DOCSLIB.ORG

Catalogue 89011 89002 89003 89010 Mad Hatter’S Tea Party Rocky Mountain High Rainbow Shelley’S Abc © Cobble Hill Puzzle Company Ltd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogue 89011 89002 89003 89010 Mad Hatter’S Tea Party Rocky Mountain High Rainbow Shelley’S Abc © Cobble Hill Puzzle Company Ltd • premium blue board • irregular cut pieces • linen finish • international2021 catalogue 89011 89002 89003 89010 mad hatter’s tea party rocky mountain high rainbow shelley’s abc © Cobble Hill Puzzle Company Ltd. © Mark Keathley | J.Q. Licensing LLC © Shelley Davies © Shelley Davies 89005 89006 89007 89008 coral sea grandma’s chintz rosemary’s birds candy store © David Penfound © Cobble Hill Puzzle Company Ltd. © Rosemary Millette | Wild Wings LLC © Cobble Hill Puzzle Company Ltd. 89015 89012 national parks storytime of the united states 89016 89018 © Cobble Hill Puzzle Company Ltd. unicorn and friends butterflies and blossoms © David Penfound © Jane Shasky 89004 89001 not cn/jp/kr/tr the four seasons feline bookcase 89017 © Janet Stever | Porterfield’s Fine Art Licensing © Janet Kruskamp | Bentley Licensing Group 100 famous views of edo by Hiroshige (1797 – 1858) 89013 space travel posters 89009 89014 vintage art supplies quilt blocks © Shelley Davies © Cobble Hill Puzzle Company Ltd. board size: 99.69 cm x 67.62 cm box size: 40 cm x 26.67 cm x 7 cm poster size: 43.18 cm x 29.21 cm 3 2 www.cobblehillpuzzles.com made in the usa 80278 80272 80258 80032 puppies and posies quilt blossoms and kittens quilt beaucoup bouquet butterfly garden © Jane Maday | Blue Sky Art & Design © Jane Maday | Blue Sky Art & Design © Barbara Behr | Blue Sky Art & Design © Barbara Behr | Blue Sky Art & Design 80283 80244 80157 80196 vintage tins cactus garden succulent garden fruit and flutterbies © Cobble Hill Puzzle Company Ltd. © Barbara Behr | Blue Sky Art & Design © Cobble Hill Puzzle Company Ltd. © Barbara Behr | Blue Sky Art & Design 80014 80152 80195 80066 dog gallery cuckoo and friends luggage grandma’s buttons © Gretchen Serrano | Suzanne Cruise Creative Inc. © Cobble Hill Puzzle Company Ltd. © Barbara Behr | Blue Sky Art & Design © Cobble Hill Puzzle Company Ltd. 80314 80313 50 states quilt blocks fishing cabin © Cobble Hill Puzzle Company Ltd. © Mark Keathley | J.Q. Licensing LLC 80231 wind in the whiskers © McKenna Ryan 80098 80060 sewing notions plenty of yarn © Shelley Davies © Cobble Hill Puzzle Company Ltd. 80237 80267 80065 80245 common quilt blocks fruit basket quilt grandma’s quilts crazy quilt © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. © Helen Klebesadel board size: 67.62 cm x 48.89 cm box size: 35.56 cm x 25.4 cm x 5.71 cm poster size: 31.62 cm x 22.86 cm 5 4 www.cobblehillpuzzles.com made in the usa 8025680235 80235 80170 80171 80172 80173 arthokusai nouveau tiles hokusai air water earth fire © Barbara Behr | Blue Sky Art & Design by Katsushika Hokusai (1760 – 1849) © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies 80266 80265 80280 80295 80145 80146 80147 parisian flowers dollies timepieces colourful rainbow pink red orange © Barbara Behr | Blue Sky Art & Design © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies 80167 80168 80048 80033 80148 80149 80150 80151 catsville dogtown beach scene black and white: animals