DOCSLIB.ORG

Northern Life

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Northern Life GREATER SUDBURY’S COMMUNITY NEWSPAPER NORTHERN LIFE www.northernlife.ca WEDNESDAY EDITION June 25, 2003 75 cents, GST included Meet the folks at Micheal Atkins on Jim Gordon/8 Chilly Beach/3 Cycling Club does city proud/12 City asks province for recovery cash SARS may impact on tourism BY MICHAEL JAMES NORTHERN LIFE The City of Greater Sudbury has applied for its share of the Eves’ government’s two-year, $128 million Tourism Recovery Plan, which includes last Saturday’s Concert for Toronto and aggressive campaigns to rebuild global confi- dence in Toronto and Ontario as world- class tourism destinations. Ian Wood, co-ordinator of this city’s conventions and visitor services, said he isn’t sure how much money Sudbury is likely to receive, but he speculates it will be in the tens of thousands of dollars. SARS, West Nile Virus and Mad Cow Disease are very much on the minds of Sudbury’s tourism folks who know this area will be affected by a decline in visi- tors to Canada this summer. WOOD According to a recent Ipsos-Reid poll commissioned for the Canadian Tourism Commission, 34 per cent of Americans are less likely to visit Canada, and, especially Ontario, than they were six months ago. SARS was cited as the main reason for their reluctance to visit the province. “We saw, earlier in the season, some actual cancella- tions...of some smaller meetings,” Wood said. “We’re hoping we’re beyond that...but we’re not sure.” Another key indicator has to do with Science North. “Science North has revised their projections downward MARG SEREGELYI for the summer,” he said, adding it will impact on all their operations, including Dynamic Earth. School’s out! “I don’t think this summer is going to break any records,” This is the last day of school for most students in the city. Students at Redwood Acres Public School in Hanmer assembled he said. in the gym Tuesday for an awards ceremony. Many awards were handed out for accomplishments. Dakota Di Nardo and Wood said he believes residents can make a difference. Few realize the role they can play in attracting tourists to this Bryce Mead (both senior kindergarten students) and friends hope their names will be called. community. That’s one of the things people at city hall hope to address during Sudbury Tourism Week, June 22 through June 28. Sudburytourism.ca, a partnership of 30 tourism busi- Premature baby care affected at SRH nesses led by the City of Greater Sudbury, is encouraging local residents to mark tourism week by visiting Sudbury’s many attractions. The message they wish to impart is simple: BY TRACEY DUGUAY lance to either Toronto or Ottawa, with- preparation and flight. get out and enjoy the numerous attractions that exist right in [email protected] out their parents. “We always try to provide the ser- your own backyard, then spread the word to friends and fam- It is estimated that as many as 20 This may also apply to expectant vices as close to home as possible,” ily who live elsewhere. premature babies per year will need to mothers as well if there’s time to trans- Gardner says. According to Wood about 40 per cent of the tourists who seek medical treatment elsewhere fer them before the baby is born. She adds it’s just not possible at this come to Sudbury, visit friends or family. because of a change in the status of the Family/Child Program administra- time to continue to treat very prema- “It’s one thing for me to place an ad in an American news- neo-natal unit at the Sudbury Regional tor Diane Belanger-Gardner wants to ture babies. paper or magazine ...(but) that’s not going to do anything to Hospital. reassure all expectant mothers they The reason for the change in status allay people’s fears. Effective Monday, the unit will go won’t be turned away because of the is due to staffing problems, more specif- “On the other hand, if you have Uncle Mike and Aunt Joan from a modified Level 3 to an advanced change in status. ically in the area of recruiting qualified living in Wisconsin and you say to them, ‘Hey, this would be Level 2 standing. If a mother arrives at the hospital in neo-natologists. a great year for you to come and visit Sudbury; things are In essence this means babies who labour, the premature baby will be “We had one of our specialists leave great here‚’ – that’s a compelling invitation.” are born at less than 32-weeks-old delivered onsite, stabilized by a special- in the past year and we’ve had other The city’s tourism budget is between $350-$400,000 this (around seven months) will no longer be ized neo-natal hospital team, and flown medical changes that caused us to go to year, of which $100,000 has been contributed by industry part- treated at the Sudbury hospital. to a Level 3 or higher facility. In most ners. For more information, visit sudburytourism.ca. Instead, they will be flown by air ambu- cases, it takes about an hour for the See NO, Page 5.
