<<

Hunt, Tim. “Many Drummers, a Single Dance?” Girls Who Wore Black: Women Writing the . Ed. Ronna C. Johnson and Nancy M. Grace. New Jersey: Rutgers University Press, 2002.

Jaie, Claudet, et al. The Postmodern Short Story: Forms and Issues. Westport, CT: Praeger, 2003.

Jezer, Marty. The Dark Ages: Life in the United States, 1945-1960. Boston: South End Press, 1982.

Johnson, Joyce. Bad Connections. New York: Putnam, 1978.

---. (under Glassman) Come and Join the Dance. New York: Atheneum Press, 1962.

---. “In the Night Café.” Interview by Nancy M. Grace. Breaking the Rule of Cool: Interviewing and Reading Women Beat Writers. Ed. Nancy M. Grace and Ronna C. Johnson. Jackson: University Press of Mississippi, 2004. 181-204.

---. In the Night Café. New York: Dutton, 1989.

---. : A Young Woman’s Coming-of-Age in the Beat Orbit of . Boston, MA: Houghton, 1983.

---. Missing Men: A Memoir. New York: Viking, 2004.

---. What Lisa Knew: The Truths and Lies of the Steinberg Case. New York: Kensington, 1990.

Johnson, Joyce and Jack Kerouac. Door Wide Open: A Beat Love Affair in Letters, 1957- 58. New York: Viking, 2000.

Johnson, Ronna C. “‘And Then She Went’: Beat Departures and Feminine Transgressions in ’s Come and Join the Dance.” Girls Who Wore Black: Women Writing the Beat Generation. Ed. Ronna C. Johnson and Nancy M. Grace. New Jersey: Rutgers University Press, 2002.

---. “Diane di Prima’s Anarchist Heritage and Revolutionary Letters 1971-2007: Global Radical Chic.” MLA Conference Paper. December 2009. TS.

---. “Mapping Women Writers of the Beat Generation.” Breaking the Rule of Cool: Interviewing and Reading Women Beat Writers. Ed. Nancy M. Grace and Ronna C. Johnson. Jackson: University Press of Mississippi, 2004.

---. “‘You’re Putting Me On’: Jack Kerouac and the Postmodern Emergence.” The Beat Generation: Critical Essays. Ed. Kostas Myrsiades. New York: Peter Lang, 2002. 37-56.

250