ARTS V' entertainm ent

' ■ ■ n uck it anyway, no dope, no permeated with the distinct smell m nookie, no queers of Warhol present in such JL following me today, I cinematic works as Midnight guess you start writing lame Cowboy. You are compelled to diaries like this.” take a descent with Carroll, but — age 14, The Basketball Diaries not a surrealistic ride down a rabbit’s hole. It is rather the Reading Jim Carroll can be a sickness of heroin addiction at dramatic experience. A street- the age of fifteen. It is a poet’s smart kid who experimented with attempt at shocking realism drugs in a private school in the reminiscent of William lower-east side of New York City, Burrough’s Junky rather than he wrote The Basketball Diaries. merely the hedonistic ad­ It is unsettling as much as it is venturism that brought fame to colorful and fascinating, with a Jack Kerouac. bitter taste of the underground He is knee-deep in drugs and scene. It casts you beyond the sex and hustling gays, and hangs glitter to bare the true city, (See RAZOR, p.4A) 2 A Thursday, May 22,1966 Daily Nexus

Bob Dylan circa 1965 — \ -S' the times have changed The EAGLE CREEK OVERLAND CONVERTIBLE LUGGAGE EASILY & Q UICKLY Sfr CONVERTS FROM O A BACK PACK TO STANDARD LUGGAGE

MLT OPEN MON.-SAT. 10 AM - 6 PM 963-4438 How Many Years? 529 STATE ST. / Our hats come off this week to salute the now­ MAPS • BOOKS • LUGGAGE • ACCESSORIES individual style of speech/singing even more distinctive. legendary Bob Dylan, who turns 45 this Saturday. Born His experimentation of melding traditional musical on May 24,1941 in Duluth, Minnesota, under the name of styles from around the world and different moments of Robert Allen Zimmerman, he is perhaps the most history caused a stir and subsequently a breakthrough influential performer in rock music. He became the for his contemporaries in the field of rock. For that special mood of the American youth in the early sixties, as he Through the years he has accomplished much and combined the popular fifties rock rhythm with the new crossed paths with many interesting individuals (Joan evening folk revival sound inspired by Woodie Guthrie and Baez, etc.). He went into semi-reclusion for awhile and others. He was keen on speaking out with his songs amid experimented with various religions. Recently he has re- the turbulent protest and civil rights movements of the emerged in the rock scene as a serious competitor who time, and soon had the world’s attention. does not wish to be merely admired for his past. He has been working with such top performers as reggae After teaching himself guitar, piano and harmonica, superstars Sly Dunbar and Robbie Shakespeare. His he became popularly known playing at coffeehouses at most recent album release, Empire Burlesque, is a the University of Minnesota and began a long career stupendous collection of previously unreleased oldies. with Columbia Records that led him to fame. His most He is set to tour this summer with friend and colleague widely known songs of this early period were “ Blowin’ in Tom Petty. Once again we salute this great man, a the Wind” (made popular by a Peter, Paul and Mary songwriter who knew no bounds and directed the course rendition) and “ The Times They Are A-Changin’ ” . His of music that will linger for years to come. simple acoustic guitar and heavy nasal voice made his — Karl Irving Dinner Lunch Sundays & Weekdays Monday-Friday 5:30-9:30 11.00-2:00 pm Friday-Saturday 5 :3 0 -1 1 :0 0 Satisfying, Sweet Sarcasm Strictly speaking, King of America isn’t really Elvis Where they pour Coca-Cola just like vintage wine... Costello’s latest album. It’s supposedly by The Costello She said she was working fo r the ABC News Show, featuring the Attractions and Confederates. And it It was as much of the alphabet as she knew how to BA gets more confusing. T-Bone Burnett produced this one use." 8 and almost all the songs were written by a “ Declan or RESTAURANT MacManus.” "You were the spice of life Put all that together with a more straightforward The gin in my vermouth," sound and a heavy rockabilly emphasis, and it begins to “ Little Palaces” is remarkably different, and with its 962-3131 come together. Elvis seems to have turned over a new mandolins and acoustic guitar, it manages to decorate Downtown off Chapala between De la Guerra & Canon Perdido leaf, dropping the smooth, polished its country twang with both Eastern sap of his last two albums. His and Western influence. The in­ backing band for most of his strumental storytelling takes on a There w ill be no previous albums, the Attractions, slightly mocking tone — it sounds plays only one song, and MacManus like it might have been called “ The is Costello’s real name. legend or tale of so-and-so.” I liked the intellectual melancholy Another first-rate track is “Jack that hung over most of the previous of All Parades,” a catchy piece Daily Nexus material, but this album is about an experienced lover who now refreshingly different. yearns only “ to be the love of one Monday, May 26th Honest and soulful, King of true heart.” Picture a warm America definitely has less of a evening: you can rock back and punch-beat style than Costello fans forth on the front porch as Costello may be used to, but is far from too croons and croons. The Deadline for Wednesday's slow. With fast-paced guitarwork, Unlike the group’s upbeat dance David Hidalgo of Los Lobos provides LP, Get Happy, the songs on King of Newspaper will be strength that kicks, something that America are not overly similar and Costello’s recent material therefore do not lead to the temp­ sometimes lacks. “ Glitter Gulch” is so quick that you tation to compare them to the “ best” tracks on the FRIDAY at 5 PM think you’re tripping over the lyrics, like the man who album. wears elevator shoes in the song. Satisfaction comes from this healthy chunk of unrefined melodies, beautiful ballads that manage to There is still an abundance of cliches. Pieces like bite, and strong country rhythms. From the use of the The Daily Nexus Office will “ Indoor Fireworks” and “ Our Little Angel” remind me French accordion on “ American Without Tears” to the of older ballads like “ Alison” and “ Shipbuilding,” (from painfully pleading vocals on the cover of the Animals’ be dosed all day Monday. previous albums, M y Aim Is True and Punch the Clock) classic “ Don’t Let Me Be Misunderstood,” I think Elvis but Elvis avoids sentimentality with sweet sarcasm, as deserves his crown. always: album supplied by Leopold’s Records Have a Safe and Happy Holiday Weekend. “ He thought he was the King of America — Maureen Fan *SALE* 1/2 O FF ALL VITAMINS CONTINUING GRADUATES and UNDERGRADUATES You must turn in your Official Registration Form by May 23 or you will be billed a $50 late registration fee. Contact the Office of the Registrar if you have not received your registration form in the mail. Supplies Limited to Stock on Hand. Daily Nexus Thursday, May 22,1966 3A