yellow green blue purple © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies © Shelley Davies Young Leaves Painted Lady Hawthorn of Hawthorn Bramble Leaves Butterfly Blossom Chaffinch Maple and Hoy Catkins of Acorns Hazelnut Goat Wiow Catkins Great Dragonfly House Martins Wild Guelder-rose White Water Lilies Garden White Swaow Alder White-throat Leaves of Common Butterflies Sma Maple Red Admiral Hawthorn blossom Elm Butterfly Marsh Leaves of Violet Sycamore Marsh Spray of budding Marigold Crab-apple Buace Young Crab-apple Oxeye Tit Wild White-throat nest Common Catkins Hyacinths Sma Blue Gorse and Tortoiseshe White Periwinkle Butterfly Hoy Oak Coal Tits Berries Squirrel and Leaf Beechmast Berries of Black Bryony Crab Apples Robin Sand Martins Hazel Nuts Yeow Hammers Feeding in Stubble Red Admiral Blue Tits Butterfly Cotton Hoy Meadow Grass Ivy Brown Shoot Hawthorn Red-tailed Butterfly Wren Chaffinch's nest Bumble Bee and eggs Lesser Fruit Spearwort Blackbird Spring Peacock Autumn of Sloe Winter and Robin Rook Summer Butterfly Wiow Warbler Flower Toadstools feeding Wa of Lime Butterfly Lesser young Celandine Hedge Common Sparrow Common Bumble Bee Sma Fruit of Ivy Heath House Dog Rose and Butterfly Sparrows Blackberry Beech Dead Leaves Tormentil and Oats Leaf of Chestnut Blackbird eg g and Wiow Sycamore Coal Tit Catkins Starlings Wild Chiffchaff Pear Blue Tits Dog Sma Water Wild Roses - - Mistletoe Forget me not Service Catkins of Greater Tree Horse Hornbeam Knapweed Red Admiral Chestnut Butterfly Brimstone Butterfly Elm Leaf Common Polyporus Elm Leaf Seed Vessels Magpie Moth Mayweed of Rosebay Honeysuckle Common Red Wiowherb Meadow Greater Water Orange-tip Poppy Dog's Foxtail Grass Butterfly Fruit of Great Tit Meadow Brown Plantain House Mercury Wild Cornel Starling Golden Butterfly Wren Sparrow Seed Vessels Oak Red Wild Hyacinth Foxglove Rod Nipplewort of Cow Parsnip Leaf Campion and Dock Hive Blackbird Bee Oxeye Daisy Common Song Thrush Broom Cuckoo Purple Beaked Parsley Pint Clover Stinging Nettle Harebe Hazelnut Catkins Privet Berries Sweet Elderberry Violet Blackbird Trailing Edith Holden Edith Holden Rose Edith Holden Edith Holden 80268 80269 80318 mid-century modern 80285 80211 by permission 80212 by permission 80213 by permission 80214 by permission we’re all mad here floral objects dream home the nature of books country diary: spring country diary: summer country diary: autumn country diary: winter © Cobble Hill Puzzle Company Ltd. © Methane Studios Inc. © Diane Dempsey © Alison Stockmarr ©Rowena Stott (Designs) Ltd. and Lilytig Ltd. ©Rowena Stott (Designs) Ltd. and Lilytig Ltd. ©Rowena Stott (Designs) Ltd. and Lilytig Ltd. ©Rowena Stott (Designs) Ltd. and Lilytig Ltd. board size: 67.62 cm x 48.89 cm box size: 35.56 cm x 25.4 cm x 5.71 cm poster size: 31.62 cm x 22.86 cm 7 6 www.cobblehillpuzzles.com made in the usa Greetingfro 80254 80260 80064 80281 80034 80084 vintage american postcards greetings from canada china hutch teapots too teacups more teacups © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. 