Development of Buddhist Religion and Sarnath (With Special Reference to Archaeological Evidences)
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Problems of Chronology in Gandhāran Art
Rienjang and Stewart (eds) Problems of Chronology in Gandhāran Art Edited by Wannaporn Rienjang Peter Stewart Problems of Chronology in Gandhāran Art Since the beginning of Gandhāran studies in the nineteenth century, chronology has been one of the most significant challenges to the understanding of Gandhāran art. Many other ancient societies, including those of Greece and Rome, have left a wealth of textual sources which have put their fundamental chronological frameworks beyond doubt. In the absence of such sources on a similar scale, even the historical eras cited on inscribed Gandhāran works of art have been hard to place. Few sculptures have such inscriptions and the majority lack any record of find-spot or even general provenance. Those known to have been found at particular sites were sometimes moved and reused in antiquity. Consequently, the provisional dates assigned to extant Gandhāran sculptures have sometimes differed by centuries, while the narrative of artistic development remains doubtful and inconsistent. Building upon the most recent, cross-disciplinary research, debate and excavation, this volume reinforces a new consensus about the chronology of Gandhāra, bringing the history of Gandhāran art into sharper focus than ever. By considering this tradition in its wider context, alongside contemporary Indian art and subsequent developments in Central Asia, the authors also open up fresh questions and problems which a new phase of research will need to address. Problems of Chronology in Gandhāran Art is the first publication of the Gandhāra Connections project at the University of Oxford’s Classical Art Research Centre, which has been supported by the Bagri Foundation and the Neil Kreitman Foundation. -
The Mahayana Doctrine and Art. Comments on the Story of Amitabha
MISCEIvIvANEOUS. MAHAYANA DOCTRINE AND ART. COMMENTS ON THE STORY "AMITABHA."^ (concluded.) The story Amitabha characterises that phase in the development of Buddhism which may be called " the rise of the Mahayana," or " the origin of Buddhist the- ology." The age in which this process took place is the beginning of the Christian era, and the main events of our story are based upon historical traditions. The General Plan of the Ajant.v Caves. The philosophy of the Mahayana which finds expression in the philosophy of Acvaghosha may be regarded as orthodox Buddhist metaphysics. King Kanishka is a historical personality. His war against Magadha is mentioned in the Records of the Western IVorld, written by the Chinese pilgrim Hsiien Tsang. The con- ditions of peace imposed upon the king of Magadha are related in our story ex- actly as they are mentioned by this Chinese author. 1 See The Open Court for July, August, September. 622 THE OPEN COURT. The monastic life described in the first, second, and fifth chapters of the story Amitdbha is a faithful portrayal of the historical conditions of the age. The ad- mission and ordination of monks (in Pali called Pabbajja and Upasampada) and the confession ceremony (in Pfili called Uposatha) are based upon accounts of the MahSvagga, the former in the first, the latter in the second, Khandaka (cf. Sacred Books of the East, Vol. XIII.). A Mother Leading Her Child to Buddha. (Ajanta caves.) Kevaddha's humorous story of Brahma (as told in The Open Cozirt, No. 554. pp. 423-427) is an abbreviated account of an ancient Pali text. -
The Edicts of King Ashoka
