What Were Works Περὶ Βίων ?
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Starting with Anacreon While Preparing a Compendium of Essays on Sappho and Her Ancient Reception
Starting with Anacreon while preparing a compendium of essays on Sappho and her ancient reception The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2021.02.06. "Starting with Anacreon while preparing a compendium of essays on Sappho and her ancient reception." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/starting-with-anacreon- while-preparing-a-compendium-of-essays-on-sappho-and-her- ancient-reception/ Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37367198 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
Euripides” Johanna Hanink
The Life of the Author in the Letters of “Euripides” Johanna Hanink N 1694, Joshua Barnes, the eccentric British scholar (and poet) of Greek who the next year would become Regius Professor at the University of Cambridge, published his I 1 long-awaited Euripidis quae extant omnia. This was an enormous edition of Euripides’ works which contained every scrap of Euripidean material—dramatic, fragmentary, and biographical —that Barnes had managed to unearth.2 In the course of pre- paring the volume, Barnes had got wind that Richard Bentley believed that the epistles attributed by many ancient manu- scripts to Euripides were spurious; he therefore wrote to Bentley asking him to elucidate the grounds of his doubt. On 22 February 1693, Bentley returned a letter to Barnes in which he firmly declared that, with regard to the ancient epistles, “tis not Euripides himself that here discourseth, but a puny sophist that acts him.” Bentley did, however, recognize that convincing others of this would be a difficult task: “as for arguments to prove [the letters] spurious, perhaps there are none that will convince any person that doth not discover it by himself.”3 1 On the printing of the book and its early distribution see D. McKitterick, A History of Cambridge University Press I Printing and the Book Trade in Cambridge, 1534–1698 (Cambridge 1992) 380–392; on Joshua Barnes see K. L. Haugen, ODNB 3 (2004) 998–1001. 2 C. Collard, Tragedy, Euripides and Euripideans (Bristol 2007) 199–204, re- hearses a number of criticisms of Barnes’ methods, especially concerning his presentation of Euripidean fragments (for which he often gave no source, and which occasionally consisted of lines from the extant plays). -
Riddling at Table: Trivial Ainigmata Vs. Philosophical Problemata
Riddling at table: trivial ainigmata vs. philosophical problemata Autor(es): Beta, Simone Imprensa da Universidade de Coimbra; Centro de Estudos Clássicos e Publicado por: Humanísticos URL persistente: URI:http://hdl.handle.net/10316.2/31982 DOI: DOI:http://dx.doi.org/10.14195/978-989-8281-17-3_9 Accessed : 2-Oct-2021 03:11:33 A navegação consulta e descarregamento dos títulos inseridos nas Bibliotecas Digitais UC Digitalis, UC Pombalina e UC Impactum, pressupõem a aceitação plena e sem reservas dos Termos e Condições de Uso destas Bibliotecas Digitais, disponíveis em https://digitalis.uc.pt/pt-pt/termos. Conforme exposto nos referidos Termos e Condições de Uso, o descarregamento de títulos de acesso restrito requer uma licença válida de autorização devendo o utilizador aceder ao(s) documento(s) a partir de um endereço de IP da instituição detentora da supramencionada licença. Ao utilizador é apenas permitido o descarregamento para uso pessoal, pelo que o emprego do(s) título(s) descarregado(s) para outro fim, designadamente comercial, carece de autorização do respetivo autor ou editor da obra. Na medida em que todas as obras da UC Digitalis se encontram protegidas pelo Código do Direito de Autor e Direitos Conexos e demais legislação aplicável, toda a cópia, parcial ou total, deste documento, nos casos em que é legalmente admitida, deverá conter ou fazer-se acompanhar por este aviso. pombalina.uc.pt digitalis.uc.pt Symposion and Philanthropia in Plutarch Manuel Troster e Paula Barata Dias (eds.) IMPRENSA DA UNIVERSIDADE DE COIMBRA COIMBRA UNIVERSITY PRESS ANNABLUME Riddling at table: trivial ainigmata vs. philosophical problemata Riddling at table T RIVIAL AINIGMA T A V S . -
