DOCSLIB.ORG

The Sound of One Hand Clapping

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Sound of One Hand Clapping THE SOUND OF ONE HAND CLAPPING by steven day dedicated to You 2 What the f is this? An Introduction: (skipping the intro won’t hurt the experience but come back for information later) This novel was is written using a literary form created by John Steinbeck that he called the Play/Novelette, which evolved into the Play/Novel; the idea being that the novel is heavy in dialogue, light in description, and easy to adapt. Of Mice and Men was his first attempt and was immediately adapted to the stage. Steinbeck felt that it wasn’t until his third time working in the form that he had perfected it. Having been able to stand on his shoulders, I think in my next attempt I’ll have roughly perfect command of it, however, I’m happy with the outcome here (although, it has adaptation issues). My version is elegantly called, the Limited Series/Novel. Stylistically, this is an attempt to work in the form, modernize it, and also to create something new-ish. The modern version being adapted not to the stage, but as a limited series by one of the many studios (of course, I might have pissed off everyone in Hollywood enough that it will never happen with my stuff, but like they say in the movies; the first one through the door gets shot.) This is one of the deepest novels ever written and hopefully it’s also sexy and engaging and fun. I know it’s one of the deepest novels ever written because I have read all of the other deepest novels ever written and the reality is that you can’t write about enlightenment if you’re not enlightened. Herman Hesse, the author of Siddhartha, wasn’t enlightened. Somerset Maugham wrote about enlightenment in The Razor’s Edge, but also wasn’t enlightened. All the French guys; not enlightened. Nietzsche? Nope. These authors have all been inspirations to me, but like with Steinbeck’s literary form, I have tried to stand on their mighty high shoulders and go beyond, and unlike these authors, I have the enlightened operating system to work from. 3 Whoever wrote the Bhagavad Gita probably was enlightened, but that’s an old book. This is a new book. I have been hoping to take what is modern and timely and what is ancient and timeless and combine them; trying to bridge a gap between two worlds; the world of popular culture and the world of the deepest spiritual truths. Because of that, it may piss some people off or make some people uncomfortable. I’m not trying to hurt or harm anyone with my work, but, as an artist, and someone rockin the Enlightened OS, or the EOS, my art is challenging and it’s made for those brave enough to face the reality of our collective situation. This is a book for the adults in the room, and by adult, I don’t mean the age of your body. So, the trifecta here is: write one of the deepest novels ever written, in this rarely used literary form, and to bridge the gap between pop culture and deep spiritual truth. Are these the thoughts and ideas of a mad person? You will have to be the judge of that for yourself. By my own standards, anyone claiming to be enlightened is not to be trusted. No ego is ever enlightened. Enlightenment is the name for a process of transformation the ego undergoes when it has a direct encounter with the truth of all reality. The bright flame of the real burns away the facade of the self and the individual is transformed, source code rewritten. I’m not trying to convince anyone of my Enlightenment. I’m just an artist and Enlightenment informs my art. I hope you enjoy the book for fun and also become a little bit more awake and aware yourself through the process of reading it. Steven Day (March, 2020—from quarantine) 4 Instructions: Books aren’t supposed to come with instructions but welcome to the Avant Garde. The novel is a six-section mural (or it’s episodic like a limited series.) Each section should be read, consumed, or ingested, all at once. Don’t stop reading in mid-section. Stop between sections. The second section of the mural is the longest, so give yourself time. The rest are half as long. (You could read the second section in two parts and I don’t think it would impact the experience but that’s not true with other sections.) Read each chapter or section completely as a whole and then listen to the song that goes with it. (This is for max effect. You can do whatever you want obviously) I’m