Doc ^ Door Wide Open: a Beat Love Affair in Letters, 1957-1958

Total Page：16

File Type：pdf, Size：1020Kb

TT5L9TPCEE // Door Wide Open: A Beat Love Affair in Letters, 1957-1958 \ Doc Door W ide Open: A Beat Love A ffair in Letters, 1957-1958 By Joyce Johnson Penguin Books. Paperback. Book Condition: New. Paperback. 208 pages. Dimensions: 7.7in. x 5.1in. x 0.6in.On a blind date in Greenwich Village set up by Allen Ginsberg, Joyce Johnson (then Joyce Glassman) met Jack Kerouac in January 1957, nine months before he became famous overnight with the publication of On the Road. She was an adventurous, independent-minded twenty-one- year-old; Kerouac was already running on empty at thirty-five. This unique book, containing the many letters the two of them wrote to each other, reveals a surprisingly tender side of Kerouac. It also shares the vivid and unusual perspective of what it meant to be young, Beat, and a woman in the Cold War fifties. Reflecting on those tumultuous years, Johnson seamlessly interweaves letters and commentary, bringing to life her love affair with one of American letters most fascinating and enigmatic figures. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. READ ONLINE [ 4.03 MB ] Reviews Thorough information! Its such a excellent read. It is really simplistic but unexpected situations within the fiy percent of your pdf. Once you begin to read the book, it is extremely difficult to leave it before concluding. -- Johnathon Moore The book is fantastic and great. It is rally exciting throgh looking at period of time. Your way of life period will likely be change when you full reading this publication. -- Elijah Kuphal GQRKPC9VFO // Door Wide Open: A Beat Love Affair in Letters, 1957-1958 > Doc Relevant Kindle Books Read Write Inc. Phonics: Grey Set 7 Non-Fiction 5 a Place in Space: The Moon Oxford University Press, United Kingdom, 2016. Paperback. Book Condition: New. 197 x 88 mm. Language: N/A. Brand New Book. These decodable non-fiction books provide structured practice for children learning to read. Each set of books is carefully levelled to match childrens growing... Kidz Bop - A Rockin' Fill-In Story: Play Along with the Kidz Bop Stars - and Have a Totally Jammin' Time! Adams Media. PAPERBACK. Book Condition: New. 144050573X. Becoming Barenaked: Leaving a Six Figure Career, Selling All of Our Crap, Pulling the Kids Out of School, and Buying an RV We Hit the Road in Search Our Own American Dream. Redefining What It Meant to Be a Family in America. Createspace, United States, 2015. Paperback. Book Condition: New. 258 x 208 mm. Language: English . Brand New Book ***** Print on Demand *****.This isn t porn. Everyone always asks and some of our family thinks it is for sure.but it s not.... You Shouldn't Have to Say Goodbye: It's Hard Losing the Person You Love the Most Sourcebooks, Inc. Paperback / soback. Book Condition: new. BRAND NEW, You Shouldn't Have to Say Goodbye: It's Hard Losing the Person You Love the Most, Patricia Hermes, Thirteen-year-old Sarah Morrow doesn't think much of the fact that her mother winced a little... What is Love A Kid Friendly Interpretation of 1 John 311, 16-18 1 Corinthians 131-8 13 Teaching Christ's Children Publishing. Paperback. Book Condition: New. Daan Yahya (illustrator). Paperback. 26 pages. Dimensions: 10.0in. x 8.0in. x 0.1in.What is Love is a Bible based picture book that is designed to help children understand what love is. In the story, twins... Gluten-Free Girl and the Chef: A Love Story with 100 Tempting Recipes Book Condition: New. BRAND NEW BOOK! A+ CUSTOMER SERVICE! 100% MONEY BACK GUARANTEE! FAST, SAME BUSINESS DAY SHIPPING!. DMCA Notice | Terms.