Greek Word Index
Cambridge University Press 978-0-521-76517-6 - Galen: Psychological Writings Edited by P. N. Singer Index More information Greek word index Comprehensive word indexes are available in the modern editions of the Greek texts translated in this volume (though in the case of Capacities of the Soul, only in the recent edition of Bazou, not in that of Müller). The present index contains a selection of terms with their translations, referenced by page and line numbers of the edition used, and is intended to be of help in finding both the translation and the occurrences of technical or otherwise interesting terminology. For certain very commonly used terms (e.g. agathos, anthrōpos, psuchē), where no problem of translation arises, only a few passages are given by way of example; for terms of particular importance to the argument of the texts, most or all occur- rences have been listed. Compound verbs are listed under the main verbal form and adverbs under the corresponding adjective. ἀγαθός good Ind. 18,19; 20,13; 21,6 QAM ἀδιανόητος incomprehensible QAM 48,18 40,22 (Hesiod); 73,14; 74,5-11; τὰ ἀγαθά ἀδικεῖν harm QAM 74,15.17 (matters of) good Aff. Pecc. Dig. 42,11-19; ἀερώδης airy (substance) QAM 45,10 44,13 (with note); τὸ ἀγαθόν the good Ind. ἀήρ air QAM 45,11.23; 66,11 20,1.4 Aff. Pecc. Dig. 42,21; 43,9 QAM 73,17; ἀθάνατος immortal QAM 36,14; 38,4; 42,14 what someone enjoys Aff. Pecc. Dig. 24,14 ἀθυμεῖν be dispirited Aff. -
Remembering Music in Early Greece
REMEMBERING MUSIC IN EARLY GREECE JOHN C. FRANKLIN This paper contemplates various ways that the ancient Greeks preserved information about their musical past. Emphasis is given to the earlier periods and the transition from oral/aural tradition, when self-reflective professional poetry was the primary means of remembering music, to literacy, when festival inscriptions and written poetry could first capture information in at least roughly datable contexts. But the continuing interplay of the oral/aural and written modes during the Archaic and Classical periods also had an impact on the historical record, which from ca. 400 onwards is represented by historiographical fragments. The sources, methods, and motives of these early treatises are also examined, with special attention to Hellanicus of Lesbos and Glaucus of Rhegion. The essay concludes with a few brief comments on Peripatetic historiography and a selective catalogue of music-historiographical titles from the fifth and fourth centuries. INTRODUCTION Greek authors often refer to earlier music.1 Sometimes these details are of first importance for the modern historiography of ancient 1 Editions and translations of classical authors may be found by consulting the article for each in The Oxford Classical Dictionary3. Journal 1 2 JOHN C. FRANKLIN Greek music. Uniquely valuable, for instance, is Herodotus’ allusion to an Argive musical efflorescence in the late sixth century,2 nowhere else explicitly attested (3.131–2). In other cases we learn less about real musical history than an author’s own biases and predilections. Thus Plato describes Egypt as a never-never- land where no innovation was ever permitted in music; it is hard to know whether Plato fabricated this statement out of nothing to support his conservative and ideal society, or is drawing, towards the same end, upon a more widely held impression—obviously superficial—of a foreign, distant culture (Laws 656e–657f). -
On the Nature of Heraclitus' Book Herbert Granger Wayne State University, [email protected]