THE EDICTS OF KING ASHOKA An English rendering by Ven. S. Dhammika THE EDICTS OF KING ASHOKA Table of Contents THE EDICTS OF KING ASHOKA........................................................................................................................1 An English rendering by Ven. S. Dhammika.................................................................................................1 PREFACE......................................................................................................................................................1 INTRODUCTION.........................................................................................................................................2 THE FOURTEEN ROCK EDICTS...............................................................................................................4 KALINGA ROCK EDICTS..........................................................................................................................8 MINOR ROCK EDICTS...............................................................................................................................9 THE SEVEN PILLAR EDICTS..................................................................................................................10 THE MINOR PILLAR EDICTS..................................................................................................................13 NOTES.........................................................................................................................................................13 -
DIRECTORY 2018-19 New .Cdr
Directory2019 YJCCI DHARMA CHAKRA at Village Topra Kalan, Distt. Yamunanagar YAMUNANAGAR - JAGADHRI CHAMBER OF COMMERCE AND INDUSTRY Yamunanagar, Haryana, INDIA C/o. ORIENTAL ENGG. WORKS PVT. LTD., INDUSTRIAL AREA, YAMUNA NAGAR -135001 (HARYANA) Tel. : +91 1732-251750 • E-mail : [email protected], [email protected] • Web : www.yjcci.com Special Steel Components Corporation · AN ISO 9001, ISO 14001 & OHSAS 18001 CERTIFIED COMPANY · Process Control Solutions & Turnkey Instrumentation Projects for Oil and Gas Refineries and Petrochemical Industries. World Class & Hightech Equipment, Safety Fittings, Valves / Gauges and Computerized System For Large LPG Storage & Bottling Plants. TM BSI OF MULTI ER LAT B ER M A E L M R E T C IAF N O E GN EM ACCREDITED ITION ARRANG INTEGRATED MANAGEMENT SYSTEM In Technical Collaboration With: MIDLAND ROCHESTER GAUGES MANUFACTURING CORPORATION INTERNATIONAL S.A. USA & EUROPE TOKYO KEISO CO., LTD. JAPAN USA METAL GOODS M A N U F O PRODUCTS A C T M U MGM LP-GAS EQUIPMENT R GI N G M EXCESS FLOW CHECK VALVES Engineered Controls COMPANY USA International, Inc. SCG (Thailand) Germany With Best Compliments From: NK Gupta, Vinod Gupta & Vishal Gupta M-9, Industrial Area, Yamunanagar - 135 001 (Haryana) INDIA Tel.: +91-1732-255055 to 60 • Fax: +91-1732-255057 • E-mail: [email protected] • Web: www.specialsteel.net 1 2 UPPER INDIA Mfrs of ZINC OXIDE 382715: +91-9978629532, +91-8572800368 UPPER INDIA 9215822418 3 EXECUTIVE COUNCIL For the Year 2018-2019 ATUL GUPTA RAJESH KHARBANDA MUNISH DHIMAN President Vice President Secretary ISH ANAND SAMIRA SALUJA VARINDER MEHANDIRATTA Treasurer Secretary General Joint Secretary EXECUTIVE MEMBERS Arun Oberoi Jaideep S. -
8. States After the Maurya Empire
8. States after the Maurya Empire 8.1 The Shunga dynasty 8.1 The Shunga dynasty 8.2 Indo-Greek kings After Emperor Ashoka, Maurya power 8.3 Kushana kings started declining. The last Maurya Emperor 8.4 The Gupta dynasty was called Brihadratha. The Maurya 8.5 The Vardhan dynasty General Pushyamitra Shunga revolted against Brihadratha, killed him and 8.6 Powers in Northeast India became the king himself. 8.2 Indo-Greek kings Emperor Kanishka : Kanishka’s During this period, there were several empire extended from Kabul in the west small kingdoms ruled by Greek kings to to Varanasi in the east. Gold and copper the northwest of the Indian subcontinent. coins minted by him have been found in Those kings are known as Indo-Greek North India. The fourth Buddhist kings. In the history of the coins of ancient Council was held in Kashmir during his India, the coins of these kings are very reign. He established the city of important. They had a tradition of putting Kanishkapur in Kashmir. It is believed the picture of the king on one side and that the village of Kampur near Srinagar that of a deity on the other side. This today could be Kanishkapur. tradition later took root in India. One of The well-known poet Ashvaghosh the famous Indo-Greek kings was lived during the reign of Kanishka. He Menander, who discussed Buddhist wrote the texts ‘Buddhacharita’ and philosophy with the Buddhist bhikkhu, ‘Vajrasuchi’. The famous vaidya Nagasena. Menander is also referred to as Charaka was also in Kanishka’s court. -
