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Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Rigby Star 1947 05 29 Vol 45 No 22
THE RIGBY STAR, RIGBY, IDAHO Thursday, May 29, 1947 letter continued, "I believe it would action might be deferred tempor for the present," Dworshak's letter it Richard Norris, another newcomer to ive until they visit a sleuthing ag // 1 ency to collect pay owed Huntz Hall, be justifiable and wise to lift sugar arily until a more accurate picture concluded. the screen, as Abie, promises to shoot of the sugar industry is available. to stardom. Twin Bill At who has just been fired off the invest rationing to housewives immediately. Swell Guy igating staff. This would make possible conserva President Truman says that if con- Others in the film are Michael "Although you have authority un trol of the nation can be kept out of Chekhov, J. M. Kerrigan, Vera Gor Others in the film are Betty Comp- tion and canning of fruits which will der the existing sugar statute to lift son, Bobby Jordan, Gabriel Dell, Billy soon be available throughout the the hands of greedy people, there will At Main Sunday don, George E. Stone, Emory Par- Main This Week price controls prior to October 31, it be no economic collapse. Does that nell, Art Baker, Bruce Merritt, Eric Hit songs of the west vie with spec Benedict and David Gorcey. country. Starring Sonny Tufts and Ann "While it may also be desirable to is apparent that retention of these mean that the government will have Blythe in one of the most unusual Blore and Harry Hays Morgan. tacular, rough-and-tumble action price controls should be maintained to run itself? stories ever filmed, "Swell Guy," pro scenes and hilarious comedy sequenc Idaho Senator Urges lift conrtols of industrial users, such duced by Mark Hellinger shows Sun es for the top honors in "Trail To day at the Main Theatre. -
Looking at Hollywood ED SULLIVAN
Pa~e Two with Looking at Hollywood ED SULLIVAN ELLEN DREW LOUISE CAMPBELL ment store accounting clerk and .salesgirl. She has appeared in fourteen pictures, and in her last two pictures won featured bill- ing opposite Bing Crosby and Ronald Colman. Contrast this sensible treatment of a young- ster with the helter-skelter plan of naming her a star in her first appearance before cameras. WIWAM HOLDEN • • • At the moment, and from now studios. Technically the British on, the youngsters of the country pictures were inferior to those Northwestern un i vel'S i t y's will be in an advantageous made in Hollywood, but the tor- Lou i s e Campbell, instead 01 position if they have talent, be- eign pictures were crowded with Abo .•.•t being rushed into parts that cause the search has just started new laces. You didn't know in were too big for her, had the PATRICIA and It will continue for the next advance that a player would Studios Eye Future Through experience of seven pictures be- MORISON ROBERT PRESTON twelve months. The studios gesture this way or that, you hind her before she got an im- frankly are looking for replace- couldn't pre d i c t in advance picked the first thirteen of his portant par t in ••Men with ments. The knell has been where this one would sneer and Golden Circle of New Faces Golden Circle by audience reac- Wings." That is intelligent pro- sounded for those who have another one giggle, and the ex- tion throughout the country. -
January Clearance Sale! Quantity on Hand Price Each ~ - -~· -··=~------,------Ostrich Troubles
