Bell Fund Annual Report 2002
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Small Business Fibe TV Channel List for Current Pricing, Please Visit: Bell.Ca/Businessfibetv
Ontario | May 2016 Small Business Fibe TV Channel List For current pricing, please visit: bell.ca/businessfibetv Starter MTV . 573 HLN Headline News . 508 Investigation Discovery (ID) . 528 Includes over 25 channels MTV HD . 1,573 HLN Headline News HD . 1508 Investigation Discovery (ID) HD . 1528 MuchMusic . 570 KTLA . 298 Lifetime . 335 AMI audio . 49 MyTV Buffalo . 293 KTLA HD . 1298 Lifetime HD . 1335 AMI télé . 50 MyTV Buffalo HD . 1,293 M3 . 571 Love Nature . 1661 AMI TV . 48 Météo Média . 105 M3 HD . 1571 MovieTime . 340 APTN . 214 Météo Média HD . 1105 Mediaset Italia . 698 MovieTime HD . 1340 APTN HD . 1214 NTV - St . John’s . 212 MTV2 . 574 MSNBC HD . 1506 CBC - Local . 205 Radio Centre-Ville . 960 National Geographic . 524 NBA TV Canada . 415 CBC - Local HD . 1205 Radio France Internationale . 971 National Geographic HD . 1524 NBA TV Canada HD . 1415 CHCH . 211 Space . 627 NFL Network . 448 Nat Geo Wild . 530 CHCH HD . 1211 Space HD . 1627 NFL Network HD . 1448 Nat Geo Wild HD . 1530 Citytv - Local . 204 Sportsnet - East . 406 Nuevo Mundo . 865 NBC - West . 285 Citytv - Local HD . 1204 Sportsnet - East HD . 1406 OLN . 411 NBC - West HD . 1285 CPAC - English . 512 Sportsnet - Ontario . 405 OLN HD . 1411 Nickelodeon . 559 CPAC - French . 144 Sportsnet - Ontario HD . 1405 PeachTree TV . 294 Oprah Winfrey Network . 526 CTV - Local . 201 Sportsnet - Pacific . 407 PeachTree TV HD . 1294 Oprah Winfrey Network HD . 1526 CTV - Local HD . 1201 Sportsnet - Pacific HD . 1407 Russia Today . 517 OutTV . 609 CTV Two - Local . 501 Sportsnet - West . 408 Showcase . 616 OutTV HD . -
Annual Report 2000
CORUS AT A GLANCE OPERATING DIVISIONS KEY STATISTICS KEY BRANDS Radio Broadcasting With 49 stations (subject to CRTC approval of • Canadians spend 85.3 million hours tuned 43.50 the Metromedia acquisition) across the country, in to Corus radio stations each week August 31, 2000 including market clusters in high-growth urban • Corus radio stations reach 8.4 million centres in British Columbia, Alberta, Manitoba, Canadians each week – 3 million more eports year-to-date eports year-to-date Ontario and Quebec, Corus Entertainment is than the closest competitor eports year-to-date Canada’s largest radio operator in terms of • Corus has the only private radio network revenue and audience tuning. covering major markets in Canada Corus announces purchase Corus announces • www.edge102.com is the ninth most listened the of purchase Corus completes the to Web site in the world Corus announces joint venture with CBC to venture joint Corus announces Corus announces that Liberty Media to that Liberty Media Corus announces Specialty Programming Corus Entertainment has control or an interest • Corus’ programming services in aggregate for with Torstar partnership eh.com – Corus announces in many of Canada’s leading specialty and pay- have 22 million subscribers THIRD QUARTER RESULTS – Corus r RESULTSTHIRD QUARTER Corus – 65% of increase profit operating SOUND PRODUCTS LTD.SOUND PRODUCTS – radio the purchase to CRTC GRANTS APPROVAL Corus for WIC assets of television premium and POWER BROADCASTING – assets Broadcasting Power TSE TSE 300 INDEX added is Corus -
Regional Television Stations)
Corus English-language Group of Basic Television Stations and Discretionary Services Basic Television Stations (Regional Television Stations) Call Sign and Location CKWS-DT-1 Brighton, ON CKWS-TV Kingston, ON CHEX-TV-2 Oshawa, ON CHEX-TV Peterborough, ON CKWS-TV-2 Prescott, ON Basic Television Stations (Global Television Stations) Call Sign and Location CIHF-DT Halifax, NS and its transmitters: CIHF-DT-5 Wolfville CIHF-DT-7 Sydney CHNB-DT Saint-John, NB and its transmitters: CIHF-DT-1 Fredericton CIHF-DT-3 Moncton CIHF-DT-14 Charlottetown, Prince Edward Island CKMI-DT-1 Montreal, QC and its transmitters: CKMI-DT Québec CKMI-DT-2 Sherbrooke CIII-DT- 41 Toronto, ON and its transmitters: CFGC-DT Sudbury CFGC-DT-2 North Bay CIII-DT Paris CIII-TV-2 Bancroft CIII-DT-4 Owen Sound CIII-DT-6 Ottawa CIII-DT-7 Midland CIII-DT-12 Sault Ste. Marie CIII-DT-13 Timmins CIII-DT-22 Stevenson CIII-DT-27 Peterborough CIII- DT-29 Oil Springs CKND-DT Winnipeg, MB and its transmitter: CKND-DT-2 Minnedosa CFRE-DT Regina, SK Corus Entertainment Inc. | 25 Dockside Drive, Toronto, ON M5A 0B5 | 416.479.7000 | corusent.com 2 CFSK-DT Saskatoon, SK CISA-DT Lethbridge, AB CICT-DT Calgary, AB CITV-DT Edmonton, AB and its transmitter: CITV-DT-1 Red Deer CHBC-DT Kelowna, BC and its transmitters: CHBC-DT-2 Vernon CHBC-TV-7 Skaha Lake CHRP-TV-2 TV Revelstoke CHAN-DT Vancouver, BC and its transmitters: CHAN-DT-1 Chilliwack CHAN-TV-2 Bowen Island CHAN-DT-4 Courtenay CITM-TV 100 Mile House CIFG-DT Prince George CHKL-DT Kelowna CHKL-DT-1 Penticton -