working on some visual elements, but because of the limitations of time, that will have to come later. This is just the beginning of this internet based mixed media literary form I’ll be developing over the next two decades. Thanks for reading ; )- Track List: 1) Neutral Milk Hotel - Aeroplane Over the Sea (Listen after section 1) 2) Bruce Springsteen - Dream Baby Dream (Listen after section 2) 3) Kanye West - Runaway (Listen after 3) 4) One Winged Angel (Radiohead Cover) - Fake Plastic Trees (after 4) 5) Beethoven, Symphony 9, complete 4th movement, Presto, Philharmonic Baroque (The theme song of the novel; after 5) 5 Table of Sections: i. LOVE ii. BIRTH iii. FEAR iv. PAIN v. DEATH vi. PEACE 6 Voltaire - To hold a pen is to be at war. David Mamet - Drama is the stepchild of religion. Adyashanti - We come to Nirvana by way of Samsara, which is to say; we come to truth through suffering. Zen Koan - What is the sound of one hand clapping? 7 i. LOVE “I'm going to do some coke,” Vanity said from her perch on the low ledge of a window that looked out onto the city, “Do you want some coke?” It was a warm spring night and the moon was rising over the city lights. “If there is Xanax,” Jessie said without looking up from her laptop, “I have that thing tomorrow morning.” “There is Xanax,” Vanity said as she grabbed her backpack from next to the dresser. She unzipped it and found the small metal tin she sometimes kept her drugs in. “I got everything here from diddly eye Joe to damned if I know,” she said quoting a movie they both loved. “I'll have a little.” “Coke?” “Coke.” 8 Jessie's skin was as white as the blank page and her short hair boyishly fell in her eyes and was as blue as Krishna. There was a flowing childlike elegance to her body that was expressed through her movements as she sat hammering away at the keyboard like a jazz musician making love to her instrument or a warrior vanquishing her enemies on the battlefield. Between these two, her life turned; creating art and wagging war. Vanity looked like she had fallen out of a teenage vampire novel. She was in her underwear, having just painted her finger and toe nails to match the Krishna blue color of Jessie's hair. Her almost naked, cheetah-like body, was thin and lanky and she had a face that was both angular and ovular; something fashion photographers swooned over. She had big green eyes with white outer edges that changed color in the sun, and with her full lips oozing sensuality, she did look like she could seduce her way through the world and be a very successful vampire; creating desire and administering the kiss of death. “I should have been a musician,” Jessie said from behind the laptop; the soft computer light casting an aura around her like a Buddhist or Hindu deity. “I've heard you sing,” Vanity said shaking her head, “wasn't gonna happen.” “A painter then. A true artist. I should have been a painter. I was good at drawing. I could have done that. I could have been rich and famous, like what's his face. The guy who painted the Facebook building for stock options and made a cooool couple hundred million. That could have been me!” “David Choe. He is very punk rock, but writing is the one that has the most power in it? That’s what you told me. The power of transformation.” “I don't know anymore,” Jessie said in her soft breathy voice that reminded one of Marilyn Monroe. Jessie sat on a cushioned wooden chair, at the desk she had set up for herself, with the laptop resting in her lap. The desk had been a gift. An antique, wood thing, with four legs and a 9 top and no drawers. It was buried under piles of books, but had a spot for her computer, if she ever put it down, but she mostly liked to hold it in her lap. The desk was covered with stacks of novels and plays and screenplays: the French existentialists, the American transcendentalists and the American transgressionalists: Palahniuk, Selby Jr, Easton Ellis, Burrows, Camus, Sartre, Beckett, Whitman, Thoreau, Emerson, and Melville—And stacks of her own notebooks that were overflowing with notes and pages and napkins that had been covered in writing. Sticky notes in various colors were stuck to the edge of the desk and covered the wall above it all the way to the ceiling and it looked like the great wave but made with multicolored sticky notes instead. She was still in her uniform; the black t and the black jeans, her shoes having been kicked off earlier.
