Macmillan Children's Publishing Group
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Macmillan Children's Publishing Group
macmillan children’s publishing group Bologna 2017 Farrar, Straus and Giroux Books for Young Readers Feiwel & Friends First Second Henry Holt Books for Young Readers Imprint Roaring Brook Press Swoon Reads 1 Macmillan Children’s Publishing Group Foreign Subsidiary Rights Contacts Kristin Dulaney Executive Director, Subsidiary Rights 646-307-5297 [email protected] Miriam Miller Subsidiary Rights Manager 646-307-5298 [email protected] 2 Macmillan Children’s Publishing Group Farrar, Straus and Giroux Books for Young Readers Feiwel & Friends Swoon Reads First Second Henry Holt Books for Young Readers Imprint Roaring Brook Press 3 Table of Contents Young Adult - pg. 5 Middle Grade - pg. 19 Chapter Books - pg. 31 Nonfiction - pg. 37 Picture Books - pg. 42 Graphic Novels - pg. 61 Backlist - pg. 73 4 YOUNG ADULT 5 macmillan children’s publishing group YOUNG ADULT Ava Dellaira At 17 Farrar, Straus and Giroux Books for Young Readers March 2018; 5 ½ x 8 ¼; 384 pp.; Ages 12-18; Editor: Joy Peskin A sweeping, multi-generational love story. To 17-year-old Angie, Marilyn is her hardworking, devoted single mother. But Marilyn was once young, too. When Marilyn was 17, she met and fell in love with Angie’s father, whom Angie’s never met and Marilyn has always told her he died before she was born. When Angie discovers (c) Tom Dellaira evidence of a long-lost uncle she starts to wonder: What if her dad is still alive, too? So she sets off on a journey to find him, hitching a ride with her ex-boyfriend, Sam. Along the way, she un- covers some hard truths about herself, her mother, and what truly happened to her father. -
Interview Asaf Hanuka – December 2012 Brest En Bulle: Where Does
Interview Asaf Hanuka – december 2012 Brest en bulle: Where does your passion for drawing come from ? When did you become aware that you wanted to be an illustrator ? Asaf Hanuka: It's a combination of several factors. I always liked drawing and as a kid I fell in love with american comic books. Together with my brother, illustrator Tomer Hanuka, we copied frames from X-men comics and invented imaginary stories (we couldn't read english). When I become older I realized drawing is the perfect excuse to stay home and be alone in a room, which to this date is my favorite activity. So becoming an illustrator and cartoons was the perfect choice for both my natural creative tendency and my social complex. BeB: Who or what has inspired you in graphic arts, illustration and comics ? A.H: Probably wanting to be somewhere else, to get a way from my middle class boring suburb life in Israel in the 80s. Comics were so colorful and dynamic, I just wanted to disappear inside it. And since that wasn't possible, I compromised on creating it. BeB: How did you become a professional illustrator? What was your training in Lyon like ? How would you define the bonds between you and France ? A.H: I went to study commercial art in Lyon because I wanted to have what is referred in the art industry as "the french touch". It means the the drawing is correct, it works. and in Emile Cohl art school in Lyon there was a true science of drawing and painting and I had spent great 3 years over there. -
May 2016 NASFA Shuttle
Te Shutle May 2016 The Next NASFA Meeting is 6:30P Saturday 21 May 2016 at the Regular Location Concom Meeting 3P at the Church, 21 May 2016 • June: More-or-less Annual NASFA Picnic at Sue’s house. d Oyez, Oyez d This will subsume the meeting, program, and ATMM that ! month. Folks will start gathering at 2P. The next NASFA Meeting will be 21 May 2016, at the regu- • August: Les Johnson will give a talk as well as reading from lar meeting location—the Madison campus of Willowbrook his new book On to the Asteroid <tinyurl.com/OttA-Ama- Baptist Church (old Wilson Lumber Company building) at zon>(co-authored with Travis Taylor). The book will be re- 7105 Highway 72W (aka University Drive). Please see the leased 2 August 2016. map at right if you need help finding it. • October: Con†Stellation Postmortem. MAY PROGRAM The May program will be “Short Attention Span Theater,” featuring short genre and genre-related films gathered from around teh intertubes by Mike Kennedy. Road Jeff Kroger MAY ATMM The May After-The-Meeting Meeting will be hosted by Mary and Doug Lampert at the church. The usual rules apply— US 72W that is, please bring food to share and your favorite drink. Also, (aka University Drive) please stay to help clean up. We need to be good guests and leave things at least as clean as we found them. CONCOM MEETINGS The next Con†Stellation XXXIV Concom Meeting will be Road Slaughter 3P on 21 May 2016—the same day as the club meeting. -
