DOCSLIB.ORG

Central Business District Pike Place Market

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Central Business District Pike Place Market PIKE CENTRAL D1 PLACE E2 BUSINESS MARKET DISTRICT VICTOR STEINBRUECK PARK WESTERN AVENUE AND VIRGINIA STREET. 102 Hammering Man, Jonathan 103 Mirror, Doug Aiken, 2013. Borofsky, 1992. Painted steel Custom software editor that 95 Untitled Totem Pole, Marvin sculpture. SEATTLE ART MUSEUM, displays responsive video. Oliver and James Bender, LENORA ST 1300 FIRST AVE. Seattle Art Museum Collection. 1984. Carved cedar pole. SEATTLE ART MUSEUM FAÇADE. 96 Farmer’s Pole, Victor 104 Governor John Harte Steinbrueck and James • 98 McGraw, Richard Brooks, Bender, 1984. Carved VIRGINIA ST Victor 1909. Bronze sculpture. MCGRAW cedar pole. Steinbreuck PLACE, WESTLAKE AVE. AND STEWART Park STREET. • 95-97 97 Untitled Fence, Victor POST ALLEY WESTERN AVE Steinbrueck and Ramon 105 Eat, Drink, Be Merry, Ries STEWART ST Torres, 1984. Wrought iron Niemi, 2007. Stainless steel fence. Seattle Parks and PIKE PINE ST sculpture. Sound Transit Art Recreation Collection. PLACE Program Collection. RE-SITED TO SOUND TRANSIT’S OPERATIONS AND 98 Tree of Life, Clark Wiegman, MARKET MAINTENANCE FACILITY, AIRPORT WAY PHOTO: IAN EDELSTEIN/COURTESY SEATTLE MUNICIPAL Karen Kiest and Kim Lokan, ARCHIVES PHOTOGRAPH COLLECTION. SOUTH AND SOUTH FOREST STREET. 2012. Stainless steel and • 99, 101 tempered glass. Homeless • 100 PIKE ST Remembrance Project. WESTLAKE STATION DOWNTOWN TRANSIT TUNNEL, UNDER PINE STREET BETWEEN THIRD AND SIXTH AVENUES. SELECTED ARTWORKS IN TRANSIT TUNNEL STATIONS. IN THE MARKET SELECTED ARTWORKS AT LOCATION. 106 Untitled Platform 107 Untitled Platform 99 Rachel, Georgia Gerber, 101 Song of the Earth, Aki Murals, Fay Jones, Gene Benches, Jack Mackie, 1986. Bronze piggy bank. Sogabe, 1999. Porcelain Gentry McMahon, Roger 1990. Sandblasted patterns Pike Place Market Foundation enamel murals. Pike Shimomura, 1990. Porcelain in granite. King County Metro Collection. PIKE PLACE ENTRANCE. Place Market Preservation enamel murals. King County Collection. & Development Authority Metro Collection. 100 Short Cut, Dan Webb, Collection. IN THE RAFTERS AT PIKE 108 Untitled Wall Tiles, Vicki 2011. Seven stairwell lights. PLACE ENTRANCE. Scuri, 1990. Ceramic tile Commisioned by Pike Place mural. King County Metro Market Foundation. PIKE STREET Collection. HILLCLIMB. • 104 7th AVE 8th AVE 9th AVE STEWART ST WESTLAKE AVE 1stAVE PINE ST 2ndAVE • 106-108 Westlake Park • 109, 110 • 114-119 5thAVE 4thAVE 3rdAVE 6th AVE • 112 PIKE ST • 111 • 113 Washington State UNION ST • 121 • 124 • 103 Convention Seattle Art Center Museum • 120 • 102• 107 • 122 UNIVERSITY ST SENECA ST CENTRAL WESTERN AVE WESTERN POST ALLEY • 123 BUSINESS SPRING ST DISTRICT 132 MADISON ST • • 125-131 • 135 • 134 105 • 133 MARION ST 12 PHOTO: AKI SOGABE. 13 CENTRAL BUSINESS DISTRICT (CONTINUED) ALONG SIXTH & SEVENTH AVENUES WESTLAKE PARK FOURTH AVENUE BETWEEN PIKE AND PINE STREETS. 123 Naramore Fountain, 109 Westlake Star Axis/Seven 110 Children’s Art Tiles, Local George Tsutakawa, 1967. Hills, Robert Maki, 1988. Schoolchildren, 1988. Bronze and concrete fountain. Granite sculpture. Bronze tiles. Seattle Parks and SIXTH AVE. AND SENECA STREET. Recreation Collection. 