Load more

Recommended publications
  • We Control It on Our End, and Now It's up to You" -- Exploitation, Empowerment, and Ethical Portrayals of the Pornography Industry Julie E
    Student Publications Student Scholarship Spring 2017 "We control it on our end, and now it's up to you" -- Exploitation, Empowerment, and Ethical Portrayals of the Pornography Industry Julie E. Davin Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Film and Media Studies Commons, Gender and Sexuality Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Share feedback about the accessibility of this item. Davin, Julie E., ""We control it on our end, and now it's up to you" -- Exploitation, Empowerment, and Ethical Portrayals of the Pornography Industry" (2017). Student Publications. 543. https://cupola.gettysburg.edu/student_scholarship/543 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. "We control it on our end, and now it's up to you" -- Exploitation, Empowerment, and Ethical Portrayals of the Pornography Industry Abstract Documentaries about pornography are beginning to constitute an entirely new subgenre of film. Big Hollywood names like James Franco and Rashida Jones are jumping on the bandwagon, using their influence and resources to invest in a type of audiovisual knowledge production far less mainstream than that in which they usually participate. The films that have resulted from this new movement are undoubtedly persuasive, no matter which side of the debate over pornography these directors have respectively chosen to represent. Moreover, regardless of the side(s) that audience members may have taken in the so-called “feminist porn debates,” one cannot ignore the rhetorical strength of the arguments presented in a wide variety of documentaries about pornography.
    [Show full text]
  • Hot Girls Wanted Discussion Guide
    www.influencefilmclub.com Hot Girls Wanted Discussion Guide Directors: Jill Bauer, Ronna Gradus Year: 2015 Time: 84 min You might know these directors from: Sexy Baby (2012) FILM SUMMARY Journalists Jill Bauer and Ronna Gradus met while working at “The Miami Herald,” and in their debut film, “Sexy Baby,” they address the effect the Internet has on female sexuality. Following this exposé, they set out to make a film on how men were handling the Internet’s depiction of sexuality. The more men they interviewed, the more the word “pro-am” was repeated. Men were clearly turned on by this professional-amateur field of Internet pornography, Bauer and Gradus began to turn their attention to the characters populating this trend. In HOT GIRLS WANTED, we are introduced to Stella May, Ava Taylor, Ava Kelly, Lucy Tyler, and Brooklyn Daniels, young women ranging from the ages of 18 to 25. Fresh off their first airplane ride, their first time in Miami they are feeling on top of their game. They feel the the world is at their feet and their future is bright. They trade in their given names, strip down in front of a camera, and perform scripted sex that often borders on abuse. For what? The promise of fame, money, and escape from the humdrum of daily life. “It’s a lot of money for a girl, so why not?” Brooklyn states. “It’s a boost of confidence to know that you’re wanted that much.” Raised in a world where a woman’s value is still largely based on appearance, Brooklyn reflects the innocence and insecurity behind these girls’ decisions.
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Where Our Voices Sound Risky Business See More Seymour
    Where Our Voices Sound Risky Business See More Seymour Helen Yeung chats with Mermaidens (not the Jordan Margetts takes on Facebook, the Herald Meg Williams delves deep on a dinner date with Harry Potter kind) and that office sex scandal the ACT Party Leader [1] ISSUE ELEVEN CONTENTS 9 10 NEWS COMMUNITY NORTHLAND GRAVE A CHOICE VOICE ROBBING? An interview with the strong Unfortunately for Split Enz, it women behind Shakti Youth appears that history does repeat 13 14 LIFESTYLE FEATURES SHAKEN UP MORE POWER TO THE PUSSY Milkshake hotspots to bring more than just boys to your A look into the growing yard feminist porn industry 28 36 ARTS COLUMNS WRITERS FEST WRAP-UP BRING OUT THE LIONS! Craccum contributors review Mark Fullerton predicts the some literary luminaries outcomes of the forthcoming Lions Series [3] 360° Auckland Abroad Add the world to your degree Auckland Abroad Exchange Programme Application Deadline: July 1, 2017 for exchange in Semester 1, 2018 The 360° Auckland Abroad student exchange programme creates an opportunity for you to complete part of your University of Auckland degree overseas. You may be able to study for a semester or a year at one of our 130 partner universities in 25 countries. Scholarships and financial assistance are available. Come along to an Auckland Abroad information seminar held every Thursday at 2pm in iSPACE (level 4, Student Commons). There are 360° of exciting possibilities. Where will you go? www.auckland.ac.nz/360 [email protected] EDITORIAL Catriona Britton Samantha Gianotti The F-Word Margaret Atwood’s 1985 dystopian novel The in a later interview that the show is “obvious- ain’t about race, man.