80331 80097 80051 80083 80174 80238 80089 pride nancy drew vintage nancy drew garden party bowls baristart more cheese please © Cobble Hill Puzzle Company Ltd. ™&© 2016 Simon & Schuster Inc. ™&© 2016 Simon & Schuster Inc. © Cobble Hill Puzzle Company Ltd. © Cobble Hill Puzzle Company Ltd. © BaristArt LLC © Cobble Hill Puzzle Company Ltd. oodrow Wilson’s presidency for two a protested in front of the White House during W nd a half years – it was the last battle of a seve The Silent Sentinels nty-two-year fight. The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex. First annual National Women’s Rights Convention was in 1850• •1860• •1870• •1880• •1890• •1900• •1910• •1920• •1930• •1940• •1950• •1960• •1970• •1980• •1990• •2000• •2010• •2020• Formation Washington women win suffrage, The women Women of Nevada of The American only to have it reapealed in 1887. & Montana win The Indian Citizenship Act is Frances Perkins, Secretary of Margaret The Voting Rights Act Shirley Chisholm Geraldine Ferraro is the Madeleine K. Nancy Hillary Election 2020: of Idaho win suffrage. passed. But many state is the first black first woman nominated Albright is Pelosi is Clinton is esolved That it is the duty of the Equal Rights Labor is the first woman to Chase Smith, strenuously for vice president on a for the first Association, Senator Aaron A. Sargent, introduces suffrage. laws and policies prohibit serve in the Cabinet. is the first prohibits racial female major the first the first the first time in history into Congress a women’s suffrage The women of Alaska Native Americans from party presidential major ticket. woman to woman to female suffrage win suffrage. The woman to discrimination in presidential more than two campaigns amendment. Forty-two years later it The women largest suffrage voting, until 1948. candidate. Mississippi is the last serve as u.s. serve as women compete women of this country for both of Utah Hattie Wyatt Caraway is serve in both voting, resulting state to ratify The nominee of would become the Nineteenth Amendment parade to date marches the House and in greatly in- Secretary of State. Speaker of the a major u.s. in a major party’s women and (with no changes to its wording). regain the on Washington D.C. The Nineteenth Amendment to the first woman elected Nineteenth Amendment. House. presidential to secure to themselves their sacred right african vote, first the Constitution is ratified. to the Senate. the Senate. creased voting by party. americans. Susan B. Anthony registers and votes in The women of Oregon, African American primary process. rochester, ny, arguing that the Fourteenth Amendment granted in Arizona, and Kansas win women and men. Susan B. Anthony Janet Reno is the first Condoleezza gives her the right. She is arrested and tried. 1870, but suffrage. The women of Michigan, Oklahoma, is the first female woman to serve as u.s. Rice is the Janet Napolitano is the first to the elective franchise. repealed and South Dakota win suffrage. Patsy Takemoto Mink is the first Asian citizen to be depicted Attorney General. (1993-2001). first woman Sarah Palin woman appointed the Secretary ~from the Declaration of Sentiments signed by 100 delegates at Seneca Falls at 1861~1865: The 15th Amendment is adopted. in 1887. The women of California American woman elected to Congress. on a u.s. coin. to serve as is the first of Homeland Security. suffragists win suffrage. The women of New York win suffrage. the u.s. National Security republican the first American women’s rights convention in 1848.