A Perfectly Manic Monday Now Open Evenings Until 9 P.M.! I don’t know how many of you missed it, but Monday’s manic show with the Bangles and the Hoodoo Gurus at Enjoy A Sweet Slice O f Summer... the Arlington Theatre was undoubtedly far out. Finding a special place in the Bangles’ hearts wasn’t difficult, seeing as how their big-time American tour had begun and was now coming to a close here in Santa Barbara. Opening, the Hoodoo Gurus’ rockin’ psychotic on­ slaught of home-spun demented Aussie psychedelic pop proved extremely contagious. Slightly resembling the animal ensemble that rocks Disneyland’s America Sings with “ Ain’t Nothing but a Hound Dog” , the Hoodoo Gurus played a generous amount of songs from their latest album Mars Needs Guitars. Consisting of their college hits “ Bittersweet” , “ Poison Pen” ,“ Be my Guru” , and “ I Want You Back” , the Hoodoo Gurus’ awesome hour-long set came to a close with the ultrabitchin’ Bangles sauntering onstage to assist the Gurus with the necessary tamborines, chants, and go-go dancing during the climactic rendition of Gary Glitter’s “ Rock‘n’ Roll Part 2” . . Providing interesting between-set entertainment, the roadies for the bands took to the stage for a fifteen- minute jam session that resembled something along the Susannah Hoffs of the Bangles lines of the seventies Spinal Tap genre. Once the roadies when it came to stage antics, the choral harmonies Free Slice O f Pie finished their set and the haunting teenage jail scene of mixed with their rejuvenated garage sound left me more with entree the Runaways’ “ Dead End Justice” came over the than satiated. (After 5 p.m. 7 days a week) sound system, it was time for the Bangles. In other words I was in heaven and so were the Promoting their smash album Different Light, the numerous toddlers who came to see their latest idols OFFER GOOD THRU MAY 30, 1986 Bangles began the set with the title track from the new perform “Manic Monday” and their latest single “ If LP. Then guitarist extraordinaire, Vicki Peterson, You Knew What She Wants” . It was a sing-along for the welcomed us to their acid trip with the breathtaking entire family^ But the real surprise came during the last “ Restless". With an awesome sound system that at encore when the Gurus and the roadies joined the vixens times raised the vocals too high, the Bangles dished out onstage for the legendary Seeds classic “ Pushing Too their hour-and-a-half set with such power that one could Hard” . It has been at least four years since I saw them only come to the conclusion that they are indeed do this song and it sounded better than ever. The perfect rockstars. Although a little shallow and empty-handed ending for a perfect evening. — Cesar Padilla

Stylish Jazz Registration starts Friday, June 13, at theatres everywhere. Last Saturday, Santa Barbara’s the quartet, rather than the drum or jazz enthusiasts had the great for­ the bass. tune to see one of the most in­ He continues with this style today fluential jazz pianists of today, and it was greatly appreciated by McCoy Tyner. The Jazz and World the crowd at Panache. Tyner opened Music Society brought Tyner and his up with a recent composition called trio to State Street’s jazz supperclub “ Hip Toe.” Not only an outstanding Panache for two fantastic shows. musician, Tyner is a fine composer McCoy Tyner attained legendary and performed mostly his own status as a member of John songs. Coltrane’s Quartet from 1960 to 1965. An added and unexpected treat Coltrane was the foremost creative was Avery Sharp on both the stand- and innovative spirit to play the up and electric bass. Although a tenor sax. While jazz is rooted in the young musician, his talent shines melody of Western music and the alongside the veteran Tyner. The rhythm of African music, Coltrane trio’s drummer, Loui Hayes, is expanded the scope of his art, in­ another young musician who plays tegrating eastern modal patterns. in the polyrhythmical tradition of Coltrane was also deeply influenced Elvin Jones, John Coltranes’ by eastern philosophy and his music drummer. was an expression of his religious The highlights of the show were self. the trio’s rendition of the standard I asked McCoy Tyner how this had “ There is No Greater Love,” which affected him. He said he is not a featured Sharp humming in unison Buddhist and doesn’t feel very in­ with his stand-up bass, and Tyner fluenced by that tradition. Never­ playing solo the tune, “ You Taught theless, his style of playing is an My Heart to Sing.” outgrowth and complement to Coltrane’s. Panache, an excellent supperclub, As Coltrane stretched the range had a difficult time handling a large and limits of his horn, introducing concert. The seating was disordered new concepts and patterns into jazz, and the low ceiling provided poor the members of his group had to acoustics. The club also lacked the expand as well. Tyner plays with proper equipment. The volume of clear, ringing open-voiced chords, the sound mix for the piano was too which provide more stability in the low, and when they attempted to quartet, and this was obviously in remedy this in the second show the the midst of Coltrane’s avant-garde music was interrupted by the un­ revolution. Tyner’s style created a pleasant dissonance of the am­ new arrangement in jazz where the plifiers. piano is the steadiest instrument in — Robert Apatow

BOWLING OPEN 24 HRS Relax, Unwind - Have Fun! Let Loose - Go Bowling! RODNEY DANGERFTELD “BACK TO SCHOOL” Billiards and Videos SALLY KELLERMAN BURT YOUNG KEITH GORDON ADRIENNE BARBEAU ROBERT DOWNEY, JR. OPEN LANES SAM KINISON and NED BEATTY as Dean Martm fact* DANNY ELFMAN Weekends, Day, Late Nite Execaove Producer ESTELLE ENDLER MICHAEL ENDLER HAROLD RAMIS p m by CHUCK RUSSELL Smpiay by STEVEN KAMPMANN ORCHID BOWL a WILL PORTER and PETER TOROKVEI a HAROLD RAMS siory by RODNEY DANGERFIELDaGREG FIELDS a DENNIS SNEE

