Dennis Goes Digital

Total Page:16

File Type:pdf, Size:1020Kb

Dennis Goes Digital February 2018 Dennis goes digital Apply now for the 2018 Shiers Trust Award The Trust can make a grant of up to £4,000 towards publishing work on any aspect of the history of television Objectives The promotion of public education through the study and research of the history of television in all its aspects and without regard to country of origin, including the development and encouragement of publications and associated projects such as WGW Mitchell (left), bibliographies and monographs on particular honorary secretary aspects, provided that the results of such study and of the Television research shall be published and that the contribution Society 1929-44, made by the Trust shall be suitably acknowledged in with John Logie any publication. Baird, preparing for Criteria a demonstration Grants will be given to assist in the completion of new or unfinished projects, work or literature specific to the objectives of the Trust. ‘Literature’ is defined as including audio-visual media such as DVDs and websites. The Trustees must be satisfied that the work they are supporting either could not be finished or published without the grant and that, with it, the Do you need work will be completed, or, the grant will provide the initial phase of a project that will be continued and completed with other identified funding. Applications will be considered broadly in support of research, development, writing, editing or publica- £4,000 tion. Grants for research will require that the results of the work will be made known and accessible through appropriate means. In the case of literature, for a history of projects must have a real prospect of publication. Applicants must demonstrate that their work will have a clear expectation of making a significant contribution to the objectives of the Trust. television project? Applicants will be required to satisfy the Trustees of the soundness of their projects, and identify any grants from other sources. The Trustees will not Previous recipients make commitments to support re curring funding, 1 2017: Birmingham City 8 2011: David Rose presented an nor make grants to cover fees or maintenance of University recorded interviews illustrated retrospective of his students undertaking courses. with programme-makers to exceptional career as a expand its online oral history of groundbreaking television and BBC Pebble Mill, 1971 to 2004. film producer to a large George Shiers number of live audiences George Shiers, a distinguished US television histo- 2 2016: The Scottish Broadcasting rian, was a long- standing member of the RTS. Before Heritage Group recorded 9 2008/2010: Steve Arnold interviews with people who digitised back issues of Radio his death in 1983, he and his wife, May, provided for a worked at and watched STV Times to make a searchable bequest in their wills. The Shiers Trust grant, now in from 1957 to 2017. online archive of articles and its 18th year, is normally worth £2,000. This year, to schedules mark the 90th anniversary of the RTS, it has been 3 2015: Oral history project by 10 2010: John Wyver conducted raised to £4,000. Grants will be consid ered and former Granada staffers interviews on the presentation approved by the Trustees who may, at their Stephen Kelly and Judith Jones, of theatre plays on British discretion, consult appropriate experts to assist their with interviews published at: television www.granadaland.org decisions. In assessing priorities, the Trustees will take into account the sums of money available. 4 2014: Shared between Dr 11 2009: Ronald Sandell, a key Sheldon Hall, whose Armchair planner of the analogue Cinema is a study of feature terrestrial transmitter network, Application procedure Applications are now invited and should be submit- films on British television, and conducted research for a book, Marc Scott, who has researched Seventy Years Before the Masts ted to the Trustees by Friday 30 March 2018 on an the unofficial development of official application form (available from the RTS, TV in Australia 12 2005: John Grist wrote a address below). Applications should set out the 5 2013: Barry Fox has built a biography of Grace Wyndham nature of the project in not more than 500 words. website (www.tekkiepix.com) Goldie, the first Head of BBC Supporting documentation may also be included. Television News and Current to present his collection of Details of your experience or qualifications should Affairs historical consumer electronics be provided. Applicants should ensure that their imagery and documents. 