Schindler's List
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Argentina Commemorates the International Day in Memory of the Victims of the Holocaust Within the Framework of the International
Argentina commemorates the International Day in memory of the victims of the Holocaust Within the framework of the International Day of Commemoration in memory of the victims of the Holocaust – which was settled by the United Nations in 2005 in remembrance of the anniversary of the liberation of Auschwitz on January 27, 1945- yesterday the national government organized its ceremony, which was attended by members of the national government, authorities of the City of Buenos Aires, survivors and members of different organizations of the Jewish community and the civil society committed with the Holocaust remembrance. The ceremony was organized by the Argentinean Chapter of the IHRA (International Holocaust Remembrance Alliance), the main international organization dedicated to the research, remembrance and education on the Holocaust. The IHRA is currently integrated by 31 member countries: States of Europe, Israel, United States, Canada and Argentine (which is the only full member of Latin America). The IHRA Local Chapter is formed by the Ministry of Foreign Affairs and Worship, the Ministry of Education, the Ministry of Justice and Humans Rights (represented by the Secretary of Humans Rights and Cultural Pluralism) and organizations of the civil society. It has an annual rotating Chairmanship among the Ministries, being in 2016 Chaired by the Secretary of Humans Rights and Cultural Pluralism from the Ministry of Justice and Humans Rights. In this opportunity, the ceremony was held together with the inauguration of the National Monument to honor Holocaust Survivors and also with the inauguration of the “Paseo de los Justos” (The Righteous Square). The Monument consists of a concrete wall composed by 114 cubes with impressions of objects of everyday life, emphasizing the absence of the human being through these marks carved on stone. -
Schindler's List シンドラーのリスト 以下を翻訳してください。
Schindler’s List シンドラーのリスト 以下を翻訳してください。 [https://www.yadvashem.org/righteous/stories/schindler.html] 竹内君 Oskar Schindler was born on April 28, 1908 at Zwittau/Moravia (today in the Czech Republic). His middle-class Catholic family belonged to the German-speaking community in the Sudetenland. The young Schindler, who attended German grammar school and studied engineering, was expected to follow in the footsteps of his father and take charge of the family farm-machinery plant. Some of Schindler’s schoolmates and childhood neighbors were Jews, but with none of them did he develop an intimate or lasting friendship. Like most of the German-speaking youths of the Sudetenland, he subscribed to Konrad Henlein’s Sudeten German Party, which strongly supported the Nazi Germany and actively strove for the dismemberment of Czechoslovakia and their annexation to Germany . When the Sudetenland was incorporated into Nazi Germany in 1938, Schindler became a formal member of the Nazi party. 浅井君 Shortly after the outbreak of war in September 1939, thirty-one-year-old Schindler showed up in occupied Krakow. The ancient city, home to some 60,000 Jews and seat of the German occupation administration, the Generalgouvernement, proved highly attractive to German entrepreneurs, hoping to capitalize on the misfortunes of the subjugated country and make a fortune. Naturally cunning and none too scrupulous, Schindler appeared at first to thrive in these surroundings. In October 1939, he took over a run-down enamelware factory that had previously belonged to a Jew. He cleverly maneuvered his steps- acting upon the shrewd commercial advice of a Polish-Jewish accountant, Isaak Stern - and began to build himself a fortune. -
December 9, 1993
Rhode Island Jewish Chanukah Issue HERALD SEE INSERT The Only English-Jewish Weekly in Rhode Island and Southeaster n Massachusetts VOLUME LXIV, NUMBER 3 KlSLEV 25, 5754 / THURSDAY, DECEMBER 9, 1993 35c PER CO PY Leader of German Jews Thinks Justice System Is Inadequate by Miriam Widman "I'm not sure if that was a man Jewish community and in BERLI N QT A)- The head of good or bad thing," said Bubis. trying to erase stereotypes and Germany's Jewish comm unity The trip was criticized by preconceptions. He is also ac believes German justice and in· some prominent Jews in Ger· tive in promoting equality for tentions are inadquate to com· many w ho worry that the trip foreigners living in Germany. bat neo-Nazis. mig ht actually have had an ad After 14 months as head of lgna tz Bubis, speaking with verse effect a nd could end up the Jewish comm unity, he has the Jewish Telegraphic Agency reinforcing stereotypes. been largely well-received here, about issues confronting the Bubis spends much of his by both Jews and non-Jews alike. community, said judges have time trying to educate non-Jews But while Bubis is seen as more been too liberal in sentencing about the 40,000·member Ger· (Continued on Page 2) the perpetra tors of right-wing crimes. Nevertheless, he also ad mit· Rabin Gets Belgium's Support ted he had no solution or sug· gestion of his own about edu· For Upgrading Israel's E.C. Ties eating the g rowing far rig ht movement to turn away from by Josef Kopel status with the E.C. -