GOLETA towed by ALAN METTLR D O S S * 5925 Calle Real An O X O f l PICT unes Release © M (M PUBS C*fMM U K0C Kam i near Fairview - 67-0128 4A Thursday, May 22,1966 Daily Maxi Nods of Days Gc

came into my life Henry Miller’s Hi statements that n than just poets st} I think, enthused RAZOR I ’m sure it’s to be poets cover up w (Continued from frontpage) open up. Rock ’n onto a tough-athlete image, but manages to nevertheless absorb things. knowledge. There is a subtle stylism present in Diaries, whose growth you M y nods of Rin can follow to the very last page as Carroll develops. Kerouac once wrote, the one about him “ At 13 years of age, Jim Carroll writes better prose than 89 percent of the (there weren’t ar novelists working today.” and the thing aba With a sharply-endowed mind he turned to writing poetry. Like Allen one with Van Go Ginsberg, he sees drugs as a means to a literary end. The lyric seduc­ “ There! Now you tiveness contained in his first major publication, Living at the Movies, an old Zen story, i reportedly caused Carroll (at a mere 22 years) to be the youngest ever You also wrote nominee for the Pulitzer Prize: Zen". Some of tf I sleep on a tar roof Have you experin scream my songs No, I just* have into lazy floods of stars... priest in America a white powder paddles through blood and heart mine. M y old mar and really liked “ Pec the sounds return their rituals, but i pure and easy... for people who’ve this city is on my side. But my pieces — Fragment: Little N.Y. Ode historical. I have Breaking his heroin addiction cold for one last time by moving to Zen, because Iwa California in 1974, he took up the idea of using rock music as a medium to aiming. I knew tl expand. “ Any poet,” he says, “ out of respect for his audience should pitcher. But that’: become a rock and roll star.” To this end, he follows in the footsteps of ex­ get into Zen. I ’m t girlfriend Patti Smith and the influential Lou Reed, a good friend. His When you spec first album, Catholic Boy (1980), won him quick attention, not only as a Interview by Karl Irving catharsis, or rathi singer, but as an artist as a whole. (Living at the Movies was re-released I wouldn’t thinl and sold in one week what it had sold in the first two years of its original It was a brisk and foggy morning when I called Jim Carroll at notion. It is pretty release.) One song, “ People who Died” , with its rush of guitars and the his office in New York City ( “ The greatest hero a writer needs,” not at all a morb same rough-edged content of his diaries, soon became a cult classic, he once wrote). I could sense a tense anticipation for the first were cut oil bef< especially among the college crowd: question. Once he began to speak, however, he was completely heroic sense to l Teddy sniffing glue, he was twelve years old, relaxed and quite amiable. He occasionally wandered, ex­ struggles. Fell from the roof on East Two-Nine. panding upon his own statements, eventually looping back to the As for Nods, the Kaplan. Cathy was 11 when she pulled the plug main topic as if that had been his intention all along. my nods, but mos On twenty-six reds and a bottle o f wine. Several observations were made immediately: He was ad­ for the historical i The father of Bobby got leukemia, 14 years old. mirably open about himself and his work; he had no desire to He looked like 65 when he died. keep the interview formal (quite alright by m e); and his artistic test prep. He was a friend of mine. mind is permanently at work. This man in his mid-thirties bears "It should bi Now, two albums later, he’s making another due out next year, one that every indication of having been through an extreme No lie! Stanley H. Kaplan promises to be as thrilling as the first. He is working with such legends as metamorphosis since being a 15 year old junky hanging out with writing for o was the first. And nearly Ray Manzarek of the Doors, Billy Zoom of X and, of course, Lou Reed. At Allen Ginsberg et al. We spoke about various subjects; his new 50 years later, he's still the the same time, the next installment of his diaries, dealing with the Andy book, animal behaviorism, Lou Reed. The following is con­ best in test prep. Warhol years, is being completed while a film version of Basketball densed from a forty-minute conversation: Kaplan will chop down any Diaries is being made. 18-year-old Anthony Michael Hall is playing Carroll Where did you get the idea for “Nods ”7 Have you been writing You frequently fears you may have about (it was originally to be Matt Dillon, but his manager didn’t want him to do a lot of them through the years? taking the SAT. LSAT. GMAT, fictional asine II? the drug scenes). Well, when I started to put i t together (Book of Nods), ! MCAT GR£. NTE, CPA. or No, I don't havr In the meantime, we can delve into the visionary experience of a new wanted to fill the whole book with prose. When Penguin others. His test- taking tech­ “ sister” , Fra thin collection of poems and drug-induced prose poems (called “ nods” ) en­ rereleased Living at the Movies, when I got my new rock niques and educational pro­ becomes sister-lil titled The Book of Nods. Most were written after the fact, but still contain audience, I wanted to get together a new book of poems. I had a grams have helped over It’s just a generic brilliantly fantastic and surrealistic images and startling concepts, with 1 million students boost their lot of nod-like pieces. I ’ve actually been writing the Book of Nods to Eddie as my l topics ranging from romance and sex to meetings with historical figures scoring power and test confi­ since I was seventeen. The first ones were inspired by any wasn’t my broths and a trip to Paraguay. Those who still have a romantic obsession with dence. He can do the same narcotic nod - codeine, smoking grass... Most people just seem he’s not dead. He’ his underground and drug life will be pleased with this book, yet it is as for you. to focus on my heroin thing, but that’s not it at all. Most don’t You’ve had a cl beautiful as his first anthology, a high art that seems eons beyond the first So if you have "presidential" deal with heroin nods. It’s kind of a double entendre, really. The tell me about the ‘ ambitions, call Kaplan. And attempts at writing in Diaries: “ Across the cathedrals of Paris the sun is main reason I wanted to call them “ nods” and not just “ prose What can I tel prepare with the expert. bending, weary like the eyes of their marble saints, who blow cracked poems” is because they’re dream-like. Yet, I ’m not into friends. He’s a sw trumpets to the water birds at dawn.” surrealism for surrealism’s sake. If it doesn’t have sensitivity it What was tha: So much poverty. It follows me through subway cars. gets into negativity and becomes boring. "Dueling the Mon Poverty to die a death within one’s own family. Yet you seem to have this thing with Rimbaud...In one of your It’s just differ« 1KAPLANSIANU r H K An AN fOUCATKXAl CiNIH 110 Poverty of the darkness across the ice. Poverty of cataract eyes. nods you talk about him. You meet up with Van Gogh in another. stuff. We did this DOtrr COMPETE WITH Poverty of young men alone behind the stairway, who practice Do you often get “visitations” from artistic characters, like flying back f - Lo A KAPLAN STUDENT-BE ONE DM0ULM6 NOWI Alchemy inside bottle caps, who know Ginsberg? with us — Lou h VMI« at Mr Cwtar The altruism of a last syringe. You mean Ginsberg’s poem from Blake? Oh no (laugh), I teresting and I ju M M M U * lb . R, M )k CA *1117 Once just the young listener amid elder contemporaries, Carroll has haven’t been “ visited” by anyone actually. You know, people had nothing to d «a liiA r v innlinnr»M>M*i. uncompromisingly proven his talent in a bode of passion, vibrating with like to lay this Rimbaud thing on me. Patti Smith was the first William Burrougl Mpknt*M*rl> captivating themes and bold images, swirling with the charisma of Kafka one to force him on me. She had an obsession with him. I never (6061— -6T«7 remember he had and Rimbaud. More is yet to come. read him in my youth, the label was just laid on me. Some people — there were twe — Karl Irving wanted me to quit writing poems at nineteen, like he did. Patti could with twelve and I were living together at that point. You just made a I got into him (Rimbaud) when I was living in California. I There was a m was living in the country for the first time in my life. That’s couple of days. I < when the “ Variations” (from Nods) were written, and some of was there.! It v, MOOSHIFMTOOT the poems at the end. Some longer ones were written more Burroughs, and w recently, but when I came back to New York I was too intensely like walking in involved in rock ’n’ roll to be writing lots of poems. A big change comfortable, like

