCOORDINATION CHALLENGE PAT TRAVERS’ SANDY GENNARO LESSONS LEARNED MIKE JOHNSTON REDEFINING “DRUM HERO” MODERNDRUMMER.com + SABIAN CYMBAL VOTE WINNERS REVIEWED + VISTA CHINO’S BRANT BJORK TELLS IT LIKE IT IS + OLSSON AND MAHON GEAR UP FOR ELTON JOHN + BLUE NOTE MASTER MICKEY ROKER STYLE AND ANALYSIS NICKAUGUSTO TRIVIUM LEGENDARYIT ONLYSTARTS BEGINS TO HERE.DESCRIBE THEM. “The excitement of getting my first kit was like no other, a Wine Red 5 piece Pearl Export. I couldn’t stop playing it. Export was the beginning of what made me the drummer I am today. I may play Reference Series now but for me, it all started with Export.” - Nick Augusto Join the Export family at pearldrum.com. ® CONTENTS Cover and contents photos by Elle Jaye Volume 38 • Number 4 EDUCATION 60 ROCK ’N’ JAZZ CLINIC Practical Independence Challenge A 5-Step Workout for Building Coordination Over a Pulse by Mike Johnston 66 AROUND THE WORLD Implied Brazilian Rhythms on Drumset Part 3: Cô co by Uka Gameiro 68 STRICTLY TECHNIQUE Rhythm and Timing Part 2: Two-Note 16th Groupings by Bill Bachman 72 JAZZ DRUMMER’S WORKSHOP Mickey Roker Style and Analysis by Steve Fidyk EQUIPMENT On the Cover 20 PRODUCT CLOSE˜UP • DW Collector’s Series Cherry Drumset • Sabian 2014 Cymbal Vote Winners • Rich Sticks Stock Series Drumsticks • TnR Products Booty Shakers and 50 MIKE JOHNSTON Little Booty Shakers by Miguel Monroy • Magnus Opus FiBro-Tone Snare Drums Back in the day—you know, like ve years ago—you 26 ELECTRONIC REVIEW had to be doing world tours or making platinum records Lewitt Audio DTP Beat Kit Pro 7 Drum to in uence as many drummers as this month’s cover Microphone Pack and LCT 240 Condensers star does with his groundbreaking educational website. -
Students Struggle to Budget Flexi Spending Increased Food Prices and Expensive Snacking Eat up Meal Plan Money
FREEDOM AND FAIRNESS VOL. 105 ISSUES FOGHORN.USFCA.EDU OCTOBER, 30 2008 Students Struggle to Budget Flexi Spending Increased food prices and expensive snacking eat up meal plan money The Foghorn's four step plan for making it through the semester without going Flexi broke Stepl: Stop buying bottled water. Not only does bottled water create unneces sary trash, but it costs lots of money. At around $2 a bottle, buying one botde a day will cost more than $200 over the Columnist Chris Hall course of the semester. Instead, drink the shares his faith and thoughts water from the soda machine in on offensive videos that have or fill up your own reusable water attacked his beliefs. bottle and carry it with you throughout the day. OPI » Step 2: No more mooching {by your friends Paying for your roommates, tes or out of town friends' meals the caf may seem like no big deal, be- use Flexi is not "real" money, except that when you run out of Flexi you will have to start using real money. Let your friends know that you are not going to pay for their lunch just because they spent all their Flexi on Outtakes frivoli ties while you carefidly budgeted. Melissa Stihl/Foghorn Freshman Andrew Sanchez hands over his Flexi to purchase lunch in the Market Cafe on Monday afternoon. Many students are Step 3: worried about running out of Flexi before the semester ends. Head to Luckys and stock up on Top Ramen, Cup Noodles, Easy Mac and CHELSEA M. STERLING Junior resident advisors Christyl Wil cafeteria, curbing spontaneous purchases other cheap snacks. -
[King Tut's, Tuesday 1St May]
[KING TUT’S, TUESDAY 1ST MAY] Why is it that I seem to attract every single dodger, pimp, crack-whore, wife-beater and drug-dealer within scamming distance, no matter where I go? It’s starting to worry me now; am I some kind of freak that they recognise a mile away? ‘Ah, there’s goes Kai. He’ll be up for some pills/coke/pot/sex/stabbing!’ Er, no, no, maybe, OK, and no. Perhaps it’s just Glasgow, maybe everyone gets the same treatment. I wasn’t even in freak mode - French Connection t-shirt, skater trousers, wallet chain, nu-metal hair, no make-up; how much more mainstream can you get? Nevermind, maybe I should just be grateful that everyone wants to sell me their last bit of pot, their unwanted Temazepan and their teenage daughter. Ben would be. Shit, I said I wasn’t gonna go on about that, didn’t I? OK, forget I said that. Anyway, I’m standing at the station, waiting for my train, when I am approached by a man wearing a blue anorak. He has short hair, bad teeth and a scarred face. Read: Typical Glaswegian dodger. Run! ‘A’right mate, you got a light?’ ‘No, sorry - I don’t smoke.’ ‘D’ya want tae buy some pot, £20 for this bit? Y’see I dinnae smoke it ma’self, it just got it for ma brother, but he’s nae turned up, and ah need tae get ma train-fare so ah can get home?’ Oh my god, here we go again. -
