Retail NAIRD '92 [Jconcord Jazz and JOANNE BRACKEEN
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Folk/Värld: Europa
Kulturbibliotekets vinylsamling: Folk/Världsmusik: Europa Samlingar F 2269 ASIEN (s) Dances of the world's peoples vol. 4 (Grekland, Turkiet, Israel, Armenien ) F 2269 EUROPA (s) Dances of the world's peoples vol. 4 (Grekland, Turkiet, Israel, Armenien ) F 2269 GREKLAND (s) Dances of the world's peoples vol. 4 (Grekland, Turkiet, Israel, Armenien ) F 2270 Europa Dances of the world's people vol 1: Grekland, Rumänien, Bulgarien, Makedonien. Albanien F 4248 ALBANIEN (s) Folk music of Albania F 5837 ALBANIEN (s) Folkdanser från norra Albanien (Pllake me kenge dhe muzike shqiptare) F 5836 ALBANIEN (s) Folksånger från Albanien F 5835 ALBANIEN (s) Folksånger från Albanien F 5834 ALBANIEN (s) Folksånger från Albanien F 5838 ALBANIEN (s) Folksånger från mellersta Albanien F 5839 ALBANIEN (s) Folksånger från norra Albanien F 5833 ALBANIEN (s) Folksånger från norra Albanien F 5832 ALBANIEN (s) Folksånger från norra Albanien och Peshkopiatrakten F 5831 ALBANIEN (s) Kärlekssånger från mellersta Albanien F 5840 ALBANIEN (s) Nutida populära sånger med motiv från dagens Albanien F 5841 ALBANIEN (s) Nutida sånger med motiv från dagens Albanien F 5842 ALBANIEN (s) Populära sånger från dagens Albanien F 3784 ALBANIEN (s) Songs and dances of Albania (Orchestra of Radio Pristina) Armenien F 4853 ARMENIEN (s) Armenien (Armenie, Musique de tradition populaire) F 4784 ARMENIEN (s) Medeltida liturgisk sång från Armenien F 2269 ASIEN (s) Dances of the world's peoples vol. 4 (Grekland, Turkiet, Israel, Armenien ) F 2269 EUROPA (s) Dances of the world's peoples vol. 4 (Grekland, Turkiet, Israel, Armenien ) F 2269 GREKLAND (s) Dances of the world's peoples vol. -
Desátý Magazín Paláce Akropolis 09–12 2010 Obsah
Desátý Magazín Paláce Akropolis 09–12 2010 Obsah Téma Daniel Řehák Studentský film 04 Divadlo Tomáš Vostrý Imre Thormann znovu v Paláci Akropolis 17 Hudba Jan Pomuk Štěpánek A Naifa: Nový rozměr melancholie 22 Hudba Jiří Hradecký O démonovi, který si chtěl zahrát v kabaretu 24 Hudba Ondřej Stratilík Norsko útočí Znovu a jinak 26 Hudba Petr Dorůžka Sophie se vrací jako superstar 28 Hudba Karel Veselý K hudbě si sám vymýšlím příběhy 30 Hudba Petr Dorůžka Punkrock, Balkán i poezie z gulagu 32 Hudba Petr Dorůžka I pianisté prodávají pizzu 34 Hudba Šimon Kotek Pramen řeky znovuzrození 38 Hudba Ondřej Bezr Velký návrat The Holmes Brothers 40 Hudba Ondřej Kopička The Best of Future Line míří do Vystřelenýho voka 42 Hudba Ondřej Kopička a Šimon Kotek Vladimír Mišík a jeho Ztracený podzim 44 Výstava Richard Vodička Pohledy Vladimíra Kovaříka 46 Střípky 49 Resumé 56 Fotogalerie Dimír Šťastný 58 MaPA_OBSAH VÁžENÍ čTENÁřI, Léto nám pomalu končí. Slunce jsme si užili sice zahraje v pražském Rudolfinu spolu s Pražským ko- dost, ale svorně doufáme, že vydrží až do podzim- morním orchestrem. O jejich spolupráci se dočtete ních měsíců. Kromě krásného počasí, koupačky, do- v našem exkluzivním rozhovoru. volených a spálených zad je léto také časem festiva- Do Akropole se také vrací úspěšná Sophie Hunger se lů, a to nejen hudebních. zbrusu novým albem. Letos poprvé hostí Palác Akropolis prestižní filmový Do třetice velkých návratů nás čeká velký comeback festival studentských a nezávislých filmů Fresh Film české legendy jménem Vltava, která si dala deseti- Fest. Takovou událost nesmíme nechat bez povšim- letou přestávku. -
Mwldan Oct18 MR.Pdf