From ‘The Book of Nods’ G§pectaculciir

Some detectives in worn suits slide at my door. They told me Eddie was dead on Lexington and 103

stabbed in the jugular at mid-day outside two automated hospital doors. O Z . PITCHERS He often walked East Harlem after dark, high 60 on reds, calling out the black man. Before the sheet HAW HOURS M l MV & NIGHT descended

on his eyes he grabbed the nurse’s wrist to check the blood was real, he signed one last paper

TOWN to donate properly his eyes. (THtfRSMV) 99d. * HAMMS (Curt M.SO) ON PAROAU IN IV. And I salute you, my brother. Jexus Thursday, May 22.1988 5A M3yHaMTe pyccKMfi H3WK ¡one By... EXPAND YOUR CAREER OPPORTUNITIES THIS SUMMER LEARNING RUSSIAN* • OR... ARABIC*, CHINESE, y life then. One of the best books about Rimbaud is FRENCH*, GERMAN*, KOREAN, JAPANESE, ’s H ie Time of the Assassin. It was some of Miller’s SPANISH*, AND ENGLISH* (ESL). lat made me get into rock ’n’ roll. It should be more ts stylistically writing for other poets. That’s what, Intensive Summer Session from June 16 to Aug. 15 in beautiful Monterey, ised my first album to be by far my best, although California. APPLY NOW - Financial Aid available. to be eclipsed by my new album. You know, a lot of * (Classroom instruction in these languages will be supplemented with the up with bullshit and lies, and I wanted to kind of newest learning tool: INTERACTIVE AUDIO/VIDEO LASERDISC.) ;k ’n’ roll was a way to reach people and change Write: Monterey Institute of International Studies/ISL; 425 Van Buren, Monterey, CA 93940. (408) 649-3113. f Rimbaud come from historical stories. Well, not t him having a toothache, but like him running guns 1’t any bazookas and mortars at the time, though) ; about him being lovers with Verlaine. As for that n Gogh, where he hits the woman and then says i2 o b 6 jbivincj Jdocker i you really have something to cry about! ” is from >ry, about a Zen priest who does the same thing. “THE BEST PRICES IN TOWN FOB OVER 21 YEANS* rate a nod entitled "F iv e Irresponsible Students of of the beats like Kerouac delved into Buddhism. W e t S u i t e MADE IN THE SHOP >erimented with it yourself? EXPERT SUIT ALTERATIONS S REPAIRS have a lot of Zen friends. Right now the top Zen DIVING EQUIPMENT - LARGE INVENTORY erica, previously Richard Baker, is an old friend of •OAT TRIPS TO CHANNEL ISLANDS NAUt INSTRUCTION • RENTALS manager had met him in the Merchant Marine. He • REPAIRS • AIR FILLS ‘People Who Died” . I don’t know too much about SPECIALIZING IN SPEAR GUN CUSTOMIZING but once a year, they give these prayer sequences ’ve died. My song kind of evoked that, TUESOAV THRU SATURDAY 9 AM-6 PM 10 CLOSCO SUNDAY A MONOAY eces about Buddha are just kind of visionary and —EASY PARKING— iave always understood a natural intuitive sense of BOt GUTHRIE N A V I. NO. 1102 : I was an athlete. Like the archery story, about not ew that when I was young, when I was a baseball 9 6 7 - 4 4 5 6 •00 OOTELLO RD—GOLETA that’s just a secular notion for me. I couldn’t really (TinNarWNa IMmr At laranM I’m too Catholic for that. R M b k C h m e TtaMreeJ speak of people from your past is it a form of rather a simple memorial? think of it as a catharsis - that’s a rather morbid retty much a memorial. Like “ People Who Died” is norbid song. It’s a memorial to those whose lives before their goals could be fulfilled. There’s an TONIGHT’S SPECIAL to that - people dying young within their own Patti Smith and Jim Carroll, former lovers s, there was a reference to the same Eddie in one of 75C CORONAS most of the characterizations are fictional, except ical figures like Rimbaud. science-fictiony, you know? He seemed real for once. He’s not a with dinner close friend, but we like each other. I admire his works. That radioactive cloud was passing through at the time. The all night d be more than just poets stylistically government told people not to go out into the rain. I wasn’t too Dr other poets." worried. I don’t know. I ’m not glowing or anything. The "terrorism " didn’t scare you away either? 50C OFF — Jim Carroll No, I think the nuclear cloud acted like a global can of roach spray and scattered all the terrorists away, you know? No, a field journalist I talked to said it was absolutely ridiculous to be our delicious >ntly mention a "sister" in your new book. Is this paranoid about it. Yeah, I guess I could have been blown to bits, tell? but I wasn’t going to pass up reading fifteen minutes of poetry MUD PIE have a sister, strictly speaking. W ien I speak of a for three thousand bucks. Some of my friends were worried, but i thinking about a girlfriend, really. Any girlfriend when I found out Sylvester Stallone wasn’t going to Cannes, I er-like to me, you know, after we’ve been lovers. said “ Fuck that - if that wimp won’t go, I will.” Rambo won’t ALL YOU CAN EAT SPAGHETTI ieric use of the word. In “ People who Died” I refer go? What a piss-ass motherfucker. You know, I saw him once on my brother and some people took it literally. He the street in New York. He wouldn’t give his autograph to these only $3.59 other, he was just a friend. I do have a brother, but construction workers who climbed all the way down off this . He’s not really into the things I do, though. building they were working on. What a dick-heap. They should ! a close association with Lou Reed. What could you have cracked his skull in. the "m an behind the legend"? I tell you? I don’t know. He’s one of my closest a sweetheart, that’s what he is. that nod you dedicated to him and his wife, Monkey"? B(Coupons O nott accepted S with M this special) K ferent Tai Chi moves, really. Lou’s really into that 900 EMBARCADERO DEL MAR • 968-8833 • 5-9:30 PM this poetry reading in Toronto, and when we were - Lou’s wife Sylvia was with us and my wife was The fur is still thick across my eyes. I feel ou handed me this Tai Chi book that I found in- the angels’ breath beneath me, split by the shields. II juxtaposed some of the images into the poem. It to do objectively with Lou and Sylvia, actually, But the passing of the wind guides me to the cliffs roughs works with that stuff all the time. Once, I How About A Career in ; had this computer and we were all sitting around until the tides begin to shift, the vapor rising ! twelve poets — and it made every permutation it is radiated within. It seals the scum against my teeth. elve lines. It was great. BUSINESS? ade a trip to Germany. What did you do there? I press my lips to the blocks of stone. My tongue a music festival in a town called Bremen for a tastes the shivering moss, soft and black like wings o f ’s. I did some poetry reading one night. Burroughs crow. A career in Business It was interesting. I did some walking with Administration offers nd we went into the old part of the city, and it was Somehow its weight has measured the distance I have in another century. Burroughs seemed quite traveled. a variety o f opportunities like he became affluent in it. He didn’t seem so in the business world. Our Business Administration Program provides you with the analytical and communication skills you need to rise to the top levels o f management.