" ,. ' ' ~ ' .• -~....:.r . ,; -~.. J • January 11951 JANUARY CLEARANCE SALE! QUANTITY ON HAND PRICE EACH ~ - -~· -··=~----------------,-------------------- OSTRICH TROUBLES. Brand new, 1-reel, 16mm. sound film in original cartons. ss.,s 16 Cr:st:e-Kiko the Ka .. garoo Cartoon. Original ptice, $17.50. WOLVES OF THE RANGE with Bob Living5ton s29 95 8 Good used 6-reel, 16mm. sound feature pici·ure, assembled on 2-1600' reels. e -~ ,..a:.;.;::::ii.:._.c __________________ ,________________ ,_,_ _ _,__ BORDER BUCKAROOS with Dave O'Brie11 and Jim Newill s29 95 7 Good used 6-reel, 16mm. sound feature picf·ure, assembled on 2-1600' reels. e AMERICAN LEGION CONVENTION, 1947. Rrcind new, 1-reel, 16mm. silent. SJ 98 32 Castle's film of the fun anc frivolity of 1h11 1947 convention in New York. Origi•al price, $8.75. • ------------~---~----~-·----·-----------~--- tOG ISLAND with Lionel Atwill, Jerome Cowan, George Zucco s39 95 5 Good used 7-reel, 16mm. sound faaf·ure pic~ure, assembled on 2-1600' reels. e SONGS OF LOVE. Brand new, 1-reel, 16mm. sound fiim in original cartons. S6 95 Castle Music Album with Gene G,-ounds, Syl-,ia Froos, Dove Schooler and his Swinghearts. • 47 Original price, $17.50. THE DRIFTER with Buster Crabbe and Al S·t. John s29 95 4 Good used 6-reel, 16mm. sound featura {'i :ture, assembled on 2-1600' reels. e FISH IS FOOD. Brand new, 1-reel, 16mm. s:u.,nd film in original cartons. S6 95 There's nothing fishy about the bargain quolit ) of this lilm on the Fulton Fish Market in New York. -
• (•- -•I• • ...PAGES 1 to 7, PAGE 15. 2"X2" COLOR SLIDES ..., ...PAGES 13 TO
CAMERAS, PROJECTORS, ACCESSORIES AND SUPPLIES . • (•- -•I• • ......... PAGES 1 TO 7, PAGE 15. 16mm. SOUND R ENTAL FILMS ... -c- · .PAGES 8 TO 12 2"x2" COLOR SLIDES . .... ......, ...... PAGES 13 TO 15. - 8mm. MOVIES . ·-· ..... •, •• . PAGES 16 TO 18, 20, 23 16mm. SOUND FILMS . ...••...• .PAGES 19 AND 20 MUSIC FOR MEN ON LP RECORDS. .PAGE 21 INFORMATION, ORDER BLANKS. PAGES 22 AND 23 K- 25 K-28 K-50 KEYSTONE K-95 750-WATT KEYSTONE CAPRI K-25 8mm. CAMERA KEYSTONE MAYFAIR K-50 8mm. PROJECTOR F'quippt d '1.Jlh t.2.S fhed rot:ui luh in inr~ rch:.;mg_eab l e l cn -, mounf 16mm. MAGAZINE CAMERA l ou'II )1..tH a britJi:,mt ,ibow "irh this 7~U-H:.itt JJl"i•~Cl<lt'. Pr«b10n-Jf~t <'. ,htle.d :1 nd '-oloc (;Offf.ctitd. t i'ndt'r ~,.,r~ni of $tenuine ,:round 0 1Hical ,tl -',"iS, Ju-.. 36-oun,:t < Ut m (nh.··t t:ilwi,- ta,.e. and perfection. N<',t- pu~IJi-buuon •,t,;. ,-ind and bt'a,_, . dit'·Ca.'i( con 0; troc1ion, mea11 rn1oc-uh, rock.-.Stt':..il,- pro~c l"~oot.1gt inflk1uor /\t'~ ;,uromarirally "l•t·n lilm is lnt;uted - ~ign:.l!i in Jtr p('1 mih r(·,::nlar- run, continuou:!t loc.:k·run (for !,(>1£-m·e, i~J Of' ~inklf lmn. Lift-o-m;Ui<" .!!" itch lurn.!t off room lir,::hts ,,ht'll ., 4 u tu111 on Iii~ t-"enr o r ncci,h.. 1lt::I jam. Threc,•W.t) 1r'i,rr.,·r control, regulur wn, (c)otinuous frame e~r>o'iUre (for .:-i top-mo11ou anim:dion>. -
Censorship: an Historical Interpretation
FALL 1991 167 Censorship: An Historical Interpretation Gregory D. Black In Giuseppe Tornatore's Cinema Paradiso, a nostalgic look at growing up in a small Sicilian village, the local movie theater dominates the social life of the town. Everyone, it seems, went to the movies because they brought information, entertainment, excitement, and romance to the village. But at least one person feared the power and influence of this modern entertainment. The local priest insisted on censoring the films before they contaminated his flock with the infectious immorality of the outside world. As one villager complained: "I haven't seen a kiss in twenty years!" The experience of those who attended the Cinema Paradiso, while