2013 Annual Report Contents
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ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
My Fifty Years with Wagner
MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme. -
Impact Report 2019 Impact Report
2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
2018–19 Chronological Listing
UPDATED June 7, 2019 CHRONOLOGICAL LISTING 2018–19 SEASON THE ART OF THE SCORE Alec Baldwin, Artistic Advisor THERE WILL BE BLOOD David Geffen Hall at Lincoln Center Wednesday, September 12, 2018, 7:30 p.m. Thursday, September 13, 2018, 7:30 p.m. Hugh Brunt*, conductor Michelle Kim, violin Jonny GREENWOOD There Will Be Blood (score performed live to complete film) THE ART OF THE SCORE Alec Baldwin, Artistic Advisor 2001: A SPACE ODYSSEY David Geffen Hall at Lincoln Center Friday, September 14, 2018, 8:00 p.m. Saturday, September 15, 2018, 8:00 p.m. André de Ridder, conductor Musica Sacra, chorus Kent Tritle, director VARIOUS 2001: A Space Odyssey (score performed live to complete film) (includes selections from works by Ligeti, R. Strauss, J. Strauss II, and Khachaturian) * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: OPENING GALA CONCERT NEW YORK, MEET JAAP David Geffen Hall at Lincoln Center Thursday, September 20, 2018, 7:00 p.m. Jaap van Zweden, conductor Daniil Trifonov, piano Rebekah Heller*, bassoon Nate Wooley*, trumpet Brandon Lopez*, bass Constellation Chor*, moving voices Marisa Michelson, director César Alvarez*, Lilleth Glimcher*, staging and dramaturgy Brandon Clifford*, Wes McGee*, Johanna Lobdell*, matter design Marika Kent*, lighting design Tolulope Aremu*, costume design Ashley FURE Filament (World Premiere–New York Philharmonic Commission) RAVEL Piano Concerto in G major STRAVINSKY The Rite of Spring * New York Philharmonic debut JAAP VAN ZWEDEN CONDUCTS: NEW WORK BY ASHLEY FURE, DANIIL TRIFONOV IN BEETHOVEN, AND STRAVINSKY’S THE RITE OF SPRING David Geffen Hall at Lincoln Center Friday, September 21, 2018, 8:00 p.m. -
Annual Report Sydney Opera House Financial Year 2019-20
Annual Report Sydney Opera House Financial Year 2019-20 2019-20 03 The Sydney Opera House stands on Tubowgule, Gadigal country. We acknowledge the Gadigal, the traditional custodians of this place, also known as Bennelong Point. First Nations readers are advised that this document may contain the names and images of Aboriginal and Torres Strait Islander people who are now deceased. Sydney Opera House. Photo by Hamilton Lund. Front Cover: A single ghost light in the Joan Sutherland Theatre during closure (see page 52). Photo by Daniel Boud. Contents 05 About Us Financials & Reporting Who We Are 08 Our History 12 Financial Overview 100 Vision, Mission and Values 14 Financial Statements 104 Year at a Glance 16 Appendix 160 Message from the Chairman 18 Message from the CEO 20 2019-2020: Context 22 Awards 27 Acknowledgements & Contacts The Year’s Our Partners 190 Activity Our Donors 191 Contact Information 204 Trade Marks 206 Experiences 30 Index 208 Performing Arts 33 Precinct Experiences 55 The Building 60 Renewal 61 Operations & Maintenance 63 Security 64 Heritage 65 People 66 Team and Capability 67 Supporters 73 Inspiring Positive Change 76 Reconciliation Action Plan 78 Sustainability 80 Access 81 Business Excellence 82 Organisation Chart 86 Executive Team 87 Corporate Governance 90 Joan Sutherland Theatre foyers during closure. Photo by Daniel Boud. About Us 07 Sydney Opera House. Photo by by Daria Shevtsova. by by Photo Opera House. Sydney About Us 09 Who We Are The Sydney Opera House occupies The coronavirus pandemic has highlighted the value of the Opera House’s online presence and programming a unique place in the cultural to our artists and communities, and increased the “It stands by landscape. -
Conductor's Orders [Conductor Simone Young]
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Gislason, Kari (2019) Conductor’s orders. [Composition] This file was downloaded from: https://eprints.qut.edu.au/132121/ c The Saturday Paper This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// www.thesaturdaypaper.com.au/ culture/ music/ 2019/ 08/ 03/ conductor-simone-young/ 15647544008549 Conductor's Orders [Conductor Simone Young] by Kári Gíslason “Do you mind if I finish this row?” Simone Young has her feet up on her dressing room couch, knitting laid across her lap. “It’s for my mother,” she says of the work in progress – a jumper with a lovely, slightly old‐fashioned cable pattern on the front. -
