A New World Record
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jet Label Discography
Jet Label Discography Jet releases in the United Artists UA-LA series UA-LA-583-G - Fastbuck - Fastbuck [1976] Under It All/The Mirror/I've Got To Be Strong/Rock & Roll Star/Understanding Is The Word/Hard on the Boulevard/Rockin' Chair Ride/Practically 5th Avenue/Come To The Country/Sometime Man UA-LA-630-G - Ole ELO - The Electric Light Orchestra [1976] 10538 Overture/Kuiama/Roll Over Beethoven//Showdown/Ma-Ma-Ma Belle/Can’tGet It Out of My Head/Boy Blue/Evil Woman/Strange Magic JT-LA-732-G - Live ‘N’Kickin’- Kingfish [1977] Good-Bye Yer Honor/Juke/Mule Skinner Blues/I Hear You Knocking/Hypnotize//Jump For Joy/Overnight Bag/Jump Back/Shake and Fingerpop/Around and Around JT-LA-790-H - Before We Were So Rudely Interrupted - The Original Animals [1977] The Last Clean Shirt (Brother Bill)/It’sAll Over Now, Baby Blue/Fire on the Sun/As The Crow Flies/Please Send Me Someone To Love//Many Rivers To Cross/Just Want A Little Bit/Riverside County/Lonely Avenue/The Fool JT-LA-809-G - Alan Price - Alan Price [1977] Rainbow’sEnd/I’ve Been Hurt/I Wanna Dance/Let Yourself Go/Just For You//I’mA Gambler/Poor Boy/The Same Love/Is It Right?/Life Is Good/The Thrill JT-LA-823 L2 - Out of the Blue - The Electric Light Orchestra [1977] Two record set. Turn To Stone/It’s Over/Sweet Talkin’Woman/Across The Border//Night in the City/Starlight/Jungle/Believe Me Now/Steppin’ Out//Standin’inthe Rain/Big Wheels/Summer and Lightning/Mr. -
Volume XII-XIII (2013-2015) ______
South Central Music Bulletin XII-XIII (2013-2015) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ South Central Music Bulletin A Refereed, Open-Access Journal ISSN 1545-2271 Volume XII-XIII (2013-2015) __________________________________________________________________________________________ Editor: Dr. Nico Schüler, Texas State University Music Graphics Editor: Richard D. Hall, Texas State University Editorial Review Board: Dr. Paula Conlon, University of Oklahoma Dr. Stacey Davis, University of Texas – San Antonio Dr. Lynn Job, North Central Texas College Dr. Kevin Mooney, Texas State University Dr. Dimitar Ninov, Texas State University Ms. Sunnie Oh, Independent Scholar & Musician Dr. Robin Stein, Texas State University Dr. Leon Stefanija, University of Ljubljana (Slovenia) Dr. Paolo Susanni, Yaşar University (Turkey) Dr. Lori Wooden, University of Central Oklahoma Subscription: Free This Open Access Journal can be downloaded from http://www.scmb.us. Publisher: South Central Music Bulletin http://www.scmb.us Ó Copyright 2015 by the Authors. All Rights Reserved. 1 South Central Music Bulletin XII-XIII (2013-2015) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ Table of Contents Message from the Editor by Nico Schüler … Page 3 Research Article: Using Electric Light Orchestra as a Model for Popular Music Analysis – Part 2: Theoretical Analysis -
Jeff Lynne’S Elo Signs with Columbia...”