Copy Link

Recommended publications

On the Borderline of Expectation and Desire in Joyce Johnson's
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ “Mad to Be Saved”: On the Borderline of Expectation and Desire in Joyce Johnson’s Come and Join the Dance Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Spring 2016 By Jessica Nicole Pringle ____________________ Thesis Director Dr. Evan Gurney ____________________ Thesis Advisor Dr. Lori Horvitz Pringle 1 The year is 1955 in America the Great. Dwight Eisenhower is president, the Battle of Dienbienphu is underway, and Allen Ginsberg is reading his first draft of “Howl” at the Gallery Six. The Seven Year Itch has hit the big screen, women are stationed in their houses, and the economy has been struck by a momentous deflation. Vagabonds are scouring the states, their right thumbs in the air, while the abomunists1 perform their 9-5’s in the center of an emergent poetic riff-raff. The 1950s was jazz, was finger-snapping stanzas; it was the year of the creative delinquent. The 1950s was The Beat Generation, and a fraction of that beat feeling can be attributed to 1950’s America being wrought with strict stereotypical roles for men and women, which produced alarming consequences. To give context, men were oftentimes the ‘breadwinners,’ and were afforded the opportunities to establish careers, to explore the world in a multitude of ways, and to realize the capacity of their talents and traits, all which worked together in cultivating a sense of identity (Lindsey 17).
[Show full text]
“One's-Self I Sing”: the Theme of Individualism As a Part of the American Experience in the Works of Mark Twain, Ernest H
“ONE’S-SELF I SING”: THE THEME OF INDIVIDUALISM AS A PART OF THE AMERICAN EXPERIENCE IN THE WORKS OF MARK TWAIN, ERNEST HEMINGWAY, AND JACK KEROUAC By L. LEE LINDSEY Bachelor of Arts in History Oklahoma State University Stillwater, Oklahoma 2010 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2012 “ONE’S-SELF I SING”: THE THEME OF INDIVIDUALISM AS A PART OF THE AMERICAN EXPERIENCE IN THE WORKS OF MARK TWAIN, ERNEST HEMINGWAY, AND JACK KEROUAC Thesis Approved: Dr. Michael F. Logan Thesis Adviser Dr. William Bryans Dr. Richard C. Rohrs Dr. Sheryl A. Tucker Dean of the Graduate College ii TABLE OF CONTENTS Chapter Page I. INTRODUCTION—“SELF-RELIANCE” ................................................................1 II. MARK TWAIN—THE DEVELOPMENT OF AN AMERICAN VOICE ............12 III. ERNEST HEMINGWAY—THE EARTH ABIDES ............................................41 IV. JACK KEROUAC—THE ROAD TO REDEMPTION ........................................76 V. CONCLUSION—“A SONG OF AMERICA” ....................................................110 REFERENCES ..........................................................................................................124 iii CHAPTER I INTRODUCTION—“SELF-RELIANCE” We have yet had no genius in America, with tyrannous eye, which knew the value of our incomparable materials, and saw, in the barbarism and materialism of the times, another carnival of the same gods whose picture he so much admires in Homer; then in the middle age; then in Calvinism. Ralph Waldo Emerson 1 Much like the people of America, the American character is an amalgamation of heritages that spans time and place, including not only “British but European [aspects], not only . the seventeenth and eighteenth centuries but .
[Show full text]
Stewart, Katie Jennifer (2007) 'A Kind of Singing in Me' : a Critical Account of Women Writers of the Beat Generation
Stewart, Katie Jennifer (2007) 'A kind of singing in me' : a critical account of women writers of the Beat generation. PhD thesis. http://theses.gla.ac.uk/2805/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] 'A Kind of Singing in Me': A Critical Account of Women Writers of the Beat Generation Katie Jennifer Stewart Thesis submitted for the degree of Doctor of Philosophy to the University of Glasgow Department of English Literature June 2007 © Katie Jennifer Stewart, 2007 ABSTRACT This thesis provides a critical account of women writers of the Beat generation. Writers such as Diane di Prima, Hettie Jones, Joanne Kyger, Joyce Johnson, Bonnie Bremser, and Janine Pommy Vega were part of the 1950s Beat literary culture and had social relationships with the more famous male Beat writers such as Jack Kerouac and Allen Ginsberg. To differing degrees the women writers have also been influenced by the aesthetics of the male writers, and since the 1950s their work has been contextualised alongside the men's in literary magazines, anthologies and more recent academic studies.