This Exclusive Report Ranks the World's Largest Licensors. the 2012 Report
MAY 2012 VOLUME 15 NUMBER 2 ® This exclusive report ranks the world’s largest licensors. Sponsored by The 2012 report boasts the addition of 20 new licensors, reinforcing the widespread growth of brand extensions, and represents more than $192 billion in retail sales. YOUR RIGHTS. YOUR PROPERTY. YOUR MONEY. Royalty, licensing, joint venture, and profit participation agreements present great revenue opportunities. But, protecting property rights and managing the EisnerAmper Royalty Audit & accuracy of royalty and profit reports often poses significant challenges. The Compliance Services dedicated team of professionals in EisnerAmper’s Royalty Audit & Contract Compliance Services Group use their expertise and experience to assist clients in n Royalty, Participation & Compliance Examinations protecting intellectual properties and recovering underpaid royalties and profits. n Financial Due Diligence There are substantial benefits for licensors and licensees when they know that n Litigation Consultation reports and accountings are fairly presented, truthful and in accordance with the n provisions of their agreements. Put simply: licensors should collect all amounts Royalty Process Consultation to which they are entitled and licensees should not overpay. Furthermore, our licensor clients turn to EisnerAmper when they require information about certain non-monetary activities of their licensees or partners in order to protect the value and integrity of their intellectual properties, and to plan for the future. Find out how EisnerAmper’s professionals can assist licensors prevent revenue from slipping away and how we provide licensees the tools they need to prepare the proper reports and payments. Let’s get down to business. TM Lewis Stark, CPA www.eisneramper.com Partner-in-Charge EisnerAmper Royalty Audit and Contract Compliance EisnerAmper LLP Accountants & Advisors 212.891.4086 [email protected] Independent Member of PKF International Follow us: This exclusive report ranks the world’s largest licensors. -
English Performance Envelopes & Production Incentive
Home Français Feedback Corporate website Papo & Yo SalesAn interactive: Denmark, fable Finland, in whichFrance, the Germany, primal relationshipNetherlands, between Norway, parentSlovenia, and Sweden, child is brilliantlyWorldwide allegorized (excluding in the taleUSA) of a monster and his small friend. Average Minute Launch Video Audience: 1,805,000 Appendices English Performance Envelopes & Production Incentive Program Notice SECTIONS ON THIS PAGE Funding Lists Convergent Stream Drama Documentary Variety & Performing Arts English Performance Children & Youth Envelopes & Production Incentive Program French Performance Envelopes and Regional French Incentive Program Francophone Minority DRAMA Program Aboriginal Program English POV Program Convergent 2nd Platform / Diverse Languages Project Title Applicant(s) Region Platform Content Type Program Envelope Funding ($) Program Drama Versioning Program English Development 18 To Life II (13- 18 To Life II Productions inc / MTL TV Digital PE CBC $4,022,698 Envelopes 25) Sound Venture 18 Productions Distribution EPI $1,000,000 French Selective Inc. Development Total $5,022,698 French Regional Development Program Being Erica lll (1- Being Erica III Productions TO TV Rich & PE CBC $6,599,996 Francophone Minority 13) Limited Substantial Program (Development) Digital Media Aboriginal Program (Development) The Bionic Crimson Clay Media Ltd. SK TV Digital PE APTN (English) $144,600 Experimental Stream - Bannock Boys II Distribution Development and Marketing (7-12) Experimental Stream - Production Blackstone I (2-9) Blackstone Cycle I Ltd. AB TV Rich & PE APTN (English) $1,015,000 Substantial Performance Envelope Digital Media Calculations Internet Website PE APTN (English) $146,919 Audience Data Sources Total $1,161,919 The Borgias I Borgias Productions Inc. TO TV Video On PE BRAVO! $1,100,000 Financing Sources : Definitions (101-109) Demand By the Rapids IV Ista Films IV Inc. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