13 2004: Don McLean compiled project conforms to all the criteria. Applications 6 2012: Paul Marshall researched an authentically accurate audio should be accompanied by a budget that clearly a biography of Alan Archibald two-CD presentation of the identifies the sum being requested for a grant and Campbell Swinton, the early beginnings of TV in Britain visionary of all-electronic the purposes for which it will be used. Application forms are available either from the RTS website: television 14 2001: Simon Vaughan, archivist www.rts.org.uk 7 2012: Simon Vaughan digitised of the Alexandra Palace the 300-page ‘Black Book’, the Television Society, printed a or Clare Colvin, to whom they should be returned: first manual of the Marconi-EMI collection of 1,200 photos by Clare Colvin, Archivist, Royal Television Society, electronic television system, the father of television lighting, 3 Dorset Rise, London EC4Y 8EN. installed in 1936 Desmond Robert Campbell [email protected] Journal of The Royal Television Society February 2018 l Volume 55/2 From the CEO I can’t begin to express wonderful to have such a wide range TV production and broadcast journal- my gratitude to Their of exhibitors at the fair. They included ism degree courses. A further five RTS Royal Highnesses, The the BBC Academy, Channel 4, Creative Technology Bursaries, aimed at Prince of Wales and Access, Creative Skillset, Endemol encouraging some of the most tal- the Duchess of Corn- Shine UK, FremantleMedia UK, IMG ented students to consider a career wall and to all of our Studios, ITN, ITV, ITV Studios, Lime in television, are available to students Patrons who attended Pictures, the National Film and Televi- studying computing and engineering. last month’s celebration of the RTS’s sion School, RDF Television Group, Full details are on our website. 90th birthday. A huge thank you to Sky, Sony, Studio Lambert, Turner This month’s cover story examines ITV for hosting the event and also to International, UKTV, Viacom and War- how the Beano, Britain’s longest run- all the RTS bursary students who ner Bros Television Production UK. ning children’s comic, is being attended. Thanks also to Tom Mock- They were all mobbed by over 1,200 rebooted for the digital era. With luck, ridge and Peter Bazalgette for hosting eager youngsters. I hope we repeat the Dennis, Gnasher and Minnie will be this very special occasion. success of last year when a number of as much a source of delight to today’s Speaking at the event, Prince attendees secured internships that led swipe-fixated youngsters as they were Charles praised the high quality of to permanent positions in the industry. to previous generations. British television and the teamwork We have just announced our latest that makes this possible. undergraduate bursary scheme to I was reminded of this when I support students from low-income attended the RTS’s annual TV Careers families. The RTS is offering 22 bursa- Fair, held earlier this month. It was ries to students studying accredited Theresa Wise Contents Peter Bazalgette’s TV Diary The battle for prominence Peter Bazalgette mixes with royalty at the RTS’s Do traditional broadcasters risk losing prime billing 5 90th birthday party, and encounters a world beyond 18 on viewing menus as the tech giants muscle in? parody on Radio 4 Torin Douglas investigates The Beano goes global Royal Patron reception Dennis, Gnasher and Minnie are being digitally TRH The Prince of Wales and The Duchess of Cornwall 6 reinvented to future-proof the comic for tomorrow’s 20 were the guests of honour at an ITV reception to children. Pippa Shawley logs on celebrate the 90th anniversary of the RTS TV makes more space for older women Finecast targets a revolution in TV ads A stellar RTS panel poses some tough questions for the Jakob Nielsen, CEO of GroupM’s addressable advertising 8 men who still dominate TV. Steve Clarke takes notes 22 company, Finecast, explains to Steve Clarke how TV ads can now be sold at postcode level BBC Studios’ bid for scale Tim Davie and Mark Linsey explain their rationale for The buccaneer 12 merging BBC Studios and BBC Worldwide to Lisa Campbell 24 Intrepid and fearless, Jeremy Thompson epitomised the globe-trotting reporter, says Simon Bucks Our Friend in the North East Graeme Thompson sees how hit TV shows filmed in An intimate epic 14 Northumberland are driving a local non-media industry The Crown represents a new high-water mark 26 in UK drama production, hear peers and MPs. Why it pays to be on Jon Thoday’s side Matthew Bell reports Andrew Billen meets the boss of entertainment 15 powerhouse Avalon, the ‘No 1 true indie’ Cover: Beano Studios Editor Production, design, advertising Royal Television Society Subscription rates Printing Legal notice Steve Clarke Gordon Jamieson 3 Dorset Rise UK £115 ISSN 0308-454X © Royal Television Society 2018. [email protected] [email protected] London EC4Y 8EN Overseas (surface) £146.11 Printer: FE Burman The views expressed in Television News editor and writer Sub-editor T: 020 7822 2810 Overseas (airmail) £172.22 20 Crimscott Street are not necessarily those of the RTS. Matthew Bell Sarah Bancroft E: [email protected] Enquiries: [email protected] London SE1 5TP Registered Charity 313 728 [email protected] [email protected] W: www.rts.org.uk Television www.rts.org.uk February 2018 3 Your guide to upcoming events.