[Show full text]
Front Matter
Cambridge University Press 978-1-107-18445-9 — The Cambridge Companion to the Beats Edited by Steven Belletto Frontmatter More Information i The Cambridge Companion to the Beats The Cambridge Companion to the Beats offers an in- depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide signii cance. Although its most well- known i gures remain Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat Movement radiates out to encompass a rich diversity of i gures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature but also on models of sociopolitical critique that would become more widespread in the 1960s and beyond. Bringing together the most inl uential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat Movement, asking critical questions about its associated i gures and arguing for their importance to postwar American letters. Steven Belletto is Associate Professor of English at Lafayette College. He is the author of No Accident, Comrade: Chance and Design in Cold War American Narratives (2012) and a co- editor of American Literature and Culture in an Age of Cold War: A Critical Reassessment (2012). The author of numerous articles on post- 1945 American literature and culture that have appeared in journals such as American Literature , American Quarterly , ELH , and Twentieth- Century Literature , from 2011 to 2016 he was associate editor of the journal Contemporary Literature , and is currently an editor there.
[Show full text]
Female Representation in the Beat Generation
Vulkers 1 Voices From off the Beaten Track: Female Representation in the Beat Generation An analysis of Joyce Johnson, Diane di Prima and Joanne Kyger Joyce Johnson and Jack Kerouac. (Minor Characters cover photo. Picador, 1983) Master Thesis Literature Today Utrecht University Author: Wesley Vulkers Student number: 5684382 Supervisor: Codruta Pohrib, MA Second reader: Dr. Birgit Kaiser 27 June 2019 Vulkers 2 Table of Contents Abstract 3 Introduction 4 Chapter 1: The Beat Generation and Bourdieu’s notion of “habitus” 6 1.1. Generations and “habitus” 6 1.2. Bourdieu’s field theory 9 1.3. The Beat Generation’s timeframe 11 1.4. The Beat Generation in a feminist perspective 17 Chapter 2: The Unheard Voices 21 2.1. Joyce Johnson 21 2.2. Diane di Prima 26 2.3. Joanne Kyger 31 Chapter 3: Heroines in Retrospect? 36 3.1. Memoirs and agency 36 3.2. Johnson’s “Minor Characters” 40 3.3. Di Prima’s “Memoirs of a Beatnik” 45 Conclusion 50 Works cited 53 Vulkers 3 Abstract This thesis examines the exclusion of female authors and their literary works from the Beat Generation discourse. The authors associated with the Beat Generation are all male. Authors such as Jack Kerouac, Allen Ginsberg and William S. Burroughs are often names coming up in debates around the Beat Generation. However, during the rise of the movement, several interesting works were written by female authors. The aim of this thesis is to expose these female authors and to find a possible explanation for their ignored presence within the Beat Generation discourse.
[Show full text]
Book of Sketches, 1952-57
Table of Contents PENGUIN POETS Title Page Copyright Page Dedication Introduction FIRST BOOK PANORAMIC CATALOG SKETCH OF BIG EASONBURG SECOND BOOK PENGUIN POETS PENGUIN POETS BOOK OF SKETCHES JACK KEROUAC was born in Lowell, Massachusetts, in 1922, the youngest of three children in a Franco- American family. He attended local Catholic and public schools and won a scholarship to Columbia University in New York City, where he met Allen Ginsberg and William S. Burroughs. His first novel, The Town and the City, appeared in 1950, but it was On the Road, first published in 1957, that made Kerouac one of the best-known writers of his time. Publication of his many other books followed, among them The Subterraneans, Big Sur, and The Dharma Bums. Kerouac’s books of poetry include Mexico City Blues, Scattered Poems, Pomes All Sizes, Heaven and Other Poems, Book of Blues, and Book of Haikus. Kerouac died in St. Petersburg, Florida, in 1969, at the age of forty-seven. GEORGE CONDO is a painter and sculptor who has exhibited extensively in both the United States and Europe, with works in the collections of the Whitney Museum of American Art, The Museum of Modern Art, New York, and many other institutions. In 1999, Condo received an Academy Award from the American Academy of Arts and Letters and in 2005 he received the Francis J. Greenberger Award. He is represented by Luhring Augustine in New York, Andrea Caratsch Galley in Zurich, and Sprüth Magers Lee in London. ALSO BY JACK KEROUAC THE DULUOZ LEGEND Visions of Gerard Doctor Sax Maggie Cassidy Vanity