Binghamton University The Open Repository @ Binghamton (The ORB) The ocS iety for Ancient Greek Philosophy Newsletter 4-24-2002 On the Nature of Heraclitus' Book Herbert Granger Wayne State University, [email protected] Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Granger, Herbert, "On the Nature of Heraclitus' Book" (2002). The Society for Ancient Greek Philosophy Newsletter. 331. https://orb.binghamton.edu/sagp/331 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. ON THE NATURE OF HERACLITUS’ BOOK Herbert Granger Wayne State University (Comments Welcome) THE DISPUTE OYER HERACLITUS’ BOOK Antiquity credits Heraclitus with a single book (D. L. 9.5-6), but the nature, even the existence, of this ‘book’ remain disputed.1 The orthodoxy takes it to be a collection of independent aphorisms that at most Heraclitus grouped into loose associations under a few headings.2 Heraclitus did not lay out his thoughts sequentially or develop them in a continuous fashion, and thus he did not build one statement upon the other and drive steadily towards a conclusion or conclusions. Because Diels despaired of discerning any intrinsic order among Heraclitus’ fragments, he printed them largely in an alphabetical arrangement based on the names of the authors who preserved them. -
On the Nature of Heraclitus' Book
Binghamton University The Open Repository @ Binghamton (The ORB) The Society for Ancient Greek Philosophy Newsletter 4-24-2002 On the Nature of Heraclitus' Book Herbert Granger Wayne State University, [email protected] Follow this and additional works at: https://orb.binghamton.edu/sagp Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, and the History of Philosophy Commons Recommended Citation Granger, Herbert, "On the Nature of Heraclitus' Book" (2002). The Society for Ancient Greek Philosophy Newsletter. 331. https://orb.binghamton.edu/sagp/331 This Article is brought to you for free and open access by The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in The Society for Ancient Greek Philosophy Newsletter by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. ON THE NATURE OF HERACLITUS’ BOOK Herbert Granger Wayne State University (Comments Welcome) THE DISPUTE OYER HERACLITUS’ BOOK Antiquity credits Heraclitus with a single book (D. L. 9.5-6), but the nature, even the existence, of this ‘book’ remain disputed.1 The orthodoxy takes it to be a collection of independent aphorisms that at most Heraclitus grouped into loose associations under a few headings.2 Heraclitus did not lay out his thoughts sequentially or develop them in a continuous fashion, and thus he did not build one statement upon the other and drive steadily towards a conclusion or conclusions. Because Diels despaired of discerning any intrinsic order among Heraclitus’ fragments, he printed them largely in an alphabetical arrangement based on the names of the authors who preserved them. -
4 Aristoxenus and Music Therapy
4 Aristoxenus and Music Therapy Fr. 26 Wehrli within the Tradition on Music and Catharsis Antonietta Provenza 1. Introduction The importance of music for the ancient Pythagoreans,1 together with recognition of its therapeutic function, already attested at the * My heartfelt thanks to Professor Carl Huffman and all the participants in the Aristoxenus Conference for their interest in my paper and comments. I will always remember those days at DePauw University as wonderful and happy. I wish also to thank Professor Salvatore Nicosia, my research tutor, for having read and discussed with me this essay at different times. Translations are mine, unless otherwise indicated. 1 Still indispensable for a general overview of Early Pythagoreanism and the ques- tions concerning it is Burkert (1972). Among Burkert’s main emphases are the Pla- tonic contamination of sources on Pythagoreanism since the 4th century BCE and the representation of Pythagoras as a “wise man” with shamanistic features (although the unsuitability of the notion of shamanism for ancient Greek culture has been since highlighted in Bremmer [1983] 29–48 and [2002] 27–40; cf. also Minar [1971]), rather than as a “scientist,” since “scientific Pythagoreanism” is not clearly attested until Philolaus. Most important among the studies opposing Burkert’s “shamanistic” Pythagoras and giving prominence to the “scientific” side of early Pythagoreanism and to its relationship with Near-eastern science are Kahn (1974), van der Waerden (1979) and Zhmud (1997). Also see on Pythagoreanism and its sources: Centrone 91 92 Aristoxenus of Tarentum dawn of Greek literature,2 favored the rise of a long tradition relat- ing to the Pythagoreans and music therapy, which is most famously and richly attested in two Neoplatonic works, The Life of Pythagoras (Vita Pythagorae) by Porphyry of Tyre (ca. -