USING GRAPHIC NOVELS with CHILDREN and TEENS a Guide for Teachers and Librarians Using Graphic Novels with Children and Teens a Guide for Teachers and Librarians
USING GRAPHIC NOVELS WITH CHILDREN AND TEENS A Guide for Teachers and Librarians USING Graphic NOVELS with CHILDREN AND TEENS A Guide for Teachers and Librarians Graphic NOVELS ARE hot! No longer an underground movement appealing to a small following of enthusiasts, graphic novels have emerged as a growing segment of book publishing, and have become accepted by librarians and educators as mainstream literature for children and young adults literature that powerfully motivates kids to read. Are graphic novels for you? Should you be taking a more serious look at this format? How might graphic novels fit into your library collection, your curriculum, and your classroom? Want to know more? If so, this guide is for you. Art © 2010 Jeff Smith 2 What are graphic novels? In this context, the word “graphic” does not mean “adult” or “explicit.” Graphic novels are books written and illustrated in the style of a comic book. The term graphic novel was first popularized by Will Eisner to distinguish his book A Contract with God (1978) from collections of newspaper comic strips. He described graphic novels as consisting of “sequential art”—a series of illustrations which, when viewed in order, tell a story. Although today’s graphic novels are a recent phenomenon, this basic way of storytelling has been used in various forms for centuries—early cave drawings, hieroglyphics, and medieval tapestries like the famous Bayeux Tapestry can be thought of as stories told in pictures. The term graphic novel is now generally used to describe any book in a comic format that resembles a novel in length and narrative development. -
Spring 2015 First Second • June 2015 Juvenile Fiction / Comics & Graphic Novels / General
SPRING 2015 FIRST SECOND • JUNE 2015 JUVENILE FICTION / COMICS & GRAPHIC NOVELS / GENERAL WRITTEN BY DOMINIQUE ROQUES; ILLUSTRATED BY ALEXIS DORMAL Anna Banana and the Chocolate Explosion The willful (and adorable!) Anna Banana returns for another sweet adventure! Anna Banana is at it again! The lovable tyrant from Sleep Tight, Anna Banana! is up to no good, and so are all of her beloved stuffed animals. In this adorable sequel to the 2014 picture book, Anna Banana and her stuffed pals set out to make a chocolate cake...and end up making a big, big, big mess. JUNE First Second With all the charm and whimsy that won readers' hearts Juvenile Fiction / Comics & Graphic Novels / in the first book of the series, Anna Banana and the General Chocolate Explosion will give Anna Banana's fans more of On Sale 6/16/2015 Ages 5 to 7, Grades K to 2 what they love...and win over new readers. Hardcover Picture Book , 28 pages 10.000 in W | 7.500 in H | 1.000 lb Wt Dominique Roques has two sons, one of whom likes Carton Quantity: 40 drawing picture books. Together they have published several ISBN: 9781626720206 books starring Anna Banana. Sleep Tight, Anna Banana! was $15.99 / $18.50 Can. the first to be translated into English. Also available Alexis Dormal makes books with word balloons. He has collaborated with Dominique Roques on the Anna Banana series, the first of which was Sleep Tight, Anna Banana! Praise For... Sleep Tight, Anna Banana! 9781626720190 Sleep Tight, Anna Banana! $15.99/$18.50 Can. -
Waltz with Bashir
waltzBPressbook-SPCRevise_081108_FNL:Layout 1 8/11/08 2:38 PM Page 1 WALTZ WITH BASHIR AN ARI FOLMAN FILM waltzBPressbook-SPCRevise_081108_FNL:Layout 1 8/11/08 2:38 PM Page 2 waltzBPressbook-SPCRevise_081108_FNL:Layout 1 8/11/08 2:38 PM Page 3 SYNOPSIS One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there’s a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can’t remember a thing anymore about that period of his life. Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images … waltzBPressbook-SPCRevise_081108_FNL:Layout 1 8/11/08 2:38 PM Page 4 INTERVIEW WITH ARI FOLMAN Did you start this project as an animated documentary? Yes indeed. WALTZ WITH BASHIR was always meant to be an animated documentary. For a few years, I had the basic idea for the film in my mind but I was not happy at all to do it in real life video. How would that have looked like? A middleaged man being interviewed against a black background, telling stories that happened 25 years ago, without any archival footage to support them. That would have been SO BORING! Then I figured out it could be done only in animation with fantastic drawings. -
Why Graphic Novels?