Load more

Recommended publications
  • EFEITOS TIPO BOTTOM-UP E TOP-DOWN EM UM SISTEMA TRITRÓFICO FORMADO POR Ricinus Communis L
    EFEITOS TIPO BOTTOM-UP E TOP-DOWN EM UM SISTEMA TRITRÓFICO FORMADO POR Ricinus communis L. (EUPHORBIACEAE), Spodoptera frugiperda (LEPIDOPTERA: NOCTUIDAE) E SEUS INIMIGOS NATURAIS PAULA ROBERTA DE SIBIO Tese apresentada ao Instituto de Biociências, Campus de Botucatu, UNESP, para obtenção do título de Doutor no Programa de Pós-Graduação em Ciências Biológicas (Botânica), Área de Concentração: Morfologia e Diversidade Vegetal. BOTUCATU – SP -2012- UNESP – UNIVERSIDADE ESTADUAL PAULISTA CAMPUS DE BOTUCATU INSTITUTO DE BIOCIÊNCIAS EFEITOS TIPO BOTTOM-UP E TOP-DOWN EM UM SISTEMA TRITRÓFICO FORMADO POR Ricinus communis L. (EUPHORBIACEAE), Spodoptera frugiperda (LEPIDOPTERA: NOCTUIDAE) E SEUS INIMIGOS NATURAIS PAULA ROBERTA DE SIBIO PROF. DR. MARCELO NOGUEIRA ROSSI ORIENTADOR Tese apresentada ao Instituto de Biociências, Campus de Botucatu, UNESP, para obtenção do título de Doutor no Programa de Pós-Graduação em Ciências Biológicas (Botânica), Área de Concentração: Morfologia e Diversidade Vegetal. BOTUCATU – SP - 2012 - FICHA CATALOGRÁFICA ELABORADA PELA SEÇÃO DE AQUIS. E TRAT. DA INFORMAÇÃO DIVISÃO TÉCNICA DE BIBLIOTECA E DOCUMENTAÇÃO - CAMPUS DE BOTUCATU - UNESP BIBLIOTECÁRIA RESPONSÁVEL: ROSEMEIRE APARECIDA VICENTE De Sibio, Paula Roberta. Efeitos tipo bottom-up e top-down em um sistema tritrófico formado por Ricinus communis L. (Euphorbiaceae), Spodoptera frugiperda (Lepidoptera: Noctuidae) e seus inimigos naturais/ Paula Roberta De Sibio. Botucatu : [s.n.], 2012 Tese (doutorado) - Universidade Estadual Paulista, Instituto de Biociências de Botucatu. Orientador: Marcelo Nogueira Rossi Capes: 20303033 1. Botânica. 2. Ecologia vegetal. 3. Euphorbiaceae. 4. Lepidoptera. 5. Relação inseto-planta. 6. Mamona. Palavras-chave: Efeitos bottom-up e top-down; Herbivoria; Interação inseto- planta; Mamona; Parasitóides; Podisus. Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) Processo 09/50937-3 ! # $ % # ' ( $ ) ' ( * , - .
    [Show full text]
  • Visual Focus of Attention Actively Associates Relevancy in Eye
    Journal of Business Theory and Practice ISSN 2372-9759 (Print) ISSN 2329-2644 (Online) Vol. 3, No. 2, 2015 www.scholink.org/ojs/index.php/jbtp Visual Focus of Attention Actively Associates Relevancy in Eye Movements Gufran Ahmad1* 1 College of Computer Sciences and Information Systems, Jazan University, Jazan, Saudi Arabia * Gufran Ahmad, E-mail: [email protected] Abstract Advancements in the studies of eye movements have excelled beyond frontiers and transited into the phase of next generation splendidly. The business applications, like online shopping, advertisement, web designing, search engine optimization, of eye movement studies in real world scenarios have started to dominate as well. Tracking of eye movements can communicate the underlying mechanism of visual perception and dynamics of humans’ cognition that are of prime concerns for a number of social, economic, and scientific purposes. In this study, we conducted a series of eye tracking experiments to verify our hypothesis that during human eye movements, the visual focus of attention dynamically associated relevant constituents of artistic portrait. We collected the eye movement data of participants who regarded artistic portraits during active viewing. The trails produced from eye tracking system during portrait viewing traced connected focuses of attention in eye movements based on relevancy in visual contexts. These experimental facts validated the hypothesis that visual focus of attention actively associated relevancy in eye movements. Keywords associative relevancy, cognition, eye movements, visual focus of attention 1. Introduction and Background Eye movement is one of the research studies which have prospered rapidly due to immense demands and interests of interdisciplinary researches, like human and developmental psychology, psycholinguistic and readings, neuroscience, vision research, usability studies, business marketing and advertising research, ophthalmology, human computer interaction, etc.