extreme, was shared by movie fans the world over. Convinced that films were capable of seductively changing the moral, ethical, and political values of the audience, censors and moral guardians from Sicily to Hollywood fought to prevent films from achieving the artistic freedom the other art forms enjoyed. Nowhere was this more true than in America. While the Italian priest tried to protect his flock from "immorality," films were also censored for political content. An analysis of films made in Hollywood from 1930 to the 1960s would show that only a handful dealt with such issues as depression, unemployment, changing moral standards, social reform, racism, fascism, communism and war with the level of realism and honesty they deserved. Hollywood was seemingly ruled by the old adage, attributed to Samuel Goldwyn, "if you have a message, send it by Western Union." Marked by fluff, rather than substance, Hollywood filmmakers were committed to "harmless entertainment." But why was the industry so afraid of making films other than the westerns, cops and robbers, mindless comedies, action thrillers and musicals that dominated studio production? One answer is obvious. -
The Irish-American Gangster in Film
Farrell 1 THE IRISH-AMERICAN GANGSTER IN FILM By Professor Steven G. Farrell 1 Farrell 2 When The Godfather was released in the early seventies, it effectively created a myth of the virtually unbeatable Italian crime family for the American public that endured for the remainder of the century. This film also effectively eliminated all other white ethnic organized gangs from the silver screen, as well as from the public’s eye. Hollywood, as we shall see, had their history wrong in this case. The Italian Mafia was never as invincible as Hollywood depicted it on film, nor did they always have everything their own way when it came to illegal activities. It wasn’t until the close of the last century that the film industry began to expose the old-time hoods as being fallible and besieged on all sides from new criminal elements connected with newly arrived immigrant groups. The Cubans, Russians and the Colombian hoods, along with the longer established African and Mexican American gangs, had begun to nibble away at the turf long controlled by the almighty Italian mob. As the paradigm of the urban underworld began to shift to reflect the new realities of the global economy, another look at the past by historians and Hollywood is revealing that the Italian gang never had absolute power as it was once commonly believed. The Irish hoodlums, to single out the subject of this paper, were actually engaged in gangland activities years before the arrival of the Italians and the Irish also competed with the Italians up until recently. -
The Solo Careers of the Dead End Kids PDF Free
Download: Beyond Dead End: The Solo Careers of The Dead End Kids PDF Free [612.Book] Download Beyond Dead End: The Solo Careers of The Dead End Kids PDF By Joseph Fusco Beyond Dead End: The Solo Careers of The Dead End Kids you can download free book and read Beyond Dead End: The Solo Careers of The Dead End Kids for free here. Do you want to search free download Beyond Dead End: The Solo Careers of The Dead End Kids or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Beyond Dead End: The Solo Careers of The Dead End Kids | #1240990 in Books | 2015-09-03 | Original language: English | PDF # 1 | 9.00 x .87 x 6.00l, 1.14 | File type: PDF | 386 pages | |3 of 3 people found the following review helpful.