Melvins / Decrepit Birth Prosthetic Records / All
METAL ZINE VOL. 6 SCIONAV.COM MELVINS / DECREPIT BIRTH PROSTHETIC RECORDS / ALL SHALL PERISH HOLY GRAIL STAFF SCION A/V SCHEDULE Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker MARCH Creative Direction: Scion March 13: Scion A/V Presents: The Melvins — The Bulls & The Bees Art Direction: BON March 20: Scion A/V Presents: Meshuggah — I Am Colossus Contributing Editor: J. Bennett March 31: Scion Label Showcase: Profound Lore, featuring Yob, the Atlas Moth, Loss, Graphic Designer: Gabriella Spartos Wolvhammer and Pallbearer, at the Glasshouse, Pomona, California CONTRIBUTORS Writer: Etan Rosenbloom Photographer: Mackie Osborne CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Mail Stop WC12 APRIL Torrance, CA 90501 $WODV0RWK³<RXU&DOP:DWHUV´ Phone: 866.70.SCION / Fax: 310.381.5932 &RUURVLRQRI&RQIRUPLW\³3V\FKLF9DPSLUH´ Email: Email us through the Contact page located on scion.com 6DLQW9LWXV³/HW7KHP)DOO´ Hours: M-F, 6am-5pm PST / Online Chat: M-F, 6am-6pm PST 7RPEV³3DVVDJHZD\V´ Scion Metal Zine is published by BON. $SULO6FLRQ$93UHVHQWV0XVLF9LGHRV For more information about BON, email [email protected] April 3: Scion A/V Presents: Municipal Waste April 10: Scion A/V Presents: All Shall Perish — Company references, advertisements and/or websites The Past Will Haunt Us Both (in Spanish) OLVWHGLQWKLVSXEOLFDWLRQDUHQRWDI¿OLDWHGZLWK6FLRQ $SULO6FLRQ$93UHVHQWV3URVWKHWLF5HFRUGV/DEHO6KRZFDVH OLYHUHFRUGLQJ unless otherwise noted through disclosure. April 24: Municipal Waste, “Repossession” video Scion does not warrant these companies and is not liable for their performances or the content on their MAY advertisements and/or websites. May 15: Scion A/V Presents: Relapse Records Label Showcase (live recording) May 19: Scion Label Showcase: A389 Records Showcase, featuring Integrity, Ringworm, © 2012 Scion, a marque of Toyota Motor Sales U.S.A., Inc. -
Suffocation Gloom Adrenaline Mob Beastmaker
SUFFOCATION GLOOM ADRENALINE MOB BEASTMAKER ...OF THE DARK LIGHT SOLARIS WE THE PEOPLE INSIDE THE SKULL NUCLEAR BLAST E1 CENTURY MEDIA RISE ABOVE New York death metallers Suffocation return Combining death metal, black metal, doom Recorded once again at Sonic Stomp Studios “When I describe what we do to do people with ...Of the Dark Light. The disc was pro- metal, progressive metal, post-grunge, and oc- over a year-plus period, We the People sounds that don’t know about us I like to say if Danzig duced by Suffocation and tracked at Full casionally described as “blackened death huge. Each riff is massive, every drum hit a and Black Sabbath had a child of darkness it Force Studios with longtime engineer Joe Cin- groove,” Gloom earns a place in the pan- chest-thumping pound, and each line frontman would be Beastmaker,” says vocalist and cotta (Obituary). Mixing and mastering was theon of heavy music in closer proximity to Russell Allen vocalizes exudes unbelievable guitarist Trevor Church. “I’ve always wanted handled by world-renowned producer/engi- timeless giants than forgettable clones. power and heart. Life-changing events may to express my love for horror films through neer Chris “Zeuss” Harris (Hatebreed, Arsis, Gloom represents honesty in its glorious have halted Adrenaline Mob’s momentum music, so you could say it was planned, but it Suicide Silence). “Suffocation worked heaviness, philosophically and musically. The several times, but the group›s third full-length took some natural evolution to figure out what through the end of 2016 to hash out and lay fact that Musicians Institute graduate Dante is proof positive they›re stronger now than works.” From the old-school evangelism of down the tracks at Full Force Studios with Joe Dalton, the band’s guitarist, has worked on they›ve ever been. -
To Design and Development of a Cost Effective Electronic Drum Kit