Recommended publications
  • Smartglass International “Tunes In” to ITV Daybreak…
    Project Case Study No. 19 SmartGlass International “tunes in” to ITV Daybreak… Client: ITV Daybreak Operator: GMTV Limited Daybreak is the weekday breakfast television programme Contract Size: £135k broadcast from 6:00am to 8:30am for the British commercial ITV Date: August 2010 network anchored by Adrian Chiles and Christine Bleakley. The ability to instantly switch the glass to maximize daylight when Daybreak took to the air on Monday 6 th September as the much- it’s really needed and to provide controllable solar shading during heralded replacement for breakfast TV show GMTV. More than peak light conditions is valuable and unique. This feature is one million people tuned in to see the launch of ITV's new especially useful for application in a television studio as it allows breakfast show - an improvement over its predecessor, GMTV. for maximum daylight to enter without compromising recording ITV said the show, which featured an interview with former Prime quality and controls room temperature which is also critical in this Minister Tony Blair, peaked at 1.5m viewers. ITV are one of the particular environment. UK’s largest broadcasting stations and reach approximately 13 million viewers a week with Daybreak regularly accounting for a Daybreak is broadcast from dawn meaning the levels of sunlight large proportion of this. entering the studio vary throughout the morning. When the sun is just rising over London the backdrop is in darkness, at this stage The Daybreak studio is located in the heart of London at South the glass is at its clearest state where it will allow for maximum Bank studios.
    [Show full text]
  • Ofcom Annual Report and Accounts 2020-21
    The Office of Communications Annual Report and Accounts For the period 1 April 2020 to 31 March 2021 HC 459 The Office of Communications Annual Report and Accounts For the period 1 April 2020 to 31 March 2021 Presented to Parliament pursuant to Paragraphs 11 and 12 of Schedule 1 of the Office of Communications Act 2002 Ordered by the House of Commons to be printed on 8 July 2021. Laid before the Scottish Parliament by the Scottish Ministers Laid before the Welsh Parliament by the Rt Hon Mark Drakeford MS, the First Minister of Wales HC 459 © Ofcom Copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government- licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at www.gov.uk/official-documents. Any enquiries related to this publication should be sent to us at [email protected]. ISBN 978-1-5286-2705-4 CCS0521569280 07/21 SG/2021/123 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by Hobbs the Printers on behalf of the Controller of Her Majesty’s Stationery Office. Contents Chair’s Message 4 Chief Executive’s Report 6 Section A: Performance Report 8 Overview 9 Performance Review 11 Principal Risks and Uncertainties 43 Stakeholder Engagement 47 Financial Review 55 Corporate Responsibility 61 Sustainability Report 64 Section B: Accountability Report 66 Governance 67 Our Employees 92 Remuneration Report 96 The Certificate and Report of the Comptroller 103 and Auditor General to the Houses of Parliament Section C: Financial Statements 106 Statement of Income and Expenditure 107 Statement of Comprehensive Net Expenditure 107 Statement of Financial Position 108 Statement of Changes in Equity 109 Statement of Cash Flows 110 Notes to the Accounts 111 Section D: Annexes 148 A1.
    [Show full text]
  • Drama Drama Documentary
    1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV
    [Show full text]
  • Alexandra Caulfield - Costume Designer
    AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co.