6. Art of Mauryan Period
ASHOKA THE GREAT : REPRESENTING THE ACME OF INDIAN CULTURE 1 ARTS OF THE MAURYAN PERIOD 3 Royal Palace 4 Pillars, Sculptures and Rock-cut Architecture 5 Pillars 5 LION CAPITAL, SARNATH 6 Bull Capital , Rampurva 8 Sculptures 9 DIDARGUNJ YAKSHINI 9 Yaksha, Parkham, Mathura 11 Rock Cut Cave- Lomus Rishi 12 Chaitya, karle 14 Stupas 15 Pottery 19 Coins 20 Donors and Patronage 21 ASHOKA THE GREAT : REPRESENTING THE ACME OF INDIAN CULTURE Ashoka occupies a unique place in the history of India. His policies of universal peace, non-violence and religious harmony find no parallel in the monarchs of the world. Ashoka stands out as a monarch who combined successful kingship with idealism and philosophy. Like other rulers, Ashoka too began his reign with war - the conquest of Kalinga. However, the mindless destruction of life and property in this war shattered him so greatly that he vowed never to wage any war again. Instead he adopted the policy of Dhamma Vijaya that is conquest through dhamma. Page !1 of !22 In his thirteenth major Rock Edict, Asoka states that true conquest is by piety (the quality of being religious or reverent) and virtue. Such a decision taken by a king, who lived in an era where military might was the measure of power, earned him a unique place in history. Ashoka was a true humanist. His policies were oriented towards the welfare of his people. His dhamma was based on social responsibility. Besides giving importance to respecting brahmins, and servants, obedience to elders, abstention from killing living beings, dhamma also asked people to live in religious harmony. -
Depiction of Asoka Raja in the Buddhist Art of Gandhara
Journal of the Research Society of Pakistan Volume No. 54, Issue No. 2 (July - December, 2017) Mahmood-ul-Hasan * DEPICTION OF ASOKA RAJA IN THE BUDDHIST ART OF GANDHARA Abstract Asoka was the grandson of the Chndragupta Maurya, founder of one of the greatest empires of the ancient India (321-297 BC). The empire won by Chandragupta had passed to his son Bindusara, after his death, it was again transmitted to his son Asoka. During early years of his kingship he was a very harsh ruler. But after witnessing the miseries and suffering of people during the Kalinga War (260 BCE.) Ashoka converted to Buddhism and decided to substitute the reign of the peace and tranquility for that of violence. Due to his acts of piety and love for the Buddhist faith he become the most popular and personality after Buddha for the Buddhists. Many legends associated with him i.e. “a handful dust”, “redistribution of Relics”, “ his visit of underwater stupa at Ramagrama” are depicted in Gandhara Art. In the present article an effort has been made to identify and analyze the legends of Ashoka in the light of their historical background. Keywords: Chandragupta Maurya, Bindusara, Ashoka, Kalanga war, Buddhism. Introduction The Buddhist Art of Gandhara came in to being in the last century before the Christian era, when the Sakas were ruling in the North-West (Marshall, 1973:17) and further developed during the Parthian period (1st century A.D.). Like the Sakas, the Parthians were confirmed philhellenes and proud of their Hellenistic culture, and not only had they large numbers of Greek subjects in their empire but they were in a position to maintain close commercial contacts with the Mediterranean coasts (Ibid: 6). -
Village & Townwise Primary Census Abstract, Yamunanagar, Part XII A