    [Show full text]
  • 7. Headings Etc with Properties Title
    Vincent van Gogh Summary of Van Gogh’s life Vincent van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post- Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings. They include landscapes, still lifes, portraits and self-portraits, and are characterized by bold colors and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at 37 followed years of mental illness and poverty. Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the public imagination as the quintessential misunderstood genius, the artist "where discourses on madness and creativity converge". His reputation began to grow in the early 20th century as elements of his painting style came to be incorporated by the Fauves and the German Expressionists. He attained widespread critical, commercial and popular success over the ensuing decades, and is remembered as an important but tragic painter, whose troubled personality typifies the romantic ideal of the tortured artist. Some highlights of van Gogh’s work Artwork title Year created Location Van Gogh Museum, The potato Eaters 1885 Amsterdam Fishing Boats on the Van Gogh Museum, Beach at Saintes- June 1888 Amsterdam Maries Van Gogh Museum, Bedroom in Arles October 1888 Amsterdam Van Gogh Museum, Sunflowers 1889 Amsterdam Museum of Modern The Starry Night 1889 Art, New York City Van Gogh’s life in more detail Early years Vincent van Gogh was born on 30 March 1853 in Groot-Zundert, in the southern Netherlands.
    [Show full text]
  • Saturniidae from Santa Catarina State, Brazil, with Taxonomic Notes (Lepidoptera) 215-220 Nachr
    ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Nachrichten des Entomologischen Vereins Apollo Jahr/Year: 2009 Band/Volume: 30 Autor(en)/Author(s): Siewert Ricardo R., Silva Eduardo J. E., Mielke Carlos G. C. Artikel/Article: Saturniidae from Santa Catarina State, Brazil, with taxonomic notes (Lepidoptera) 215-220 Nachr. entomol. Ver. Apollo, N. F. 30 (4): 215–220 (2010) 215 Saturniidae from Santa Catarina State, Brazil, with taxonomic notes (Lepidoptera) Ricardo R. Siewert, Eduardo J. E. Silva and Carlos G. C. Mielke Ricardo Russo Siewert & Eduardo José Ely e Silva, Departamento de Fitossanidade, Faculdade de Agronomia Eliseu Maciel, Universidade Federal de Pelotas (UFPEL), Campus Universitário, s/nº, caixa postal 354, CEP, 96010­900, Pelotas, RS, Brasil; [email protected] & [email protected] Carlos Guilherme Costa Mielke, Caixa Postal 1206, 84.145­000 Carambeí, Paraná, Brasil; [email protected] Abstract: A species list of the Saturniidae (Lepidoptera) of Material and methods the state of Santa Catarina, Brasil, is presented. 149 species are listed in four subfamilies: Arsenurinae (16), Ceratocam­ Collections visited are listed below (all in Brazil) with pinae (32), Hemileucinae (90), and Saturniinae (11). The their abbreviations, besides their code used in Table 1: following are stat. rev. as species: Hylesia corevia (Hüb ner, CGCM (= X1) Col. Carlos G. C. Mielke, Curitiba, Paraná. [1825]) and Eacles lauroi Oiticica, 1938. CMN (= X2) Museu Nacional, Rio de Janeiro, Rio de Janeiro. Key words: fauna survey, taxonomy, neotropical. DZUP (= X3) Col. Padre Jesus S. Moure, Departamento de Zoo­ Saturniidae aus Santa Catarina, Brasilien mit logia, Universidade Federal do Paraná, Curitiba, Pa ra ná.
