DOCSLIB.ORG

Dossier MILLADOIRO CASTELLANO

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dossier MILLADOIRO CASTELLANO 303030 a aññññosososos de música gallega por el mundo Llevamos treinta años recorriendo espacios, silencios y geografías; treinta años intentando encontrar la belleza detrás de cada pentagrama; tiempo y tiempo poniendo banda sonora a un país en perpetua construcción imperfecta; somos hijos suyos y recordamos el color sepia de los días oscuros y de pobreza socio-ambiental. Treinta años después, seguimos a la búsqueda de la belleza y de la armonía en una singladura que tiene a Galicia como epicentro de una larga espiral sin fronteras, y que aguarda y demanda de cada uno de nosotros que siempre estemos a la altura de su horizonte de mar, cielo y tierra; un horizonte donde pone su mirada, tan solo, la esperanza Desde 1978... 1978: En el otoño se crea el grupo “Milladoiro”. 1979 : El quince de mayo, primera actuación de Milladoiro en A Coruña, en el Auditorio de los Salesianos y organizada por el “Ateneo”. Después del verano se grava en Madrid el disco “A Galicia de Maeloc”. Entre otras, primeras actuaciones en Ortigueira y en el Festival de Lorient (Bretaña). 1980 : En la primavera se edita el primer disco del grupo, “A Galicia de Maeloc”. Fue publicado por la editorial gallega Ruada. ”A Galicia de Maeloc” se edita en Francia. 1ª gira de Milladoiro en América Latina. Primera actuación en el Festival de Edimburgo, y segunda en Lorient. Milladoiro y Alan Stivell actúan conjuntamente en Santiago y Pontevedra el 19 y 20 de Abril. 1981: Primera gira por Italia, incluyendo la actuación en la Plaza de la Santa Croce de Florencia. Se grava y edita el segundo álbum , “O Berro Seco”. Actuación con Ricardo Portela en el Teatro Malvar de Pontevedra. Primera actuación en el Palau de la Música de Barcelona. Actuación en A Coruña junto a una de las últimas pandeireteiras, Eva Castiñeiras. 1982: Grabación en Escocia y Galicia, en el “Channel Four” de la BBC, de la serie “Los Celtas se Divierten”, en la que participarían también Chieftains y Alan Stivell. Firman con discográfica “CBS”, para la grabación de tres discos. Producción del siguiente álbum, “Milladoiro III”. 1984: Grabación en Dublín en ”Windmill Lane Studios” del disco “Solfafria”, primero del grupo grabado en Irlanda. Participación en la grabación en directo del disco “Ris Orangis” en París. 1985 : Composición y grabación de la banda sonora de la película “La Mitad del Cielo”, dirigida por Manuel Gutiérrez Aragón, con Fernando.F.Gomez y Ángela Molina como protagonistas. Ganaría la “Concha de Oro” en el Festival de Donostia. Milladoiro recibe el “Pedron de Ouro”. Continua le expansión internacional del grupo. 1986 : Grabación en Dublín del disco “Galicia no país das maravillas” . La “Academia de las Ciencias y las Artes Cinematográficas de España” les concede, en su primera edición, el Premio Goya a la mejor banda sonora por “La Mitad del Cielo”. Primera gira por Suiza. 1987 : Composición y grabación de la banda sonora de la película “Divinas Palabras”, dirigida por José L.Garcia Sánchez, con Ana Belén e Imanol Arias como protagonistas. Edición del disco “ Divinas Palabras” , con participación de Ana Belén cantando en varios temas. Composición de la banda sonora del film “La Memoria Fértil”, dirigida por Manuel Doménech Font para TVE. TVE les concede el “Premio Santiago”. La “Asociación de empresarios da moda de Vigo” les concede el premio “Agulla de Ouro”. Gira de Milladoiro por Argelia. 1988 : Tour “Ano Décimo”, por toda España. Primera gira por Alemania. En el teatro “Gaiety” de Dublín, invitados por Chieftains durante siete conciertos, graban el disco Celebration. Primeras actuaciones en Austria. 