CENSUS OF INDIA 1991 SERIES -8 HARYANA DISTRICT CEN.SUS HANDBOOK PART XII - A & B VILLAGE & TOWN DIRECTORY VILLAGE &TOWNWISE PRIMARY CENSUS ABSTRACT DISTRICT YAMUNANAGAR Direqtor of Census Operations Haryana Published by : The Government of Haryana. 1995 ir=~~~==~==~==~====~==~====~~~l HARYANA DISTRICT YAMUNANAGAR t, :~ Km 5E3:::a::E0i:::=::::i====310==::::1i:5==~20. Km C.O.BLOCKS A SADAURA B BILASPUR C RADAUR o JAGADHRI E CHHACHHRAULI C.D.BLOCK BOUNDARY EXCLUDES STATUTORY TOWN (S) BOUNDARIES ARE UPDATED UPTO 1.1.1990 W. R.C. WORKSHOP RAILWAY COLONY DISTRICT YAMUNANAGAR CHANGE IN JURI50lC TION 1981-91 KmlO 0 10 Km L__.j___l BOUNDARY, STATE ... .. .. .. _ _ _ DISTRICT _ TAHSIL C D. BLOCK·:' .. HEADQUARTERS: DISTRICT; TAHSIL; e.D. BLOCK @:©:O STATE HIGHWAY.... SH6 IMPORT ANi MEiALLED ROAD RAILWAY LINE WITH STATION. BROAD GAUGE RS RIVER AND STREAMI CANAL ~/--- - Khaj,wan VILLAGE HAVING 5000 AND ABOVE POPULATION WITH NAME - URBAN AREA WITH POPULATION SIZE-CLASS I,II,IV &V .. POST AND TElEGRAPH OFFICE. PTO DEGREE COLLEGE AND TECHNICAL INSTITUTION ... ••••1Bl m BOUNDARY, STATE DISTRICT REST HOUSE, TRAVELLERS' BUNGALOW, FOREST BUNGALOW RH TB rB CB TA.HSIL AND CANAL BUNGALOW NEWLY CREATED DISTRICT YAMuNANAGAR Other villages having PTO/RH/TB/FB/CB, ~tc. are shown as .. .Damla HAS BEEN FORMED BY TRANSFERRING PTO AREA FROM :- Western Yamuna Canal W.Y.C. olsTRle T AMBAl,A I DISTRICT KURUKSHETRA SaSN upon Survt'y of India map with tn. p.rmission of theo Survt'yor Gf'nf'(al of India CENSUS OF INDIA - 1991 A - CENTRAL GOVERNMENT PUBLICATIONS The publications relating to Haryana bear series No. -
Ashoka's Edicts & Inscriptions
AsHokA’s Edicts & inscriptions The great Emperor Ashoka, the third monarch of the Maurya dynasty converted to Buddhism after witnessing the horrific effects of war in Kalinga. He became a champion and patron of Buddhism and strove to spread Dhamma throughout his empire and beyond. He erected pillars and edicts all over the subcontinent and even in modern-day Afghanistan, Nepal, Bangladesh and Pakistan to spread the Buddha’s word. The Edicts of Ashoka are in total 33 inscriptions written on the Pillars, boulders and cave walls of Mauryan Period, during the reign of the Emperor Ashok that are dispersed throughout the Indian Sub-continent covering India, Pakistan and Nepal. These inscriptions are divided into three broad sections – 1. Major Rock Edicts 2. Pillar Rock Edicts 3. Minor Rock Edicts These edicts have mentioned that Buddhism as a religion had reached as far as Mediterranean under the Ashokan reign. Many Buddhist monuments had been created in the wide-spread area. In these edicts, Buddhism and the Buddha are also mentioned. But primarily these edicts focus more on social and moral precepts rather than the religious practices (or the philosophical dimension) of Buddhism during Ashoka’s reign. A notable thing in these inscriptions is, that Ashoka refers to himself in many of these inscriptions as “Devampiyaa” which means “Beloved of the Gods” and “King Piyadassi.” Language used: The inscriptions found in the eastern parts of Mauryan empire are written using the Brahmi script in Magadhi language. While in the western parts of the empire, the script used is Kharoshti, written in Prakrit. -
Reclaiming Buddhist Sites in Modern India: Pilgrimage and Tourism in Sarnath and Bodhgaya
RECLAIMING BUDDHIST SITES IN MODERN INDIA: PILGRIMAGE AND TOURISM IN SARNATH AND BODHGAYA RUTIKA GANDHI Bachelor of Arts, University of Lethbridge, 2014 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree MASTER OF ARTS Department of Religious Studies University of Lethbridge LETHBRIDGE, ALBERTA, CANADA ©Rutika Gandhi, 2018 RECLAIMING BUDDHIST SITES IN MODERN INDIA: PILGRIMAGE AND TOURISM IN SARNATH AND BODHGAYA RUTIKA GANDHI Date of Defence: August 23, 2018 Dr. John Harding Associate Professor Ph.D. Supervisor Dr. Hillary Rodrigues Professor Ph.D. Thesis Examination Committee Member Dr. James MacKenzie Associate Professor Ph.D. Thesis Examination Committee Member Dr. James Linville Associate Professor Ph.D. Chair, Thesis Examination Committee Dedication This thesis is dedicated to my beloved mummy and papa, I am grateful to my parents for being so understanding and supportive throughout this journey. iii Abstract The promotion of Buddhist pilgrimage sites by the Government of India and the Ministry of Tourism has accelerated since the launch of the Incredible India Campaign