DOCSLIB.ORG

Caspi Lee Berlin, Germany E-Mail: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Caspi Lee Berlin, Germany E-Mail: Caspilee@Gmail.Com Caspi Lee Berlin, Germany E-Mail: [email protected] Education B.Mus., Violoncello - The Buchmann-Mehta School of Music, Tel-Aviv University, ISRAEL 2008-2012 Studied under the instruction of Prof. Hillel Zori, Buchman-Metha Foundation scholarship recipient The Yigal Alon High-School for the Arts, Ramat Ha’Sharon, Music Major 2004-2007 Cello instruction by Prof. Hillel Zori 2001-2008 Cello studies at the Tel-Aviv Conservatory 1995-2001 Master Classes Participation • Chamber Music Master Classes led by Mark Kaplan, Marie-Christine Witterloer and Jean- 2011-2013 Marie Cottet • Cello Master Classes led by Wolfgang Betcher, Peter Mainz, Frans Helmerson, Matt 2007-2013 Haimovitz, Orfeo Mandozzi, Peter Thiemann, Wolfgang Laufer and Ralf Kirshbaum • Various Master Class Courses at the Israeli Cello Society, the AIMs International Music 2007-2013 Academy (SPAIN) and the MusicAlp Master Class (FRANCE) Classical Music • Freelancer and substitute Cellist at various Orchestras in GERMANY, such as The Filmnacht Since 2014 Orchestra, Pop Orchestra and The Neue Potsdamer Hofkapelle, Berlin Sinfonnietta Philharmonisches Kammerorchester Berlin, Berliner Operngruppe • Tour to China with the Israeli Netanya Kibbutz Orchestra 2014 • Freelance and Substitute Cellist as Princible/Assistant/Tutti at various Israeli professional Since 2011 Orchestras such as RamatGan Symphony Orchestra, Natanya Kibuzit Orchestra, Haifa Symphony Orchestra, Sinfonett Rannana Orchestra and Andalusian Orchestra • Cellist in various Chamber-Music ensembles Since 2011 • The America-Israel Cultural Organization Scholarship recipient 2010-2013 • Cellist in The Buchmann-Metha School of Music Symphony: Orchestra in cooperation with 2008-2012 the Israel Philharmonic Orchestra; Played as principal cellist too in various projects Page 2 Live Shows • Cellist at the Roland Kaiser Open Air Tour, Kaisermania Festival and Arena Since 2018 Tour, performances in GERMANY, AUSTRIA.and SWISS. • Accompanied the 2CELLOS at the Score Tour in GERMANY. 2018 • Cellist at the Acoustic Tour & the Christmas Tour of the Staubkind, 2018 performances in GERMANY. • Guest Cellist in various Bands as Fuchsteufelswild at Tropfsteinhöhle 2017 Schulerlosh and Haggard at Summer Breeze Festival • Cellist at The Irresponsible Band (UK), performances in GERMANY, Since 2016 GEORGIA, ITALY, UNITED KINGDOM and The NETHERLANDS. • Cellist at the Baltic Soul Weekender Festival, performances in GERMANY Since 2016 with many artists including the Tavares, Sister Sledge, Lenny Williams, Seven, Harlod Melvins Blue Notes and Joy Denalane. • Cellist at Michael Jackson – The Symphony Experience, performances in Since 2016 Germany. • Performances and tours with various local Singersongwritern (DE) such as Since 2015 Mari Mana, Jon Campbell • Performances and tours with Israeli bands and artists, including Dan Toren, 2012-2015 Eatliz, Mali Levi and Shimon Gershon • Resident Cellist for National Ceremonies and live broadcast events including 2012-2018 the Israeli Independence Day and the Israeli Military Memorial Day. Accompanied many well-known Israeli artists such as Slomi Shabat, Yoni Rechter, Ninet Tayeb, Sarit Hadad, Miri Masika and Knesiyat Ha’Sekhel • Cellist at the yearly Project of the ICEJ, accompanying international artists 2010-2016 from Canada, Australia, the USA, South America