INDEPENDENT PRODUCTION AGREEMENT ("Agreement")
-·- ·· -·--- ---------- INDEPENDENT PRODUCTION AGREEMENT ("Agreement") covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the "Guild") and The CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION ("CFTPA") and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELJ~:VISION DUQUEBEC ("APFTQ") (the "Associations") January 1, 2010 to December 31, 20 II © 2010 WRITERS GUILD OF CANADA and CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELEVISION DU QUEBEC. TABLE OF CONTENTS Section A: General -AU Productions p. Article AI Recognition, Application and Term p. Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article AS Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p.22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p.24 Article A8 Story Editors and Story Consultants p.29 Article A9 Credits p. 30 Article AIO Security for Payment p.42 Article All Payments p.44 Article Al2 Administration Fee p.52 Article Al3 Insurance and Retirement Plan, Deductions from Writer's Fees p. 52 Article Al4 Contributions and Deductions from Writer's Fees in the case of Waivers p.54 Section 8: Conditions Governing Engagement p.55 Article 81 Conditions Governing Engagement for all Program Types p.55 Article 82 Optional Bibles, Script/Program Development p. 61 Article 83 Options p.62 Section C: Additional Conditions and Minimum Compensation by Program Type p.63 Article Cl Feature Film p.63 Article C2 Optional Incentive Plan for Feature Films p. -
Ampd Ventures Inc
AMPD VENTURES INC. News Release AMPD Remote Render Solution based on AMD EPYC™ Processors Cuts Render Time in Half for Bardel Entertainment Vancouver, British Columbia – September 29, 2020 – AMPD Ventures Inc. (“AMPD” or the “Company”, CSE: AMPD; FRA: 2Q0) is pleased to announce the highly encouraging findings of a case study conducted by AMD that highlights the advantages of the AMPD Remote Render solution, based on compute nodes with 2nd Gen AMD EPYC™ processors, for Bardel Entertainment. The case study demonstrates that the AMPD hosted solution, powered by 2nd Gen AMD EPYC™ processors, results in reducing render times by as much as half for AMPD customer, the Emmy® award- winning studio Bardel Entertainment Inc. (“Bardel”) while delivering significant cost savings. The performance and reliability of the AMPD Remote Render Solution enabled Bardel to save weeks of rendering time on every project with predictable and dependable completion times. “These results reinforce our conviction that AMPD is on track to become one the leading providers of high-performance computing solutions for the animation and visual effects sector. We are huge fans of the content that Bardel creates and thrilled to see their shows rendered on AMPD servers,” said Anthony Brown, CEO and co-founder of AMPD. The combination of AMD EPYC processors and AMPD's high-performance computing at the edge approach is a powerful solution in response to the explosively growing demand for HPC infrastructure from the digital media sector. Case Study Background: Eric Legaspi, Vice President of Technology at, Bardel, outlines the benefits of the AMPD Remote Render Solution for artists, technologists and Bardel’s bottom line since signing a multi-year agreement for AMPD’s solution in November 2019. -
(“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p. -
Un Anno Di Zapping Guida Critica Family Friendly Ai Programmi Televisivi STAGIONE TELEVISIVA - 2015/2016
Osservatorio Media del Moige Movimento Italiano Genitori a cura di Elisabetta Scala Palmira Di Marco Francesco La Rosa un anno di zapping guida critica family friendly ai programmi televisivi STAGIONE TELEVISIVA - 2015/2016 prefazione di On. Antono Martusciello indice Prefazione 7 Marida Caterini Introduzione 9 Maria Rita Munizzi, Elisabetta Scala Legenda dei simboli 11 Schede di analisi critica dei programmi 13 Indice dei programmi 323 Glossario dei termini tecnici 335 Note professionali degli autori 337 5 prefazione Una stagione televisiva molto controversa punteggiata, troppo frequentemente, da imbarazzanti cadute di stile. Palinsesti costruiti per catturare la curiosità del pubbli- co facendo leva su istinti degradanti ma ritenuti forieri di audience e quindi appetibili agli investitori pubblicitari. La tv