Jeff Lynne Jeffrey “Jeff” Lynne (born 30 December 1947) is an 1.2 1970–86: ELO English songwriter, composer, arranger, singer, multi- instrumentalist and record producer who gained fame in the 1970s as the leader and sole constant member of Main article: Electric Light Orchestra Electric Light Orchestra. In 1988, under the pseudonyms Otis Wilbury and Clayton Wilbury, he co-founded the Lynne contributed many songs to the Move's last two al- supergroup Traveling Wilburys with George Harrison, bums while formulating, with Roy Wood and Bev Be- Bob Dylan, Roy Orbison and Tom Petty. van, a band built around a fusion of rock and classi- After ELO’s original disbandment in 1986, Lynne re- cal music, with the original idea of both bands existing [5] leased two solo albums: Armchair Theatre (1990) and in tandem. This project would eventually become the Long Wave (2012). In addition, he began producing var- highly successful Electric Light Orchestra (ELO). Prob- ious artists, with his songwriting and production collab- lems led to Wood’s departure in 1972, after the band’s orations with ex-Beatles leading him to co-produce their eponymous first album, leaving Lynne as the band’s domi- [5] mid 1990s reunion singles "Free as a Bird" (1995) and nant creative force. Thereafter followed a succession of "Real Love" (1996). band personnel changes and increasingly popular albums: 1973’s ELO 2 and On the Third Day, 1974’s Eldorado and 1975’s Face the Music. By 1976’s A New World Record, Lynne had almost developed the roots of the group into 1 Musical career a more complex and unique pop-rock sound mixed with studio strings, layered vocals, and tight, catchy pop sin- gles. -
I I I I I Hall Bar Extension Mr Jordan I I I
I I I Issu e Number 357 ÎBIDAY 15th JUHE I Hall Bar Extension Mr Jordan Hundreds of Students have Over the past few weeks been shocked to hear that a secret construction has been taking inquiri" was held this week into place at the enterance of the the sacking of the former security Hall Bar. This is to provide Chief, Mr John Jordan. extra storage space for beer. The hearing is understood to lt will also make entry to the have 1as ted about 10 hours on Hall Bar more accessible. Monday 11th June. Almost no-one was aware that it was taking place or i informed when it was over. The The existing metal frames ill be replaced by more attractive cloud of secrecy has come in for hardwood fittings. strong criticisin from large numbers The present Hall. Bar beer of students and many staff. ;ore will be made more secure by Some people have claimed that »le addition of a roof. the mystery of the whole affair has Further news about the Quiet made thexn think something underhand pntre has been received.At last is going on. lie pre-fabricated structures But still one major question bsential for the completion of is to be answered, that is Wky u?ai lie building have been manufactured Ma Jordan ¿ackid at ail? The only •»w. This should mean that work iand should be shipped any time official comment from the Universit; ly commence in early July. after the sacking was that 'Mr If all goes according to Jordan had left'. -
WCXR 2004 Songs, 6 Days, 11.93 GB
Page 1 of 58 WCXR 2004 songs, 6 days, 11.93 GB Artist Name Time Album Year AC/DC Hells Bells 5:13 Back In Black 1980 AC/DC Back In Black 4:17 Back In Black 1980 AC/DC You Shook Me All Night Long 3:30 Back In Black 1980 AC/DC Have a Drink on Me 3:59 Back In Black 1980 AC/DC Dirty Deeds Done Dirt Cheap 4:12 Dirty Deeds Done Dirt… 1976 AC/DC Squealer 5:14 Dirty Deeds Done Dirt… 1976 AC/DC Big Balls 2:38 Dirty Deeds Done Dirt… 1976 AC/DC For Those About to Rock (We Salute You) 5:44 For Those About to R… 1981 AC/DC Highway to Hell 3:28 Highway to Hell 1979 AC/DC Girls Got Rhythm 3:24 Highway to Hell 1979 AC/DC Beating Around the Bush 3:56 Highway to Hell 1979 AC/DC Let There Be Rock 6:07 Let There Be Rock 1977 AC/DC Whole Lotta Rosie 5:23 Let There Be Rock 1977 Ace Frehley New York Groove 3:04 Ace Frehley 1978 Aerosmith Make It 3:41 Aerosmith 1973 Aerosmith Somebody 3:46 Aerosmith 1973 Aerosmith Dream On 4:28 Aerosmith 1973 Aerosmith One-Way Street 7:02 Aerosmith 1973 Aerosmith Mama Kin 4:29 Aerosmith 1973 Aerosmith Rattkesnake Shake (live) 10:28 Aerosmith 1971 Aerosmith Critical Mass 4:52 Draw the Line 1977 Aerosmith Draw The Line 3:23 Draw the Line 1977 Aerosmith Milk Cow Blues 4:11 Draw the Line 1977 Aerosmith Livin' on the Edge 6:21 Get a Grip 1993 Aerosmith Same Old Song and Dance 3:54 Get Your Wings 1974 Aerosmith Lord Of The Thighs 4:15 Get Your Wings 1974 Aerosmith Woman of the World 5:50 Get Your Wings 1974 Aerosmith Train Kept a Rollin 5:33 Get Your Wings 1974 Aerosmith Seasons Of Wither 4:57 Get Your Wings 1974 Aerosmith Lightning Strikes 4:27 Rock in a Hard Place 1982 Aerosmith Last Child 3:28 Rocks 1976 Aerosmith Back In The Saddle 4:41 Rocks 1976 WCXR Page 2 of 58 Artist Name Time Album Year Aerosmith Come Together 3:47 Sgt. -
Electric-Light-Orchestra-A-New-World-Record-Songbook.Pdf