    [Show full text]
  • John Collins Production Designer
    John Collins Production Designer Credits include: BRASSIC Director: Rob Quinn, George Kane Comedy Drama Series Producer: Mags Conway Featuring: Joseph Gilgun, Michelle Keegan, Damien Molony Production Co: Calamity Films / Sky1 FEEL GOOD Director: Ally Pankiw Drama Series Producer: Kelly McGolpin Featuring: Mae Martin, Charlotte Richie, Sophie Thompson Production Co: Objective Fiction / Netflix THE BAY Directors: Robert Quinn, Lee Haven-Jones Crime Thriller Series Producers: Phil Leach, Margaret Conway, Alex Lamb Featuring: Morven Christie, Matthew McNulty, Louis Greatrex Production Co: Tall Story Pictures / ITV GIRLFRIENDS Directors: Kay Mellor, Dominic Leclerc Drama Series Producer: Josh Dynevor Featuring: Miranda Richardson, Phyllis Logan, Zoe Wanamaker Production Co: Rollem Productions / ITV LOVE, LIES AND RECORDS Directors: Dominic Leclerc, Cilla Ware Drama Producer: Yvonne Francas Featuring: Ashley Jensen, Katarina Cas, Kenny Doughty Production Co: Rollem Productions / BBC One LAST TANGO IN HALIFAX Director: Juliet May Drama Series Producer: Karen Lewis Featuring: Sarah Lancashire, Nicola Walker, Derek Jacobi Production Co: Red Production Company / Sky Living PARANOID Directors: Kenny Glenaan, John Duffy Detective Drama Series Producer: Tom Sherry Featuring: Indira Varma, Robert Glennister, Dino Fetscher Production Co: Red Production Company / ITV SILENT WITNESS Directors: Stuart Svassand Mystery Crime Drama Series Producer: Ceri Meryrick Featuring: Emilia Fox, Richard Lintern, David Caves Production Co: BBC One Creative Media Management
    [Show full text]
  • Review 2009/2010
    Review 2009/2010 Review 2009/10 Contents 3 Introduction from the Director 4 Extending and Broadening Audiences 8 Developing the Collection 12 Increasing Understanding of Portraiture and the Collection 16 Maximising Financial Resources 20 Improving Services 21 Developing Staff 22 Acquisitions 30 Financial Review 32 Supporters 35 Exhibitions and Displays Inside front cover Gallery Main Entrance Inside back cover Francis Alÿs: Fabiola display ‘The growing engagement with our programmes – whether new commissioned portraits or exhibitions, national and digital developments, or research and learning – gives me great confidence in the Gallery’s future development.’ Professor Sir David Cannadine, Chairman, Trustees of the National Portrait Gallery 3 Introduction Board of Trustees 1 April 2009 to 31 March 2010 from the Director Professor Sir David Cannadine, FBA, FRSL Chairman The Rt Hon. Baroness Whatever the continuing difficulties for the economy and Royall of Blaisdon (ex-officio) Lord President of the Council the country during the past year, the Gallery attracted a (until June 2009) growing audience, with record numbers to the BP Portrait Zeinab Badawi Award and over 250,000 visitors seeing the Taylor Wessing Professor Dame Carol Black Photographic Prize . All the year’s exhibitions – from Gay Icons (from March 2010) to Beatles to Bowie , The Indian Portrait , The Singh Twins Sir Nicholas Blake and Steve McQueen’s Queen and Country – successfully Dr Rosalind Blakesley demonstrated the connections between portraits and (from March 2010) individuals with fascinating and inspiring stories. Dr Augustus Casely-Hayford The Marchioness of Douro The launch of the National Portrait Gallery/BT Road to 2012 Dame Amelia Chilcott Fawcett, DBE was indicative of the Gallery’s determination to create new Deputy Chairman and Chair of the work and widen engagement with communities as part of Development Board the Cultural Olympiad.