1989 : Grabación en Dublín del siguiente disco del grupo, ”Castellum Honesti” . Primera presencia de Milladoiro en los Estados Unidos, actuando en la Catedral de Sant John the Divine en Nueva York. Premiados como Galegos do Ano por “La Once” y “La Cadena Ser”. Premio TP concedido por la revista del mismo nombre y TVE. Inauguran el Festival Interceltico de Oporto. 1990 : Composición de la música de la exposición sobre la historia del arte en Galicia, “Galicia no Tempo”. En Dublín grabación del álbum , “Galicia no Tempo”. Posteriormente sería editado en Japón por la editorial Marquee/Belle Antique. De nuevo premio TP. 1991 : Primera gira por Estados Unidos. Edición en Estados Unidos del disco “Castellum Honesti”, primero editado en ese país, por Green Linnet. 1992 : Reciben en Austin (Texas), la mención honorífica “Indie Awards”, concedida por la “National Association of Independent Record Distributors” norteamericana. Con la Orquesta de la Radiotelevisión Eireana, participan en la grabación en Irlanda de la “Suite Sevilla: From Kinsale to La Coruna” , de Bill Whelan. La suite fue conmemorativa de la presencia de Irlanda en la Expo de Sevilla. Primera gira por Finlandia. Actuación en la Expo de Sevilla. 1993: Milladoiro inaugura sus propios estudios de grabación, “Cormorán”, en Padrón. Composición y estreno de la suite orquestal “Iacobus Magnus ”, encargo del Consorcio de la Ciudad de Santiago. Fue el 23 de Abril con sección orquestal de: 8 violines, 4 violas, 3 cellos, 3 contrabajos, tubular bells y timbales. A partir de noviembre, grabación en Cormorán de las primeras sesiones de Iacobus Magnus. Composición y grabación de “A Xeometría da Alma”, banda sonora para la primera exposición antológica de la pintora Maruja Mallo que inauguro el Centro Galego de Arte Contemporáneo. Composición y grabación de “A Vía Láctea”, banda sonora para el espectáculo de magia del mismo nombre. Diseñan la banda sonora de la serie, coproducida por TVE y TVG, “Os Camiños de Santiago”. Reciben el premio “Celanova: Casa dos Poetas”, concedido por el Padroado Curros Enríquez. Participación en el disco, “Heart of the Gaels”, editado por Green Linnet. Nueva gira por USA. Por primera vez en el Auditorio de Castrelos (Vigo) comparten concierto Milladoiro, Chieftains y Alan Stivell. 1994 : En Londres, en marzo, en los estudios Abbey Road y con la English Chamber Orquestra, bajo la dirección de Maximino Zumalave, se graban las sesiones orquestales de Iacobus Magnus, que seria rematado con una ultima sesión con Orquestra Sinfónica de Galicia, grabada en los Estudios Cormorán. En la primavera edición del disco “Iacobus Magnus”. Presentan el espectáculo multimedia “O Son da Pedra”, en las canteras de O Porriño, con la participación de cuarteto clásico y el grupo de canto gregoriano, Ultreia. Milladoiro actúa por primera vez en Japón. Participación en la grabación en S.John the Divine (Nueva York) del disco de Paul Winter Consort, “Solstice Live”. En el Teatro Monumental de Madrid con la “Orquesta de RTVE”, presentación de Iacobus Magnus. 1995 : Composición y grabación de “Gallaecia Fulget”, banda sonora para la exposición del mismo nombre conmemorativa del V Centenario de la Universidad de Santiago de Compostela. Editado en Japón por Marquee/Belle Antique. En Buenos Aires, en el Teatro Nacional Cervantes y en Rosario, en el Auditorio del Centro de la Cultura Española, grabación del álbum en directo “As fadas de estraño nome” . Composición y grabación de la banda sonora de la película “El Rey del Río”, dirigida por Manuel Gutiérrez Aragón con Alfredo Landa y Carmen Maura como protagonistas. En Japón la discográfica Narada incluye a Milladoiro en el disco, ” Keltik Legacy”. Milladoiro inaugura el Pazo de Congresos de Santiago interpretando Iacobus Magnus junto a la Orquestra Reina Sofía. 