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6A Thursday, May 22,1966 Daily Nexus I ARE 'University'

INTERESTED .n On College Life Putting a contemporary subject before an audience can be tricky. With a familiar subject, the possibility for MOMENT ISSUES? accurate generalization is minimalized, as there has A.S. Commission on the Status of Women is looking been no time for memory to soften detail or fact. Jon Jory’s University is thus from the onset a bit limited, at for motivated individuals to fill the following least on college campuses. Students may or may not be positions for the year 86/87: interested in seeing in retrospect what “ college life’’ looks like. 2 Co-Commissioners Written by Jon Jory, University is designed to “ provide young actors with challenging roles and 8 Coordinator positions thematic considerations which would stretch and develop them.” If Jory means a variety of parts, he may 8 Various liaison positions be right, for with a cast of fourteen playing forty-one Get involved while educating yourself and others. Applications parts, a certain amount of flexibility is requisite. But he has forgotton that most college students do not play themselves on stage, but are given more unfamiliar (and therefore more challanging) roles. Last quarter’s Merchant of Venice, is a good example. It was difficult, but perhaps more interesting for it. J2- o » '1' *0, The Drama Department’s production of the play \®' V, (continuing through this weekend), however, appears popular enough, most likely due to a talented cast who has for the most part delivered strong performances. USED RECORDS, Jane Ridley’s direction is effective and consistent „ „ . m i m i" —* 1* 10 through ten “ mini-plays” which comprise the produc­ tion. ë ï Ê i M ï m MAll are Mguaranteed M so If not intellectually stimulating, University is en­ Save money buying used there's no risk! And records! Come in and remember, we pay cash tertaining. A vingette called “ Blondes,” for example, browse through thousands for your used records, set by the UCSB lagoon, is one of the most humorous and of good condition used cassettes, singles and accessable, with mutually indignant students flinging IP s, cossettes, singles .Compact Discs. witty (if practised) insults at each other. Dana Kopfer is and Compact Discs. a tired-of-being-blonde blonde and Frank Gallagher is a The agony of defeat in “Stopwatch,” part of “ twenty-two year old virgin graduate student with no Jon Jory’s University. significant prospects.” They have been admirably Jory has tried for a spectrum of college experiences, paired. ranging from the turbulent to moments of small joie de hominglom The best of the skits, “ Laguna Di Marano,” is in many vivre. The overall effect of this “ typical” university life MUSIC , ways the opposite. Dana Marley plays Hagar, an in- is amusing. But “ typical” is also the production’s 0 f l NORTE tellegent woman who takes time to think about who she downfall, for in spite of fine directing, effective is and what her needs are. Six wildly different men properties, and sound acting on the part of the Drama evoke various responses from her, and it all is part of a Department, it challenges neither actor nor audience. It gradual process of self-identity. In the other skits, the is about as affective as a cleverly played television “ students” are too busy reciting memorized cliches and sitcom. anticipating the future to enjoy or reflect on the present. — S.M. Wenrick Ravi Shankar An Evening of Rare Intensity East met West in Campbell Hall companying tabla (a two-piece breathing mass of mesmerized Friday when the legendary Ravi drum) played with delightful skill by humanity. Perhaps it was the in­ Shankar took the stage. The house Kumar Bose of Calcutta and to the tense harmonious synergy of the was full and the atmosphere steeped accompanying sitar, played quartet that kept us breathless for in a peculiar anticipation, an masterfully by Shankar’s son, the duration of the performance and unusual excitement similar only to Shubho Shankar. The four to five left us floating high following its that felt prior to the visits of the Dali' string tamboura that is responsible conclusion. Lama or the Bishop Desmond Tutu. for the background hum was played It was an evening of rare intensity Much like these men, Shankar is a by a man referred to simply as and one left the concert feeling holy man. He is a master musician, Scott. alternately exhausted and a master sitarist, and the key to his It was this testament to Indian exhilarated. There was an over- excellence is his spirit. It is the spirit culture that we were lucky to wit­ welming sense of frustration with that permeates much of India’s ness during Friday’s three hour the environment of the hall. We were culture. India is a place where the concert. Knowing that the classical forced to sit in rigid, plastic chairs present and the past are one. Indian music (known as Raga when pillows and Indian rugs would Shankar, then, is not a an