Load more

Recommended publications
  • Sudbury Booms on Soaring Metal Prices
    TODAY'S WEATHER SUNNY 15 C 4 Day Forecast | Traffic Wednesday, May 28, 2008 | Today's Toronto Star PHOTOS VIDEO COLUMNISTS BLOGS PODCASTS RSS nmlkji thestar.com nmlkj Web nmlkj find a Business Advanced Search | Full Text Article Archive HOME NEWS COMMENT BUSINESS SPORTS ENTERTAINMENT LIVING TRAVEL WHEELS HEALTHZONE YOURHOME Toronto & GTA | Ontario | Canada | World | Ideas | Global Voices | Obituaries | Local Highlights | Science-Tech REVERSAL OF FORTUNE: SECOND OF TWO PARTS Sudbury booms on soaring metal prices May 18, 2008 04:30 AM Email story Print TONY VAN ALPHEN Choose text size BUSINESS REPORTER Report typo or correction "And everybody's tickled, for it's Saturday tonight" License this article – Stompin' Tom Connors, "Sudbury Saturday Night" GREATER SUDBURY–It feels like Christmas here every day. Everybody is in a rush. And everybody seems to have money to spend. Newcomer Rick Chessel got that holiday buzz when he tried to elbow his way from shop to shop at the New Sudbury Centre on a recent Saturday. WHERE UPPER- CLASS INCOMES "It was just like the day before Christmas," says the 51-year-old machinist. "It was shoulder to shoulder everywhere." ARE EARNED UNDERGROUND Diners are spending more at the Tommy's Not Here restaurant in the south end. At the SRO nightclub downtown, where the Eaton's SUDBURY–Jack (Coco) store once stood, the acronym really fits because it's standing Simons could retire today room only many nights. with a good pension. But he's having too much fun "Everybody's happy," says miner Jack (Coco) Simons. "It's been a making a whole lot of long time since we've seen this." money underground.
    [Show full text]
  • Canadian Humour
    Canadian humour Canadian humour is an integral part of the Canadian Identity. There are several traditions in Canadian humour in both English and French. While these traditions are distinct and at times very different, there are common themes that relate to Canadians' shared history and geopolitical situation in North America and the world. Various trends can be noted in Canadian comedy. One thread is the portrayal of a "typical" Canadian family in an on-going radio or television series. Examples include La famille Plouffe, with its mix of drama, humour, politics and religion and sitcoms such as King of Kensington and La Petite Vie. Another major thread tends to be political and cultural satire: television shows such as CODCO, Royal Canadian Air Farce, La Fin du monde est à 7 heures and This Hour Has 22 Minutes, monologuists such as Yvon Deschamps and Rick Mercer and writers, including Michel Tremblay, Will Ferguson and Eric Nicol draw their inspiration from Canadian and Québécois society and politics. Another trend revels in absurdity, demonstrated by television series like The Kids in the Hall and The Frantics, and musician-comedians such as The Arrogant Worms, Three Dead Trolls in a Baggie and Bowser and Blue. Satire is arguably the primary characteristic of Canadian humour, evident in each of these threads, and uniting various genres and regional cultural differences. Humber College in Toronto and the École nationale de l'humour in Montreal offer post-secondary programmes in comedy writing and performance. Montreal is also home to the bilingual (English and French) Just For Laughs festival and to the Just for Laughs museum, a bilingual, international museum of comedy.
    [Show full text]
  • Being Realistic About Planning in No Growth: Challenges, Opportunities, and Foundations for a New Agenda in the Greater Sudbury, CMA
    Being Realistic About Planning in No Growth: Challenges, Opportunities, and Foundations for a New Agenda in the Greater Sudbury, CMA by Heather M. Hall A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Master of Arts in Planning Waterloo, Ontario, Canada, 2007 ©Heather M. Hall, 2007 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii ABSTRACT Regional disparities, most notably of the 'heartland-periphery' pattern, have been a distinctive feature of Canadian urban geography throughout the industrial era. New regimes of economic prosperity, recessions, and restructuring in the post-industrial era coupled with demographic fluctuations have added new and accentuated divisions and disparities creating an increased gap between cities that are growing and not growing. Under these conditions, it seems realistic to expect that no-growth cities might begin to develop distinctive planning strategies centered on a theme of decline or no-growth scenarios. However, this has not been the case. The City of Greater Sudbury is located in North-eastern Ontario and is best known across Canada for its original resource-based ‘boom’, its unsustainable mining practices and subsequent decline. The 21st-Century City of Sudbury has since evolved into a more balanced regional centre. Nonetheless, the population of the City has been fluctuating over the last 30 years, experiencing decline, slow growth, and no-growth scenarios.