1996 : En Estados Unidos, Green Linnet, y en Japón, la discográfica “Tokuma”, editan “As Fadas de Estraño Nome”. Primera gira en todo Japón, desde Tokío a Osaka, Kyoto, Nagoya, etc. Composición y grabación de un tema infantil para un disco colectivo editado por la TVG, “A Cantar con Xabarin” . Green Linnet incluye temas de Milladoiro en un disco conmemorativo del 20 aniversario de la compañía, “The 20th Anniversary Collection ”. Colaboración en el disco de Liam O`Flynn “The Given Note ”, editado por Tara Records. En el Festival de Música Clásica de Segovia, interpretación de Iacobus Magnus junto a la “Orquesta Reina Sofía”. 1997: En Japón, el tema ”Alalá das Mariñas” es incluido en la selección , “The Miniatures of the Millenium” , disco publicado por “Jade Records Co”. En Estados Unidos participan en el disco colectivo “A Peaceful Planet” , publicado por “6Degrees Records”. Nueva presencia en Japón en el Tokío Celtic Festival. ”O Voo da Pomba” es incluido en el disco colectivo contra la xenofobia y el racismo “Tu, yo con los mismos derechos ”, producido por CCOO y publicado por Zafiro. Composición y grabación de una obra para grupo, orquesta y coro, “Gloria Tibi Sit” , por encargo de la Universidade de Vigo. Participación en el disco, “Naciones Celtas I”, editado por Fonomusic. 1998: Composición y estreno de la obra para grupo y orquesta “Travesías ”, encargada por el Auditorio de Galicia para conmemorar el 20 aniversario de Milladoiro. Con la Real Filarmonia de Galicia y bajo la dirección de Maximino Zumalave , fue interpretada en el Auditorio de Galicia el 21 y 22 de Mayo de ese año. Composición de la “Suite Celeste ”, en conmemoración del 75 aniversario del R.C.Celta de Vigo. La obra fue estrenada en un espectáculo en el Estadio de Balaidos con la participación de Carlos Santana. Son premiados por “El Correo Gallego” y “O Correo Galego”. En Norfolk (Virginia), EEUU, en la gira de ese año, participan en un show en directo retransmitido por la National Public Radio a todo el país, junto a las estrellas del folk norteamericano, Judy Collins y Kathy Mattea. Actuación en la Expo de Lisboa. 1999: Publican el álbum “No Confín dos Verdes Castros” , dedicado a la música de la Costa da Morte. El Padroado dos Premios da Critica de Galicia distingue a Milladoiro como “Galegos Egrexios”. Grabación y edición del disco “Auga de Maio” , en el que intervienen Ana Belén y Olga Cerpa, cantante del grupo Mestisay. Gira de Milladoiro por Canadá/Estados Unidos.
Load more

Recommended publications
  • Farewell to a Man, and to an Era
    September 2009 VOL. 20 #9 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. FAREWELL TO A MAN, AND TO AN ERA Cardinal Sean O’Malley, Archbishop of Boston, walked around the casket with incense before it left the church after the funeral Mass for Sen. Edward M. Kennedy at Our Lady of Perpetual Help Basilica in Boston on Sat., Aug. 29. (AP Photo/Brian Snyder, Pool) BY CAROL BEGGY the United States Senate” that family was celebrated for its bors on Caped Cod to world to come to Boston,” Cowen told SPECIAL TO THE BIR stretched from his corner of deep Irish roots. As the Boston leaders including Irish Prime the Boston Irish Reporter’s Joe From the moment the first Hyannis Port to Boston, Wash- Globe’s Kevin Cullen wrote, Minister Brian Cowen. Leary at the Back Bay Hotel, news bulletins started crackling ington, Ireland, the home of his the senator himself was slow “We’re very grateful for the formerly the Jurys Hotel. on radios and popping up on ancestors, the British Isles, and in embracing his Irish heritage, great dedication of Senator Ken- Michael Lonergan had barely BlackBerries late on the night beyond. but once he did, he made it his nedy to Ireland and its people,” sat in his seat as the new Consul of Tuesday, Aug. 25, the death This youngest brother of the mission to help broker peace in Cowen said at an impromptu General of Ireland in Boston of Senator Edward M.
