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Pte. James David Dallow 11Th South Wales Borderers
Newbridge War Memorial Pte. James David Dallow 11th South Wales Borderers www.newbridgewarmemorial.co.uk Newbridge War Memorial Pte. James David Dallow 11th South Wales Borderers Commemorated on Newbridge War Memorial as J. Dallow SWB Commemorated on Celynen Collieries Roll of Honour Family James David Dallow was born in 1895, the son of Charles and Margaret Dallow. The 1901 Census show six year old James to be the second of four children - Annie E Dallow (7) was born a year before him and he had younger siblings William C Dallow (4) and Mary S M Dallow (2). Charles was originally from Hereford and Margaret from Crickhowell, all the children were born in Abercarn. In 1911 the family were living at 42 Celynen Terrace in Newbridge. Charles and his two sons were all working as coal hewers in a local colliery whilst Mary was still at school. The family appear to have had a further son, Thomas, although the Census shows him as having died. The family had a lodger called John Knight who also worked at the colliery but was a boiler stoker working above ground. Military James David Dallow enlisted in the army and was posted as Private 23247 to the 11th Battalion of the South Wales Borderers, part of the 115th Brigade of the 38th (Welsh) Division. In December 1915 the 38th (Welsh) Division embarked for France, the 11th Battalion arriving at Le Havre on 4th December 1915. The following is an extract from a factsheet issued by the South Wales Borderers Museum, Brecon After spells in the Line at Givenchy in the spring of 1916 the Division moved to the River Ancre on 3rd July at the opening of the Battle of the Somme, and both battalions had their first real action in the attack on Mametz Wood. -
Safavid Figural Silks and the Display of Identity
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 Donning the Cloak: Safavid Figural Silks and the Display of Identity Nazanin Hedayat Shenasa De Anza College, [email protected] Nazanin Hedayat Munroe Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Shenasa, Nazanin Hedayat and Munroe, Nazanin Hedayat, "Donning the Cloak: Safavid Figural Silks and the Display of Identity" (2008). Textile Society of America Symposium Proceedings. 133. https://digitalcommons.unl.edu/tsaconf/133 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Donning the Cloak: Safavid Figural Silks and the Display of Identity Nazanin Hedayat Shenasa [email protected] Introduction In a red world bathed in shimmering gold light, a man sits with his head in his hand as wild beasts encircle him. He is emaciated, has unkempt hair, and wears only a waistcloth—but he has a dreamy smile on his face. Nearby, a camel bears a palanquin carrying a stately woman, her head tipped to one side, arm outstretched from the window of her traveling abode toward her lover. Beneath her, the signature “Work of Ghiyath” is woven in Kufic script inside an eight- 1 pointed star on the palanquin (Fig. 1). Figure 1. Silk lampas fragment depicting Layla and Majnun. -
The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales
Volume 3 │ Issue 1 │ 2018 The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales McKinley Terry Abilene Christian University Texas Psi Chapter Vol. 3(1), 2018 Article Title: The Bard of the Black Chair: Ellis Evans and Memorializing the Great War in Wales DOI: 10.21081/AX0173 ISSN: 2381-800X Key Words: Wales, poets, 20th Century, World War I, memorials, bards This work is licensed under a Creative Commons Attribution 4.0 International License. Author contact information is available from the Editor at [email protected]. Aletheia—The Alpha Chi Journal of Undergraduate Scholarship • This publication is an online, peer-reviewed, interdisciplinary undergraduate journal, whose mission is to promote high quality research and scholarship among undergraduates by showcasing exemplary work. • Submissions can be in any basic or applied field of study, including the physical and life sciences, the social sciences, the humanities, education, engineering, and the arts. • Publication in Aletheia will recognize students who excel academically and foster mentor/mentee relationships between faculty and students. • In keeping with the strong tradition of student involvement in all levels of Alpha Chi, the journal will also provide a forum for students to become actively involved in the writing, peer review, and publication process. • More information and instructions for authors is available under the publications tab at www.AlphaChiHonor.org. Questions to the editor may be directed to [email protected]. Alpha Chi is a national college honor society that admits students from all academic disciplines, with membership limited to the top 10 percent of an institution’s juniors, seniors, and graduate students. -