    [Show full text]
  • Chris Fountain
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Chris Fountain Leeds, West Yorkshire, United Location: Hair Colour: Blond(e) Kingdom Hair Length: Short Height: 5'8" (172cm) Voice Character: Natural Playing Age: 16 - 25 years Voice Quality: Warm Appearance: White Eye Colour: Blue-Green Television Television, Ryan, Girlfriends, Kay Mellor, ITV Television, Tommy Duckworth, Coronation Street, ITV, Various Television, Seb, Casualty, BBC, Ian Barnes Television, PC Tait, Five Days, BBC, Toby Haynes Television, Justin Burton (series regular), Hollyoaks, Lime Pictures, Various Television, Justin Burton (series regular), Hollyoaks, Lime Pictures, Various Television, Justin Burton (series regular), Hollyoaks, Lime Pictures, Various Television, Justin Burton (series regular), Hollyoaks, Lime Pictures, Various Television, Justin Burton (series regular), Hollyoaks, Lime Pictures, Various Television, Justin Burton (series regular), Hollyoaks, Lime Pictures, Various Television, Opening Credits, Jungle Run, Yorkshire Television Television, Stephen, A & E, Granada Television, Various Television, Young Carl, Burn It, Red Productions, Various Television, Damien, Emmerdale, Yorkshire Television, Various Television, Simon Waite, The Royal, Yorkshire Television, Tim Dowd Television, Marty Sargent Junior, Where The Heart Is, Yorkshire Television, Clive Arnold Television, Warren, Blood Strangers, Granada Television, Jon Jones Television, Dean,
    [Show full text]
  • Ipsos-Mori 2008 (Im)
    OFCOM’S RELUCTANCE TO ADDRESS ‘LOCAL PUBLIC SERVICE TELEVISION’ in its SECOND PUBLIC SERVICE BROADCASING REVIEW: PHASE ONE ONE INTRODUCTION 2 TWO Terms of Reference 2nd PSB Review 4 THREE A ‘READING’ of IPSOS-MORI 2008 (IM). 7 Research conducted by IPSOS MORI to inform Ofcom’s Second Public Service Broadcasting Review: Phase One. FOUR OFCOM’S SECOND PSB REVIEW: 25 Executive Summary FIVE CONSIDERING THE TNS SYSTEM THREE STUDY 27 (2008) as a way of exploring local PSB demand SIX EVIDENCE OF DEMAND FOR LOCAL TELEVISION 33 AS PUBLIC SERVICE BROADCASTING SEVEN LOCAL TV AND EUROPE 35 EIGHT Regulation and legislation are not always in step 41 NINE Devolving Broadcasting, Wireless Broadband 55 and Spectrum Allocation TEN Ofcom’s Second Public Service Broadcasting Review 56 Consultation: Phase One Response 1 OFCOM’S RELUCTANCE TO ADDRESS ‘LOCAL PUBLIC SERVICE TELEVISION’ in its SECOND PUBLIC SERVICE BROADCASING REVIEW: PHASE ONE ONE - INTRODUCTION A simple search for the term 'local area' in the ISPSOS-MORI research (which is drawn upon heavily, if partially, by Ofcom for its Second Public Service Broadcasting Review: Phase One) shows an inconsistent, forgetful or perhaps even a random 'local area' following on from ’nation and region’ when exploring viewers’ news needs on a smaller than national scale. Looking to the future for PSB delivery it is broadband that Ofcom promotes as offering an alternative platform to the main PSB channels for consideration by IPSOS-MORI in its Terms of Reference, so far as IPSOS-MORI recall. However, broadband is almost entirely rejected in this study (only 1% in favour) for the delivery of the social and public components of news and debate wanted nationally and more locally: requiring these elements of news and debate to remain on the 'main' PSB channels.
    [Show full text]
  • 2014-2015 Impact Report
    IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide.
    [Show full text]
  • Hidden Nature, the Startling Insights of Viktor Schauberger
    Contents Foreword by David Bellamy 11 Introduction 13 Part One: An Alternative Worldview 1. Schauberger's Vision 25 The water wizard 26; Log flumes 29; Water, source of life 31; Motion is crucial 32; Temperature controls 34; Evolution 34; Balance 35; Implosion 35; The visionary 36. 2. Different Kinds of Energy 39 Subtle energies 39; Schauberger's worldview 39; Why the mystery? 40; Degrees of energy 41; The vortex as the key to creative evolution 42; Energies as creative process 43; Spiritual science 44; Different dimensions 45; Changing octaves 47. 3. The Attraction and Repulsion of Opposites 49 The Sun as a fertilizing entity 49; Polarities 51; Opposites working towards balance 52; Gravity and levity 53. 4. Nature's Patterns and Shapes 55 Sound as resonance 55; Resonance is about qualities 58; Plants have perception and memory 59; Cymatics 60; Patterns and shapes 61; Patterns in motion 62; Rhythms within the solar system 62; The confrontation of two geometric systems 63; Sacred geometry 64; The golden mean 66; The magic of the egg form 67. Part Two: How the World Works 5. Energy Production 73 The inefficiency of modern technology 73; Entropy and ectropy 74; Scientific 'laws' 74; Energy pollution 75; The choice before us 77; Energy defines quality 79; The creative energy vortex 80. 6. Motion — the Key to Balance 85 We use the wrong form of motion 85; The 'original' motion 87; Types of motion 89. 7. The Atmosphere and Electricity 93 Earth's atmosphere 94; Electricity 96; The terrestrial biocondenser 97; Earth as an accumulator of energy 99; Electricism and magnetism 100; Storms, water vapour and climate 101.