| A must for Dead End Kid fans... | By salvo |This book has been long overdue. There are several fine books about the Dead End Kids and their permutations; however, this is the first book to deal with their solo careers. It basically reviews the movies and television shows they appeared in and has plenty of pictures to support the text. The book touches on familiar territory(Dead No one exemplifies the angst of the Depression era street kid more than The Dead End Kids. They were the stars of Sidney Kingsley's 1935 play, Dead End and reprised their roles in Samuel Goldwyn's 1937 Hollywood film version. -
Motion Picture Reviews (1939)
MOTION PICTURE REVI m WOMEN'S UIIIWMirmUB LOS ANGELES CALIE Vo l. XIII 1939 MOTION PICTURE REVIEWS JANUARY 19 3 9 CONTENTS A Christmas Carol The Dawn Patrol Exposed The Girl Downstairs Going Places Heart of the North His Exciting Night Kentucky Little Orphan Annie Little Tough Guys in Society Pacific Liner Paris Honeymoon Pygmalion Ride a Crooked Mile Secrets of a Nurse Sweethearts Swing That Cheer Thanks for Everything Tom Sawyer, Detective Trade Winds Zaza THE WOMEN'S UNIVERSITY CLUB LOS ANGELES CALIF ORNIA 10c Per Copy $1.00 a Year Digitized by the Internet Archive in 2016 with funding from Media History Digital Library https://archive.org/details/motionpicturerev00wome_8 — MOTION PICTURE REVIEWS Three MOTION * PICTURE * REVIEWS Published, monthly by THE WOMEN'S UNIVERSITY CLUB LOS ANGELES BRANCH AMERICAN ASSOCIATION OF UNIVERSITY WOMEN Mrs. Palmer Cook, General Co-Chairman Mrs. John Vruwink, General Co-Chairman Mrs. Chester A. Ommanney, Preview Chairman Mrs. Thomas B. Williamson, Assistant Preview Chairman Mrs. Francis Poyas, Subscription Chairman Cooperating Branches Long Beach Glendale Santa Monica Whittier EDITORS Mrs. Palmer Cook Mrs. J. Allen Davis Mrs. George Ryall Mrs. John Vruwink Address all communications to The Women’s University Club, 943 South Hoover Street, Los Angeles, California 10c Per Copy - - $1.00 Per Year Vol. XIII JANUARY, 1939 No. 1 Copyright 1938 by Women's University Club of Los Angeles FEATURE FILMS A CHRISTMAS CAROL O O THE DAWN PATROL O O Reginald Owen, Gene Lockhart, Kathleen Errol Flynn, David Niven, Basil Rathbone, Lockhart, Terry Kilburn, Barry Mackay, Donald Crisp, Melville Cooper, Barry Fitz- Lynne Carver, Leo G. -
D~Ive '*-Kes, )Sp-Ecial Numbers ·I ~
;. ' ·'· - tld cb. es. This Issue Js ng :er nt Dedicated To ··or. ge ar w.:· nt Folk And Ted Davis na. ve_. ou by * * * 304-6 of Jilt ne · '411i1Eto~s ed to ay. , D~iVe '*-kes, )Sp-ecial Numbers ·I ~ .. • . ·. G~od·:\s~~-·~·,,. · ed_. ·-- • ., :. I / To Fea~ure Mus1c in • rig •a. .QUot~.Musf-Be ileache~I tai · ' ···By.~ext·Wediies~ ··. · · day: · PrOgram Tonigh~ ti- -. 106 .._..:.-The .. ·: Red ·cross ·drrve-·for-1'944 lis made a. good. beginDii!g. 'in ad · qas: in Wake Forest. '·The> drive, to ··last Last McDonald - Directed >re . ·a whole ·month, '·began on 1\[arch Concert; to Have Guest . 1, but the. Wake Forest work' is Artist >Ut . to' be closed on· March 15. To do !r- · -this tlie · to\vn will have to reach n .. :its quota in 'short order. · ·. · · ·· . So far . the · returris indicate The music department will pre Jl : ·that·· Wake Forest will reach· its sent its-' third annual spring con ly. cert this evening at 8 o'clock in be . :.1 g~- by nexf Wednes~ay, witho_ut .-1 milch' trouble. All the .workers.of the church auditorium. The pro on gram will feature the Glee Club, ~5. ~ '.· thiS' district,, under .the direction: : I, . · ··· of<Mr.:. L 0. Jones;· Major, o~ the: the Band and the Concert Ensem- i ble. Miss Albertine Lefler will !et. ,. : ·worli:"here, and Mr. A: L. Aycqck, . chairman of the town ·solicitors; ' appear as guest pianist. '·have :met with unexpected sue- ... cess. - : . ·., . ', This will be ~Mr. McDonald's farewell concert, as he leaves for ·Booth in BoOk Store the navy in the near future. -