OCT 2018 – JANUARY 2019 MWLDAN HYDREF 2018 – IONAWR 2019 ABERTEIFI CARDIGAN SINEMA A CHANOLFAN CELFYDDYDAU CINEMA AND ARTS CENTRE mwldan.co.uk Download our MWLDAN app! Lawrlwythwch ap y MWLDAN nawr! WELCOME TO MWLDAN CROESO I’R MWLDAN Dear Friends, Annwyl ffrindiau, We have a rich and varied Mae gennym raglen o adloniant programme to entertain you as the cyflawn ac amrywiol i chi wrth i’r nights draw in. This Autumn we have dydd ddechrau byrhau. Yr hydref hwn a veritable feast of comedy for all bydd gennym wledd o gomedi ar gyfer tastes including multi-award winning pob dant gan gynnwys y clodfawr Sophie Willan with her show Branded Sophie Willan gyda’i sioe Branded and the hilarious Zoe Lyons brings a chyflwyna’r digrif Zoe Lyons ei us her Entry Level Human. Fabulous sioe Entry Level Human. Bydd y female impersonator Ceri Dupree is dynwaredwr menywod Ceri Dupree yn ready to wow us with new costumes, barod i’n syfrdanu gyda gwisgoedd, routines, jokes and songs and Dr Phil rwtins, jôcs a chaneuon newydd a Hammond returns to Mwldan to wish bydd Dr Phil Hammond yn dychwelyd the NHS a happy birthday, but is it?! i’r Mwldan i ddymuno pen-blwydd For your musical delectation we are hapus i’r GIG - ond ai hapus ydyw?! simply delighted to welcome Virtuoso Er mwyn eich boddhad cerddorol Syrian qanun player Maya Youssef to mae’n bleser o’r mwyaf gennym Cardigan. Folk legend Ralph McTell groesawu Maya Youssef, y chwaraewr ORIEL joins us in October, while in November qanun penigamp o Syria i’r Mwldan. -
Farewell to a Man, and to an Era
September 2009 VOL. 20 #9 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2009 Boston Neighborhood News, Inc. FAREWELL TO A MAN, AND TO AN ERA Cardinal Sean O’Malley, Archbishop of Boston, walked around the casket with incense before it left the church after the funeral Mass for Sen. Edward M. Kennedy at Our Lady of Perpetual Help Basilica in Boston on Sat., Aug. 29. (AP Photo/Brian Snyder, Pool) BY CAROL BEGGY the United States Senate” that family was celebrated for its bors on Caped Cod to world to come to Boston,” Cowen told SPECIAL TO THE BIR stretched from his corner of deep Irish roots. As the Boston leaders including Irish Prime the Boston Irish Reporter’s Joe From the moment the first Hyannis Port to Boston, Wash- Globe’s Kevin Cullen wrote, Minister Brian Cowen. Leary at the Back Bay Hotel, news bulletins started crackling ington, Ireland, the home of his the senator himself was slow “We’re very grateful for the formerly the Jurys Hotel. on radios and popping up on ancestors, the British Isles, and in embracing his Irish heritage, great dedication of Senator Ken- Michael Lonergan had barely BlackBerries late on the night beyond. but once he did, he made it his nedy to Ireland and its people,” sat in his seat as the new Consul of Tuesday, Aug. 25, the death This youngest brother of the mission to help broker peace in Cowen said at an impromptu General of Ireland in Boston of Senator Edward M. -
January / February 2001
FREE Volume 1 Number 1 January / February 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers Dancing in the Subway MUSIC & DANCE IN UNDERGROUND LA by TERRY SQUIRE STONE ere we are at the birth of a new adventure: were here for a trade show a new newspaper for an old tradition. A downtown and were look- newspaper for those of us who have been ing to kill a few hours around the folk music scene for a while, between seminars. Did as well as one for those who are new to I think they should go this community. And, it is a community in to NoHo or City H the realist sense of the word. Walk? Could I help Which brings me to the LA subway… them? They wanted Bear with me… to know my opinion! I recently had reason to use the Los Angeles Metro Then, there was Link system for the first time. The Metro Link is the LA the Orthodox Jewish version of Paris Metro, the London Tube. And, just like teenager from Woodland Hills LA, it is glitzy and expensive, without much “there,” who was out for his first adventure there. It goes only a short distance with a lot of fanfair, but alone. Everything from the pur- it suited my purposes; to get downtown from the San chasing of a ticket to the art on Fernando Valley while avoiding the traffic and the hassle the walls was a wonder to him. -