    [Show full text]
  • Production Notes
    Production Notes ABOUT THE FILM Timed to the 50th anniversary of NASA’s celebrated Apollo 11 mission, Apollo 11: First Steps Edition is a thrilling cinematic experience that showcases the real-life moments of humankind’s first steps on the Moon. In this special giant screen edition of Todd Douglas Miller’s (Dinosaur 13) critically acclaimed Apollo 11 documentary, the filmmakers reconstruct the exhilarating final moments of preparation, liftoff, landing, and return of this historic mission—one of humanity’s greatest achievements, and the first to put humans on the Moon. It seems impossible, but this project was possible because of the discovery of a trove of never-before-seen 70mm footage and uncatalogued audio recordings—which allowed the filmmakers to create a 47-minute version of the film tailored exclusively for IMAX® and giant screen theaters in science centers and museums. Apollo 11: First Steps Edition is produced by Statement Pictures in partnership with CNN Films. The film is presented by Land Rover, and distributed by MacGillivray Freeman Films. “The Apollo 11 mission was humanity’s greatest adventure and we’re pleased to be bringing this edition to science centers and museums everywhere,” says director Todd Douglas Miller. “This film was designed to take full advantage of the immersive quality of IMAX and giant screen theaters.” But how did it happen? How did this one-in-a-lifetime batch of footage remain undiscovered for fifty years? Miller explains that as his team was working closely with NASA and the National Archives (NARA) to locate all known Apollo 11 footage, NARA staff members simply discovered reels upon reels of 70mm, large-format Apollo footage.
    [Show full text]
  • Weather & Comics
    Wednesday, April 26, 2017 Weather & Comicswww.aberdeennews.com 9B Aberdeen Weather Today Thursday Friday Saturday Sunday Monday Tuesday High: 39° High: 50° High: 52° High: 56° High: 60° High: 62° High: 63° Low: 22° Low: 22° Low: 25° Low: 28° Low: 31° Low: 34° Low: 34° An a.m. snow Some Clouds giving Intervals of A couple Warmer with shower; mostly brightening and Mostly cloudy way to some clouds and of showers low clouds cloudy cool sun sunshine possible Winds: N at 12-25 mph Winds: N at 8-16 mph Winds: E at 8-16 mph Winds: E at 7-14 mph Winds: NNE at 6-12 mph Winds: SW at 6-12 mph Winds: NE at 6-12 mph Almanac Regional Weather National Weather Aberdeen through 9 p.m. yesterday South DakotaNorth Dakota Minnesota Temperature Clouds breaking for some Cold today with clouds and Snow today, accumulating High/low ........................ 37°/33° sun today. A snow shower sun. Periods of snow in the 1-3 inches in the north and Normal high/low ............. 62°/36° in spots in the east during morning, accumulating 1-2 west; rain and sleet in the Record high ................ 97° in 1962 the morning; warmer in the inches, then a fl urry in the morning, then a fl urry in Record low ................. 19° in 2013 south and central parts. southeast; a fl urry in the central parts. Showers in Precipitation east. the south and east. 24 hrs to 9 p.m. .................. 0.00" Winnipeg Shown is today’s weather. Temperatures Month to date ...................... 1.20" Regina 41/25 are today’s highs and tonight’s lows.
    [Show full text]
  • NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
    NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22.