October 2017 Dear Sister 1864
UNDER THE Summer MAGNIFYING GLASS Internships Many thanks to our hard work- Amongst the papers of Sir John Morris-Jones, catalogued last Summer, there are many items of a personal nature that reflect ing interns this Summer who every day family life and relationships. In particular, there is a have made it possible for the letter written by Morris Jones, father of John Morris-Jones to his sister in 1874, describing the days after the birth of twins, Lydia Archives and Special Collec- NEWS and Henry, to his wife Betsan. tions to improve access to its collections on various levels— Translation of Morris Jones’ letter Morris Jones and his wife, Elizabeth FROM THE ARCHIVES AND SPECIAL COLLECTIONS to his sister Roberts were shopkeepers. John through listing, cataloguing and Morris-Jones was their eldest son digitisation . who was born in Trefor, Anglesey in Library and Archives Service : Number 6 October 2017 Dear Sister 1864. He would have been 10 years Bethan Lloyd Dobson worked at We received a line from you old when this letter was written and EISTEDDFOD 2017 by then the family had moved to the Archives and produced a today and we were glad to un- derstand that you are well. Llanfair P.G. catalogue of the Cynan The Archives and Special Collections played a prominent part in Bangor Papers Betsan and the little babies con- John Morris-Jones attended Friars University’s Eisteddfod programme this year at Bodedern. tinue to get on very well. School, Bangor and Christ College, Daisy Wrightson was based in With financial assistance from the Widening Access Department we were The little girl became unwell Sat- Brecon before gaining a degree in the History of the Book able to transport an exhibition case to the Eisteddfod site in order to dis- urday night and we baptised her Mathematics at Jesus College, on Sunday in case something Oxford. -
The Substrates for British Colonization to Enter Iran in the Safavid Era Dr
International Journal of Scientific & Engineering Research Volume 3, Issue 6, June-2012 1 ISSN 2229-5518 The Substrates for British Colonization to Enter Iran in the Safavid Era Dr. Masoud Moradi, Reza Vasegh Abbasi, Amir Shiranzaie Ghale-No Abstract— Since the beginning of the sixteenth century AD and after the fall of Constantinople, the context was provided for dominating the countries like Spain, Portugal, France and England on seas and travelling to eastern countries. This domination coincided with the reign of the Tudors in England. One hundred and fifty years after Klavikhou and the rise of Antony English Jenkinson which was thought for making a trading relationship with Iran, many attempts have been made from the European communities to communicate with the Orient, including Iran which their incentive was first to make the movements of tourists easier and Christian missionaries and then to make the commercial routes more secure. Antony Jenkins was among the first who traveled to Iran in 1561 to establish commercial relations and then went to King Tahmasb. Thomas Alkak, Arthur Edwards and Shirley Brothers was among those who continued his way after him which Shirley Brothers was the most successful of them. This study aims to study, in a laboratory method, the beginning of Iran’s relation with England in the era of Tahmasb the first and its continuity in the era of King Abbas The First and how English colonization to enter Iran are established. Index Terms— Iran, England, Safavid, British tradesmen, commercial relations. —————————— —————————— 1 INTRODUCTION NTONY Jenkinson, the Initiator of British Activities sending the mission to Iran represented by Jenkins: first A in Iran: After the collapse of the Byzantine State to take aside the silk trade from the Portuguese being the (1453), European initiated their activities to reach most important commercial trade of Iran and then take Asia, especially the thriving market of India and exploit- over the exports by itself. -
Eisteddfod Handout Prepared for Ninth Welsh Weekend for Everyone by Marilyn Schrader
Eisteddfod handout prepared for Ninth Welsh Weekend for Everyone by Marilyn Schrader An eisteddfod is a Welsh festival of literature, music and performance. The tradition of such a meeting of Welsh artists dates back to at least the 12th century, when a festival of poetry and music was held by Rhys ap Gruffydd of Deheubarth at his court in Cardigan in 1176 but, with the decline of the bardic tradition, it fell into abeyance. The present-day format owes much to an eighteenth-century revival arising out of a number of informal eisteddfodau. The date of the first eisteddfod is a matter of much debate among scholars, but boards for the judging of poetry definitely existed in Wales from at least as early as the twelfth century, and it is likely that the ancient Celtic bards had formalized ways