    [Show full text]
  • Blooms Hilton Als
    Blooms Hilton Als Taken together, Julian Schnabel’s canvases are a garden illuminated by perception, which is all Gertrude Stein’s “Rose is a rose is a rose is a rose” was about—how we look at what we look at, how to make seeing into words. Schnabel’s masterly Rose Paintings series, exe- cuted in 2015–17, are blooms that will never die on the vine, let alone the vine of thought. The works are a description of the ephemeral—flowers as forces in nature that expire to blossom again. By using materials meant to last—oil, paint, Bondo on wood—Schnabel creates concrete forms out of that which is meant to return to the ground. In these works, he excavates flowers, those captives of time that die with time, and makes them timeless, in pictures that draw on nature to make of it what the artist will—and does. Schnabel makes paintings that are illustrative of his nature. The artist first attracted widespread attention more than three decades ago for work that was unlike anything else, because the Brooklyn-born Schnabel’s point of view has always been unlike anyone else’s. His eye is a rose. In paintings ranging from Self Portrait in Andy’s Shadow (1987) to the Untitled (Chinese Paintings) series (initiated in 2003), the creator worked in a tradition that could not be readily identified because it was his own, an out- growth of his soul. Like flowers that cannot be classified, the Rose paintings come at you from different angles. One painting looks at the roses a little from the left, some are more centered—all of which goes to show how one’s view of a thing can change the thing being observed; our percep- tions change paintings, just as paint changes blank canvas.
    [Show full text]
  • Elasmobranch Biodiversity, Conservation and Management Proceedings of the International Seminar and Workshop, Sabah, Malaysia, July 1997
    The IUCN Species Survival Commission Elasmobranch Biodiversity, Conservation and Management Proceedings of the International Seminar and Workshop, Sabah, Malaysia, July 1997 Edited by Sarah L. Fowler, Tim M. Reed and Frances A. Dipper Occasional Paper of the IUCN Species Survival Commission No. 25 IUCN The World Conservation Union Donors to the SSC Conservation Communications Programme and Elasmobranch Biodiversity, Conservation and Management: Proceedings of the International Seminar and Workshop, Sabah, Malaysia, July 1997 The IUCN/Species Survival Commission is committed to communicate important species conservation information to natural resource managers, decision-makers and others whose actions affect the conservation of biodiversity. The SSC's Action Plans, Occasional Papers, newsletter Species and other publications are supported by a wide variety of generous donors including: The Sultanate of Oman established the Peter Scott IUCN/SSC Action Plan Fund in 1990. The Fund supports Action Plan development and implementation. To date, more than 80 grants have been made from the Fund to SSC Specialist Groups. The SSC is grateful to the Sultanate of Oman for its confidence in and support for species conservation worldwide. The Council of Agriculture (COA), Taiwan has awarded major grants to the SSC's Wildlife Trade Programme and Conservation Communications Programme. This support has enabled SSC to continue its valuable technical advisory service to the Parties to CITES as well as to the larger global conservation community. Among other responsibilities, the COA is in charge of matters concerning the designation and management of nature reserves, conservation of wildlife and their habitats, conservation of natural landscapes, coordination of law enforcement efforts as well as promotion of conservation education, research and international cooperation.
    [Show full text]
  • Van Gogh Museum Journal 2002
    Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh.
    [Show full text]
  • Vincent Van Gogh in Arles
    VINCENT VAN GOGH IN ARLES “Van Gogh sur la route de Tarascon” Known also as “The painter on his way to work”, July 1888, 48 x 44 cm Formerly in the Kaiser-Friedrich-Museum, Magdeburg, Germany (Destroyed by fire in 1945) https://commons.wikimedia.org/wiki/File:Vincent_Van_Gogh_0013.jpg A Walk-Around of Selected Sites L. M. Boring Membre de l’Association des Artistes Alpicois, Le Pecq 28 February 2019 Vincent Van Gogh arrived in Arles by train on Monday, February 20, 1888, with an idea to found an artist colony in the south “Wishing to see a different light, thinking that looking at nature under a bright sky might give us a better idea of the Japanese way of feeling and drawing. Wishing also to see this stronger sun, because one could not understand Delacroix’s pictures from the point of view of execution and technique without knowing it, and because one feels that the colors of the prism are veiled in the mist of the North.” Oddly and by happenstance, when he arrived, he found the countryside covered in snow, and among his first paintings were soft landscapes of snow covered fields. He found lodging in the Hotel-Restaurant Carrel, but his stay ended badly over a billing dispute after only two months. Vincent signed a lease on May 1st for a small four-room two-story semi-detached house on the Place Lamartine, not far from the train station. Its stucco exterior was bright ochre, and it became known by Van Gogh’s paintings as La Maison Jaune, the Yellow House.