oddity or Sangeet) is over 2000 years-old and have been more appropriate relic, but a living tradition. that 90 percent is improvisation lead surroundings. Following the per­ The faint smell of exotic incense to an even greater appreciation of formance a half dozen of us escaped perfumed the air. The lights were the performance. Unlike Western to the sanctuary of a comfortably dim and the master and his en­ music, Indian music is not rigid, draped livingroom filled with warm issi limimi « inline ni numi tourage settled comfortably on an structured, seperate from life. For candlelight and heavy with incense. Jll JUTS elevated stage that was covered each raga, the principle melody We played Ravi Shankar albums with brightly patterned cloth. upon which a peice is built, there is a and Gregorian chants until the wee Shankar tuned the sitar. The in­ specific rasa, or mood. These moods morning hours. It was the ap­ (EODWIlBSDirïï strument, made from gourd and represent the garnet of human propriate finish to an evening that teakwood, originated over 700 years emotion: romance/erotica; humor; words cannot justly describe; Ravi IIIICTEB IT JEU HUIT ago. It is the most popular string pathos; anger; heroicism; fear; Shankar’s holy spirit filled Campbell ICSI SIIIII IK Illf instrument in India. When skillfully disgust; amazement; and peace. It Hall and everyone in it. Each of us played it has a full and harmonic is upon these that the master im­ took our own piece of his holiness MET IH? IEY 21-24 sound and when Shankar played provises each peice within a set tala, away with us. Everytime I hear his IIIP I NIEE!! SEETING Friday it sounded heavenly. His or rythmic cycle. music it comes back to me and I lions ni ms fingers passed gracefully from Perhaps it is this intrinsic con­ assume it will continue to for a long string to string and his hands danced nection to humanity that tran­ time to come. lightly in rhythm with the ac- sformed the audience into a silent, — Susanne Van Cleave FALL REGISTRATION PRIORITY REGISTRATION FOR FALL QUARTER:

THE TUES. MAY 20 - FRI. MAY 23 CHICK WAYNE n!MFn, A PRIORITY DAYS ARE ASSIGNED BY CLASS LEVEL. CONSULT YOUR COREA SHORTER D,MMSLA REGISTRATION FORM AND THE SCHEDULE OF CLASSES.______ELECTRIC BAND QUARTET ACOUSTIC GUITAR ARLINGTON THEATRE - SANTA BARBARA TURN IR TOUR REGISTRATIMI FORM AT THE DROP-OFF POINT IR TUESDAY, JUNE 10 8:00PM Tickets: $16.50, $15.00 FRONT OF THE MAIN LIRRART, OR AT CREARLE HALL IN CASE OF Tickets available at Arlington Theatre box office, Mominglory Music, all Tri-County outlets and at all RAIN. TtCKmfQ^, including jailhouse Records in Ventura "'and Leopold Records. • LOOK FOR THE BLUE AND WHITE STRIPED CANOPY • TO CHARGE BY PHONE (805)583-8700

A N O T H E R PaCIFICOnCSRTS PRESENTATION Daily Nexus Thursday, May 22,1966 7A Sherod Santos ★★★★★★★★★★★★

Intimate and Exotic ARTS EDITOR Sherod Santos will give a free where he currently teaches. In 1978 Susanne VanC/eave poetry reading on Wednesday, May he won the Discovery/The Nation ASST ARTS EDITOR 28 at 4 p.m. in the UCen Pavilion. Award and a Utah Arts Council Santos is one of America’s best Award in Literature. His poems Sabrina Wenrick known younger poets, with works have appeared in numerous journals published frequently in The New and magazines. Santos is the 1981 CONTRIBUTORS Yorker and The Paris Review. Ten recipient of the Oscar Blumenthal years worth of Santos’ poems are Prize, given by Poetry magazine. Robert Apatow collected in Accidental Weather, a The free poetry reading is spon­ Maureen Fan startling series of poems crafted sored by Arts & Lectures, the Karl Irving with precision and clarity. Filled Program of Intensive English, the Cesar Padilla with paradoxes, Santos’ poems are College of Creative Studies, and the both intimate and distant, familiar Department of English. Hands Across Campus and exotic. Hands Across Campus is a public participatory art piece that will takp Santos holds a doctorate in For more information call Arts & place Tuesday, May 27 at noon. Beginning in front of the library, organizers English from the University of Utah, Lectures at 961-3535. ★★★★★★★★★★★★ hope a human chain will extend out toward Cheadle Hall in one direction and Storke Tower in the other. Participants in this event are encouraged to bring creative and playful ideas that can be shared while joining hands. Campus radio station KCSB will dedicate the noon hour of air time so everyone is encouraged to bring a radio. The organizers of the event hope that Hands Across Campus will foster a greater sense of cooperation and solidarity among campus and community members. METROPOLITAN THEATRES As the event comes to a close, the chain will move to encircle the “ Tree of the movies Peace” which will be rededicated by the group of local Native Americans CORPORATION who planted it one year ago. A modern dance improvisation is planned as a finale to this noontime happening. Come show your support for your cam- pus/community by the sea. A B A R B A R A