124 The Urban Garden, Ginny Ruffner, 2011. WASHINGTON STATE CONVENTION CENTER Bronze, metal 800 CONVENTION PLACE. SELECTED ARTWORKS AT LOCATION. and water. Seattle Sheraton Hotel Collection. SEVENTH AVE. AND 111 Meeting Place, Jackie 117 Selections from the UNION STREET. Ferrara, 1989. Steel tile with Truism, Living and Survival concrete and steel benches. Series, Jenny Holzer, 1989. Washington State Art Collection. Electronic message boards. CONVENTION CENTER, LEVEL 2. Washington State Art Collection. LEVEL 2 SOUTH. 112 Lebeg (slight movement in the air), Ann Gardner, 2001. 118 Untitled (Three Stained Suspended sculpture with Glass Windows), Max PHOTO: AMY LOUISE HERNDON. glass tile and terrazzo floor. Ingrand, 1963. Stained glass Washington State Art Collection. panels. LEVEL 4 SOUTH. SEATTLE PUBLIC LIBRARY INSIDE ENTRANCE AT SEVENTH AVE. AND CENTRAL LIBRARY, 1000 FOURTH AVE. PIKE STREET. 119 Seattle George Monument, Buster Simpson, 1989. 125 Fountain of Wisdom, 113 Maw-Matic, C. Blake Aluminum, painted steel George Tsutakawa, 1960. Haygood, 2003. Exit door/ and concrete sculpture with Bronze fountain. OUTSIDE FOURTH transom glass inserts. vegetation. Washington State AVE. ENTRANCE. Washington State Convention LEVEL 4 PLAZA. Art Collection. PHOTO: SPIKE MAFFORD. Center Collection. OUTSIDE ALONG 126 Babe, The Phoenix Fairy, SEVENTH AVE. and The Magic Grove, 129 Making Visible the Invisible: Mandy Greer, 2005–2006. What the Community is 114 The Boxers, Paul Marioni, Papier mâché and fabric Reading, George Legrady, 1980. Cast glass panels. LEVEL 2 sculptures. FAYE G. ALLEN CHILDREN’S 2005. Digital installation on NORTH. CENTER, LEVEL 1. six LCD screens. OVER REFERENCE DESK, LEVEL 5. 115 Games, Jacob Lawrence, 127 Literacy/ESL/World 2011. Porcelain enamel on Languages Floor, Ann 130 Of Memory, Lynne steel. King County Public Art Hamilton, 2004. Tongue-and- Yamamoto, 2007. Polyester Collection (4Culture). THIRD FLOOR groove maple floor. LEVEL 1. resin and fiberglass. SEATING AREA MEZZANINE, WEST WALL. PHOTO:BUSTER SIMPSON. NEAR SEATTLE COLLECTION, LEVEL 10. 128 Braincast, Tony Oursler, 116 “A” Procession, Patty 2004. Video projectors and 131 Astronomy by Day (and Warashina, 1986. Ceramic painted foam installation. Other Oxymorons), Gary sculpture. LEVEL 2 NORTH. ON ESCALATORS BETWEEN LEVELS 3 AND 5. Hill, 2004. Video installation. LEVEL 10 VIEWPOINT INTO ATRIUM. ALONG MADISON STREET PHOTO: TONY OURSLER. 132 Three Piece Sculpture #3: 134 Seattle Tulip, Tom Vertebrae, Henry Moore, Wesselmann, 1989. Painted AROUND BENAROYA HALL 200 UNIVERSITY STREET. 1968. Bronze sculpture. steel sculpture. 999 Third 120 Skytones, Anna Valentina 122 Pendulum Clock, Heather Seattle Art Museum Collection. Avenue REIT Collection. THIRD FOURTH AVE. AND MADISON STREET. Murch, 1998. Lighting Ramsay, 1990. Steel and AVE. AND MADISON STREET. installation. EAST LOBBY. copper clock. King County 133 Seattle Financial Center, Metro Collection. THIRD AVE. 135 Landscape of Time, Isamu 121 The Garden of AND UNIVERSITY STREET. James Carpenter, 2002. Noguchi, 1975. Pink granite Remembrance, Robert Suspended, acid-etched, sculpture. U.S. General Services Murase, 1998. Plaza with stone colored dichroic glass on Administration Collection. SECOND and landscaping. Benaroya façade. TIAA-CREF Collection. AVE., BETWEEN MADISON AND THIRD AVE. LOBBY, 925 FOURTH AVE. MARION STREETS. Hall Collection. WEST PLAZA. 14 15.