    [Show full text]
  • EVE M COHEN Director of Photography
    EVE M COHEN Director of Photography FEATURES/TELEVISION SOUTHLAND Joshua Caldwell Lucidity Ent. / Highland Film INHOSPITABLE (Documentary) Sandra Alvarez Cora Media + Lifeboat AIN’T I A WOMAN (Documentary) Sabaah Folyan Sarah Adina Smith BE SOMEBODY Joshua Caldwell Paramount / Studio 71 LIKE THE WATER Caroline von Kuhn Tribe ALL AMERICAN AFFAIR (Documentary) Sandra Alvarez & Amanda Spain Giving Voice Films AMERICAN SAINT (Documentary) Allison Berg Satellite Pictures UNMASKING A KILLER (Season 1) Jenny Ewing CNN HOT GIRLS WANTED: TURNED ON (Season 1) Ronna Gradus, Jill Bauer Netflix / Rashida Jones Official Selection, Sundance Film Festival (2017) VICE ON HBO (Seasons 2 & 3) Alex Braverman HBO VIRTUAL REALITY FIRESIDE Canaan Rubin Supersphere VR for Oculus COURAGE TO QUESTION Megan Sullivan Google + UN Women ASHE ‘68 Brad Lichtenstein, John Legend / CRSVR Official Selection, Sundance Film Festival (2019) Jeff Fitzsimmons THE POWER OF NINE Elliot Kotek Nation of Artists / Qualcomm THE VISITOR James Kaelan Wevr HARD WORLD FOR SMALL THINGS Janicza Bravo Wevr SHORTS MRS. DRAKE Caitlin Fitzgerald NS Pictures SON OF SOUTH SUDAN (Documentary) Amanda Spain ESPN I DREAM YOU DREAM OF ME Jennifer Reeder Steven Hudosh THE HAMA HAMA WAY (Documentary) Treva Wurmfeld FOXY TROT Lisa Donato Elizabeth Frances STAY HERE Lauren Schacher Jess Nurse DIRECTORS & COMMERCIALS MARNI ELLIS Doctor Who Promo ELLIOT KOTEK New Balance KATE MARKS Banner Health ELIZABETH AI Staples DIRECTORS & MUSIC VIDEOS GENEA GAUDET Mousey McGlynn “What I Want” MARITZA NAVARRO Muda Mvmt “Hyperventilate” 800 South Robertson Blvd. Suite 6 Los Angeles CA 90035 p: 310 652 8778 artistry.net .
    [Show full text]
  • Digital Original Series
    DIGITAL ORIGINAL SERIES Global Demand Report 2nd Quarter, 2017 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Q2, 2017 Executive Summary } Netflix once again dominates the world’s digital originals: } Some older titles found success in international markets: In 9 of the 10 markets, teen drama 13 Reasons Why was For example, in Turkey the Netflix sci-fi drama Black the most in-demand title this quarter. Mirror was the most popular digital original this quarter even though the show hasn’t released new episodes } This could well be the quarter of teen dramas: As well since October 2016. as 13 Reasons Why, breakout hit Skam from Norwegian platform NRK TV featured in the top 25 of 9 markets, } This quarter saw the cancellations of the highest profile despite the teen drama not being officially translated Netflix shows to date. Fans did not take the news well: from Norwegian. The social media backlash against the cancellation of Sense8 had a higher demand peak than the show’s } Critical acclaim and demand aligned for Hulu’s The Season 2 release in most markets. Handmaid’s Tale. The highly regarded show appeared in the top 5 in 4 markets. Top Digital Original Series in Q2 2017 13 Reasons Why Black Mirror United tates Turkey nited ingdom Singapore Gerany Canada Australia France Mexico Brazil 2 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Q2, 2017 Contents Introduction 4 Quarterly Events 5 Demand Trends for Digital Original Series by Market 7 Methodology 28 About Parrot Analytics 29 3 Copyright © 2017 Parrot Analytics.