Of Greater Washington
Volume 28, No. 3 November 1991 HOTLINE: 703-281-2228 miuj of Greater Washington JOHN ROBERTS FRIDAY AND NOVEMBER 22 TONY BARRAND 8:30 PM Robust harmony singers and FSGW favorites John Roberts and Tony Barrand return for a rare appearance as a duo on Friday, November 22, at the Unitarian Universalist Church of Silver Spring. The irrepressible John and Tony are equally at home with pub songs, sea shanties, or songs of magic and ritual from medieval English tradition. Their scholarship in these musical forms is matched by their musicianship and talent. Both are accomplished with many instruments and quite at home with a broad variety of styles. The 8:30 pm concert will feature ballads and songs of the sea, of rural pursuits, of social and sociable situations, of industrial toil and strife, and much more, typically arranged in a thematic fashion. The songs are punctuated by tales, jokes, monologues, dances and tunes, giving a more complete appreciation of the breadth, diversity and vitality of the English folk tradition. Since 1974, John and Tony have traveled as part of the troupe performing Nowell Sing We Clear, presenting holiday music from the British and American tradition. They appear as a duo less frequently, and it has been a few years since their last FSGW program. Don’t miss this chance to hear this evening of traditional and home-spun music and song! Admission is $8 (FSGW) and $10 (non-members). The church is located at 10309 New Hampshire Ave., four blocks north of 1-495, the Capital Beltway, on the east side of New Hampshire Ave. -
1 Turkish Classical Clarinet Repertoire
Turkish Classical Clarinet Repertoire: Performance, Accessibility, and Integration into the Canon, with a Performance Guide to Works by Edward J. Hines and Ahmet Adnan Saygun D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Sarah Elizabeth Korneisel Jaegers Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee Dr. Caroline A. Hartig, Advisor Dr. David Clampitt Professor Katherine Borst Jones Dr. Russel C. Mikkelson 1 Copyrighted by Sarah Elizabeth Korneisel Jaegers 2019 2 Abstract While American and western European works make up the majority of the classical clarinet repertoire known and studied in the West, works of Turkish origin are the focus of this document. Though over 100 pieces of Turkish classical clarinet repertoire exist, they are widely unknown to Western musicians, uncatalogued, and seldom performed. Consequently, although the clarinet is a staple of Turkish music and is extremely popular in the country’s folk tradition, classical clarinet music by Turkish composers remains difficult for Western musicians to find and acquire. The history of Anatolia as a cultural melting pot resulted in diverse and unique classical and folk musical traditions, both based on the makam modal system. Unlike the Western tradition, which developed twelve-tone equal temperament, the octave in the Turkish modal system comprises twenty-four unequally-spaced tones. The clarinet was introduced to Turkey by Giuseppe Donizetti (1788–1856), who traveled to Turkey at the behest of the sultanate to found European-style bands. Particularly appreciated was the clarinette d’amour, pitched in G. -
Ospecial Edition