    [Show full text]
  • Downloaded at Guide1.Htm#S9b in November 2010
    AN ECONOMIC RE POR T ON THE SCREEN-BA S E D PR ODUCTION INDUSTR Y IN CA N A D A PROFILE 2010 AN ECONOMIC RE POR T ON THE SCREEN-BA S E D PR ODUCTION INDUSTR Y IN CA N A D A PROFILE 2010 Produced by the CMPA and the APFTQ, in conjunction with the Department of Canadian Heritage. Production facts and figures prepared by Nordicity Group Ltd. 7KHUHSRUWLVSXEOLVKHGE\WKH&DQDGLDQ0HGLD3URGXFWLRQ$VVRFLDWLRQ IRUPHUO\WKH&DQDGLDQ)LOP DQG7HOHYLVLRQ3URGXFWLRQ$VVRFLDWLRQ ,WLVWKHUHVXOWRIDFROODERUDWLRQZLWKO·$VVRFLDWLRQGHV SURGXFWHXUVGHÀOPVHWGHWpOpYLVLRQGX4XpEHFDQGWKH'HSDUWPHQWRI&DQDGLDQ+HULWDJH Ottawa Vancouver APFTQ 151 Slater Street, Suite 902 736 Granville Street, Suite 600 1450 City Councillors, Suite 1030 Ottawa, ON K1P 5H3 Vancouver, BC V6Z 1G3 Montréal, QC H3A 2E6 Tel: 1-800-656-7440 (Canada only)/ Tel: 1-866-390-7639 (Canada only)/ Tel: 514-397-8600 613-233-1444 604-682-8619 Fax: 514-392-0232 Fax: 613-233-0073 Fax: 604-684-9294 Email: [email protected] Email: [email protected] Email: [email protected] www.apftq.qc.ca www.cmpa.ca At the CMPA: At the APFTQ: Toronto Susanne Vaas 160 John Street, 5th Floor Vice-president, Business Affairs & Claire Samson Toronto, ON M5V 2E5 Recording Secretary President and CEO Tel: 1-800-267-8208 (Canada only)/ Patrick Boie 416-304-0280 Fax: 416-304-0499 Director of Communications Email: [email protected] At the Department of Canadian Heritage: Nordicity Group Ltd. Department of Canadian Heritage Lynn Foran Peter Lyman, Senior Partner 15 Eddy Street Manager, Dustin Chodorowicz, Partner Gatineau, QC K1A 0M5 Film and Video Policy and Programs Kurt Eby, Manager Tel: 1-866-811-0055/ 819-997-0055 Vincent Fecteau TTY/TDD: 819-997-3123 Nordicity (www.nordicity.com) is a leading Senior Research Analyst international consulting firm specializing Email: [email protected] Research and Analysis, in economic and financial analysis, business www.canadianheritage.gc.ca Cultural Industries strategy solutions, and public policy and regulatory affairs.
    [Show full text]
  • AGREEMENT (“Agreement”)
    INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION (“CFTPA”) and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC (“APFTQ”) (the “Associations”) ***VERSION WITH 2009 RATES FOR WGC WEBSITE USE ONLY*** November 19, 2006 to December 31, 2008 EXTENDED TO DECEMBER 31, 2009 © 2006 WRITERS GUILD OF CANADA and CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 24 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 42 Article A11 Payments p. 44 Article A12 Administration Fee p. 52 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 52 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 54 Section B: Conditions Governing Engagement p. 55 Article B1 Conditions Governing Engagement for all Program Types p. 55 Article B2 Optional Bibles, Script/Program Development p. 61 Article B3 Options p. 62 Section C: Additional Conditions and Minimum Compensation by Program Type p.
    [Show full text]
  • Canadian Claimants Group (CCG)
    WRITTEN DIRECT TESTIMONY OF JANICE DE FREITAS (CBC - RIGHTS ADMINISTRATION) 2004—2005 Cable Royalty Distribution Proceeding Docket No. 2007-03 CRB CD 2004-2005 1. Introduction I am Manager of Rights Administration for the Canadian Broadcasting Corporation/Radio-Canada (CBC/Radio-Canada) at the Head Office in Ottawa. I have worked for the CBC since 1980. For the last 15 years, I have served as Chairman of the Canadian Claimants Group (CCG). Before assuming my current position, I spent nine years in CBC’s television program distribution department eventually managing the Educational Sales unit. Those responsibilities called for me to be familiar with the English television network’s programming, and rights administration. CBC/Radio-Canada is Canada’s national public broadcaster, and one of its largest and most important cultural institutions. It was created by an Act of Parliament in 1936, beginning with Radio. Bilingual television services were launched in 1952. CBC/Radio-Canada is licensed and regulated by the Canadian Radio-television and Telecommunications Commission (CRTC)1. CBC/Radio-Canada employs approximately 9,930 Canadians in 27 regional offices across the country. CBC programming is provided on multiple platforms: television (both traditional over-the-air and cable networks), radio, the Internet, satellite radio, digital audio and a recording label. Through this array of activities, CBC/Radio-Canada delivers content in English, French, and eight aboriginal languages. In addition to this, programming is available in seven other languages including Spanish, Russian and Mandarin on both Radio Canada International, and Web-based www.rciviva.ca, a radio service for recent and aspiring immigrants to Canada.