[Show full text]
HIST 4996 Robert Phillips
Chapter One “This is the Beat Generation”1 Introduction In 1945 two major events occurred which dramatically impacted upon the course and direction of American history. World War Two ended and Franklin Delano Roosevelt died. World War II climaxed with the dropping of the atom bomb upon the Japanese cities, Hiroshima and Nagasaki. The atom bomb created a new kind of warfare, one which America held the monopoly over, at least for the time being. Its existence and usage transformed international relations irreversibly and helped create a new bi-polar world in which the Democratic United States and the Communist USSR vied for power. Roosevelt, the longest reigning president in America history, died in 1945, and was succeeded by his vice president Harry S. Truman. Roosevelt had endured four terms as President and many Americans who had known Roosevelt in this capacity for so long doubted if there was any other suitable alternative. The American nation had some very interesting decisions to make nationally and internationally in the post-war years. Would it decide to look back to a time before the New Deal Democrats and the dropping of the Atom bomb or forward into new and unknown territory? Journalist Gilbert Millstein, quoting John Aldridge, commented that: There were four choices open to the post-war writer: novelistic journalism or journalistic novel-writing; what little subject-matter had not been fully exploited already (homosexuality, racial conflict), pure technique (for lack of something to say), or the course I feel Kerouac has taken – assertion ‘of the need for belief even though it is upon a background in which belief is impossible and in which the symbols are ‘lacking’ for a genuine affirmation on genuine terms.’2 1 Title taken from: John Clellon Holmes, “This is the Beat Generation,” The New York Times, 16 November 1952.
[Show full text]
Sapphire: Querying RDF Data Made Simple
Sapphire: Querying RDF Data Made Simple Ahmed El-Roby Khaled Ammar Ashraf Aboulnaga Jimmy Lin Carleton University University of Qatar Computing University of [email protected] Waterloo Research Institute - Waterloo [email protected] HBKU [email protected] [email protected] ABSTRACT curate answers for simple questions such as \How many peo- RDF data in the linked open data (LOD) cloud is very ple live in New York?". Questions like this one that ask valuable for many different applications. In order to un- about a specific property of an entity are termed factoid lock the full value of this data, users should be able to issue questions. Such questions can be answered by a simple struc- complex queries on the RDF datasets in the LOD cloud. tured search that can be constructed effectively by natural SPARQL can express such complex queries, but construct- language approaches. ing SPARQL queries can be a challenge to users since it re- However, the RDF data that makes up the LOD cloud is quires knowing the structure and vocabulary of the datasets not limited to answering simple questions. This data can being queried. In this paper, we introduce Sapphire, a tool be used to answer complex questions that require complex that helps users write syntactically and semantically cor- structured searches. Natural language approaches are not rect SPARQL queries without prior knowledge of the queried effective at constructing such complex structured searches. datasets. Sapphire interactively helps the user while typing Instead, complex structured searches are better expressed the query by providing auto-complete suggestions based on using SPARQL queries.