in 2002. This thesis focuses on two sites, Sarnath and Bodhgaya, which have been subject to contestations that precede the nation-state’s efforts at gaining economic revenue. The Hindu-Buddhist dispute over the Buddha’s image, the Saivite occupation of the Mahabodhi Temple in Bodhgaya, and Anagarika Dharmapala’s attempts at reclaiming several Buddhist sites in India have led to conflicting views, motivations, and interpretations. For the purpose of this thesis, I identify the primary national and transnational stakeholders who have contributed to differing views about the sacred geography of Buddhism in India. -
Greece, the Mother of All Religious Art
GREECE, THE MOTHER OF ALL RELIGIOUS ART BY THE EDITOR. the of eternal principles we may IF revelation means discovery justly declare that the Greek nation has been the medium for the revelation of art to mankind as well as the founder of science. The Greek style of literature, Greek methods of artistic represen- tation. Greek modes of thought have become standards and are therefore in this sense called "classical." We stand on the shoul- ders of the ancient Greeks, and whatever we accomplish is but a continuing- of their work, a building higher upon the foundations they have laid. This is true of sculpture, of poetry and of the basic principle of the science of thought, of logic, and also of mathematics. Euclid, more than Leviticus or Deuteronomy, is a book inspired by God.^ Whatever the non-Euclideans- may have to criticize in the outlines of Euclid's plane geometry, we must say that the author of this brief work is, in a definite and well-defined sense, the prophet of the laws that prevail in the most useful of all space- conceptions. By Euclid we understand not so much the author of the book that goes under his name, but the gist of the book itself, the thought of it, the conception of geometry and the principles which are embodied in it. In our recognition of Euclid's geometry we include his predecessors, whosoever they may have been. The man who for the first time in the history of mankind conceived the idea of points, lines, planes as immaterial quantities, as thought-constructions or whatever you may call the presentation of pure figures and their interdependence, was really a divinely inspired mind. -
Discovering Buddhism at Home
Discovering Buddhism at home Awakening the limitless potential of your mind, achieving all peace and happiness Special Integration Experiences Required Reading Contents The Eight Places of Buddhist Pilgrimage, by Jeremy Russell 3 (Also available on Lama Yeshe Wisdom Archive Website – www.lamayeshe.com) Further required reading includes the following texts: The Tantric Path of Purification, by Lama Thubten Yeshe Everlasting Rain of Nectar, by Geshe Jampa Gyatso © FPMT, Inc., 2001. All rights reserved. 1 2 The Eight Places of Buddhist Pilgrimage by Jeremy Russell Jeremy Russell was born in England and received his degree in English Literature from London University. He studied Buddhist philosophy at the Library of Tibetan Works and Archives, Dharamsala, for four years. Jeremy currently lives in Dharamsala, India, editing Cho-Yang, the Journal of Tibetan Culture, and translating other material from Tibetan. Lord Buddha said: Monks, after my passing away, if all the sons and daughters of good family and the faithful, so long as they live, go to the four holy places, they should go and remember: here at Lumbini the enlightened one was born; here at Bodhgaya he attained enlightenment; here at Sarnath he turned twelve wheels of Dharma; and here at Kushinagar he entered parinirvana. Monks, after my passing away there will be activities such as circumambulation of these places and prostration to them. Thus it should be told, for they who have faith in my deeds and awareness of their own will travel to higher states. After my passing away, the new monks who come and ask of the doctrine should be told of these four places and advised that a pilgrimage to them will help purify their previously accumulated negative karmas, even the five heinous actions.