    [Show full text]
  • January / February 2001
    FREE Volume 1 Number 1 January / February 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers Dancing in the Subway MUSIC & DANCE IN UNDERGROUND LA by TERRY SQUIRE STONE ere we are at the birth of a new adventure: were here for a trade show a new newspaper for an old tradition. A downtown and were look- newspaper for those of us who have been ing to kill a few hours around the folk music scene for a while, between seminars. Did as well as one for those who are new to I think they should go this community. And, it is a community in to NoHo or City H the realist sense of the word. Walk? Could I help Which brings me to the LA subway… them? They wanted Bear with me… to know my opinion! I recently had reason to use the Los Angeles Metro Then, there was Link system for the first time. The Metro Link is the LA the Orthodox Jewish version of Paris Metro, the London Tube. And, just like teenager from Woodland Hills LA, it is glitzy and expensive, without much “there,” who was out for his first adventure there. It goes only a short distance with a lot of fanfair, but alone. Everything from the pur- it suited my purposes; to get downtown from the San chasing of a ticket to the art on Fernando Valley while avoiding the traffic and the hassle the walls was a wonder to him.
    [Show full text]
  • Of Greater Washington
    Volume 28, No. 3 November 1991 HOTLINE: 703-281-2228 miuj of Greater Washington JOHN ROBERTS FRIDAY AND NOVEMBER 22 TONY BARRAND 8:30 PM Robust harmony singers and FSGW favorites John Roberts and Tony Barrand return for a rare appearance as a duo on Friday, November 22, at the Unitarian Universalist Church of Silver Spring. The irrepressible John and Tony are equally at home with pub songs, sea shanties, or songs of magic and ritual from medieval English tradition. Their scholarship in these musical forms is matched by their musicianship and talent. Both are accomplished with many instruments and quite at home with a broad variety of styles. The 8:30 pm concert will feature ballads and songs of the sea, of rural pursuits, of social and sociable situations, of industrial toil and strife, and much more, typically arranged in a thematic fashion. The songs are punctuated by tales, jokes, monologues, dances and tunes, giving a more complete appreciation of the breadth, diversity and vitality of the English folk tradition. Since 1974, John and Tony have traveled as part of the troupe performing Nowell Sing We Clear, presenting holiday music from the British and American tradition. They appear as a duo less frequently, and it has been a few years since their last FSGW program. Don’t miss this chance to hear this evening of traditional and home-spun music and song! Admission is $8 (FSGW) and $10 (non-members). The church is located at 10309 New Hampshire Ave., four blocks north of 1-495, the Capital Beltway, on the east side of New Hampshire Ave.
    [Show full text]
  • Download PDF Booklet
    Andrew Cronshaw THE LANGUAGE OF SNAKES Musicians:- 1 Through Moorfields 1’ 34” All titles published Cloud Valley Music/ Topic Records Music Ltd. Andrew Cronshaw 2 Kindness For Ever More 2’ 46” Produced & engineered by Andrew Arto Järvelä 3 Macdonnell’s March Cronshaw at Cloud Valley Studio. Chris Haigh Kilcoy’s March 1’ 49” Ian Blake 4 Baile De Procesión 3’ 53” BJ Cole 5 Cronnan Na Callaich A Bhan Sa Bhein Bhreic 1’ 49” Brendan Power (The Old Woman’s Lullaby) Bernard O’Neill 6 Marcha Procesional Do S.Benito Neti Vaandrager Do Chrochaidha A Thoill Thu 4’ 27” Ric Sanders (You Ought to be Hanged ) Minna Raskinen 7 Apple Praities 2’ 31” Sanna Kurki-Suonio 8 Ailean Duinn 3’ 15” 9 A Maruxa 3’ 39” 10 The Waterford Waltz 3’ 04” 11 Tupakkarulla + Tuuti Hussaa Ja Lullaa The Other Boot Dance 4’ 19” 12 Hithil Ùil Agus Ò, Hithil Hòrino 5’ 26” 13 Tha Mi Sgith ’M Ònaran 2’ 02” (I Am Tired in Solitude) 14 An Gille Donn / Vaskilinnun Vaikerrus 3’ 47” Digital remaster ℗2009 Topic Records Ltd. ©2012 Topic Records vLtd. The copyright in this sound recording and digital artwork is owned by Topic Records Ltd. All rights reserved. TOPIC TSDL1050 www.topicrecords.co.uk 1 Through Moorfields 9 A Maruxa Trad. arr. Cronshaw Trad. arr. Cronshaw Ba-wu – AC Zither – AC Double bass, cello – Bernard O’Neill Fiddle – Chris Haigh Clarinet – Ian Blake 2 Kindness For Ever More Harmonica – Brendan Power Trad. arr. Cronshaw Zither – AC 10 The Waterford Waltz O’Farrell arr. Cronshaw/Blake/Haigh 3 Macdonnell’s March Whistle – AC Trad.