Schindler's Learning Guide
RIGHTEOUS AMONG THE NATIONS "The universe exists on the merit of the righteous among the nations of the world, and they are privileged to see the Divine Presence." -- The Talmud THE GOOD SAMARITAN And who is my neighbor? And Jesus answering said, A certain man went down from Jerusalem to Jericho, and fell among thieves which stripped him of his raiment, and wounded him, and departed, leaving him half dead. And by chance there came down a certain priest that way: and when he saw him, he passed by on the other side. And likewise a Levite, when he was at the place, came and looked on him, and passed by on the other side. But a certain Samaritan, as he journeyed, came where he was: and when he saw him, he had compassion on him. And went to him, and bound up his wounds, pouring in oil and wine, and set him on his own beast, and brought him to an inn, and took care of him. And on the morrow when he departed, he took out two pence, and gave them to the host, and said unto him, Take care of him; and whatsoever thou spendest more, when I come again, I will repay thee. Which now of these three, thinking thou, was neighbor unto him that fell among the thieves? And he said, He that showed mercy on him. Then said Jesus unto him, Go, and do thou likewise. --St. Luke 10: 30 “He [Schindler] was fortunate to have people in that short fierce era who summoned forth his deeper talents.” --Emilie Schindler Introduction There have been many attempts to tell the story of the Holocaust to the general public in a comprehensible, yet historically accurate manner. -
Chapter 7 Membering the Holocaust
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by YorkSpace Chapter 7 Membering the Holocaust: Names and Types "He was a terrorist, in his way--a hostage-taker. Use--and dispose. Kill, if you must." (p. 264) schindler's list - 5 2 The question of the role of art in depicting monstrous death and horror has been a preoccupation of literary critics since the Holocaust. It was a problem even in the Tanach. The critic, Aharon Appelfeld, regarded depictions of the Holocaust on the screen with disdain. Even literary representations could rarely be trusted.1 For Appelfeld, representing the horror of the Holocaust could only be accomplished by bringing individuals to life in literature, by restoring to them their names and rescuing them from the anonymity to which they were condemned by the perpetrators of the Holocaust. Does Spielberg succeed on the level of the particular? In the novel, but for chance, Oskar could have been Amon. Oskar and Amon are pictured as twins with only two basic differences. Oskar is a confidence man; Amon is a crook. Oskar is a protector and lover of those he befriends; Amon is a sadist. "(T)he reflection can hardly be avoided that Amon was Oskar's dark brother, was the berserk and fanatic executioner Oskar might, by some unhappy reversal of his appetites, have become." (p. 171) Oskar says of Amon that it was the war that made him what he is. For Keneally, it is luck and nature reinforced by circumstance2 that determined that Oskar did not go the route of Amon. -
Stallbaumer-Beishline on Schindler, 'Where Light and Shadow Meet: a Memoir'
H-German Stallbaumer-Beishline on Schindler, 'Where Light and Shadow Meet: A Memoir' Review published on Saturday, August 1, 1998 Emilie Schindler. Where Light and Shadow Meet: A Memoir. New York and London: W.W. Norton & Company, 1996. xii + 162 pp. $22.00 (cloth), ISBN 978-0-393-04123-1. Reviewed by L. M. Stallbaumer-Beishline (Bloomsburg University of Pennsylvania) Published on H- German (August, 1998) "To be Emilie again, simply Emilie," is one of Emilie Schindler's goals in writing a memoir about her life both with and without Oskar Schindler, whose life has been made famous by Steven Spielberg's cinematic version of Schindler's List. In addition, Emilie seeks to explain events as they "actually took place," to desanctify the heroic image of her husband, not out of bitterness but for the sake of "truth." The story begins with Emilie's childhood in Bohemia, an innocence brought to an end with Oskar, whose marriage proposal provided an opportunity to leave behind a family life which was becoming oppressive. Once married, it did not take long for Emilie to learn her husband's many faults and attributes. Oskar Schindler was a generous and kind man, but his many infidelities, his immaturity, and his opportunistic, work-shy, hedonistic, self-indulgent lifestyle strained their relationship nearly from the beginning of their marriage. Discussing the war years, Emilie gives priority to topics related to Oskar's spying activities for theAbwehr and how it affected her, his acquisition ofDeutsche Emailwaren Fabrik (DEF), their relations with Nazi officials, and their mutual efforts to save Jews working at DEF as well as at the munitions factory at Bruennlitz. -
Analyzing Processes of Knowledge Production