O ROOTS O World Drumming for 5th and 6th Grade Classrooms A teacher’s guide featuring multi-cultural, cross-curricular lessons designed to support an integrated arts and academics program. SPECIALofContents EDITIONInclude: THEIntroduction DAF • Lesson Guide • InstrumentIN MakingIRAQ • Funsheet Companion Musical Examples & Play Along Exercises • References RHYTHM ©2009 Percussion Marketing Council • www.playdrums.com Contents may be reproduced for non-commercial, educational purposes only hHhHhHhHh Introduction In August of 2007 I was asked by Melinda Witter, an American conflict resolution specialist living in the Middle East, to bring drum circles to northeastern Kurdistan, an area of Iraq suffering from decades of war and oppression. During the trip to Iraq, my apprehensions about traveling in an active war-zone were matched by my excitement at seeing the impact group drumming had in reducing conflict and promoting dialogue. Through drumming, my three- person team was successful in bringing Kurds, Arabs, Christians, and Yazidis together. It was amazing that something as simple as a drum could have such far-reaching, life-changing results. In October 2008 we were able to return to Iraq with Dr. Craig Woodson, author of Roots of Rhythm and noted ethnomusicologist. Dr. Woodson’s addition to the project allowed us to include a new, worldwide perspective and hands-on drum making, both of which empowered the participants while providing the benefit of having many more instruments available at relatively little cost. One of the drums we discovered in Iraq, the daf, is a frame drum that has been used throughout the region for centuries in religious practices and performances. -
Download PDF Booklet
Andrew Cronshaw THE LANGUAGE OF SNAKES Musicians:- 1 Through Moorfields 1’ 34” All titles published Cloud Valley Music/ Topic Records Music Ltd. Andrew Cronshaw 2 Kindness For Ever More 2’ 46” Produced & engineered by Andrew Arto Järvelä 3 Macdonnell’s March Cronshaw at Cloud Valley Studio. Chris Haigh Kilcoy’s March 1’ 49” Ian Blake 4 Baile De Procesión 3’ 53” BJ Cole 5 Cronnan Na Callaich A Bhan Sa Bhein Bhreic 1’ 49” Brendan Power (The Old Woman’s Lullaby) Bernard O’Neill 6 Marcha Procesional Do S.Benito Neti Vaandrager Do Chrochaidha A Thoill Thu 4’ 27” Ric Sanders (You Ought to be Hanged ) Minna Raskinen 7 Apple Praities 2’ 31” Sanna Kurki-Suonio 8 Ailean Duinn 3’ 15” 9 A Maruxa 3’ 39” 10 The Waterford Waltz 3’ 04” 11 Tupakkarulla + Tuuti Hussaa Ja Lullaa The Other Boot Dance 4’ 19” 12 Hithil Ùil Agus Ò, Hithil Hòrino 5’ 26” 13 Tha Mi Sgith ’M Ònaran 2’ 02” (I Am Tired in Solitude) 14 An Gille Donn / Vaskilinnun Vaikerrus 3’ 47” Digital remaster ℗2009 Topic Records Ltd. ©2012 Topic Records vLtd. The copyright in this sound recording and digital artwork is owned by Topic Records Ltd. All rights reserved. TOPIC TSDL1050 www.topicrecords.co.uk 1 Through Moorfields 9 A Maruxa Trad. arr. Cronshaw Trad. arr. Cronshaw Ba-wu – AC Zither – AC Double bass, cello – Bernard O’Neill Fiddle – Chris Haigh Clarinet – Ian Blake 2 Kindness For Ever More Harmonica – Brendan Power Trad. arr. Cronshaw Zither – AC 10 The Waterford Waltz O’Farrell arr. Cronshaw/Blake/Haigh 3 Macdonnell’s March Whistle – AC Trad. -
Bieito Romero Diéguez, Miguel Ocampo Bermúdez and the Brothers Miguel and Pablo Rosales Reboiras
BIOGRAPHY Dequenvessendo is a Galician music group born in 2016 within the Cultural Association Triskell de Armentón (Arteixo), inspired by the idea of forming a project based on traditional music quartets. In the beginning, it was formed by Bieito Romero Diéguez, Miguel Ocampo Bermúdez and the brothers Miguel and Pablo Rosales Reboiras. Little by little, they begin to introduce themselves in the folk music, inspired by the way of making music of groups like Luar na Lubre, Milladoiro, Silly Wizard or The Tannahil Weavers, clearly framed in the Atlantic Celtic folk. During this time the group participated in numerous prestigious “foliadas”,such as the Cantos de Taberna of Folgoso do Courel or the Foliada de A Fonsagrada. They were invited, in 2017, to play at the opening ceremony of the Exhibition of the XXX Anniversary of Luar Na Lubre; in a concert-conference held at the headquarters of the Paideia Foundation in A Coruña; at the II Festival Lágrimas de San Lorenzo, in Pumarín (Balboa), at Fiestas de Bardaos (San Sadurniño); as