of judging poetry as well. The first eisteddfod can be traced back to 1176, under the auspices of Lord Rhys, at his castle in Cardigan. There he held a grand gathering to which were invited poets and musicians from all over the country. A chair at the Lord's table was awarded to the best poet and musician, a tradition that prevails in the modern day National Eisteddfod. The earliest large-scale eisteddfod that can be proven beyond all doubt to have taken place, however, was the Carmarthen Eisteddfod, which took place in 1451. The next recorded large-scale eisteddfod was held in Caerwys in 1568. The prizes awarded were a miniature silver chair to the successful poet, a little silver crwth to the winning fiddler, a silver tongue to the best singer, and a tiny silver harp to the best harpist. -
Universi^ Micn^Lms
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting througli an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Birkenhead 'Black Chair' Eisteddfod Centenary Gŵyl
We are offering a handsome bardic chair and £100 (the gift of Brian and Hilda Thomas) to a Welsh poet for a poem or poems (not to exceed BIRKENHEAD ‘BLACK CHAIR’ EISTEDDFOD 100 lines) on Hedd Wynn. The chair will be presented by the Flanders Hedd Wyn Society, which will be represented at the Festival. We will CENTENARY also be presenting two Crowns donated by the Merseyside Welsh Heritage Society and the Rev D. Ben Rees and £50 each (the gift of GŴYL Y GADAIR DDU Dr John and Beryl Williams) for a poem or poems in English or Welsh, (not exceeding 50 lines), open to young people aged 11 – 19. 9th – 10th September 2017 Professor Peredur Lynch of Bangor University, will give a lecture in Welsh (translation facilities available) on Hedd Wyn, under the auspices of the Honourable Society of Cymmrodorion with Emeritus Professor In September 1917, the Welsh National Eisteddfod was held in Prys Morgan in the chair. The broadcaster,Dr Huw Edwards will give a Birkenhead Park, in the presence of the Prime Minister, David Lloyd lecture in English on David Lloyd George. Professor D. Ben Rees will George. The climax was the traditional chairing of the Bard, with the lecture in Welsh on the Birkenhead Welsh, while Emeritus Professor presentation of a wonderful chair, skilfully carved by Eugeen Robert Lee will give a lecture in English on Belgian refugees and the Vanfleteren, a Belgian refugee living in Birkenhead. creator of the Black Chair, Eugeen Vanfleteren. The winning poet was Private Ellis Humphrey Evans (Hedd Wyn) of the The young men from Wales and Merseyside who died in the Great War, Royal Welsh Fusiliers, for his poem ‘YR ARWR’ (The Hero). -
Pre-Orientalism in Costume and Textiles — ISSN 1229-3350(Print) ISSN 2288-1867(Online) — J
Journal of Fashion Business Vol.22, No.6 Pre-Orientalism in Costume and Textiles — ISSN 1229-3350(Print) ISSN 2288-1867(Online) — J. fash. bus. Vol. 22, No. 6:39-52, December. 2018 Keum Hee Lee† https://doi.org/ 10.12940/jfb.2018.22.6.39 Dept. of Fashion Design & Marketing, Seoul Women’s University, Korea Corresponding author — Keum Hee Lee Tel : +82-2-970-5627 Fax : +82-2-970-5979 E-mail: [email protected] Keywords Abstract Pre-Orientalism, Orientalism, The objective of this study was to enhance understanding and appreciation of oriental fashion, Pre-Orientalism in costumes and textiles by revealing examples of Oriental cultural-exchange, influences in Europe from the 16th century to the mid-18th century through in-depth study. The research method used were the presentation and analysis of previous literature research and visual data. The result were as follows; Pre-Orientalism had been influenced by Morocco, Thailand, and Persia as well as Turkey, India, and China. In this study, Pre-Orientalism refers to oriental influence and oriental taste in Western Europe through cultural exchanges from the 16th century to the mid-18th century. The oriental costume was the most popular subspecies of fancy, luxury dress and was a way to show off wealth and intelligence. Textiles were used for decoration and luxury. The Embassy and the court in Versailles and Vienna led to a frenzy of oriental fashion. It appeared that European in the royal family and aristocracy of Europe had been accommodated without an accurate understanding of the Orient. Although in this study, the characteristics, factors, and impacts of Pre-Orientalism have not — been clarified, further study can be done. -
Azerbaijani-Turkic Diplomacy on the Edge of Xvi-Xvii C. in Iskender Bek Turkman Munshi's Chronicle