and Europe in "Paris Arena" (Jerusalem, ISRAEL) • Accompanied leading artists in certain television appearances such as the Revolverheld and Helene Fischer at the Bambi-Award Ceremony, the OneRepublic (USA) at the Voice Of Germany show, Andreas Gabalier at the Mario Barth-Show and many others. • Preformed with different bands as “warm-up” showed for Internationally acclaimed artists such as Tom Jones, Soko and Eros Ramazoti Page 3 Recordings and Studio Productions • Recording Sessions and Studio Productions for albums and singles. Worked with bands and singers including Rita Redshoes (PT), Volkan Durmaz (TR/DE), The Irrepressibles (UK), Mari Bothmer (DE), ThemThere (IE/DE), Mari Mana (DE), Andreas Miranda (BE), Eatliz (IL), Shimon Gershon & Mali Levi (IL) • Participation in recordings for TV commercial programs such as –promos for YES (the Israeli Satellite Broadcasting Television Company), commercials, background music for films, Documentary Films and for various cultural companies in theater, music and the opera fields. • Collaborated and worked with many producers, among them Noshi Paz (guitarist of Ehud Banai), Erez Lev-Ari (guitarist of Eviatar Banai), Hubertus Dahlem (producer of Adel Tawil, Thomas D), Ingo Politz (producer of Glasperlenspiel, Silbermond) and Victor Van Vugt (producer of Nick Cave, P.J. Harvey) Languages • Hebrew – Native Speaker • English – Fluent • German – Very good command, Completed B1 course at the VHS Berlin Distinctive Skills • Knowledge with musical effect pedal and "Click". • Creates strings arrangements for various performances and albums. • Composer of The Little Lantern, a theater piece, produced by Gidona Raz and Norman Issa. • Performing as a backing singer and bass player in various productions. • Sound engineering Qualifications and work experience. • Basic skills in aerial Acrobatics..
Load more

Recommended publications
  • Seat & the Voice of Germany
    Ein UnternehmenUnternehmen der der ProSiebenSat.1 ProSiebenSat.1 Media Media SE SE Unterföhring, Januar 2017 Seat & The Voice of Germany Begleitforschung – Online-Befragung Steckbrief Auftraggeber SevenOne Media Durchführung Payback Grundgesamtheit Erwachsene 20-49 Jahre Methode Befragung im Online-Panel von Payback Datum Nullmessung: 20.-25. September 2016 Endmessung: 19.-22. Dezember 2016 Stichprobe Nullmessung: n = 1.010 Endmessung: n = 1.011 Inhalt Gestützte Modellbekanntheit, Gestützte Werbeerinnerung, Kaufbereitschaft, (Un-) Gestützte Sponsorerinnerung, Sponsorfitting, Placementerinnerung, Bewertung Placement, Lizenzerinnerung 2 Bekanntheit des SEAT Leon auf konstant hohen Niveau Gestützte Modellbekanntheit Angaben in Prozent 92 SEAT Ibiza 94 86 SEAT Leon 86 52 SEAT Alhambra 55 49 SEAT Toledo 50 28 SEAT Mii 32 19 SEAT ATECA 21 1 SEAT unbekannt 1 0 20 40 60 80 100 Nullmessung Endmessung Unten sehen Sie einige Modelle von Seat. Welche der Modelle kennen Sie, wenn auch nur dem Namen nach. Basis: Erwachsene 20-49 Jahre Quelle: SevenOne Media / payback 3 91 Prozent der Stammseher kennen den SEAT Leon Gestützte Modellbekanntheit – SEAT Leon Angaben in Prozent 100 90 91 88 86 86 80 60 40 20 0 Endmessung Stammseher* Nullmessung Endmessung Stammseher* 2015 2015 Unten sehen Sie einige Modelle von Seat. Welche der Modelle kennen Sie, wenn auch nur dem Namen nach. Basis: Erwachsene 20-49 Jahre; *Stammseher: mind. jede zweite Folge gesehen (nur in der Endmessung erhoben) Quelle: SevenOne Media / payback 4 Werbeerinnerung steigt im Sendungsverlauf