I Excavating the Ghetto Action Cycle (1991-1996): a Case Study for A
Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study by Amanda Ann Klein B.A. in English, Cornell University, 1999 M.A. in English, University of Pittsburgh, 2001 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Amanda Ann Klein It was defended on July 24, 2007 and approved by Dr. Jane Feuer, Associate Professor, Department of English Dr. Neepa Majumdar, Assistant Professor, Department of English Dr. Paula Massood, Associate Professor, Department of English (Brooklyn College) Dissertation Chair: Dr. Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Amanda Ann Klein 2007 iii Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study Amanda Ann Klein, Ph.D. University of Pittsburgh, 2007 The following dissertation, “Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-based Approach to Genre Theory,” traces an historical, cultural and theoretical genealogy for the ghetto action cycle. This controversial cycle, which was initiated by the success of films like Boyz N the Hood and Menace II Society, participated in the period’s broad cultural debates about race, class, crime and youth. As film cycles are strongly shaped by audience desire, financial viability, current events and studio whims, I argue that they retain the marks of their historical, socioeconomic and generic contexts more precisely than genres, which, because of their longevity and heterogeneity, can be unwieldy objects of study. -
Election Result Monday Causes Much Speculation
'^'-v ~::X--y:.i? v/^V-V: —: ••Vv-:-';;- >'iV;-: rZ:?.Y. vyc-vv^-v-V- v - 'V .: •:•.• ' • "•••I.'. • ' . j.- ••>.»• "t •• , .''".• 1 • ."' •.'•••'•••'' -Y'' \ : ••*• •. 'iV ' ' Y-; • ; '• .. ; :.• ,, '<••,•':.•'•'.'•'*>.•• •'.'•?. ••' - »" ' - - ; . • r . • i " •' '• . 'i- V-:'" ';- • l" '"' ' " "' " " "'' ' ' " " : "f. "':5- '. '•' : •"':v • • :-i; . ..•"\-' ^ ^ W IW/W lWlWAW^W |f ~-^v* >"^jr^.. .^f "sv *• * ' bu . • - COVERS AN AREA POPULATED BY 30,000 PEOPLE Fifty-Seventh Year—No. 25. THOMPSONVILLE, CONN., THURSDAY, SEPTEMBER 30, 1937 Subscription $2.00 Per Year—Single Copy 5c. iW4; tys::;'. View df New Strand Theatre Election Result Monday « v C ^ W*M Causes Much Speculation Electors in Effort to Reduce Tax Rate for Coining Increased Activity of Candidates of Both Parties Fiscal Year May Favor Lower Budget for Sev Marks Final Days of Campaign—Leaders Ad eral Departments of Town Government at An mit They Are Puzzled by Present Situation— nual Town Meeting Next Tuesday Evening. Vote Apt to Swing One Way or the Other. In view of the proposal of the M. W. HULLIVAN ' Board of Finance to reduce the an As the opposing political organiza nual budget for the coming year, the tions approach the final few days,*322 ARRESTS MADE town meeting scheduled for next prior to town election to be held:' IS APPOINTED AS Tuesday evening at 8:15 in the au next Monday, increased activity is' ditorium of the Enfield High School noted on the part of candidates7 of! DURING YEAR BY carries special interest. Article 1 of DEPUTY SHERIFF the warning for the meting is of both tickets, although the town com- routine interest, dealing with reports mitttes themselyes appear to be'' POLICE• OFFICERS of Selectmen, Treasurer and other showing comparatively little activi-j Well Known Figure In town officers.