Load more

Recommended publications
  • Open Etoth Dissertation Corrected.Pdf
    The Pennsylvania State University The Graduate School The College of Arts and Architecture FROM ACTIVISM TO KIETISM: MODERIST SPACES I HUGARIA ART, 1918-1930 BUDAPEST – VIEA – BERLI A Dissertation in Art History by Edit Tóth © 2010 Edit Tóth Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Edit Tóth was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Adviser Chair of Committee Sarah K. Rich Associate Professor of Art History Craig Zabel Head of the Department of Art History Michael Bernhard Associate Professor of Political Science *Signatures are on file in the Graduate School ii ABSTRACT From Activism to Kinetism: Modernist Spaces in Hungarian Art, 1918-1930. Budapest – Vienna – Berlin investigates modernist art created in Central Europe of that period, as it responded to the shock effects of modernity. In this endeavor it takes artists directly or indirectly associated with the MA (“Today,” 1916-1925) Hungarian artistic and literary circle and periodical as paradigmatic of this response. From the loose association of artists and literary men, connected more by their ideas than by a distinct style, I single out works by Lajos Kassák – writer, poet, artist, editor, and the main mover and guiding star of MA , – the painter Sándor Bortnyik, the polymath László Moholy- Nagy, and the designer Marcel Breuer. This exclusive selection is based on a particular agenda. First, it considers how the failure of a revolutionary reorganization of society during the Hungarian Soviet Republic (April 23 – August 1, 1919) at the end of World War I prompted the Hungarian Activists to reassess their lofty political ideals in exile and make compromises if they wanted to remain in the vanguard of modernity.
    [Show full text]
  • Of Public Art in Richland?
    2020 Richland, WA Public Art Survey SurveyMonkey Q1 What are your favorite example(s) of public Art in Richland? Answered: 427 Skipped: 7 Murals/sculptur es on the si... Artistic design... Sculptures placed in... Performance Art/Special... Art placed in roundabouts Vinyl Art Wraps on... Other (please specify) 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES Murals/sculptures on the side of buildings 64.64% 276 Artistic design incorporated into infrastructure (ex: benches, bridges, fences, etc) 58.55% 250 Sculptures placed in parks, along trails or at City facilities 56.67% 242 Performance Art/Special Events supporting Art 46.84% 200 Art placed in roundabouts 34.43% 147 Vinyl Art Wraps on Traffic Utility Cabinets 29.27% 125 Other (please specify) 5.15% 22 Total Respondents: 427 1 / 69 2020 Richland, WA Public Art Survey SurveyMonkey # OTHER (PLEASE SPECIFY) DATE 1 public glassblowing 1/15/2021 12:52 PM 2 Ye Merry Greenwood Faire 1/13/2021 12:18 PM 3 Spaces for litterateur and dialogue 1/12/2021 2:36 PM 4 Privately funded art 1/12/2021 2:05 PM 5 Skateparks 1/11/2021 9:01 PM 6 Folk art by residents in yards etc 1/11/2021 8:30 PM 7 Any examples of public art only adds to the enhancement of our community and moves us into 1/11/2021 3:52 PM the realm of cultural awareness and appreciation. It shows a level of sophistication and thinking and awareness of a larger picture than merely that of our own lives and self-centered thinking.