    [Show full text]
  • Why Stockton Folk Dance Camp Still Produces a Syllabus
    Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please
    [Show full text]
  • Shortwave-Listener's
    skï.. Radio lhaek TWO DOLLARS AND TWENTY—FIVE CENTS 62-2032 Shortwave Listener's Guide by H. Charles Woodruff Howard W. Sams & Co., Inc. 4300 WEST 62ND ST. INDIANAPOLIS, INDIANA 46268 USA Copyright 0 1964, 1966, 1968, 1970, 1973, 1976, and 1980 by Howard W. Sams & Co., Inc. Indianapolis, Indiana 46268 EIGHTH EDITION FIRST PRINTING-1980 All rights reserved. No part of this book shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the publisher. No patent liability is assumed with respect to the use of the information contained herein. While every pre- caution has been taken in the preparation of this book, the publisher assumes no responsibility for errors or omissions. Neither is any liability assumed for damages resulting from the use of the information contained herein. International Standard Book Number: 0-672-21655-8 Library of Congress Catalog Card Number: 79-67132 Printed in the United States of America. Preface Every owner of a shortwave receiving set is familiar with the thrill that comes from hearing a distant station broadcasting from a foreign country. To hundreds of thousands of people the world over, short- wave listening (often referred to as swl) represents the most satisfy- ing, the most worthwhile of all hobbies. It has been estimated that more than 25 million shortwave receivers are in the hands of the American public, with the number increasing daily. To explore the international shortwave broadcasting bands in a knowledgeable manner, the shortwave listener must have available a list of shortwave stations, their frequencies, and their times of trans- mission.
    [Show full text]
  • The Voice of Germany 2012 – Nena Wählte Neo Weiter Und Laura Buschhagen Soll Mit Neo Weitermachen by B E a on 9
    The Voice of Germany 2012 - Nena wählte Neo weiter und Laura Buschhagen soll ... Seite 1 von 3 DSDS DAS SUPERTALENT THE VOICE OF GERMANY Suchen The Voice of Germany 2012 – Xavier Naidoo wollte Jesper Jürgens: Sam Leigh-Brown ist raus! The Voice of Germany 2012 – Rea Garvey traf eine Millimeter Entscheidung für Bianca Böhme The Voice of Germany 2012 – Nena wählte Neo weiter und Laura Buschhagen soll mit Neo weitermachen by B E A on 9. NOVEMBER 2012 · LEAVE A COMMENT © SAT.1/ProSieben/Claudius Pflug – The Voice of Germany 2012 – Nena wählte Neo weiter Auch im Team Nena gab es gestern Abend auf ProSieben das erste Battle bei The Voice of Germany 2012 und sie wählte als Coach ihre Talente Laura Buschhagen und Neo zum Gesangsduell aus! Nena hatte sich für das Battle der beiden jungen Sänger den Song von Pink Floyd mit “Whish you were here” ausgesucht. Sehr ruhig fing Neo im Battle für TVOG 2012 anzusingen und schon bei den ersten Tönen hörte man viele Zuschauer begeistert jubeln. Als dann Laura im Song einstieg meinte Nena im Hintergrund begeistert “oh mein Gott…”! The Voice of Germany 2012 – Xavier Naidoo wollte Jesper Jürgens: Sam Leigh- Brown ist raus! mhtml:file://C:\Users\mospe01\Pictures\The Voice of Germany 2012 - Nena wählte N ... 10.01.2013 The Voice of Germany 2012 - Nena wählte Neo weiter und Laura Buschhagen soll ... Seite 2 von 3 Das Duell zwischen Laura Buschhagen und Neo war wirklich ein super schönes Duett, das für Gänsehaut sorgte. Wir fanden beide Stimmen ganz toll und zum Glück mussten wir nicht einen der tollen Sänger rauswerfen.