    [Show full text]
  • Bieito Romero Diéguez, Miguel Ocampo Bermúdez and the Brothers Miguel and Pablo Rosales Reboiras
    BIOGRAPHY Dequenvessendo is a Galician music group born in 2016 within the Cultural Association Triskell de Armentón (Arteixo), inspired by the idea of forming a project based on traditional music quartets. In the beginning, it was formed by Bieito Romero Diéguez, Miguel Ocampo Bermúdez and the brothers Miguel and Pablo Rosales Reboiras. Little by little, they begin to introduce themselves in the folk music, inspired by the way of making music of groups like Luar na Lubre, Milladoiro, Silly Wizard or The Tannahil Weavers, clearly framed in the Atlantic Celtic folk. During this time the group participated in numerous prestigious “foliadas”,such as the Cantos de Taberna of Folgoso do Courel or the Foliada de A Fonsagrada. They were invited, in 2017, to play at the opening ceremony of the Exhibition of the XXX Anniversary of Luar Na Lubre; in a concert-conference held at the headquarters of the Paideia Foundation in A Coruña; at the II Festival Lágrimas de San Lorenzo, in Pumarín (Balboa), at Fiestas de Bardaos (San Sadurniño); as well as in the 34th edition of the Carballeira de Zas Festival; among others... The first concert the band did outside of Galicia was at Noche de San Juan of 2017 in Cubillos del Sil (El Bierzo). In this performance, they understand the need to incorporate more instrumentalists to enrich the musicality of the group. Besides, during I Romería de Sisalde (Arteixo), a few months later, the guitarist Natahel Regueiro joined the group. During 2018, in a concert at Jardines de Méndez Núñez (A Coruña), the band obtained its current formation, with the incorporation of Irene Cerqueiro as vocalist and instrumentalist.
    [Show full text]
  • Learnenglish Professionals
    LearnEnglish Professionals BAGPIPES AUDIOSCRIPT Listen to this interview with two pipers at a festival. Optional exercise You are going to hear some players talking about the bagpipes. Which of the subjects below do you think they will mention? Then listen and see if you were right. (Answers below) a. the history of the instrument e. playing in public b. how they learned to play f. how they keep the instrument clean c. some playing tips g. their own compositions d. famous performers h. unusual facts about the bagpipes Interviewer – We’re here at the Interceltique Festival in Brittany, France and I’m talking to two as yet little known pipers­ Iria Salgado (IS), from Galicia, and from Ireland, Ronan Doherty (RD). So how did you get started? RD There’s been music in my family for as long as I can remember. I learnt the tin whistle when I was six and then after a year my father bought me my first set of pipes. But it was an uncle who gave me lessons. IS I was five when I started. I learnt by ear from my father, imitating him like it’s always been done. When I was ten he started putting me in for competitions. Interviewer­ Who have been your musical influences? IS Well, Milladoiro, who started it all, and Carlos Nuñez who really put Galician music on the map. But my greatest inspiration has got to be players like Susana Seivane and Cristina Pato for showing that women can be out there just as much as the men.