well as in the 34th edition of the Carballeira de Zas Festival; among others... The first concert the band did outside of Galicia was at Noche de San Juan of 2017 in Cubillos del Sil (El Bierzo). In this performance, they understand the need to incorporate more instrumentalists to enrich the musicality of the group. Besides, during I Romería de Sisalde (Arteixo), a few months later, the guitarist Natahel Regueiro joined the group. During 2018, in a concert at Jardines de Méndez Núñez (A Coruña), the band obtained its current formation, with the incorporation of Irene Cerqueiro as vocalist and instrumentalist. -
Learnenglish Professionals
LearnEnglish Professionals BAGPIPES AUDIOSCRIPT Listen to this interview with two pipers at a festival. Optional exercise You are going to hear some players talking about the bagpipes. Which of the subjects below do you think they will mention? Then listen and see if you were right. (Answers below) a. the history of the instrument e. playing in public b. how they learned to play f. how they keep the instrument clean c. some playing tips g. their own compositions d. famous performers h. unusual facts about the bagpipes Interviewer – We’re here at the Interceltique Festival in Brittany, France and I’m talking to two as yet little known pipers Iria Salgado (IS), from Galicia, and from Ireland, Ronan Doherty (RD). So how did you get started? RD There’s been music in my family for as long as I can remember. I learnt the tin whistle when I was six and then after a year my father bought me my first set of pipes. But it was an uncle who gave me lessons. IS I was five when I started. I learnt by ear from my father, imitating him like it’s always been done. When I was ten he started putting me in for competitions. Interviewer Who have been your musical influences? IS Well, Milladoiro, who started it all, and Carlos Nuñez who really put Galician music on the map. But my greatest inspiration has got to be players like Susana Seivane and Cristina Pato for showing that women can be out there just as much as the men. -
SUSANA SEIVANE Englissh
COMENIUS PROJECT WE INTERVIEW… SUSANA SEIVANE - bagpipe player - IES MARUXA MALLO ORDES WE INTERVIEW SUSANA SEIVANE Susana Seivane is a Galician bagpipe player. She was born in Barcelona, Spain in 1976 in a family of well-known Galician pipers and musi- cians, the Seivane family. She started her musi- cal career at the age of three and when she was 9, she moved to Cambre (A Coruña) with her family and soon she gained respect and admira- tion of all the professional pipers and all those people connected with traditional Galician mu- sic. She has created her own style, synthesized with the style of pipers from the past. She is ac- companied by a very young group of musicians, who offer innovation and originality to her per- formance. In 1999 she edited her first record "Susana SUSANA SEIVANE: Seivane", based on traditional themes and com- bagpipe player positions of Galician artists, and that led her all around the best stages of National and Interna- Date of interview: April 28th tional Folk, obtaining great success and highly Interviewers: favourable critics. It was edited in Europe, USA Belén Picón Loucano and Canada. With her second album "Alma de Sofía Guadalupe Rodríguez Duarte Questions: Buxo" she was consolidated as a Galician artist Lidia Martínez Castro within Folk panorama. As an innovation, in this Raquel Martínez Pulleiro Susana Seivane piece of work she introduced instruments such Lorena Carneiro Lozano as drums or an electric bass guitar and she en- Advice on questions: riched her record with her own compositions. In Antonio Sayáns Gómez her third album, "Mares de Tempo", she took a Questions supervision: step forward and introduced a new instrument: Xosé Manuel Fernández Castro Mª Isabel Mato Torres her voice.