Peripatetic Logic: Eudemus of Rhodes and Theophrastus of Eresus
Peripatetic Logic: Eudemus of Rhodes and Theophrastus https://www.historyoflogic.com/theophrastus-eudemus-logic.htm History of Logic from Aristotle to Gödel by Raul Corazzon | e-mail: [email protected] Peripatetic Logic: Eudemus of Rhodes and Theophrastus of Eresus EUDEMUS OF RHODES AND THEOPHRASTUS OF ERESUS CONTRIBUTIONS ON LOGIC “Aristotle's successor as director of the Lyceum was Theophrastus, his friend and disciple; Eudemus, another of the Stagirite's important disciples should also be mentioned. Other philosophers belonging to the Peripatetic school were: Aristoxenus, Dikaiarchos, Phanias, Straton, Duris, Chamaeleon, Lycon, Hieronymus, Ariston, Critolaus, Phormio, Sotion, Hermippus, Satyrus and others. Straton even succeeded Theophrastus as director of the Lyceum but his name and those of the other Peripatetics of Aristotle's old school should not be considered in a history of logic as they were mainly concerned with history and the natural sciences. Theophrastus rejoiced in an enormous prestige at this time and for long afterwards. Diogenes Laertius attributes a tremendous number of works to him. Of them a significant proportion are writings on logic: Analytica Priora (3 books); Analytica Posteriora (7 books); Analysis of Syllogisms (1 book); Summary of the Analytics (1 book); Polemic on the Theory of Euristic Arguments. On Definition (1 book); The First Premises (18 books); The Sophisms (2 books); On the Solution of Syllogisms (1 book); Topics (2 books); On Artless Demonstrations (1 book); On Negation (1 book); On Intellect (1 book); Classifications (2 books); On Entymemes (1 book); On the Appreciation of Syllogism (1 book); On Lies and Truth (1 book); Argumentations (2 books); Theses (3 books); On Definition (2 books); On the Data of Problems (1 book); On the Liar (3 books); Preface to the Topics (1 book); On Arguments proper (1 book); Specifications on The Texts of Syllogisms (1 book). -
Wonder in the Pedagogy of Antiquity
Journal of Siberian Federal University. Humanities & Social Sciences 2021 14(6): 774–781 DOI: 10.17516/1997–1370–0759 УДК: 1(091) Wonder in the Pedagogy of Antiquity Sergey I. Bogdanov and Roman V. Svetlov* Herzen State Pedagogical University of Russia St. Petersburg, Russian Federation Received 23.03.2021, received in revised form 06.04.2021, accepted 21.05.2021 Abstract. The article aims to analyse wonder as a pedagogical phenomenon in ancient philosophy and religion. Aristotle’s judgment about mythologists and their interest in the miraculous, which is initially close to philosophy, is reinforced in a rich ancient narrative about amazing people who made amazing discoveries (such as Aristeas from Proconnes, who probably reached Siberia). At the same time, the wonder that the ancient tradition writes about does not have a romantic and aesthetic nature at all, which is often attributed to it. On the contrary, the god Thaumas («Amazing»), mentioned by Plato in «Theaetetus», personifies the numinous phenomena of the sea. Among his descendants is not only the goddess Iris, but also the harpies. Analysis of the texts of Plato and Aristotle shows that the theme of wonder in them is directly related to the themes of blindness, difficulty and even pain that accompany the birth of knowledge. Perhaps the most revealing one is the initiation into philosophy depicted by Plato in «Parmenides», and the myth of cave from the «Republic». The danger from the presence of the gods, which epic theology tells us about, is duplicated by the effort and danger of blindness in the philosophy and rational theology. -