t. 8rv Bev;ir:. jr:(f Lynre . HughMrDowell . MelvynGale . Mik Kaminski RichardTandy ' KellyG roucutt -. ELECTRICLIGHT ORCHESTRA Sincethe Electric Light orchestra's debut album in 1972,the lnglish group led by guitar- ist, c0mposer,vocalist and songwriter Jeff Lynne, has been an innovatingfurce at everystep of theircareer. Begunas an experimenklattempt to usestrings and some classical influences in the contextof a rockand roll group,ELo has become one 0I the giantsof today'smusic scene, bothcommercially and artistically. Withtheir n€w album "A NewWorld Record," the group's lourth "gold" album in a row, coupledwith theirlast tour leaturinq sell-0uts across the UnitedStates, ELo's superstar credentialsare beyond question. "A NewWorld Record," released in 0ctoberof 1976,contains sone oI Lynne'smosl originalideas. 0n "TelephoneLine," a songabout a guytrying to calla girland perpetually gettingno answer.he usedthe soundtrom an Americanphone system. Fecording in Germany,he taped a ringingphone from six thousand miles away, and lhen Tandy re-created the soundon the moog.0n "Rockaria,"a song about 8n opera sinqer trying to singrock' he useda soDmnolrom the London0pera. "She really got otf on hearingher voice 0n a rock track,"says Lynne.other classical musicians have not been as involved.0nan earlierELo session,a string section slopped playing right in the middle of a song,because the clock had struckthe hour,and as unionmembers, they were playing strictly according t0 the rules Alsoon the newalbum is "DoYa." a re-makeof themost popular hit Jeffhad with The l\40ve in the U.S."l wantedt0 makeit anELo song," he says. Unlikemany olher English rock groups, ELo does not throwtelevision sets out ot windows,make embarrassing scenes in publicplaces or losetheir tempers irrationally at perfectstrangers. -
Jeff Lynne, Bev Bevan, Roy Wood, and Richard Tandy (Clockwise from Top Left), 1972
Jeff Lynne, Bev Bevan, Roy Wood, and Richard Tandy (clockwise from top left), 1972 2828 PERFORMERS THEY ASSIMILATE DIVERSE MUSICAL ELEMENTS AND EPOCHS ELOINTO A SEAMLESS POP WHOLE. BY PARKE PUTERBAUGH Imagine a marriage of tuneful, rocking pop songs with instruments from the symphonic realm, and you’ve got the blueprint for what made ELO one of the most popular groups of the 1970s and beyond. Jeff Lynne, ELO’s vocalist, guitarist, songwriter, co founder, and frontman, conceived of a rarefied musical sphere in which cellos coexisted with guitars, and where classically tinged progressive rock intersected with hook-filled, radio-friendly pop. The result: ELO’s boundary-breaking approach to rock that resonated with a global audience, both as a pop singles act and as album-oriented rockers with deep-track appeal. ELO can variously be described as a Beatles-esque pop band, a classic rock band, a classical- rock band, and an act whose sprightliest hits filled dance floors. 29 Bevan, Lynne, and Wood (from left) during ELO’s performance on the U.K.’s Top of the Pops, 1972 It takes a rare talent to achieve the success Lynne pool and London, but a few of the local “Brum Beat” has had with a band that included two cellos and a bands – notably the Moody Blues and the Spencer Davis violin along with a conventional array of guitar, key- Group – made significant impact beyond the city’s bor- boards, bass, and drums: ELO landed twenty songs in ders. In 1966, after stints in the Andicaps and the Chads, the U.S. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Diskographie
Diskographie Diskographie 369 Diskographie Diskographie Jazz Benny Goodman: Performance Recordings 1937-1938 (MGM, USA o.J.) Friedrich Gulda: The Air From Other Planets (MPS, D 1969) Keith Jarrett: Das Wohltemperierte Klavier I und II (ECM, D 1987) Jacques Loussier/TRIO PLAY BACH/JACQUES LOUSSIER TRIO: Play Bach No. 1 (Decca, D 1960; als CD 2000 wiederveröffentlicht); Play Bach No. 2 (Decca, D 1961; als CD 2000 wiederveröffentlicht); Play Bach No. 3 (Decca, D 1962); Play Bach No. 4 (Decca, D 1963); Play Bach No. 5 (Decca, D 1965) (Die LP Play Bach No.1 bis Play Bach No.5 wurden Anfang der siebziger Jahre mit leicht verändertem Repertoire und verändertem Cover wiederveröffentlicht) Play Bach aux Champs Élysées No. 1 (Decca, F o. J.); Play Bach aux Champs Élysées No. 2 (Decca, F o. J.); The Jacques Loussier Trio Play Bach (Decca, D o. J.); The Best Of Play Bach (Decca, D 1985); Jacques Loussier Play Bach Volume 1-5 (Decca/Zweitausendeins, D Kassette mit fünf LP, 1987); Play Bach - für den Kenner (Decca, D o. J.); The Jacques Loussier Trio plays Bach Brandenburg Concerto No. 2 (Decca, D 1974); Play Bach Live In Japan (Decca, D 1974); Jacques Loussier/Play Bach (Decca, D 2 CD, enthält Aufnahmen von 1960 bis 1965, darunter Live-Aufnahmen); Refl ections Of Bach (Decca, D 1988); Jacques Loussier Plays Bach (Telarc, D 1996); Jacques Loussier Trio - The Four Seasons (Telarc, D1996); Jacques Loussier Trio: Satie - Gymnopédies.Gnossiennes (Telarc, D 1998); Play Bach (Decca/Zweitausendeins, D 1999; 3 CD, enthalten Aufnahmen der LP Play Bach No. -