[Show full text]
Aghigh Ebrahimi MA Thesis to a Different Beat
TO A DIFFERENT BEAT: THE POETICS AND POLITICS OF JACK KEROUAC by AGHIGH EBRAHIMI (Under the Direction of Barbara McCaskill) ABSTRACT While Jack Kerouac is most often associated with his novel, On the Road, and the subsequent allegations of hedonism and wanton rebellion that this text elicited from media outlets, I aim to complicate understandings of Jack Kerouac’s writings and ideas through a rare reading of his poems, which are often seen as secondary to his more popular prose. Specifically, I will discuss two poetic series, the urban San Francisco Blues and the mountainous Desolation Blues, written in two divergent geographical locations. On the surface, these poetic series reinforce traditional narratives that position Kerouac as a Romantic soul trapped in the modern city and yearning for escape. A close reading of the poems, however, will reveal a compassionate, complicated, and even contradictory Kerouac who is, above all, a writer. INDEX WORDS: Kerouac, Beat Generation, Ginsberg, counter-culture, multiculturalism, 1950s, San Francisco, Joyce Johnson, Desolation Blues TO A DIFFERENT BEAT: THE POETICS AND POLITICS OF JACK KEROUAC by AGHIGH EBRAHIMI B.S., Georgia Institute of Technology, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Aghigh Ebrahimi All Rights Reserved TO A DIFFERENT BEAT: THE POETICS AND POLITICS OF JACK KEROUAC by AGHIGH EBRAHIMI Major Professor: Barbara McCaskill Committee: Susan Rosenbaum Aidan Wasley Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2007 iv DEDICATION For Jack, in an exchange of honors.
[Show full text]
He Honored Death, Too: the Subterranean Life of Jack Kerouac
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State History Theses History and Social Studies Education 12-2012 He Honored Death, Too: The ubtS erranean Life of Jack Kerouac Christopher Wayne [email protected] Advisor Gary Marotta, Ph.D., Professor of History First Reader Gary Marotta, Ph.D., Professor of History Second Reader Donald Hetzner, Ed.D., Professor of History Department Chair Andrew D. Nicholls, Ph.D., Professor of History To learn more about the History and Social Studies Education Department and its educational programs, research, and resources, go to http://history.buffalostate.edu/. Recommended Citation Wayne, Christopher, "He Honored Death, Too: The ubtS erranean Life of Jack Kerouac" (2012). History Theses. Paper 14. Follow this and additional works at: http://digitalcommons.buffalostate.edu/history_theses Part of the United States History Commons He Honored Death, Too: The Subterranean Life of Jack Kerouac by Christopher Wayne An Abstract of a Thesis in History Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 State University of New York College at Buffalo Department of History and Social Studies Education 1 Abstract of Thesis Regarded as the founder of the Beat Generation, Jack Kerouac is upheld as a symbol of post-war freedom and opportunity in America, a precursor of the cultural shift of the 1960s. This paper is an exploration of the lesser known traits of Kerouac: qualities that are in conflict with the persona that is most closely associated with the author. The thesis begins with an examination of Kerouac’s childhood in Lowell, Massachusetts, and his exposure to those traits he adopted in adulthood, and chronicles events in his life that display his subversive character.
[Show full text]
Kerouac and Burroughs in Tangier
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 18 (2016) Issue 5 Article 7 Kerouac and Burroughs in Tangier Regina Weinreich School of Visual Arts Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities
[Show full text]
The Girl Gang: Women Writers of the New York City Beat Community
THE GIRL GANG: WOMEN WRITERS OF THE NEW YORK CITY BEAT COMMUNITY A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Tatum L. Petrich May, 2012 Examining Committee Members: Miles Orvell, Committee Chair, English and American Studies Sue-Im Lee, English Eli C. Goldblatt, English Laura Levitt, External Member, Religion and Women’s Studies, Temple University © Copyright by Tatum L. Petrich 2012 All Rights Reserved ii ABSTRACT The Girl Gang: Women Writers of the New York City Beat Community seeks to revise our understanding of the Beat community and literary tradition by critically engaging the lives and work of five women Beat writers: Diane di Prima, Joyce Johnson, Hettie Jones, Carol Bergé, and Mimi Albert. This dissertation argues that, from a position of marginality, these women developed as protofeminist writers, interrogating the traditional female gender role and constructing radical critiques of normative ideas in fiction and poetry in ways that resisted the male Beats’ general subordination of women and that anticipated the feminist movement of the late 1960s and 1970s. A project of recovery and criticism, The Girl Gang provides literary biographies that explore how each writer’s experience as a marginalized female writer within an otherwise countercultural community affected the development of her work; it also analyzes a range of works (published and unpublished texts from various genres, written from the early 1950s through the turn of the twenty-first century) in order to illustrate how each writer distinctively employs and revises mainstream and Beat literary and cultural conventions.
[Show full text]