The History of a Greek Proverb , Greek, Roman and Byzantine Studies, 29:2 (1988:Summer) P.153
WHEELER, EVERETT L., "Polla kena tou polemou" [Greek]: The History of a Greek Proverb , Greek, Roman and Byzantine Studies, 29:2 (1988:Summer) p.153 IToAAa KEVa TOt) 7ToAEP.OV: The History of a Greek Proverb Everett L. Wheeler N THE SPRING of 427 B.C. a Peloponnesian fleet under the nauarch I Alcidas lumbered across the Aegean to raise the Athenian siege of Mytilene. i At Embaton in the Erythraea the fleet received confir mation of the report that Mytilene had already fallen; the Spartan mission had failed. 2 But the Elean Teutiaplus, a figure otherwise unknown, proposed to salvage the situation through stratagem: a sur prise attack by night would catch the Athenians unprepared, dis persed, and negligent in victory (Thuc. 3.30.1-3). Teutiaplus justifies his plan by reference to TO KEVOV TOt) 7TOA€P.OV (3.30.4), an obscure phrase, which then appears (always in the plural and always in a military context) in other authors down to Cicero, before eventually entering the collection of proverbs attributed to Diogenianus. 3 Metaphorical use of the phrase (i.e., in a non-military context) is first seen in Philo of Alexandria (Ebr. 76) and Plutarch (Mor. 41B). Neither Thucydides nor Aristotle, however, recognized the phrase as a proverb, of which Polybius gives the first explicit attestation. The history of the phrase KEV'ovl KEVil. TOl! 7ToAEP.OV provides a rare glimpse of how a Greek proverb originated, and allows us to probe its relationship to ancient military thought and psychological theory. Although proverbs are often regarded as colloquial aphorisms of 'folk wisdom' originating at indeterminable points in the past, some I The following will be cited by author's name: C. -
Notes on P. Oxy. Xxix 2506: Comment on Lyric Poems
Frammenti sulla scena (online) Studi sul dramma antico frammentario Università degli Studi di Torino Centro Studi sul TeAtro ClAssico http://www.ojs.unito.it/index.php/fss www.teAtroclAssico.unito.it ISSN 2612-3908 0 • 2019 NOTES ON P. OXY. XXIX 2506: COMMENT ON LYRIC POEMS MARTIN REINFELDER BISCHOF-NEUMANN-SCHULE KÖNIGSTEIN GOETHE UNIVERSITY FRANKFURT [email protected] his paper presents notes on P. Oxy. XXIX 2506 (in the following “2506”), a manuscript of the first or early second century A.D. containing a com- T mentary concerned with Alcman, Stesichorus, Sappho, AlcAeus and quo- tations from the authors above, Homerus, Hesiodus, Aeschylus, Euripides, Epicharmus, and Sophron, maybe written under the auctoritas of Aristoteles, Chamaeleon, Dicaearchus, Aristarch, and Satyrus.1 The first editor, Denys Page, noted: “This is not an easy text …”2 and, in fact, it is still a matter of debate which kind of text or commentary the papyrus contains and to which category of work 2506 belongs, since “the work seems not to have been a commentary in the strict sense, but rather a series of discussions of individual problems, for the most part biographical.”3 The question remains if this text is A commentary, a treatise, or περὶ-Literatur?4 This question is, with all due respect, for others to answer. My 1 See e.g. PORRO 2004, 198. 2 PAGE 1963, v. 3 LLOYD-JONES 1965, 71. 4 DAVISON 1966 raised this question. Similarly TREU 1966, 10 n. 4: “Das Überwiegen peripate- tisch-biographischer Daten vor grammatischen scheint, wie Pfeiffer (mündlich) betont, die Klas- sifizierung Als “comment” näherzulegen denn die Als “commentAry”.” See Also CONTIADES- TSITSONI 1988, 1: “Der Kommentar ist nicht nach gewöhnlicher Art abgefasst; er enthält nämlich Frammenti sulla scena (online) 0 • 2019 aim in this paper is to share some observations I made on the piece, both on the passages concerned with Lyric as well as the passages concerned with DramA.