    [Show full text]
  • SUSANA SEIVANE Englissh
    COMENIUS PROJECT WE INTERVIEW… SUSANA SEIVANE - bagpipe player - IES MARUXA MALLO ORDES WE INTERVIEW SUSANA SEIVANE Susana Seivane is a Galician bagpipe player. She was born in Barcelona, Spain in 1976 in a family of well-known Galician pipers and musi- cians, the Seivane family. She started her musi- cal career at the age of three and when she was 9, she moved to Cambre (A Coruña) with her family and soon she gained respect and admira- tion of all the professional pipers and all those people connected with traditional Galician mu- sic. She has created her own style, synthesized with the style of pipers from the past. She is ac- companied by a very young group of musicians, who offer innovation and originality to her per- formance. In 1999 she edited her first record "Susana SUSANA SEIVANE: Seivane", based on traditional themes and com- bagpipe player positions of Galician artists, and that led her all around the best stages of National and Interna- Date of interview: April 28th tional Folk, obtaining great success and highly Interviewers: favourable critics. It was edited in Europe, USA Belén Picón Loucano and Canada. With her second album "Alma de Sofía Guadalupe Rodríguez Duarte Questions: Buxo" she was consolidated as a Galician artist Lidia Martínez Castro within Folk panorama. As an innovation, in this Raquel Martínez Pulleiro Susana Seivane piece of work she introduced instruments such Lorena Carneiro Lozano as drums or an electric bass guitar and she en- Advice on questions: riched her record with her own compositions. In Antonio Sayáns Gómez her third album, "Mares de Tempo", she took a Questions supervision: step forward and introduced a new instrument: Xosé Manuel Fernández Castro Mª Isabel Mato Torres her voice.
    [Show full text]
  • FW May-June 03.Qxd
    CD REVIEWS • CALENDAR OF EVENTS • INTERVIEWS FREE Volume 3 Number 6 November-December 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY VIVA“Don’t you knowCONJUNTO that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers FLACO JIMENEZ ROCKIN’ THE SKIRBALL BY BETTO ARCOS laco Jimenez knows where ings, of your roots, where you come from. he comes from and he’s My point is ‘life is life’ and everybody’s proud to say it: “I’m just got a heart that feels, and there’s good ones an accordion player from and bad ones. We all struggle to survive. the West side of town.” But still, if I’m a poor musician, I’m a mil- The West side of town is a lionaire in music, but not with money. The F working class area in San heart is the one that’s rich.” Antonio. For a long time, this neigh- Flaco Jimenez has a particular way of borhood carried a stigma and a bad explaining what it is that makes music so reputation, but for Flaco, and many of important in life. Every musician has their the best Tejano musicians, the West own style, their own feeling the way they side is where much of the music we play music, he says. But, “sometimes there now know as Tex-Mex, Conjunto or are musicians that are just mechanical, Tejano was born. they don’t have the ‘crying expression’ of Leonardo “Flaco” Jimenez was born explaining the music, but still they’re good into a legendary musical family.
    [Show full text]
  • Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
    Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S.