    [Show full text]
  • REDESCRIPCION Y BIOLOGIA T)Tlu ROTHSCHILDIA
    REDESCRIPCION Y BIOLOGIA T)Tlu ROTHSCHILDIA. JACJOBAEAE (NJLIKEÉ+) (LEPIDOPTERA, SATURNIIDAE). por HORAcio F. E. Rizzo] SUMMARY : Redesoription and biology of Rothsohildia/.¢oob¢e¢G (Walker) -(J;op¢.dopúG- ra, Sotiu"üda,e). This work considers a redescription of the {1ifferent stages of development of Ro£^8¿`h¿!d¿¢ jtt¿`oba"rG (Wa]ker), its bio]ogíca.l cyclo and th® number of year]y gel,emtio],s. The wiltl ¿md cultivated hosts of this Saturniidae aiid the extent and n¿Lture of tlie damage it causes, is also treated here. Lastl.T, a consultecl bibliography is indicated. REDESCRIPCION DE LOS DIST]NTOS ESTADOS HUEvo (fig.1) Es aproximadamente ovoide algo achatado lateralmente, siendo más pla. no en la zona de apoyo y en las de co.ntacto con otros huevos. Mide unos 2 mm de longitud o diámetro mayor por 1,5 mm de ancho o diámetro transiverso. Posee superficie lisa con un punteado muy £ino. Color blanco, poco bri- 1lante excepción hecha de los lugares donde se une a otros huevos y a la super£icie en que los colocó la hembra, en los cuales presenta una película adhesiva semejante a la cola de carpintero, de coclor caramelo, a veces pardo- rojiza o pardo oscura, de aspecto vítreo y brillante. LARVA Pri.m,er e's£adíoi.. Cuando neonata mide unos 3-4 mm d`e largo presentando el mayor grosor -1 mm aproximadamente- en el protórax desde donde el mismo disiminuye paulatinamente hacia caudal. Cabeza blanco sucio brillante con manchas osicuras y cerdas de igual co- lor, dispersas, £inas y cortas.
    [Show full text]
  • Van-Gogh-LM0918 Lores-1.Pdf
    LUXURYLUXURY MAGAZINE FALL 2018 ARTIST PROFILE Garden at Arles, 1888, oil on canvas, 73 x 92 cm, located at Haags Gemeentemuseum, The Hague, the Netherlands LOVING VINCENT VINCENT VAN GOGH has long been a mainstay of popular culture and international exhibitions, and now he is the subject of a new book and Hollywood film, proving the fascination with the fabled painter has not abated. by Jason Edward Kaufman NY HIP / Art Resource, 182 Fall 2018 Fall 2018 183 Van Gogh painted more than three dozen self-portraits, a self-examination rivaling that of Rembrandt. The 1889 picture, created after he injured himself, seems to show a restored left ear, but depicts his right ear seen in reverse in the mirror. From left: Self-portrait with Straw Hat, 1887, oil on cardboard, 40.9 cm x 32.8 cm, located at the Van Gogh Museum, Amsterdam, the Netherlands; Self-Portrait as a Painter (Self-portrait before Easel), 1887-1888, oil on canvas, 65.1 x 50 cm, located at the Van Gogh Museum, Amsterdam, the Netherlands; Self-Portrait, 1887, oil on canvas, 44.1 x 35.1 cm, located at Musée d’Orsay, Paris; Self-Portrait Dedicated to Paul Gauguin, 1888, oil on canvas, 61 x 50 cm, located at the Fogg Art Museum, Harvard Art Museums, Cambridge, MA; Self-Portrait, 1889, oil on canvas, 65 x 54.5 cm, located at Musée d’Orsay, Paris. ince he died from a self-inflicted gunshot wound in 1890, the world has venerated Vincent van Gogh. SFew artists have been as obsessively studied and perhaps none is more adored by the general public.