    [Show full text]
  • 512-17312-14 (851-0034-14)
    IPA cover_12-14:ipa cover03.final 11/30/12 10:54 AM Page 1 IPA 2012-2014Effective November 1, 2012 Writers Independent Production Agreement INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC (“APFTQ”) (the “Associations”) November 1, 2012 to December 31, 2014 © 2012 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 23 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 24 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 42 Article A11 Payments p. 44 Article A12 Administration Fee p. 51 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 53 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 54 Section B: Conditions Governing Engagement p. 55 Article B1 Conditions Governing Engagement for all Program Types p. 55 Article B2 Optional Bibles, Script/Program Development p. 61 Article B3 Options p. 62 Section C: Additional Conditions and Minimum Compensation by Program Type p.
    [Show full text]
  • Bell Fund Annual Report 2002
    TORONTO MONTREAL 2 Carlton St., Suite 1709, Toronto, Ontario M5B 1J3 4200 boul. St-Laurent, bureau 503, Montréal (Québec) H2W 2R2 Tel: (416) 977-8154 Fax: (416) 977-0694 Tel: (514) 845-4418 Fax: (514) 845-5498 Email: [email protected] www.bellfund.ca Email: [email protected] www.fondsbell.ca Bell Broadcast and New Media Fund Annual Report 2002 th 5 anniversary OVERVIEW OF THE BELL BROADCAST AND NEW MEDIA FUND "Over the past few years, Canada has emerged as one of the world's leading creators and distributors of interactive content that enhances and extends television programming. This phenomenon correlates directly with the creation 22003300CCEE..ttvv VViillllaaggee ddeess KKlloooottzz Deeggrraassssii..ttvv of the funding initiatives Miinnddss EEyyee PPiiccttuurreess 33884466336699 CCaannaaddaa IInncc.. ((KKlliikk AAnniimaattiioonn)) SSNAAPP Meeddiiaa aanndd EEppiittoomee PPiiccttuurreess of the Bell Broadcast and New Media Fund." OBJECTIVES Dan Fill, w To benefit the Canadian broadcasting system by encouraging the development and production of Decode Entertainment Canadian content for digital media and television; and by stimulating partnerships and learning among members of the new media and television industries. "…the Bell Fund structure has almost ELIGIBLE APPLICANTS single-handedly w Must be Canadian, and in the case of a company, must be Canadian-controlled. supported the creation of w Must be an independent producer or broadcaster-affiliated production company. innovative interactive Canadian television ELIGIBLE PROJECTS content…The Bell Fund w Must include both a new media component as well as a television component. has allowed producers w The television component must be certified Canadian under the rules of the CRTC.
    [Show full text]
  • Annual Report 2004-2005
    THERE ARE SEVERAL SHOWS THAT WE FIND EXCELLENT, MORE IN-DEPTH THAN THE NEWS AND WE HOPE YOU CONTINUE TO SHOW THEM. ARE THEY EVER REPEATED AND HOW DO PEOPLE BUY COPIES? • How about a multi-cultural extravaganza to help us respect our diverse culture? • IF YOU WANT TO SEE SEX, WATCH TV ANY TIME. WHAT ARE OUR CHILDREN LEARNING? • Where will our collective conscience find a voice that can be heard throughout the world if not through the CBC? • I CANNOT BEGIN TO EXPRESS MY W H A T I S A GRATITUDE FOR YOUR BEING—TO MY KNOWLEDGE—THE FIRST P U B L I C S P A C E ? NATIONAL NEWS NETWORK ON CBC | RADIO-CANADA ANNUAL REPORT 2004–2005 THIS CONTINENT TO SERIOUSLY RAISE QUESTIONS ABOUT THE EVENTS SURROUNDING 9-11. • WHY DON’T YOU PLAY ? ?? ANY ELVIS PRESLEY? CBC|RADIO-CANADA ANNUAL REPORT 2004–2005 CBC|RADIO-CANADA ANNUAL REPORT 2004–2005 CBC| RADIO-CANADA D I S T I N C T I V E C A N A D I A N P R O G R A M M I N G E V E R Y D AY HIGHLIGHTS 2004–2005 SETTING THE STANDARD FOR CANADIAN BROADCASTING • Hundreds of national and international awards for • WORLD CUP OF HOCKEY FINALS – nearly our English and French Radio, Television and New FOUR MILLION VIEWERS FOR CBC TELEVISION EXCELLENCE, ON AND OFF THE AIR Media Services this year, including 53 GÉMEAUX and 908,000 (30 PER CENT of the Francophone 52 GEMINI, two PRIX BOOMERANG, two ONLINE viewing audience) for the finals’ retransmission CBC RADIO ONE: commercial-free English- TÉLÉVISION DE RADIO-CANADA: French- language network, broadcasting local, language network delivering a broad range NEWS ASSOCIATION PRIZES, a PRIX ITALIA, four on TÉLÉVISION DE RADIO-CANADA.