    [Show full text]
  • Porn Work, Heather Berg Dissertation Final
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship - University of California UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title Porn Work: Adult Film at the Point of Production Permalink https://escholarship.org/uc/item/7x21k82s Author Berg, Heather R. Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara Porn Work: Adult Film at the Point of Production A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Feminist Studies by Heather R. Berg Committee in charge: Professor Leila Rupp, Co-chair Professor Mireille Miller-Young, Co-chair Professor Eileen Boris Professor Constance Penley June 2016 The dissertation of Heather R. Berg is approved _____________________________________________ Eileen Boris _____________________________________________ Constance Penley _____________________________________________ Leila Rupp, Co-Chair _____________________________________________ Mireille Miller-Young, Co-Chair June 2016 Porn Work: Adult Film at the Point of Production Copyright © 2016 by Heather R. Berg iii ACKNOWLEDGEMENTS I am deeply grateful for the support and solidarity that have sustained and inspired me throughout this process. Often, when new scholars I meet ask who my mentors are, and I tell them, they exclaim, “you’re so lucky!” It’s true. Warm thanks to Leila Rupp for her generosity of spirit, unflagging support, and bone-dry wit. Guiding me through questions ranging from how to respond to a reader’s report to which shoes to wear to a porn convention, Leila has been here every step of the way.
    [Show full text]
  • Porn Industry
    The Porn Industry Is Abusive, and These Women Are Telling It Like It Is Holly Madison, Rashida Jones’ Hot Girls Wanted, and Miriam Weeks (aka Belle Knox) shed light on a misunderstood phenomenon. Mary Rose Sombarriba http://verilymag.com/2015/08/porn-industry-playboy-mansion-sex-trafficking-belle-knox-rashida- jones-holly-madison “Who has seen Rashida Jones’ new documentary Hot Girls Wanted?” Holly Madison asked her followers on Twitter earlier this month. “I think every girl should have to see it before she turns 18.” Five years ago, Madison might not have been the kind of public voice encouraging people to view a documentary on the dangers and exploitation of girls in amateur porn. In fact, it’s more likely that you knew Madison from a little reality TV show called The Girls Next Door, which chronicled life in the Playboy mansion—where Madison lived as Hugh Hefner’s girlfriend. Madison’s book Down the Rabbit Hole, which tells of her years at Playboy, has spent five weeks on the New York Times bestseller list since its release June 23. It’s a page-turning story of caution and regret. I couldn’t help but notice the similarities I’ve read in stories of women who were exploited in the sex industry. “Exploited?” A friend gaped when I brought this up in conversation recently. “Holly Madison was living large at the Playboy mansion. She got whatever she wanted and threw huge parties where everyone was at her beck and call. She became a Las Vegas star after that. Who could say that she was exploited? She certainly gained a lot from that arrangement.” But ask Holly Madison.
    [Show full text]
  • Graphic Design Portfolio Book Non-Profit Branding
    KRIS BUOY graphic design portfolio book non-profit branding A branding system for American Hunger, a non-profit focused on bringing awareness to food scarcity in America including 3 posters, a t-shirt, and website layout hover over nav with java slow fade in hover over nav INTRO with java slow fade in scrolling website - non-profit brandingINTRO 1 in 10 Americans don’t know where their next meal is coming from 1 in 10 Americans don’t know where their next meal is coming from MISSION MISSION Our mission is to inform the general public about the severity of hunger in America as well as connect them to charities and organi- zations they can Our mission is to inform the general public about the severity of volunteer and donate to. America has a reputationhunger in asAmerica one of as the well as connect them to charities and organi- strongest zations they can volunteer and donate to. America has a reputation as one of the strongest STATISTICS STATISTICS 44% of families working on minimum wage are at poverty level 44% of families working on minimum wage are at poverty level HELP HELP Volunteer in your area Volunteer in your area Donate food in your area Donate food in your area Donate to causes around the nation Donate to causes around the nation hover over nav with java slow fade in INTRO hover over nav with java slow fade in INTRO 1 in 10 Americans don’t know where their next meal is coming from 1 in 10 Americans don’t know where their next meal is coming from MISSION MISSION Our mission is to inform the general public about the severity of hunger in America as well as connect them to charities and organi- zations they can volunteer and donate to.
    [Show full text]