Gautier Capuçon Plays Tchaikovsky
PROGRAM Gautier Capuçon Plays Tchaikovsky MACA LIMITED CLASSICS SERIES Fri 5 & Sat 6 Oct 7.30pm Perth Concert Hall We Care We are Flexible We Deliver MACA is proud to be a leader in supporting a wide range of community initiatives, small and large. We value our position as a platinum sponsor of the West Australian Symphony Orchestra and their vision to touch souls and enrich lives through music. Established in 2002 MACA delivers a range of solutions in: • Mining • Crushing and Screening • Civil works With over 850 experienced professionals in Australia and Brazil. Environment Health & Safety Quality ISO 14001 AS 4801 ISO 9001 www.maca.net.au Ph: (08) 6242 2600 MACA Ltd | 45 Division Street, Welshpool WA 6106 The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia on whose Lands we work and play. MACA LIMITED CLASSICS SERIES Gautier Capuçon Plays Tchaikovsky SIBELIUS The Tempest: Prelude (6 mins) TCHAIKOVSKY Variations on a Rococo Theme (19 mins) Introduction (Moderato quasi andante) Variation IV (Andante grazioso) Theme (Moderato semplice) Variation V (Allegro moderato) Variation I (Tempo della thema) Variation VI (Andante) Variation II (Tempo della thema) Variation VII and Coda (Allegro vivo) Variation III (Andante sostenuto) TCHAIKOVSKY Andante cantabile (8 mins) Interval (25 mins) SIBELIUS Oceanides (11 mins) DEBUSSY La Mer (23 mins) De l’aube à midi sur la mer (From Dawn to Noon on the Sea) Jeux de vagues (Play of Waves) Dialogue du vent et de la mer (Dialogue of the Wind and the Sea) Ludovic Morlot conductor Gautier Capuçon cello Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Ashley Smith (see page 18 for his biography). -
Shostakovich & Tchaikovsky
Tchaikovsky Symphony No.5 MORNING SYMPHONY SERIES Thu 4 July 2019, 11am Perth Concert Hall Shostakovich & Tchaikovsky MASTERS SERIES Fri 5 & Sat 6 July 2019, 7.30pm Perth Concert Hall West Australian Symphony Orchestra and Wesfarmers Arts, creating the spark that sets off a lifelong love of music. Shigeru Komatsu – WASO Cello The West Australian Symphony Orchestra respectfully acknowledges the Traditional Owners, Custodians and Elders of the Indigenous Nations across Western Australia and on whose Lands we work. MORNING SYMPHONY SERIES Tchaikovsky Symphony No.5 ESA-PEKKA SALONEN Nyx (19 mins) TCHAIKOVSKY Symphony No.5 (47 mins) Andante – Allegro con anima Andante cantabile, con alcuna licenza Valse (Allegro moderato) Finale (Andante maestoso – Allegro vivace) Hendrik Vestmann conductor Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Alan Lourens, Head of the Conservatorium of Music at The University of Western Australia (see page 15 for his biography). The Pre-concert Talk will take place at 9.40am in the Auditorium. Listen to WASO This performance is recorded for broadcast on ABC Classic on Friday, 12 July at 1pm AWST (or 11am online). For further details visit abc.net.au/classic 3 MASTERS SERIES Shostakovich & Tchaikovsky ESA-PEKKA SALONEN Nyx (19 mins) SHOSTAKOVICH Cello Concerto No.1 (31 mins) Allegretto Moderato – Cadenza – Allegro con moto Interval (25 mins) TCHAIKOVSKY Symphony No.5 (47 mins) Andante – Allegro con anima Andante cantabile, con alcuna licenza Valse (Allegro moderato) Finale (Andante maestoso – Allegro vivace) Hendrik Vestmann conductor Narek Hakhnazaryan cello Wesfarmers Arts Pre-concert Talk Find out more about the music in the concert with this week’s speaker, Alan Lourens, Head of the Conservatorium of Music at The University of Western Australia (see page 15 for his biography). -
Mahler Symphony No.3 Paul Daniel Conductor Claudia Huckle Contralto Graham Ross Chorus Master