    [Show full text]
  • Milladoiro As Fadas De Estraño Nome Mp3, Flac, Wma
    Milladoiro As Fadas De Estraño Nome mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: As Fadas De Estraño Nome Country: US Released: 1997 Style: Celtic MP3 version RAR size: 1406 mb FLAC version RAR size: 1879 mb WMA version RAR size: 1567 mb Rating: 4.7 Votes: 457 Other Formats: AAC APE VOX MP2 MIDI AU ADX Tracklist 1 Polca dos Campaneiros 4:31 2 O Noso Tempo 11:13 3 Vals de Libunca 3:10 4 Foliada de Berducido 4:55 5 Alalá das Mariñas 4:02 6 Foliada de Santirso / Xota para Aida 5:41 7 Brincadeiro 4:18 8 As Fadas de Estraño Nome 6:51 9 Danza e Contradanza de Darbo 4:28 10 Aires de Pontevedra 3:31 11 Invernía 4:19 12 O Voo da Pomba 4:04 13 Danza de Albarellos 2:46 14 The Clumsy Lover 4:25 Companies, etc. Manufactured By – U.S. Optical Disc Recorded At – Estudios Cormorán Mixed At – Estudios Cormorán Designed At – Wyant Simboli Group Credits Bagpipes [Gaita, Uilleann Pipes], Oboe, Bouzouki, Mandolin, Tambourine, Castanets, Vocals – Xosé V. Ferreirós* Bagpipes [Gaita], Clarinet, Tin Whistle, Tambourine, Vocals – Nando Casal Bodhrán, Tamborim, Goblet Drum, Snare, Vocals – Moncho García* Engineer – Xosé M. Tasende* Engineer [Assistant] – Alberto Casas Flute – Xosé A. Méndez* Harp [Celtic Harp], Jew's Harp, Ocarina, Guitar, Bouzouki, Vocals – Rodrigo Romaní Keyboards, Accordion, Acoustic Guitar – Antón Seoane Photography By – Cristobal Rodriguez Moure Photography By [Band Portraits] – X. Rañó Violin – Antonio Seijo Notes Recorded live in concert April, 1995 (Teatro Nacional Cervantes, Buenos Aires, Argentina), except
    [Show full text]
  • September / October
    CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 5 Sept-Oct 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers AA MissionMission ofof MusicMusic INSIGHTSINSIGHTS INTOINTO PRESENTINGPRESENTING WITHWITH YATRIKAYATRIKA SHAH-RAISSHAH-RAIS AN INTERVIEW BY FAUN FINLEY oo much black and white began to blur my vision. I looked up from the café table after hours of pouring over notes like an especially shy ostrich. I took a breath and spied pink. The T pink neon sign trying to differentiate this insideinside thisthis issue:issue: eatery from all the others in Old Pasadena; the pink ruffled mini skirt on the young girl can- tering by; the pink stripes of Victoria’s Secret across the SomeSome ThoughtsThoughts onon street. All along Colorado Boulevard synthetic banners shout, “SALE SALE SALE,” also in pink – the kind of pink KoreanKorean FolkFolk MusicMusic bright and shiny like wet bubblegum. “THANK GOD,” I thought, there are spaces in Los Angeles free of plastic pop pleasures, the ones that so often Put On Your cultivate an insidious laziness of the spirit and mislaying of Put On Your the soul. That space is like consecrated ground for those who find beauty in the cultural permutations and ethnic DancingDancing ShoesShoes expressions of the world. One of those spaces is the Skirball Cultural Center. What makes Skirball special? As musicians and music devotees, we naturally think: the music and the artists who PLUS:PLUS: perform there, of course! Yes, you are right! But let’s not stop there.
    [Show full text]
  • America's Roots Music
    FREE Volume 1 Number 4 July/August 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers AMERICA’S ROOTS MUSIC NEW FILM EXAMINES THE LIFE & MUSIC OF APPALACHIAN PEOPLE ike O Brother, Where Art Thou, singing ballads Songcatcher is a movie where the and young folks plot is built to showcase the fiddling away on music. As with O Brother... the the corner. music being trumpeted is from Songcatcher Appalachia. The haunting songs attempts to give us a glimpse into life in the Songcatcher in the film, as well as on the mountains at the turn of the century. Dr. Lily L soundtrack, represent some of Penleric (JANET MCTEER) is an academic WRITTEN & DIRECTED BY America’s most powerful musical folklorist. When she is passed over again for MAGGIE GREENWALD influences - the roots that later sprout into blue- university promotion, she leaves the universi- WITH JANET MCTEER, EMMY ROSSUM, grass, country music, folk singing, and eventually, the Southern- ty and heads to the mountains where her sister runs a local PAT CARROLL, AIDAN QUINN influenced rock ‘n roll of Elvis Presley. Appalachia remains a schoolhouse. Once there, she “discovers” the treasure-chest hotbed of creative music with new stars such as Iris DeMent ris- of music, sung with such expression and depth that she is at ing out of the old traditions with the rarest of gifts: a high lone- once inspired to tell the world (and make her statement to the some voice and a simple song that can shatter a person’s heart.
    [Show full text]