    [Show full text]
  • Collected Writings
    THE DOCUMENTS O F TWENTIETH CENTURY ART General Editor, Jack Flam Founding Editor, Robert Motherwell Other titl es in the series available from University of California Press: Flight Out of Tillie: A Dada Diary by Hugo Ball John Elderfield Art as Art: The Selected Writings of Ad Reinhardt Barbara Rose Memo irs of a Dada Dnnnmer by Richard Huelsenbeck Hans J. Kl ein sc hmidt German Expressionism: Dowments jro111 the End of th e Wilhelmine Empire to th e Rise of National Socialis111 Rose-Carol Washton Long Matisse on Art, Revised Edition Jack Flam Pop Art: A Critical History Steven Henry Madoff Co llected Writings of Robert Mothen/le/1 Stephanie Terenzio Conversations with Cezanne Michael Doran ROBERT SMITHSON: THE COLLECTED WRITINGS EDITED BY JACK FLAM UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Londo n University of Cali fornia Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 1996 by the Estate of Robert Smithson Introduction © 1996 by Jack Flam Library of Congress Cataloging-in-Publication Data Smithson, Robert. Robert Smithson, the collected writings I edited, with an Introduction by Jack Flam. p. em.- (The documents of twentieth century art) Originally published: The writings of Robert Smithson. New York: New York University Press, 1979. Includes bibliographical references and index. ISBN 0-520-20385-2 (pbk.: alk. paper) r. Art. I. Title. II. Series. N7445.2.S62A3 5 1996 700-dc20 95-34773 C IP Printed in the United States of Am erica o8 07 o6 9 8 7 6 T he paper used in this publication meets the minimum requirements of ANSII NISO Z39·48-1992 (R 1997) (Per111anmce of Paper) .
    [Show full text]
  • Arts in Seattle
    ARTS IN SEATTLE ARCHITECTURE AND DESIGN ................................................................................................................................2 EXPERIENCE MUSIC PROJECT..........................................................................................................................................2 SEATTLE PUBLIC LIBRARY , CENTRAL..............................................................................................................................4 SMITH TOWER ......................................................................................................................................................................5 CHAPEL OF ST. IGNATIUS ..................................................................................................................................................7 OLYMPIC SCULPTURE PARK ..............................................................................................................................................9 SEATTLE ART MUSEUM....................................................................................................................................................11 GAS WORKS PARK ............................................................................................................................................................12 SPACE NEEDLE..................................................................................................................................................................13 SEATTLE ARCHITECTURE FOUNDATION,
    [Show full text]
  • Downtown Seattle Retail
    - 2 Pacific Place W H E R E S E AT T L E COMES TO LIFE TO COMES - 2 Pacific Place WHY SEATTLE? Pacific Place UNIVERSITY VILLAGE Number of cranes Top expansion market for Bay Area tech companies - 3 Population growth of 20-somethings Multifamily construction spending per capita BELLEVUE SQUARE #1 IN THE US Percentage of the population with a college degree PACIFIC PLACE #4 #4 #8 #9 IN THE US IN THE US IN THE US IN THE US Wealthy millennial GDP per capita for total passenger traffic Wealthiest city households at Seatac Airport #15 2x 38 16% IN THE US NATIONAL AVERAGE MILLION VISITOR SPENDING Largest population with Projected population Visitors to Seattle From international AIRPORT 3,798,902 residents growth by 2023 each year tourism each year A CITY ON THE Pacific Place RISE IT’S ALL