Flower Songs JAMES WOODS IS Poet Cathy Song concludes downstairs UCSB’s series of writers’ readings 5:30. 7:50.10:10 titled “Breaking Silence: Three No passes. Group Sales or Contemporary Asian American Jose. Jose Philadelphia bargain nights Woman Writers” with a free Orchestra presentation on Thursday, May 29 at Siooxsie and the Banshees 4 p.m. in the UCen Pavilion. 7 ACADEMY AWARDS Song’s poetry collection Picture BEST PICTURE SPACE CAMP Q.QA upstairs Bride was chosen for the Yale Series IS COMING of Younger Poets. Born and raised in JUNE 6th. Hawaii, Song studied at Wellesley upstairs P O T O F AFRICA College and Boston University. Her poetry describes and derives metaphors from the rich, lush visual world of Hawaii, yet Song’s sources are geographically and ethnically diverse. She writes of Hawaiian flora and lilting Hawaiian place- names; her ancestry is Korean (her COLETA grandmother is the “ Picture Bride” DOUJN of the title poem); the poems are AND II filled with images of China, Chinese Americans and Chinatown locales; =T0PGUM= OUT IN i she expresses a special affinity for Poet Cathy Song B€V€RIV * The Best the Southwestern painting of walked for centuries,/ footless—/ of the Best Georgia O’Keefe and the Japanese and like her,/ you have left no Hi pisses. Craap SAs 520 9» ‘ J 8 O n e y p i t printmaking of Utamaro. footprints,/ but only because/ there r k*(iii lipitv TOM HANKS MICHAEL Song’s poetry is often compared to is an ocean in between,/ the SHELLEY LONG f j CAINE flowers; she has grouped the poems unremitting space of your in Picture Bride into sections with rebellion./” flower name titles. But her poetry is The “ Breaking Silence” series is not “ flowery” . Economy of words sponsored by Arts & Lectures, Asian LEGEND SHORT! LUCAS and depth of perception creates American Studies, Asian Pacific meaning with strength and clarity. American Student Union, A.S. CIRCUIT In “ Lost Sister” she writes, “ You Commission on the Status of WÏ 5» find you need China:/ your one Women, the College of Creative flllV SH€€DV identification,/ a jade link/ hand­ Studies and the Women’s Center. ST€V € cuffed to your wrist./ You For more information call Arts & G U TT€N B€H G w^Pmwskm \ ED remember your mother/ who Lectures at 961-3535

965*6188 MAGGIE BflCH SMITH To The FUTURE starring >WEET T h e o n ly MICHR6L J FOX IBERTV corner worth m h an g in g

o u t a t .” 10:00 H I "YOU SHOULDN'T E JOY OF SEX iJ M 9:50 P H I MISS IT" 1 COLLEEN • _ ALLYSHEED/ SEAN CHRSTOPHER • -Judith Crist ® E OM P ’Xlg PENN WALKEN BLUE C IT B U U f i r t J L LAUNDRETTC 6,8,10 PM E