    [Show full text]
  • Vincent: Arte E Melancolia
    UNIVERSIDADE VEIGA DE ALMEIDA MESTRADO PROFISSIONAL EM PSICANÁLISE, SAÚDE E SOCIEDADE SHEYLA DA CONCEIÇÃO BEZERRA VINCENT: ARTE E MELANCOLIA RIO DE JANEIRO 2019.1 1 SHEYLA DA CONCEIÇÃO BEZERRA VINCENT: ARTE E MELANCOLIA Dissertação apresentada ao Programa de Pós- graduação - Stricto Senso - Mestrado Profissional em Psicanálise, Saúde e Sociedade da Universidade Veiga de Almeida (RJ) como parte dos requisitos para obtenção do título de Mestre em Psicanálise, Saúde e Sociedade. Área de concentração: Psicanálise e Sociedade. ORIENTADOR: Prof.ª Drª VERA MARIA POLLO FLORES RIO DE JANEIRO 2019.1 2 AGRADECIMENTOS A natureza e a Deus por me proporcionarem a vida. A minha família pela educação, permitindo que eu chegasse até aqui. A Dra. Vera Pollo que orientou a elaboração da dissertação. A Dra. Sonia Borges e a Dra. Doris Rinaldi por aceitarem a compor minha banca, contribuindo com considerações e análises significativas sobre meu trabalho. Ao meu esposo pela paciência e estímulo ao meu crescimento. Ao meu incansável amigo, Afonso pelas dedicações e conversas sobre psicanálise, arte, psicologia e visão acerca do Universo. Nós dividimos nossas angústias e alegrias. Ao artista Vincent (in memoriam) que me inspirou em momentos difíceis e conturbados. 3 RESUMO Este trabalho de dissertação investiga a relação do estado emocional e psíquico de Vincent van Gogh e a produção de sua arte reconhecida como impressionista pelo próprio artista. Utilizamos como constructo teórico a psicanálise. Como método investigativo, foi feita uma correlação entre a biografia do artista e a vasta correspondência com seus familiares, amigos, médicos, em particular com seu irmão Theodorus van Gogh. Os pensadores Freud e Lacan serviram de base para uma compreensão entre arte e psicanálise.
    [Show full text]
  • The Last Prisoners of World War II
    Pace International Law Review Volume 9 Issue 1 Summer 1997 Article 14 June 1997 The Last Prisoners of World War II Margaret M. Mastroberardino Follow this and additional works at: https://digitalcommons.pace.edu/pilr Recommended Citation Margaret M. Mastroberardino, The Last Prisoners of World War II, 9 Pace Int'l L. Rev. 315 (1997) Available at: https://digitalcommons.pace.edu/pilr/vol9/iss1/14 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace International Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. COMMENT THE LAST PRISONERS OF WORLD WAR Ill Margaret M. Mastroberardino I. INTRODUCTION "To the victor belong the spoils of the enemy."2 The Ro- mans exhibited treasures captured from their prisoners; Napo- 3 leon did the same almost two thousand years later. Throughout world history, looting treasures belonging to ene- mies in times of war has been a constant.4 Looting occurred as recently as the Persian Gulf War, where Saddam Hussein re- moved collections of cultural property from Kuwait. At the end of the 19th century, an idea emerged that cultural objects should be protected from armed, military conflict.5 As a result, the Hague Conventions of 1899 and 1907 included provisions designed to "protect cultural institutions, historical monuments and works of art from premeditated seizure, destruction, or damage."6 During World War II, Adolph Hitler and his Nazi soldiers wrought havoc on Europe. In their quest to establish a superior 1 "They are the last prisoners of World War II, about to emerge from the dark rooms where they were locked away 50 years ago." Jack Kelly, The Spoils of War/ Show Ignites Debate Over Ownership, USA TODAY, March 3, 1995 at 1D.
    [Show full text]