Beyond the Memory: the Era of Witnessing – Analyzing Processes of Knowledge Production and Memorialization of the Holocaust through the Concepts of Translocal Assemblage and Witness Creation by Myriam Bettina Gerber B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Interdisciplinary Studies © Myriam Bettina Gerber, 2016 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. Beyond the Memory: the Era of Witnessing – Analyzing Processes of Knowledge Production and Memorialization of the Holocaust through the Concepts of Translocal Assemblage and Witness Creation by Myriam Bettina Gerber B.A., University of Victoria, 2008 Supervisory Committee Dr. Alexandrine Boudreault-Fournier, Supervisor (Department of Anthropology) Dr. Charlotte Schallie, Co-Supervisor (Department of Germanic Studies) i | P a g e Supervisory Committee Dr. Alexandrine Boudreault-Fournier, Supervisor (Department of Anthropology) Dr. Charlotte Schallie, Co-Supervisor (Department of Germanic Studies) Abstract This paper considers the symbiotic relationship between iconic visual representations of the Holocaust – specifically film and Holocaust sites – and processes of Holocaust memorialization. In conjunction, specific sites and objects related to the Holocaust have become icons. I suggest that specific Holocaust sites as well as Holocaust films can be perceived as elements of one and/or multiple translocal assemblage/s. My focus in this analysis is on the role of knowledge production and witness creation in Holocaust memorialization. It is not my intention to diminish the role of Holocaust memorialization; rather, I seek to look beyond representational aspects, and consider the processual relationships involved in the commemoration of the Holocaust in institutions, such as memorial sites and museums, as well as through elements of popular culture, such as films. -
Under the Auspices of the Permanent Mission of the Czech Republic to the United Nations in Geneva
REMEMBERING AND REBUILDING: Saving Oskar Schindler’s Ark A Multi-Media Travelling Memorial Exhibit © Jaroslav Brabec, Brněnec, 2018 21 January 2019 – 8 February 2019 United Nations Office at Geneva, Palais des Nations International Holocaust Remembrance Day official opening of exhibition “Beyond Duty: Diplomats Recognized as Righteous Among the Nations” Under the Auspices of the Permanent Mission of the Czech Republic to the United Nations in Geneva www.arksfoundation.net ARKS Löw-Beer & Schindler Foundation REMEMBERING AND REBUILDING: Saving Oskar Schindler’s Ark THE STORY OF SCHINDLER’S ARK WHO WILL VISIT THE MUSEUM Schindler’s Ark was where Jews on Schin- Schindler’s Ark is one of the two or three dler’s list were saved instead of going to most recognized stories and sites of the Sec- Auschwitz and certain death. ond World War. As a factory it was built with excellent access at the heart of Europe, two In the central scene of the Oscar-winning hours to Prague and Vienna airports and 45 film “Schindler’s List” (1993) by Steven Spiel- minutes to Brno. Similar sites attract hun- berg, if you were on the list, Jews were sent dreds of thousands of visitors per year. to this Ark in the home region of Oskar and Emilie Schindler. The buildings form the The focus will be: only concentration camp, which saved rath- er than exterminated Jews. © Jaroslav Brabec, Brněnec, 2018 School children: school classes from the AIMS AND PRIORITIES Czech Republic, Slovakia, Austria, Germany Who were Oskar and Emilie Schindler, why and across Europe to watch the film and per- did they do what they did to save the Jews? The foundation has two main aims: sonally engage with witness interviews in the place where it occurred. -
Introduction to Major Characters from Schindler's List
INTRODUCTION TO MAJOR CHARACTERS FROM SCHINDLER'S LIST Oskar Schindler was born in 1908, in Zwittau (today Svitavy), in what is now Moravia in the Czech Republic. He grew up in a Catholic well-to-do family that was German-speaking. Before the Germans occupied a section of Czechoslovakia in 1938, he collected information on railways and troop movements for the German government. He was arrested for espionage by the Czech government but was released under the terms of the Munich Agreement in 1938. In 1939, Schindler became a member of the Nazi Party, relocated to Krakow, and acquired a run-down enamelware factory that had been owned by a Jew. He transformed it into an extremely successful enterprise with the help of a Jewish financial advisor, Abraham Bankier, and Schindler amassed a fortune. At the factory's peak in 1944, he employed about 1,750 workers, of whom 1,000 were Jews. The classification of the factory as a “business essential to the war effort” and his connections helped Schindler protect his Jewish workers from deportation and death in the Nazi camps, but as time went on, Schindler had to give Nazi officials large bribes and gifts of luxury items obtainable only on the black market to keep his workers safe. By July 1944, when Germany was losing the war, the SS began closing down the easternmost concentration camps and deporting the remaining prisoners westward. Many were killed in Auschwitz and the Gross-Rosen concentration camp. Schindler convinced SS-Hauptsturmführer Amon Goeth, commandant of the nearby Kraków-Płaszów concentration camp, to allow him to move his factory to Brünnlitz (today Brno) in the Sudetenland, thus sparing his workers from almost certain death in the gas chambers. -