HAPPENING DOWNTOWN - 4 Entertainment Residential Office Retail Hotel 1 Bill & Melinda Gates Foundation 2 Apple 3 Facebook (Arbor Blocks) 4 Google Corporate 5 Amazon Campus 6 Amazon World HQ & Spheres 7 Light Rail Westlake Station 8 Pike Place Market 9 Seattle Art Museum 10 Benaroya Hall 11 The 5th Avenue Theatre 12 Washington State Convention Center 13 Paramount Theatre DEMOGRAPHICS Pacific Place POPULATION 1 Mile AVERAGE HOUSEHOLD INCOME 1 Mile In 2018, Seattle ranked #1 in the US for 3 Miles In 2018, Seattle ranked #1 in the US for expansion markets 3 Miles multifamily construction spending per capita Metro Area for Bay Area tech companies Metro Area $200k PACIFIC PLACE $194,014 $184,707 UNIVERSITY VILLAGE - 5 $165,759 $150k BELLEVUE SQUARE $143,477 $130,596
    [Show full text]
  • Current Market Prices ~ Prints, Sculpture, Originals
    Issue TITLE Price, Low SIZE Retail, ISSUE LO High HI TITLE Retail (December SIZE ISSUE LO2014) HI TITLE SIZE ISSUE LO HI CURRENT MARKET PRICES ~ PRINTS, SCULPTURE, ORIGINALS Prints, Graphics, & Giclées Prices do not reflect shifts below a print's original issue price TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI TITLE SIZE ISSUE LO HI ABBETT, ROBERT AMIDON, SUSAN ATKINSON, MICHAEL BIG GUY SETTER & GROUS 125 553 671 CATHEDRAL ST PAUL CE 125 409 497 GRANNYS LOVING HAND AP 420 510 BOBWHITES & POINTER 50 152 190 COMO PARK CONSERVAT AP 21X29 158 198 GRANNYS LOVING HANDS 385 467 CODY BLACK LAB 95 152 190 COMO PARK CONSERVATORY 21X29 125 125 125 ICE BLUE DIPTYCH 125 262 315 CROSSING SPLIT ROCK 125 125 150 COMO PARK GOLF SKI 21X15 100 100 120 INSPIRATION ARCHES 185 185 185 ABBOTT, LEN COMO PARK PAVILLION 125 698 848 INSPIRATION ARCHES AP 152 190 CHORUS 292 351 GOVERNORS MANSION 99 124 LETTERS FROM GRANDMA 65 152 190 ACHEFF, WILLIAM GOVERNORS MANSION AP 136 170 LONG WAY HOME 148 185 ACOMA 23X18 200 200 200 LAKE HARRIET 24X18 125 125 125 MARIAS HANDS SR 24X18 861 1060 STILL LIFE 64 80 LITTLE FRENCH CHURC AP 21X15 110 138 MONUMENT CANYON SR 33X45 490 595 ADAMS, GAIL LITTLE FRENCH CHURCH 21X15 100 100 100 MOONLIT CANYON 165 165 165 DOUBLE SOLITUDE AP 275 275 315 LORING PARK HARMON AP 29X21 158 198 MOUNTAIN LAKE 18X24 175 258 310 SLEEPIN BEAUTY 225 225 225 MINN STATE CAPITOL 21X16 187 225 ON WALDEN 150 150 150 ADAMS, HERMON MT OLIVET CHURCH 158 198 ON WALDEN AP 94 118 ARIZONA RANGER 120 1072 1320 NICOLLET AVE AP 20X25 78 98 OSTUNI 29X22 150 150 183
    [Show full text]
  • View Brochure (PDF)
    A NORTHWEST SUMMER MAY 4–OCTOBER 15, 2006 6 EXHIBITIONS * 1 CELEBRATION A NORTHWEST SUMMER Public Opening Celebration Saturday, May 6, 10 a.m.–5 p.m. The Northwest offers a great way of life and remarkable history that deserves to be appreciated in a big way. Our special exhibit, A Northwest Summer, will do just that. To kick off the tribute, we’re hosting a fusion of art activities and entertainment that contribute to making this region special. Come join the celebration—enjoy an art activity, watch an Asian art demonstration, listen to live music and shop the eclectic, uniquely Northwest crafts of “I Heart Rummage.” For more information, check out seattleartmuseum.org. Director’s Welcome As we look forward—to the opening of above: Trimpin, U.S.A., born Germany 1951, drawing for Picnics, Rhythms and Vacations installation, 2006; cover: Trimpin, The Orange Piano, Lake Union, the Olympic Sculpture Park this fall and Seattle, 2003. Photo: Theo Bernardi. In this work, a hydrophone records underwater sound pollution, creating an audio signal, which becomes information played automatically by the piano. to the re-opening of the expanded downtown museum next spring—we have naturally looked back, reflecting on the amazing seventy-five years of growth that Trimpin: Picnics, Rhythms and Vacations the Seattle Art Museum has experienced. August 8–October 15, 2006 Milestones of that history are noted in the timeline, putting the past in context for Picnics, Rhythms and Vacations, 2006, a new installation by musician, sculptor and composer Trimpin, the celebrations in Volunteer Park this will be presented at the Seattle Asian Art Museum.