mostra un sensibile e progressivo deterioramento dei valori etici, meno attenta al rispetto per i telespettatori e, soprattutto, per i minori. Fortunatamente, uno spiraglio esiste. E la speranza che si possa invertire il trend, fidando in un piccolo schermo a misura di famiglia, diventa visibile come un faro nella nebbia. Un anno di zapping ha, da sempre, il compito di analiz- zare i palinsesti individuando i meriti e la qualità dei pro- grammi, delle fiction, degli spot pubblicitari, dei talk show, dell’informazione e dell’intrattenimento in tutti i settori. Un lavoro lungo un anno, mai fazioso, attento e gratifi- cante, pronto a indicare la strada giusta per un’inversio- ne di tendenza verso una tv propositiva per un pubblico trasversale. Un lavoro che conosco da vicino nel quale io stessa sono stata impegnata lo scorso anno. La famiglia è la maggior fruitrice del piccolo schermo sia nelle forma convenzionale, ancora in grado di riunire tut- ti dinanzi al vecchio caro elettrodomestico, sia nella sua evoluzione resa possibile dalle nuove tecnologie. -
Sudbury Booms on Soaring Metal Prices
TODAY'S WEATHER SUNNY 15 C 4 Day Forecast | Traffic Wednesday, May 28, 2008 | Today's Toronto Star PHOTOS VIDEO COLUMNISTS BLOGS PODCASTS RSS nmlkji thestar.com nmlkj Web nmlkj find a Business Advanced Search | Full Text Article Archive HOME NEWS COMMENT BUSINESS SPORTS ENTERTAINMENT LIVING TRAVEL WHEELS HEALTHZONE YOURHOME Toronto & GTA | Ontario | Canada | World | Ideas | Global Voices | Obituaries | Local Highlights | Science-Tech REVERSAL OF FORTUNE: SECOND OF TWO PARTS Sudbury booms on soaring metal prices May 18, 2008 04:30 AM Email story Print TONY VAN ALPHEN Choose text size BUSINESS REPORTER Report typo or correction "And everybody's tickled, for it's Saturday tonight" License this article – Stompin' Tom Connors, "Sudbury Saturday Night" GREATER SUDBURY–It feels like Christmas here every day. Everybody is in a rush. And everybody seems to have money to spend. Newcomer Rick Chessel got that holiday buzz when he tried to elbow his way from shop to shop at the New Sudbury Centre on a recent Saturday. WHERE UPPER- CLASS INCOMES "It was just like the day before Christmas," says the 51-year-old machinist. "It was shoulder to shoulder everywhere." ARE EARNED UNDERGROUND Diners are spending more at the Tommy's Not Here restaurant in the south end. At the SRO nightclub downtown, where the Eaton's SUDBURY–Jack (Coco) store once stood, the acronym really fits because it's standing Simons could retire today room only many nights. with a good pension. But he's having too much fun "Everybody's happy," says miner Jack (Coco) Simons. "It's been a making a whole lot of long time since we've seen this." money underground. -
Canadian Humour
Canadian humour Canadian humour is an integral part of the Canadian Identity. There are several traditions in Canadian humour in both English and French. While these traditions are distinct and at times very different, there are common themes that relate to Canadians' shared history and geopolitical situation in North America and the world. Various trends can be noted in Canadian comedy. One thread is the portrayal of a "typical" Canadian family in an on-going radio or television series. Examples include La famille Plouffe, with its mix of drama, humour, politics and religion and sitcoms such as King of Kensington and La Petite Vie. Another major thread tends to be political and cultural satire: television shows such as CODCO, Royal Canadian Air Farce, La Fin du monde est à 7 heures and This Hour Has 22 Minutes, monologuists such as Yvon Deschamps and Rick Mercer and writers, including Michel Tremblay, Will Ferguson and Eric Nicol draw their inspiration from Canadian and Québécois society and politics. Another trend revels in absurdity, demonstrated by television series like The Kids in the Hall and The Frantics, and musician-comedians such as The Arrogant Worms, Three Dead Trolls in a Baggie and Bowser and Blue. Satire is arguably the primary characteristic of Canadian humour, evident in each of these threads, and uniting various genres and regional cultural differences. Humber College in Toronto and the École nationale de l'humour in Montreal offer post-secondary programmes in comedy writing and performance. Montreal is also home to the bilingual (English and French) Just For Laughs festival and to the Just for Laughs museum, a bilingual, international museum of comedy.