CAMBRIDGE UNIVERSITY MUSICAL SOCIETY www.cums.org.uk Principal Guest Conductor Sir Roger Norrington CBE CUMS Conductor Laureate Stephen Cleobury CBE Principal Guest Conductor Cambridge University Chamber Orchestra Peter Stark Directors Cambridge University Chamber Choir Martin Ennis and David Lowe Saturday 21 January 2017, 8.00pm King’s College Chapel, Cambridge Mahler Symphony No.3 CAMBRIDGE UNIVERSITY CHAMBER ORCHESTRA MEMBERS OF CUMS SYMPHONY ORCHESTRA CHOIRS OF CLARE, GONVILLE & CAIUS, JESUS AND SELWYN COLLEGES MEMBERS OF CUMS SYMPHONY CHORUS AND CAMBRIDGE UNIVERSITY CHAMBER CHOIR CHORISTERS OF JESUS COLLEGE AND ST CATHARINE’S COLLEGE GIRLS’ CHOIR Paul Daniel conductor Claudia Huckle contralto Graham Ross chorus master CUMS is grateful for the support of TTP Group – Principal Sponsor, Bloom Design, Christ’s College, Churchill College, Corpus Christi College, CUMS Fund, CUMS Supporters’ Circle, Emmanuel College, Jesus College, King’s College, Murray Edwards College, Newnham College, Peterhouse College, St John’s College, Trinity College, University of Cambridge Faculty of Music, University of Cambridge Societies Syndicate, West Road Concert Hall, Wolfson College PROGRAMME NOTES Gustav Mahler (1860–1911) Symphony No. 3 in D minor My [Third] Symphony will be something the like of which the world has never heard. Gustav Mahler stands alongside Beethoven, Bruckner 4) What night tells me (mankind); 5) What the morn- and Brahms as one of the greatest symphonists; ing bells tell me (the angels); 6) What love tells me. yet, his ten symphonies (the fnal left unfnished at The work had its première in the small German town his death) are works of intrinsic self-doubt, which of Krefeld in 1902, conducted by the composer. -
GATEWAY GENEROUS DONORS RECOGNISED Letter to the Editor ‘Your Article on Food at Trinity Reminded Me of How Syd Wynne’S Kitchen Prepared Me for Life in India
No 85 November 2016 The Magazine of Trinity College, The University of Melbourne GATEWAY GENEROUS DONORS RECOGNISED Letter to the Editor ‘Your article on food at Trinity reminded me of how Syd Wynne’s kitchen prepared me for life in India. In 1964 I was the most junior tutor, the one whose duty it was to grind the SCR coffee beans. One night I had occasion to visit the kitchen, so I opened the door, turned on the light and watched as the place became alive with little black oblong shapes scuttling for the nearest shade. The following year I became a lecturer at Madras Christian College, with a flat to live in complete with a small kitchen and my very own cook/bearer. This kitchen, too, was alive with cockroaches, but thanks to Trinity caused me no discomfort, as I was already familiar with harmless kitchen wildlife.’ Ian Manning (TC 1963) We would love to hear what you think. Email the Editor at [email protected] Don Grilli, Chef Extraordinaire, 1962 JOIN YOUR NETWORK Trinity has over 23,000 alumni in more than 50 countries. This global network puts you in touch with lawyers, doctors, consultants, engineers, musicians, theologians, architects and many more. You Founded in 1872 as the first college of the University of can organise work experience for students, internships or act as a Melbourne, Trinity College is a unique tertiary institution mentor for students or young alumni. Expand your business contacts that provides a diverse range of rigorous academic programs via our LinkedIn group. -
The Arts Council of England Annual Review 2002 the Arts Matter Arts Council of England Annual Review 2002
The Arts Council of England annual review 2002 The arts matter Arts Council of England annual review 2002 Arts Council of England annual review The arts matter Arts Council of England Arts Council of England annual review 2002 14 Great Peter Street London SW1P 3NQ T 020 7333 0100 F 020 7973 6590 Textphone 020 7973 6564 [email protected] www.artscouncil.org.uk Cover image: a detail from ‘Astral Dance’, the safety curtain at Birmingham Hippodrome. Balraj Khanna was commissioned to create this, the largest piece of public art in a UK theatre. The Hippodrome re-opened in November 2001 following a £30 million redevelopment, £24 million of which came from Arts Council lottery funds. Photographer: Harry Rhodes Arts Council of England regional offices East England Arts North West Arts South West Arts Eden House Manchester House Bradninch Place 48–49 Bateman Street 22 Bridge Street Gandy Street welcome to the Cambridge Manchester M3 3AB Exeter CB2 1LR T 0161 834 6644 Devon T 01223 454400 F 0161 834 6969 EX4 3LS F 0870 242 1271 Textphone 0161 834 9131 T 01392 218188 Arts Council of England’s Textphone 01223 306893 F 01392 229229 Southern & South East Arts Textphone 01392 433503 East Midlands Arts (Tunbridge Wells office) Mountfields House Union House West Midlands Arts annual review 2002 Epinal Way Eridge Road 82 Granville Street Loughborough Tunbridge Wells Birmingham Leicestershire Kent B1 2LH LE11 0QE TN4 8HF T 0121 631 3121 The Arts Council is the national body for the T 01509 218292 T 01892 507200 F 0121 643 7239 arts in England.