    [Show full text]
  • Foldrite Template Master
    SEATTLE CHAMBER MUSIC FESTIVAL Dancing Family Fun Center City Cinema Music And Concerts - MUSIC UNDER THE STARS DANCING ‘TIL DUSK BACK TO SCHOOL BBQ WITH SOUNDERS FC Join us for movies under the stars! Pre-movie DOWNTOWN SUMMER SOUNDS Freeway Park activities start at 6 p.m. and the movie begins Freeway Park ♦ Hing Hay Park Denny Park City Hall, Denny, Freeway, Occidental Live broadcast of the performance from at dusk. Occidental Park ♦ Westlake Park BBQ, games and a backpack and school Square, and Westlake parks Benaroya Hall on 98.1 Classical KING FM. Thirteen magical evenings of free, live music and supplies giveaway. Fri., July 12 Cascade Playground Free live music at a variety of locations Bring a picnic! BBQs are available for grilling. social dancing (no experience or partner required). Saturday, Aug. 31 ♦ 11 a.m.-2 p.m. Spider-Man: Into the throughout downtown Seattle. Fridays, July 5, 12, 19, 26 ♦ 7-10 p.m. Spider Verse All programs run 6-9:30 p.m. BLOCK PARTY All programs run 12-1 p.m. SUMMER STAGE ♦ 6 p.m. - one-hour beginner lesson Cascade Playground Westlake Park Tue., July 9 City Hall Park Cascade Playground Aquaman ♦ 7 p.m. - Let the dancing begin! Free raffle, BBQ, bouncy houses and music. Fri., July 12 Denny Park Concerts in the park with talented local Visit www.danceforjoy.biz for more information Tuesday, Aug. 6 ♦ 4-8 p.m. Fri., July 19 Cascade Playground Tue., July 16 City Hall Park musicians! Up Fri., July 19 Denny Park Thu., July 11 Zydeco Hing Hay Park CASCADE KIDS DAYS Thursdays, June 13-Aug.
    [Show full text]
  • 10 MUST SEE SEATTLE Architectural Sites
    AIA KNOWLEDGE COMMUNITIES 2012 KNOWLEDGE LEADERSHIP ASSEMBLY SEATTLE, WASHINGTON | AUGUST 8-10, 2012 AIA KNOWLEDGE COMMUNITIES 10 MUST SEE SEATTLE Architectural Sites BROUGHT TO YOU BY THE COMMITTEE ON DESIGN 1 © Benjamin Benschneider 1 welcome to SEAT TLE Olympic sculpure park (2007) 2901 Western Avenue, Seattle The best way to truly know great architecture (206) 654-3100 | www.nmajh.org is through directly experiencing it. When the Weiss/Manfredi AIA Committee on Design travels we make sure Envisioned as a new model for an urban sculpture park, the we visit the best architecture our destinations project is located on a industrial site at the water’s edge. have to offer – and we hope our little guide can The design creates a continuous constructed landscape for help you slip a few tours into your visit. art, forms an uninterrupted Z-shaped “green” platform, and descends 40 feet from the city to the water, capitalizing Certainly not meant to be an exhaustive guide, on views of the skyline and Elliot Bay and rising over the the following pages represent 10 top new existing infrastructure to reconnect the urban core to the revitalized waterfront. projects we recommend you experience while here. We have also listed a few Seattle icons for An exhibition pavilion provides space for art, performances and educational programming. From this pavilion, the your tour. pedestrian route descends to the water, linking three new Enjoy! archetypal landscapes of the northwest: a dense temperate evergreen forest, a deciduous forest and a shoreline garden. The design not only brings sculpture outside of the museum walls but brings the park itself into the landscape of the city.
    [Show full text]
  • Large Scale : Fabricating Sculpture in the 1960S and 1970S / Jonathan Lippincott
    Large ScaLe Large ScaLe Fabricating ScuLpture in the 1960s and 1970s Jonathan d. Lippincott princeton architecturaL press, new York Published by Princeton Architectural Press 37 East Seventh Street New York, New York 10003 For a free catalog of books, call 1.800.722.6657. Visit our website at www.papress.com. © 2010 Jonathan D. Lippincott All rights reserved Printed and bound in China 13 12 11 10 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. All images © Roxanne Everett / Lippincott’s, LLC, unless otherwise noted. All artwork © the artist or estate as noted. Front cover: Clement Meadmore, Split Ring, 1969, with William Leonard, Don Lippincott, and Roxanne Everett. (One of an edition of two. Cor-Ten steel. 11'6" x 11'6" x 11'. Portland Art Museum, OR. Cover art © Meadmore Sculptures, LLC / Licensed by VAGA, New York, NY. Photograph by George Tassian, from the catalog Monumental Art, courtesy of the Contemporary Arts Center, Cincinnati. OH.) Back cover: Robert Murray, Athabasca, 1965–67, with Eddie Giza during fabrication. (Cor-Ten steel painted Van Dyke Brown. 144" x 216" x 96". The Gallery, Stratford, ON. Art © Robert Murray.) Frontispiece: Claes Oldenburg comparing his model to the large-scale Clothespin, 1976. (Cor-Ten steel, stainless steel. 45' x 12'31/4" x 4'6" [13.72 x 3.74 x 1.37 m].