SCHINDLER's LIST Screenplay by Steven Zaillian Based on the Novel
SCHINDLER'S LIST Screenplay by Steven Zaillian Based on the novel by Thomas Keneally USE FOR EDUCATIONAL PURPOSES ONLY IN BLACK AND WHITE: EXT. RURAL POLAND - SMALL DEPOT - DAY A small depot set down against monotonous countryside in the far hinterlands of rural Poland. A folding table on the wood- plank platform. Pens, ink well, forms. A three year old girl holding the hand of woman watches a clerk register her name and those of two or three families of farmers standing before him. Finishing, he motions to an SS guard nearby to escort them to a waiting, empty, idling passenger train. The people climb aboard as the clerk gathers his paperwork. He folds up his little table, signals with a wave to the engineer, and climbs up after them. The nearly-empty train pulls out of the sleepy station. EXT. TRAIN STATION, CRACOW, POLAND - DAY TRAIN WHEELS grinding against track, slowing. FOLDING TABLE LEGS scissoring open. The lever of a train door being pulled. NAMES ON LISTS on clipboards held by an ARMY OF CLERKS moving alongside the tracks. CLERKS (O.S.) ... Rossen ... Lieberman ... Wachsberg ... Groder ... HUNDREDS OF BEWILDERED RURAL FACES coming down off the train. FORMS being set out on the folding tables. HANDS straightening pens and pencils and ink pads and stamps. CLERKS (O.S.) ... when your name is called, go over there... take this over to that table... TYPEWRITER KEYS rapping a name onto a list. A FACE. Keys typing another NAME. Another FACE. CLERKS (V.O.) ... you're in the wrong line, wait over there.. -
The Holocaust to the General Public in a Comprehensible, Yet Historically Accurate Manner
A Study Guide By Plater Robinson Published by The Southern Institute for Education and Research at Tulane University RIGHTEOUS AMONG THE NATIONS "The universe exists on the merit of the righteous among the nations of the world, and they are privileged to see the Divine Presence." -- The Talmud THE GOOD SAMARITAN And who is my neighbor? And Jesus answering said, A certain man went down from Jerusalem to Jericho, and fell among thieves which stripped him of his raiment, and wounded him, and departed, leaving him half dead. And by chance there came down a certain priest that way: and when he saw him, he passed by on the other side. And likewise a Levite, when he was at the place, came and looked on him, and passed by on the other side. But a certain Samaritan, as he journeyed, came where he was: and when he saw him, he had compassion on him. And went to him, and bound up his wounds, pouring in oil and wine, and set him on his own beast, and brought him to an inn, and took care of him. And on the morrow when he departed, he took out two pence, and gave them to the host, and said unto him, Take care of him; and whatsoever thou spendest more, when I come again, I will repay thee. Which now of these three, thinking thou, was neighbour unto him that fell among the thieves? And he said, He that showed mercy on him. Then said Jesus unto him, Go, and do thou likewise. -
Oskar SCHINDLER a Sheep in Wolfs Clothing
OsKAR SCHINDLER A Sheep in Wolfs Clothing -KEITH W. CARPENTER There is a poignant old question that juxtaposes artistic expression with daily reality: "Does art imitate life, or does life imitate art?" If art imitates life, then forms of art, and film in particular, are an insightful means for analyzing day-to-day social realities, an instrument for better understanding the world in which we live. But if life imitates art, as both Oscar Wilde and George Bernard Shaw asserted (Adams 1971, 76, 77), then various art forms become a source of modeling and inspiring societal and individual behavior. In the latter case, societies will take an interest in what their art communi cates, because their art will influence people's behavior. No doubt they will also discover the propaganda value of art. May I suggest that both sides of the argument are true at one and the same time? Art does imitate life and life imitates art. There is a continuing dance between the two. The film Schindler's List, based on Australian Thomas Keneally's 1982 historical novel , Schindler's Ark (Dirks 2012, 1) exposed the hor rors of Nazism, particularly in its systematic attempt to eliminate what it considered to be inferior human races-Jews, Gypsies, People of Color. At the same time, Schindler's List, which the American Film Institute selected in 2007 as the eighth best movie ever made (ibid.), reminded us that one leader can have a huge influence on unfolding historical events, whether that leader is Adolf Hitler or Oskar Schindler. The late-twentieth-century emphasis on organizations as systems may have lured us into believing that once the culture of an organization is established, it locks individuals into roles that define functions and determine outcomes.