Why Graphic Novels? Graphic novels may be a new format for your store, but they’re still all about telling stories. The way graphic novels tell their stories – with integrated words and pictures – looks different from traditional novels, poetry, plays, and picture books, but the stories they tell have the same hearts. Bone, by Jeff Smith, is a fantastical adventure with a monstrous villain and endearing heroes, like Harry Potter. American Born Chinese, by Gene Luen Yang, is a coming-of-age novel, like Catcher in the Rye. Fun Home, by Alison Bechdel, is a powerful memoir, like Running With Scissors. When people ask, ‘why graphic novels?’ the easiest answer you can give is, graphic novels tell stories that are just as scary and funny and powerful and heartwarming as prose. Here are two more sophisticated answers you can also try out. Education Graphic novels are a great way to go for kids making the transition from image-centric books to more text-based books, and for adults just learning English. Because of the combination of image and text in a graphic novel, readers get visual clues about what’s going on in the story even if their vocabulary isn’t quite up to all the words yet. And because graphic novels are told as a series of panels, reading graphic novels also forces readers to think and become actively involved each time they move between one panel and the next. What’s happening in that space? How do the story and the characters get from panel 1 to panel 2? Both television and the internet play a large part in our culture – images are becoming more and more integrated into everyone’s everyday life. -
THE MOVEMENT from QAL to Pififiel in HEBREW and THE
TEACHING THE GRAPHIC NOVEL: RUTU MODAN’S EXIT WOUNDS Naomi Sokoloff University of Washington The graphic novel has come into its own in the academic world. Increas- ingly, it has become the subject of scholarship, and comic books are being taught widely at universities in composition, literature, and culture courses. Just one indication of this phenomenon is the fact that in 2009 the MLA published a collection of essays called Teaching the Graphic Novel.1 C o mi c s have also found recent success in Hebrew, in the work of Rutu Modan, Yirmi Pinkus, Itzik Rennert, Asaf and Tomer Hanuka and others.2 In college level Hebrew courses, such texts present opportunities for strengthening language skills at the third year and beyond, while also presenting substan- tive stories of Israeli life. Furthermore, as a newly emergent genre that com- bines visual and textual elements, graphic novels offer welcome opportunity to introduce students to narrative theory in general, as well as to the distinc- tive narrative possibilities of this artistic medium. My comments here focus on Rutu Modan’s Karov Rahok. This novel provides an instructive example of graphic novel that can be adopted use- fully as a teaching tool. Modan’s work also illustrates how comics are over- coming initial resistance within the world of Hebrew literature and gaining greater acceptance. Although the author composed the dialogue in her native Hebrew, she published this novel first in English (under the title Exit Wounds, in 2007)3 because she anticipated a bigger audience that way. In Israel at the time, graphic novels were not widely accepted as literary art. -
French Comics Framed Festival
FRENCH COMICS FRAMED FESTIVAL NEW YORK CITY SEPT. 27 – NOV. 5, 2016 Illustration © Christophe Blain 2016 FRENCH COMICS FRAMED In 1889, Richard Felton Outcault, creator of the legendary Yellow Kid, moved to Paris to study art. He came back to the US with a brand new outfit: a beret and a cape. In Manhattan 1952, Morris met René Goscinny: thus Lucky Luke found his new writer, who would also go on to create Asterix and many more iconic heroes. Comics and bande dessinée have always been entwined, keeping up a constant communication across the ocean. Although comics artists may share their work and keep track of each other’s production, these exchanges might not be quite so accessible to the general public. Well, we’d like to make them available to everyone. After all, stars such as The Smurfs, Tintin, Blacksad and Persepolis were born and raised in Europe before conquering the US. FRENCH COMICS FRAMED festival displays in