FIESTA FOUR MIDNIGHT ONLY! 1979 2OTH CENTURY-FOX EVERY SUNDAY Outside Patio Food ’til Midnight Weekend Brunch 7 A.M. to 4 P.M. Sellers&Buyers Welcome! Open 7 days 10am-1am 966-1010 Information: 964-9050 after 7PM All Programs & Showtimes Subject To Change Without Notice . A 8 i^ïi^ÊSÈÈÊÎÊKÊÊËlltÊÊÊÈÊÊm ÊÈÊÊÊÈÊÊÊ^i^^SËÈËtÊÊBm im Ëm Èm êÈÈÈËÊËÊm Êm ÈÈÈÊgm Thursday, May 22,1966 May Thursday, ■ m L ; l B j I ht oJh rvla Taxis Travolta, John Do What o rsosbe rnig uig a during drinking responsible for ek at tm nt o promote to not time party peak awareness increase to is campaign purpose of the sober graduation graduation sober the yourself of to purpose said have bear may that you posters and stickers sponsoring a rally in Storke Plaza 11:45 Plaza 2812:45. to from onMay Storke in rally a awareness sponsoring are Board Program A.S. and drug Patrol and alcohol “ you’ve got to be kidding.” The The kidding.” be to got you’ve “ Highway California the program, U FAKES BAND S. VFRANKIE S T H G I N PUB ‘sober graduation’ on them. And And them. on graduation’ ‘sober campus. organized and sponsored by numerous clubs, groups and organizations on organizations and groups clubs, numerous by sponsored and organized week. Culture Black for festivities week’s this of part a been have your help; words just can’t express our appreciation. Thanks again. Thanks appreciation. our express can’t just words help; your by attended was bash year the of end year’s This ever. best the of one General Seating Tickets: Friday, May 30. May Friday, Tickets: Seating General 29. May 27-Thursday, May Tuesday, participants: Twister for Exchanges in participants all for concert comedy special this host will regular Show’ school. Sponsors — you made many-a-people smile. Thanks for all of of all for your Thanks to true smile. many-a-people remained and made hours you long — in Sponsors put school. you — Ushers credible. an — members community record. Vista Isla Extravaganza and students 4,500 UCSB over concert pass for a ticket to the Bill Maher Comedy Night. Comedy Maher Bill the to ticket sneak a for pass A concert ... Plus 23. Nov. last act. Champions’ warm-up of preview ‘Tournament Twister the rvgna oehr Cmite ebr yu ddcto ws in­ was dedication your members Committee together. travaganza You may have seen bumper bumper seen have may You In hopes of a safe graduation the graduation safe a of hopes In Today and Friday conclude the week-long programming that has been been has that programming week-long the conclude Friday and Today In recognition of Black Culture, lectures, concerts, food faires and films films and faires food concerts, lectures, Culture, Black of recognition In Extravaganza ’86 goes down in A.S. Program Board’s history book as book history Board’s Program A.S. in down ’86goes Extravaganza 9 a.m.-4 p.m. at the A.S. Program Board Office. Board Program the A.S. at 9p.m. a.m.-4 ‘Carson a and ‘Sara’ series NBC-TV the Cab,’ ‘D.C. of Star Maher, Bill seil hn yu os u t al f hs wo epd ul h Ex­ the pull helped who those of all to out goes you thank special A 12 noon-2 p.m. at the Twister booth in front of University Center. University of infront booth 12the Twister noon-2 at p.m. It’s free ... free ... free! Just exchange your blue Twister comedy comedy Twister blue your exchange Just free! ... free ... free It’s Hey all you TW ISTER TOURNAM ENT OF CHAMPIONS PLAYERS: PLAYERS: Y CHAMPIONS OF ED ENT M TOURNAM ISTER TW you all CO Hey ISTER TW THANKS THANKS Thank You J u s t Is n 't Enough 't n Is t s u J You Thank Black V Culture 2 Shows: 7 p.m. and and 9p.m. 7p.m. 2 Shows: Friday, May 30 at the Pub 30the Pub at May Friday, OEYI O ING!!! COM IS COMEDY Week We Couldn't Have Done It Without You Without It Done Have Couldn't We Karen Katz, A.S.P.B. Representative A.S.P.B. Katz, Karen students on drinking and driving driving and drinking on students Kory Braden, Special Events Chair Chair Events Special Braden, Kory rvosy retd o driving for students two arrested be also previously will There college to an perspective and insight unfamiliar give of­ can who CHP Storke a ficer 502 is the in of side the be other from hear 28. To will May on Plaza He Travolta. alcohol will speak at the rally. the at speak will alcohol number a graduation sober a and prohibition. backgrounds and relationships to to relationships and backgrounds f o The most notable is John John is notable most The In support of alcohol awareness awareness alcohol of support In speakers with varied varied with speakers r-t. Be Hv I Common? In Have Beer & j Don’t forget to cruise by the lagoon this Friday and Friday this lagoon the by cruise to forget Don’t ht os ln wt responsible with along goes limo that free a to week. graduation during entitled service be will away given be the on will night limo a a in town for drawing free a M.A.D.D. representative. a and finally drinking and driving with their share experiences to influence the under (if all goes well). The lucky winner winner lucky The well). goes all (if (mothers against drunk driving) driving) drunk against (mothers CONCERT SERIES CONCERT bank on the Extravaganza. Please, please, please return any items that items any return please please, Please, Extravaganza. the on bank I but dogs hot the liked BBQ. own onyour someone same the hear taste to they’ll happy guarantee am I Banner BBQ’s? two Board and Program A.S. our Yes, them. c’mon, but to free belong was not did that Extravaganza items the to themselves helped ticipants belong to A.S. Program Board. Program A.S. to belong overwhelming. was Student approval noon 8 to p.m. from tertainment (which we already replaced once this year), a keg (still full), a key tap tap key a full), (still keg a year), this once replaced already we (which check out Zebos Cousin and special guest. Plant Plant guest. 4p.m. special at Friday and lawn lagoon the on Cousin yourself Zebos out check F or further inform ation, phone 961*4292. phone ation, inform further or F Apartheid Film Apartheid Chapter F R ID A Y , M ay 23 ay M , Y A ID R F TH U RSD AY, M ay 22 ay M AY, RSD U TH eas tr te olowi tms Item g in w llo Fo the eturn R se a le P AOTLS GHT’ H IG N LAST ‘ABOUT o eiv sm o te tension the of some relieve To In addition to the guest speakers speakers guest the to addition In vr 50 ot o gos ee ae ad a ari w boe the broke we afraid am I and taken were goods of $500 worth Over par­ overzealous few a that en­ non-stop overwhelming so was was line-up approval band Student 5 the turn-out, fantastic a Besides pnoe yOeaPs h rtriy Inc. Banquet Anniversary Fraternity, Phi si P 1610p.m. 7 Omega all by H Sponsored Broida Film/Discussion A Mathematical Representation Mathematical A Alienation Sponsored by Omega P si Phi Fraternity, Inc. X i Mu Mu i X Inc. Fraternity, Phi si P Omega by Sponsored Sponsored by The Center for Black Studies Studies Black Pigeon for erard Center G The Dr. by Studies Sponsored Black r fo Center 12noon inar Sem ldyIn .. $12.50$14.00 & p.m. 6 Inn oliday H hspg eindadeie yJnl Pekkain. Janell by edited and designed page This ROB LOWE IN LOWE ROB S N E A K PREVIEW K A E N S FRIDAY

in in Francophone Literature: Francophone ' * i own rendentions of great saxophone blowers of the of blowers saxophone great of rendentions own member band will continue to keep Pub tradition tradition Pub keep to continue will band member Tonight in the Pub, Frankie S. will perform their their perform will S. Frankie Pub, the in Tonight alive by providing some of the best rock’n dance rock’n best the of some providing by alive past. With a complete brass section this seven- this seven- section brass complete a With past.

don’t let friends drive drunk. drive let friends don’t a aot rnig n diig on driving and drinking about The say limit. their later. they posted be will number because reached home have who ride students a need college and school 11- become June of week the you offered be to when drinking to 12:45. And remember friends friends remember And 12:45. 11:45 to from Plaza Storke 28 in May high both for is service The 16. service cab free a is irresponsible 7:30 p.m. in I.V. theater. I.V. in 7:30 p.m. sneak a in it see can 2you but July exceptions. UCen. the of front in noon May at 27available be will Tickets film. Manet. David by Chicago” night...” last about “ It’s friendship. at 28 May Wednesday, on preview ny tces e pro — no — person per tickets 2 Only in about Perversity Sexual “ It’s upon Based emotion. sex. about about It’s It’s humor. about It’s until released be not will Night...” oe er ht tes ae to have others what hear Come You must have a ticket to see the see to ticket a have must You It’s a movie about commitment. commitment. about movie a It’s Last About “ in LOWE ROB tunesaround. Daily Naxus Daily