    [Show full text]
  • Testimony of Lucy Medeiros
    TESTIMONY OF ALISON SMITH (Canadian Broadcasting Corporation) Introduction My name is Alison Smith. I am currently a Washington Television News Correspondent for the Canadian Broadcasting Corporation. I have worked for CBC News for more than 30 years in a variety of positions, but primarily as a news anchor and reporter. I am now based in Washington DC covering US news of interest to Canadians. That includes US politics, foreign affairs, the economy and news features that reflect American life. The CBC The CBC’s mandate is to provide programming that is predominantly and distinctively Canadian and to actively contribute to the flow and exchange of cultural expression. CBC News The CBC News Service was established almost 70 years ago in 1941. As an important component of CBC, the mandate for CBC News mirrors that of the corporation. With its team of experienced and highly professional journalists it is seen as one of the greatest strengths of the CBC. It is Canada’s largest news service with more than 800 journalists employed at home and around the world. It currently has more bureaus across Canada than any other network and 14 outside of the country. There are three bureaus in the US – Washington, New York and Los Angeles. Other locations include London, Paris, Jerusalem, Mexico City, Moscow, Beijing, Shanghai, Nairobi, Bangkok and Kandahar. From the inception of the news service, CBC news and current affairs journalists have won international recognition for their work. A list of international awards covering the time period at issue here is attached to this testimony (Exhibit CDN-2-A).
    [Show full text]
  • 2010–2012 Ipa
    INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) between the Alliance of Canadian Cinema, Television and Radio Artists (“ACTRA”) and the Canadian Film and Television Production Association (“CFTPA”) and l’Association des Producteurs de Films et de Television du Quebec (“APFTQ”) (collectively, “The Associations”) covering Performers in Independent Production January 1, 2010, to December 31, 2012 © 2010 ACTRA, Canadian Film and Television Production Association, and Association des Producteurs de Films et de Télévision du Québec IPA 1 January 2010 – 31 December 2012 ACTRA and the CFTPA/APFTQ TABLE OF CONTENTS PART A – ARTICLES OF GENERAL APPLICATION A1 Recognition and Application .....................................................................................1 A101 Bargaining Unit ..........................................................................................1 A104 Administration of Agreement ..................................................................... 2 A106 Rights of Producer .................................................................................... 2 A107 Preservation of Bargaining Rights .............................................................. 3 A108 General Provisions .................................................................................... 3 A2 Exclusions and Waivers............................................................................................ 5 A201 Performer definition .................................................................................. 5 A205 Consent
    [Show full text]
  • Writers Independent Production Agreement (IPA) 2012-2014, Effective from November 1, 2012 to December 31, 2014
    IPA cover_12-14:ipa cover03.final 11/30/12 10:54 AM Page 1 IPA 2012-2014Effective November 1, 2012 Writers Independent Production Agreement INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC (“APFTQ”) (the “Associations”) November 1, 2012 to December 31, 2014 © 2012 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TÉLÉVISION DU QUÉBEC. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 23 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 24 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 42 Article A11 Payments p. 44 Article A12 Administration Fee p. 51 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 53 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 54 Section B: Conditions Governing Engagement p. 55 Article B1 Conditions Governing Engagement for all Program Types p. 55 Article B2 Optional Bibles, Script/Program Development p. 61 Article B3 Options p. 62 Section C: Additional Conditions and Minimum Compensation by Program Type p.
    [Show full text]