English the wonderful diversity of the Francophone bande dessinée. From much-loved icons to sophisticated graphic novels; from masters of sci-fi to sociopolitical documentaries. With a stunning exhibition, engaging talks, and encounters with some of the best Francophone artists at the New York Comic Con, get ready for an amazing journey through French creation and discover the art of comics à la Française. Philippe Ostermann President of the French Comics Association FRENCH COMICS FRAMED EXHIBITION SEPT. 27 – NOV. 5, 2016 THE COOPER UNION, FOUNDATION BUILDING 7 EAST 7 TH ST., NY 10003 This exhibit presents a wide selection of Franco-Belgian works. -
Penguin Classics
PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com. -
Previews #323 (Vol
PREVIEWS #323 (VOL. XXV #8, AUG15) PREVIEWS PUBLICATIONS PREVIEWS #325 OCTOBER 2015 SAME GREAT PREVIEWS! NEW LOWER PRICE: $3.99! Since 1988, PREVIEWS has been your ultimate source for all of the comics and merchandise to be available from your local comic book shop… revealed up to two months in advance! Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise on Earth; plus PREVIEWS exclusive items available nowhere else! Now more than ever, PREVIEWS is here to show the tales, toys and treasures in your future! This October issue features items scheduled to ship in December 2015 and beyond. Catalog, 8x11, 500+pg, PC SRP: $3.99 MARVEL PREVIEWS VOLUME 2 #39 Each issue of Marvel Previews is a comic book-sized, 120-page, full-color guide and preview to all of Marvel’s upcoming releases — it’s your #1 source for advanced information on Marvel Comics! This October issue features items scheduled to ship in December 2015 and beyond. FREE w/Purchase of PREVIEWS Comic-sized, 120pg, FC SRP: $1.25 PREVIEWS #325 CUSTOMER ORDER FORM — OCTOBER 2015 PREVIEWS makes it easy for you to order every item in the catalog with this separate order form booklet! This October issue features items scheduled to ship in December 2015 and beyond. Comic-sized, 62pg, PC SRP: PI COMICS SECTION PREMIER VENDORS DARK HORSE COMICS ABE SAPIEN #27 Mike Mignola (W/Cover), Scott Allie (W), Alise Gluškova (A/C), and Dave Stewart (C) Abe’s memories of his life as a man in the nineteenth century come to the surface as secret societies fight over an object that could prove the true origins of the human race! FC, 32 pages SRP: $3.50 B.P.R.D. -
The Graphic Novel by Craig Mcdonald, Illus
Bologna 2017 www.firstsecondbooks.com Including select graphic novels from Macmillan Children’s Publishing Group 1 first second upcoming highlights Speak by Laurie Halse Anderson, illus. by Emily Carrol Farrar, Straus, and Giroux Books for Young Readers February 2018; 6 x 8 ½; 384 pp.; Ages 12 & Up; Editor: Joy Peskin A graphic novel adaptation of the award-winning novel, SPEAK—adapted by Laurie Halse Anderson herself and illustrated by Eisner Award winner Emily Carroll. The original novel sold over 3.5 million copies, has been licensed in 34 territories around the world, and was a National Book Award finalist. LAURIE HALSE ANDERSON is a New York Times bestselling author of books for kids of all ages. EMILY CARROll is an Eisner Award winning illustrator and author of Through the Woods. SAMPLE ART Scarlett Hart by Marcus Sedgwick; illus. by Thomas Taylor First Second April 2018; 6 x 8 ½; 208 pp.; Ages 10-14; Editor: Calista Brill Monsters, quake in your boots! Scarlett Hart, (unlicensed) monster hunter, is coming for you! MARCUS SEDGWICK has been shortlisted for Britain’s Carnegie Medal six times, has received two Printz Honors, and in 2013 won the Printz Award for Midwinterblood. THOMAS TAYLOR illustrated the cover art for the British edition of Harry Potter and the Philosopher’s Stone. Subsequent to this he wrote and illustrated The Loudest Roar books, Dan and the Dead series, and a YA SAMPLE ART novel, Haunters. The City on the Other Side by Mairghread Scott; illus. by Robin Robinson First Second April 2018; 6 x 8 ½; 224 pp.; Ages 8-12; Editor: Calista Brill When a wealthy and sheltered young girl stumbles into a pitched war between two fairy kingdoms, the fate of San Francisco itself hangs in the balance! MAIRGHREAD SCOtt’S animation work includes Ultimate Spider-Man: Web Warriors, Transformers: Robots In Disguise, Rescue Bots, and more.