ISRA (India) = 1.344 SIS (USA) = 0.912 ICV (Poland) = 6.630 ISI (Dubai, UAE) = 0.829 РИНЦ (Russia) = 0.234 PIF (India) = 1.940 Impact Factor: GIF (Australia) = 0.564 ESJI (KZ) = 1.042 IBI (India) = 4.260 JIF = 1.500 SJIF (Morocco) = 2.031 SOI: 1.1/TAS DOI: 10.15863/TAS Nargiz F. Akhundova researcher International Scientific Journal Azerbaijan NAS Institute of History after the name of Theoretical & Applied Science A.A. Bakikhanov [email protected] p-ISSN: 2308-4944 (print) e-ISSN: 2409-0085 (online) Year: 2017 Issue: 02 Volume: 46 Published: 16.02.2017 http://T-Science.org SECTION 22. Policy. Innovations. Theory, practice and methods. AZERBAIJANI-TURKIC DIPLOMACY ON THE EDGE OF XVI-XVII CENTURIES IN ISKENDER BEK TURKMAN MUNSHI’S CHRONICLE Abstract: Shah Abbas’s ruling period (1587-1629) was one of the most interesting pages in the Safavid history. The diplomatic rise of that epoch is related to economic development of European countries. Therefore their interests were diverted to the East and to the Safavid State, in particular. At the same time military threats from the Ottoman Empire catalyzed development of diplomatic relations. In addition, for the considering of the events from the diplomatic life of the earlier historical period we have used the source “Əhsanut-Təvarix” by Hasan bey Rumlu. Ruling period of Shah Abbas I is very amply reflected in the «Tarix-i aləmara-yi Abbasi». The list of names of envoys from other literal sources is presented in the article. Namely, some events depicted in «Tarix-i aləmara-yi Abbasi» are reflected as published in English-language literature. -
The Sherleys and the Shah.Compressed
The Sherleys and the Shah Persia as the Stakes in a Rogue’s Gambit GarY ScHWarTz The second of the three sons of the Sussex peer Sir Thomas Sherley (ca. 1542–1612), Sir Anthony Sherley (1565–ca. 1638), suffered from—and made others to suffer even more from—a personality disorder of the kind we encounter in con men. He was a keen judge of men who used his insights only to manip- ulate those who trusted him, in the first place his father, brothers, and protectors. During his wide travels, nearly every move he made left others holding large uncovered loans and debts. His twentieth-century biographers Boies Penrose and Edward Denison Ross were unable to contain themselves when it came to describing Anthony’s character: “He was an inveterate and unscrupulous intriguer, a sententious hypocrite devoid of all real sentiment … He had all the natural devotion of a buccaneer, and his cupidity was only equalled by his extravagance.”1 He was “a self-seeking adventurer pure and simple, a born intriguer, a complete opportunist, a man whose word could never be relied on and whose personal dishonesty leaves us gasping.”2 These judgments are no different from several testimonies from Anthony’s lifetime. His secretary Tomas Pagliarini wrote to the Spanish ambassador in Venice: “Don Antonio is a man who comes running whenever there is an offer of money. He is fickle and corrupt and … mendacious 1 Ross1933,p.86. 2 Penrose 1938, pp. 244–45. 78 buch_persien_DE_EN_produktion_RZ_2_Revision.indd 78 02.09.13 12:56 by nature … He lies awake all night devising schemes to greedy world of old Sir Thomas was more typically Eliza- extract money from princes … He is a man who affects an air bethan than the good fellowship of the Mermaid Tavern.7 of mystery in everything,” and it would be well if “such a pes- And in a postscript to his article “The Sherley Myth,” Roger tiferous weed” be “expelled from the company of illustrious Savory comments: “The following point may be thought not men surrounding the King.”3 James Wadsworth wrote in to be irrelevant: In 1888 the Rev. -
A Reading of Dylan Thomas's Under Milk Wood
ALAN PETER FEAR A WALK THROUGH LLAREGGUB: A READING OF DYLAN THOMAS’S UNDER MILK WOOD PORTO ALEGRE 2012 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS ESTRANGEIRAS MODERNAS LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA A WALK THROUGH LLAREGGUB: A READING OF DYLAN THOMAS’S UNDER MILK WOOD AUTOR: ALAN PETER FEAR ORIENTADORA: SANDRA SIRANGELO MAGGIO Dissertação de Mestrado em Literaturas Estrangeiras Modernas submetida ao Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul como requisito parcial para a obtenção do título de Mestre. PORTO ALEGRE Abril, 2012 3 FICHA CATALOGRÁFICA FEAR, Alan Peter A Walk through Llareggub: A Reading of Dylan Thomas’s Under Milk Wood Alan Peter Fear Porto Alegre: UFRGS, Instituto de Letras, 2012. 113p Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1. Literaturas de língua inglesa. 2. Literatura galesa. 3. Crítica literária. 5. Dylan Thomas 6. Under Milk Wood 4 ACKNOWLEDGEMENTS Firstly I would like to thank the Federal University of Rio Grande do Sul and PPG Letras for accepting me on this course and giving me this wonderful opportunity to study these two years on my Master’s Degree. My special thanks to José Canísio Scher of PPG- Letras for kind attention, patience and help. My thanks also to CAPES for the invaluable financial support in the form of the study scholarship I have received which has allowed me to dedicate a great part of my time to the research.