    [Show full text]
  • Spring 2006 Bulletin 85
    Advertisements Diary Dates Please refer to VLV when responding to advertisements. VLV Ltd cannot accept any liability or complaint in regard to the following offers. The charge for classified advertisements is 30p per word, 20p for Wednesday 26 April members. Please send typed copy with a cheque made payable to VLV Ltd. For display space please VLV Spring Conference contact Linda Forbes on 01474 352835. The Royal Society, London SW1 10.30am – 5.00pm The Radio Listener's Guide 2006 The Television Viewer's Guide 2006 Wednesday 26 April Presentation of VLV’s Awards G 160 pages G 160 pages for Excellence In Broadcasting G Frequencies for all BBC and commercial radio G Digital TV details of what you need to pick up Sky, The Royal Society, London SW1 stations, plus DAB digital transmitter details. Freeview or cable 1.45pm – 2.30pm G Radio Reviews Independent reviews of over G Transmitter sites for all analogue and digital Thursday, 11 May 130 radios including DAB digital radios. television transmitters. An Evening with Joan Bakewell G News from both BBC and commercial radio stations. G Equipment advice covering TV sets, VCRs, DVD One Whitehall Place, players and recorders, Sky and Freeview. G Digital Radio (DAB) The latest news and information. London SW1 G Freeview set-top box guide. 6.30pm – 8.20pm G Sky and Freeview radio information and G channel lists. Channel lists for Sky and Thursday, 18 May Freeview. VLV Evening Seminar with Mark G Advice showing how to get the G Thompson, BBC Director General best from your radio.
    [Show full text]
  • Fora 'Balanced
    FORA 'BALANCED .......University of Edinburgh,-Oid College South Bridge, Edinburgh EHS 9YL VIEW ·· Tel: 031-6671011 ext 4308 18 November-16 December GET ALBERT IRVIN Paintings 1959-1989 Tues-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY Glasgow Herald Student Newp~aper of the Year y 16thnovem 25p r_ MURIELGRA the Rector THESHAMEN speaks synergyand pages 10-11 ecstasy page12 - u ars by Neil Rafferty scotland as an active member-' _As a member of the Scottish and state in the EEC: "We could· Nationalists renowned for attack­ JeffSinton shape the agenda of the commun­ ing all of Scotland's Tories, espe­ ity by holding regular summits in cially Malcolm Rifkind, the Edinburgh," he said. former Labour MP had to attack iiM SILLARS, Scottish the Scottish Secretary. Nationalist MP for Glasgow­ "Not only would Scottish rep-· "He is a governor-general," Govan, declared on Friday resentation in Brussels double," who "does not represent the Scot­ that the West must "extend he argued, "but we would have tish people," and if independence Commissioners in our own right.':.._ the hand of friendship and • were ever achieved Thatcherism dialogue" to Eastern Europe "would be marginalised forever -"with no strings attached." The economic and industrial and the ideas of the Adam Smith benefits of membership, how­ Institute relegated to the Dandy Speaking at the William ever, were subject to vague politi­ and the Beano." Robertson Building, Sillars said cal rules. Citing the cases of' Ravenscraig and Gartcosh steel­ Mr Sillars, invited to speak at that the past fortnight of events in the University by EU Scottish East Germany would not lead to works, the member for Govan claimed that the EEC would not Nationalists, managed to stay for the threat of a re-unified Ger­ some questions by_ the audience.
    [Show full text]