The ELO Story
The ELO Story Jeff Lynne was born in industrial Birmingham, England, on December 30, 1947. He grew up in the then- new Shard End City Council housing estate, a high-density residential development built on the eastern edge of the city right after the Second World War, with his parents Philip and Nancy.1 He had a brother and two sisters.2 Lynne’s grandparents in his father’s side were vaudevillian performers.3 More than thirty years later, Lynne would pay tribute to his birthplace in the ELO song “All Over the World,” which mentions Shard End alongside other cities like London, Paris, Amsterdam, Rio de Janiero, and Tokyo. Lynne was a Brummie, a nickname for those blessed with the notoriously thick local Birmingham accent.4 Brummie is shorthand for Brummagem, the popular West Midlands way of pronouncing Birmingham.5 Brummie also has an unfortunate alternative dictionary definition: “counterfeit, cheap, and showy.”6 The accent, which not everyone in the city shares, has even been described as representing the least intelligent dialect in the British Isles.7 Lynne grew up listening to Del Shannon, Roy Orbison,8 Chuck Berry, and The Shadows records.9 His parents did not always approve. About Roy Orbison’s “Only the Lonely” playing on the radio, Jeff said “[t]hey were complaining that it was too sexy, or something, but that voice just made the hairs go up on my neck.”10 At age thirteen, Lynne attended a concert by Del Shannon at Birmingham Town Hall, and from that point on dedicated his life to music.11 He noticed immediately that live performances -
1979 Surrey Arts Festival and Then Asked to Believe That • S>Aturday 30Th June Marks the Tenth Anniversary of the Surrey They Have Been Treated Fairly
Issue Number 358 Friday 22nd. June 1979 I.E.T Slalom Success Inside Established Territory? "HHie case of Marzieh Karimnia I raises issues which go beyond the ly^ho the first individual dispute between stucient rson was to fall and supervisor. These issues to the River Wey clearly show a lack of any estab- E Wednesday/ is lished mechanism whereby a student still in dispute, can appeal against the décisions but nevertheless it of a supervisor or Head of Dept. s generally agreed This poses the question "Can any hat the River student feel secure in his course ports Day was a knowirig that a mere personality Ireal success. clash could lead to a request for The Sub-Aqua Clu termination?" redged the river, We do not wish to sit in Judge- leaning it of old ment over «ny particular issue, Irusty cans and glas but questions have to be raised from broken bottles about the secretive and ad hoc efore the start of treatment of this case. he sports. Dave The time has come for a restruc-r Iriffiths, Carol turipg of the decision-making Brown and Jon Aston proc(-ss, involvlng students as 11 continued the good work with Sally Edie. full members ol" committees, from Course level upwards. Vie realise 1 that there are those who believe Fortunately the sun shone which accounted for the large turnout that it is right that power in f students at the riverside, and added to the fun of the afternoon the University should reside in as well as boosting the profits of the nearby Britannia public house! the Heads of Departments, that There were fifteen contests in the slalom race which was won by authority should be dele^ated from an Mansbridge while Dave Slater cheated by swimming the course. -
Biography Jeff Lynne
Biography Jeff Lynne The record is as clear as "Mr. Blue Sky"—the music of Jeff Lynne always has been and always will be very much a "livin’ thing." Jeff Lynne’s music is very much a livin’ thing for its wildly gifted creator—arguably our most unassuming rock god ever—and it’s clearly a livin’ thing for millions of fans all over the world who love the uplifting, inspiring and exquisite music that this man has been making all of his life. "I know how much music means to me,” Lynne says today. "It means a lot So to see how much the music that I've made continues to mean to so many people now is a thrill." What has made the past few years thrilling times for Jeff Lynne fans is that the man himself has been busy working in the studio—his natural environment— and increasingly onstage as well to bring Jeff Lynne’s ELO back to life for generations of fans all around the world. The love for Lynne’s musical genius was more than apparent in September 2014 when Jeffs ELO headlined BBC Radio2’s Hyde Park festival, the first time in almost 30 years that the/d been on a festival stage. The 50,000 fans in attendance sang along in joyous rapture with every word and spread that joy to their friends, family and colleagues—over 800,000 people tuned in to BBC’s Red Button after the fact to experience the delight. In 2015, during Lynne’s surprise performance with Ed Sheeran at the 57th Annual GRAMMY Awards, Lynne’s contemporaries like Paul McCartney and younger artists like Taylor Swift danced exuberantly in the aisles.