International Journal of Engineering Research and Applications (IJERA) ISSN: 2248-9622 th International Conference on Industrial Automation and Computing (ICIAC- 12-13 April 2014) RESEARCH ARTICLE OPEN ACCESS To Design and Development of a Cost Effective Electronic Drum Kit Vikas Barai*, Prof. T.H.Nagrare** *(Department Of Computer Science, G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) **(Assistant Professor, Department of Information Technology G H Raisoni College Of Engineering Nagpur, India Email: [email protected]) ABSTRACT The goal of the project is to create a Cost Effective electronic drum kit using piezoelectric sensors for various percussion instruments. The inputs to the kit are small drum pads, which house a piezoelectric transducer. The output voltage from this device is detected and its output is interfaced with microcontroller . This information is processed through a Drum sound controller module which controls audio playback. The background work focuses on the concepts of tracking the timing of musical signals, deriving information from them, and creating a musical accompaniment. The system will then generate an expressive drum beat to accompany the audio signal in real time. The system is intended as a practice tool as well as a means to observe the musical interaction that may occur between humans and machine. It would involve implementing on an EEPROM for additional sound storage. It will contain a single module which will carry all sound database and allow the player to make their own patches and it will make it independent from interfacing with a computer. Keywords - Arduino, Cost efficient drum kit, Electronic Drums, Home made percussion, Midi controllers, Piezo sensors. -
Alexandre Julien Interview for WTF Metal Music
Alexandre Julien Interview for WTF Metal Music Editor’s note: this interview was originally conducted on October 10th of 2010 for the Francophone metal website WTF Metal Music, and was eventually published on November 1st of 2010. -Peux-tu me parler de ce que sont tes anciens et récents projets en gros? Bon, mon premier groupe était The Slopin Fairy 7. C’était un genre de rock avec des riffs mexicains, pas mal influencés par la chanson « Pay The Man » de The Offspring. C’était très basic comme groupe. Mettons que je ne m’en vante pas… et ceux qui ont encore les chansons seront pas mal les seuls à les avoir, vu que je ne les montre plus à personne. Suite à ça, j’ai passé une année avec un groupe de reprise de System Of A Down. Par contre, ça n’a jamais fonctionné comme il faut. On a jamais fait de show, même que ça n’a pas sorti de ma chambre et toutes les cassettes de démos des reprises et chansons composées ont été perdues. Mon premier groupe sérieux c’était Throne Of Mortality, qui a commencé àl’été 2005. Le groupe a commencé très Death Metal, avec des influences d’Hypocrisy, Necrophobic et Suspiria (de qui on faisait une reprise en pratique). Mais je suis vite tombé en amour avec le Black Metal et les influences d’Immortal, Nachtfalke,Nargaroth, Darkthrone, Burzum qui se sont intégrées. Ça a donné un Black Metal très lent et sale. Le groupe a duré quelques mois avec plusieurs membres, mais à la fin de 2005, je me suis ramassé tout seul et j’ai commencé à faire tout moi-même, sauf le drum. -
Aquiles Priester – Those Who Appreciate My Work Expect Some Kind of Didactic Material to Be Released from Time to Time
1. In your busy life as a musician you've found time to realize methods and DVDs. What prompted you to dedicate time to their achievement? Aquiles Priester – Those who appreciate my work expect some kind of didactic material to be released from time to time. I’m in no hurry to do many things so as to have a vast catalogue. My greatest concern is to maintain a high level of quality in everything I do. Come to think of it, free time is something that doesn’t exist, but if you want to go ahead in your care er, you have to make time to realize the things that are important and at the right time. 2. Your last instructional DVD (The Infallible Reason Of My Freak Drumming), is very practical with regard to the division of chapters. Did you choose this subdivision by yourself? Aquiles – Yes, I produced the DVD myself and it was based on things that I always studied. Everything I learned with Kiko Freitas at the time when I studied with him is included in the DVD. This goes beyond the exercises themselves because I’m talking about the conception of the work. Many people comment that the way in which the DVD is presented is very good and that makes me very happy. This DVD was released worldwide by Mel Bay Publishing and in 2011 was considered 3rd best instructional DVD of the year according to readers of Modern Drummer magazine . 3. How long did it take to complete it? Aquiles – I did a long pre-production, almost 15 days recording and rehearsing the whole script during 8 hours daily alone on a farm.