    [Show full text]
  • Carmiel 2006
    Your Itinerary Day 1 – Thursday 13 July 2006 (Dinner) Shalom and welcome to Israel Arrival at Ben Gurion Airport and meet your Tour Guide.Transfer to Tel Aviv hotel Evening activity: Extra Special Karmiel Dance Festival Session with Gadi Bitton Overnight: Tel Aviv Day 2 - Friday 14 July 2006 (Breakfast, Dinner) Enjoy a guided tour of Tel Aviv neighbourhoods – Neveh Tzedek and Old Jaffa Enjoy a festive Shabbat dinner at the hotel Evening activity – Enjoy a live summer concert with the stars of the Israeli music scene – Possible performers can include Shlomo Arzi, Sarit Hadad, and Rita (subject to availability). Overnight: Tel Aviv Day 3 - Saturday 15 July 2006 (Breakfast, Dinner) Day of swimming and relaxation in Tel Aviv. Enjoy dancing on Gordon beach with Sarah Aviv Afternoon touring in Jerusalem. Dinner and show at an authentic Moroccan restaurant Evening activity: Dance session with Avner Naim Overnight: Tel Aviv Day 4 - Sunday 16 July 2006 (Breakfast, Dinner) Explore Caesaria, and see the new audio visual show. Enjoy a guided walking tour of the Roman Theatre, archaeological ruins and excavations. Evening activity: Extra Special pre-Karmiel Festival Dance Session with Mishael Barzilay. Overnight: Tel Aviv Day 5 - Monday 17 July 2006 (Breakfast, Lunch, Dinner) Head to Haifa to view the beautiful Gardens of the Bahai. Onward to Ossafia village for an authentic Druze lunch with the locals. Visit Rosh Hanikra to explore the magnificent Grottos carved by the sea. Evening activity: Dance session with Yaron Carmel at Chof Hacarmel Overnight: Karmiel Homestay Day 6 - Tuesday 18 July 2006 (Breakfast, Dinner) Depart for Tzfat – City of Mystical Judaism (Kabbalah).
    [Show full text]
  • Kinga Kämpft Für Große Karriere
    Seite 1 von 4 Samstag, 03. November 2018, Münchner Merkur - Nord / Lokalteil Kinga kämpft für große Karriere 24-Jährige aus Grasbrunn singt am Sonntag in TV- Talentshow „Voice of Germany“ VON SABINA BROSCH https://abo.merkur.de/webreader -v3/index.html 05. 11. 2018 Seite 2 von 4 GALERIE 3 https://abo.merkur.de/webreader -v3/index.html 05. 11. 2018 Seite 3 von 4 Grasbrunn – Die TV-Talentshow „The Voice of Germany“ geht in die achte Runde – mit einer Grasbrunnerin. Kinga Noemi Balla (24) kämpft bei der sechsten Blind Audition an diesem Sonntag um einen Platz im Team der Coaches. Für Balla ist Musik der Mittelpunkt ihres Lebens. Schon im Alter von sechs Jahren stand sie beim „TanzAlarm“, einer in Unterföhring produzierten Fernsehserie von KiKA und ZDF, vor der Kamera. „Ich war ein TanzAlarm-Kid der ersten Stunde, war mit der Gruppe auf Deutschland- und Europa- Tour, habe ein Album produziert und auch eine Goldene Schallplatte gewonnen“, erzählt sie stolz. 2011 stieg sie aus, machte ihr Abitur und studierte in Budapest Filmwissenschaften und Germanistik. In Ungarn liegen ihre Wurzeln, gemeinsam mit Mama Noemi und Papa Feri pflegt sie die ungarischen Traditionen – vor allem die musikalischen in einer Münchner Volkstanzgruppe. Ihr Herz gehört jedoch dem Hip-Hop, in dieser Richtung singt und tanzt sie gerne, bei Youtube hat sie vor kurzem ihren Spaghetti-Song als Video ins Internet hochgeladen. „Ich wollte schon immer etwas mit Tanz und Gesang machen, meine Eltern unterstützen mich absolut“, erzählt sie. Beide Eltern sind musikbegeistert, ihr älterer von zwei Brüdern, Gabor, schreibt eigene Songs. Bei „The Voice“ bewarb sich Kinga Balla für diese Staffel zum ersten Mal.