    [Show full text]
  • Visiting Client Guide
    Visiting Client Guide 1011 Western Ave. #600, Seattle, WA 98104 Visiting Client Guide Welcome Transportation We want to make your trip to our office and our city an enjoyable, trouble-free, and Garage parking is available on the north side of Madison, between Western and productive experience. Below are a few suggestions on accommodations, restaurants, Alaskan. Meter and street parking is also available on the surrounding blocks. and local activities in our area. Located in the heart of downtown Seattle, our office is only blocks away from premiere hotels, quality dining, and cultural events. We look Driving from the North: forward to your visit. • I-5 South to James Street exit • Take a quick right on Columbia (before James) and follow it down to Western • Turn right on Western Ave. • Turn left on Madison (garage parking available on the right) Driving from the South: • I-5 North to Madison Street Exit • Turn left on Madison and follow it down to Western (garage parking available just past Western on the right) From Seattle-Tacoma International Airport (SEA): • Distance: 14 miles/ 22.53 kilometers north • Taxi charge (one way): $45.00 USD • Time by taxi: 20 minutes By Train: • Station Name: King Street Station (Amtrak) • 303 S. Jackson St, Seattle, WA 98104 • Taxi Fee from train station to Blink: $10.00 USD InsightSpace 1011 Western Ave, Suite #600 Seattle,WA 98104 206-726-5555 View Map 1011 Western Ave. #600, Seattle, WA 98104 Page 2 1011 Western Ave. #600, Seattle, WA 98104 Page 3 Welcome Transportation We want to make your trip to our office and our city an enjoyable, trouble-free, and Garage parking is available on the north side of Madison, between Western and productive experience.
    [Show full text]
  • Jungen Brian
    Jungen Brian Carapace, 2009 Jungen is one of the Dane-zaa people, a First Nation of northern Canada. Growing up, he experienced the resourcefulness and material innovation of his people due to economic pressures, as well as the wider commercialization of traditional First Nation craft techniques in response to tourism and globalized consumerism. Jungen, who now lives in Vancouver, has made a number of sculptures that refashion box-fresh consumer goods, such as Nike trainers or golf bags, into objects resembling tribal masks and totem poles. Carapace is a giant turtleshell - inspired by the early science-fiction writings of Jules Verne - made entirely from rubbish bins. He has created a fantastical shelter from objects that were intended for the sanitary disposal of waste (of which Western culture now produces more than ever). Jungen’s sculptures undergo a process of re-mystification that sees consumer culture appropriated by a First Nations sensibility, and not the other way around. Brian Jungen b. Fort St. John, BC, Canada, 1970. Carpace. 2009. Black, blue and green industrial waste bins. h 370 x w670 x d640cm. h 144 x w 264 x d252 in Griffin, Jonathan, et al. The Twenty First Century Art Book, Phaidon Press Limited, New York, NY, 2014, p. 137 Press release BRIAN JUNGEN November 30, 2013 – February 2, 2014 Friday, November 29, 7 p.m. opening BONNER KUNSTVEREIN PRESS CONFERENCE: Thursday, November 28, 2013, 11 a.m. The artist is present BRIAN JUNGEN is regarded as one of Canada’s most important contemporary artists. Solo exhibitions of his works have been shown at such institutions as the New Museum of Contemporary Art, New York, 2005, Witte de With, Rotterdam, 2007, and the Smithsonian National Museum of the American Indian, Washington DC, 2009, as well at dOCUMENTA 13 in Kassel.
    [Show full text]