    [Show full text]
  • L'italia E L'eurovision Song Contest Un Rinnovato
    La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente.
    [Show full text]
  • The Contestants the Contestants
    The Contestants The Contestants CYPRUS GREECE Song: Gimme Song: S.A.G.A.P.O (I Love You) Performer: One Performer: Michalis Rakintzis Music: George Theofanous Music: Michalis Rakintzis Lyrics: George Theofanous Lyrics: Michalis Rakintzis One formed in 1999 with songwriter George Michalis Rakintzis is one of the most famous Theofanous, Constantinos Christoforou, male singers in Greece with 16 gold and Dimitris Koutsavlakis, Filippos Constantinos, platinum records to his name. This is his second Argyris Nastopoulos and Panos Tserpes. attempt to represent his country at the Eurovision Song Contest. The group’s first CD, One, went gold in Greece and platinum in Cyprus and their maxi-single, 2001-ONE went platinum. Their second album, SPAIN Moro Mou was also a big hit. Song: Europe’s Living A Celebration Performer: Rosa AUSTRIA Music: Xasqui Ten Lyrics:Toni Ten Song: Say A Word Performer: Manuel Ortega Spain’s song, performed by Rosa López, is a Music:Alexander Kahr celebration of the European Union and single Lyrics: Robert Pfluger currency. Rosa won the hearts of her nation after taking part in the reality TV show Twenty-two-year-old Manuel Ortega is popular Operacion Triunfo. She used to sing at in Austria and his picture adorns the cover of weddings and baptisms in the villages of the many teenage magazines. He was born in Linz Alpujarro region and is now set to become one and, at the age of 10, he became a member of of Spain’s most popular stars. the Florianer Sängerknaben, one of the oldest boys’ choirs in Austria. CROATIA His love for pop music brought him back to Linz where he joined a group named Sbaff and, Song: Everything I Want by the age of 15, he had performed at over 200 Performer:Vesna Pisarovic concerts.
    [Show full text]
  • Identity, Spectacle and Representation: Israeli Entries at the Eurovision
    Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show.
    [Show full text]
  • Children As Architects of Web Directories: an Exploratory Study
    Children as Architects of Web Directories: An Exploratory Study Judit Bar-Ilan and Yifat Belous Department of Information Science, Bar-Ilan University, Ramat-Gan, 52900, Israel. E-mail: [email protected], [email protected] Children are increasingly using the Web. Cognitive the- a wide range of difficulties while searching for information ory tells us that directory structures are especially on the Web. Existing Web search tools for children such suited for information retrieval by children; however, em- as Yahooligans! (http://www.yahooligans.com), KidsClick pirical results show that they prefer keyword searching. One of the reasons for these findings could be that the (http://kidsclick.org), and Ask Jeeves for Kids (http://www. directory structures and terminology are created by ajkids.com) do not contribute to children’s success in their grown-ups. Using a card-sorting method and an en- information tasks. In fact, it has been found that these tools veloping system, we simulated the structure of a direc- often cause a search failure due to their lack of special fea- tory. Our goal was to try to understand what browsable, tures essential for their young audience (Bilal, 1999, 2000, hierarchical subject categories children create when suggested terms are supplied and they are free to add or 2001, 2002a, Bilal & Watson, 1998; Large, Beheshti, & delete terms. Twelve groups of four children each (fourth Rahman, 2002). One possible explanation for this lack of and fifth graders) participated in our exploratory study. suitability to children’s needs can be the fact that search The initial terminology presented to the children was tools for children are mostly designed by adults, who do not based on names of categories used in popular directo- actively include the target audience in the design process ries, in the sections on Arts, Television, Music, Cinema, and Celebrities.
    [Show full text]
  • San Miguel Primavera Sound
    SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol.
    [Show full text]
  • MA Thesis: Linguistics: English Language and Linguistics
    MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car.
    [Show full text]