Edward Said: the Myth of the “Clash of Civilizations”
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Good Muslim, Bad Muslim: a Political Perspective on Culture and Terrorism
MAHMOOD MAMDANI Good Muslim, Bad Muslim: A Political Perspective on Culture and Terrorism ABSTRACT The link between Islam and terrorism became a central media concern following September 11, resulting in new rounds of "culture talk. This talk has turned religious experience into a political category, differentiating 'good Muslims" from "bad Mus- lims, rather than terrorists from civilians. The implication is undisguised: Whether in Afghanistan, Palestine, or Pakistan, Islam must be quarantined and the devil must be exorcized from it by a civil war between good Muslims and bad Muslims. This article suggests that we lift the quarantine and turn the cultural theory of politics on its head. Beyond the simple but radical suggestion that if there are good Muslims and bad Muslims, there must also be good Westerners and bad Westerners, I question the very tendency to read Islamist poli- tics as an effect of Islamic civilization—whether good or bad—and Western power as an effect of Western civilization. Both those poli- tics and that power are born of an encounter, and neither can be understood outside of the history of that encounter. Cultural explanations of political outcomes tend to avoid history and issues. Thinking of individuals from "traditional" cultures in authentic and original terms, culture talk dehistoricizes the construction of political identities. This article places the terror of September 11 in a his- torical and political context. Rather than a residue of a premodern culture in modern politics, terrorism is best understood as a modern construction. Even when it harnesses one or another aspect of tradition and culture, the result is a modern ensemble at the service of a modern project. -
Philosophy Emerging from Culture
Cultural Heritage and Contemporary Change Series I. Culture and Values, Volume 42 General Editor: George F. McLean Associate General Editor: William Sweet Philosophy Emerging from Culture Edited by William Sweet George F. McLean Oliva Blanchette Wonbin Park The Council for Research in Values and Philosophy Copyright © 2013 by The Council for Research in Values and Philosophy Box 261 Cardinal Station Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Philosophy emerging from culture / edited by William Sweet, George F. McLean, Oliva Blanchette. -- 1st [edition]. pages cm. -- (Cultural heritage and contemporary change. Series I, Culture and values ; Volume 42) 1. Philosophy and civilization. 2. Philosophy. 3. Culture. I. Sweet, William, editor of compilation. B59.P57 2013 2013015164 100--dc23 CIP ISBN 978-1-56518-285-1 (pbk.) TABLE OF CONTENTS Introduction: Philosophy Emerging From Culture 1 William Sweet and George F. McLean Part I: The Dynamics of Change Chapter I. What Remains of Modernity? Philosophy and 25 Culture in the Transition to a Global Era William Sweet Chapter II. Principles of Western Bioethics and 43 the HIV/AIDS Epidemic in Africa Workineh Kelbessa Chapter III. Rationality in Islamic Peripatetic and 71 Enlightenment Philosophies Sayyed Hassan Houssaini Chapter IV. Theanthropy and Culture According to Karol Wojtyla 87 Andrew N. Woznicki Chapter V. Al-Fārābī’s Approach to Aristotle’s Eudaimonia 99 Mostafa Younesie Part II: The Nature of Culture and its Potential as a Philosophical Source Chapter VI. A Realistic Interpretation of Culture 121 Jeu-Jenq Yuann Chapter VII. Rehabilitating Value: Questions of 145 Meaning and Adequacy Karim Crow Chapter VIII. -
The Clash of Civilizations
EDITED COLLECTION WWW.E-IR.INFO The Clash of Civilizations Twenty Years On Published by e-International Relations (Bristol, UK) October 2013 ISSN 2053-8626 The Clash of www.e-IR.info Civilizations Published under a Creative Commons License: CC BY-NC-SA 3.0 Twenty Years On You are free to copy, distribute, transmit and adapt this work under the following conditions: You must attribute the work to the author and licensor (but not in any way that suggests that they endorse you or your use of the work). You may not use this work for commerial purposes. If you alter, transform, or build upon this work, you may EDITED BY distribute the resulting work only under the same or similar license to J. PAUL BARKER this one. Any of the above conditions can be waived if you get permission from the copyright holder. Contact [email protected] Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. In no way are any of the following rights affected by the license: Your fair dealing or fair use rights, or other applicable copyright exceptions and limitations; The author’s moral rights; Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. Notice — For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Image Credit: Ipoh kia (flickr) E-INTERNATIONAL RELATIONS EDITED COLLECTIONS Perhaps no article has been as often cited or hotly debated over the past twenty years as that of Professor Samuel P. -
Civilizations As Networks: Trade, War, Diplomacy, Command-Control
Civilizations as Networks: Trade, War, Diplomacy, Command-Control Wilkinson, D. UCLA Political Science Department Los Angeles, CA 90024 Email: [email protected] Abstract Civilizational studies have been advanced by using network concepts for defining and bounding units of analysis, and for examining and comparing command-control networks. Several future applications of network concepts can be identified. Highly contextualized, "natural-historical" approaches will likely be most fruitful. Introduction Complex physical systems exist simultaneously as an interacting combination of atomisms and as a coherent field, itself an atomism on another level of interaction (Wilkinson and Iberall, 1986:37-38). "Complex systems have embedded interiors with many interacting parts, networks, and fields. From a mechanical point of view, emergent field processes often lead to 'surprising' results that are not reducible to a mechanical or deterministic account" (White and Johansen, 8/8/2002, xxiii). Indeed, "complexity" is informational: complex systems surprise and educate their observers by their unpredicted, and therefore informative, behavior. Complex systems are complex in spatial structure: they are wholes whose identity is more than the collection of their parts. They are also complex in temporal structure: the timescales of the whole are not those of the parts. "[A]ll complex physical systems display 'long' cycles...." (Wilkinson and Iberall, 1986:38). Complex systems are objects of study for many disciplines, and similar principles and research strategies seem to apply across many scales, and across "social," "biological," and "physical" sciences. Of particular importance is the determination of their process timescales, their "spectroscopy" (Wilkinson and Iberall, 1986; Iberall and Wilkinson, 1987, 1991; Iberall et al., 2000). -
The Death of Christian Culture
Memoriœ piœ patris carrissimi quoque et matris dulcissimœ hunc libellum filius indignus dedicat in cordibus Jesu et Mariœ. The Death of Christian Culture. Copyright © 2008 IHS Press. First published in 1978 by Arlington House in New Rochelle, New York. Preface, footnotes, typesetting, layout, and cover design copyright 2008 IHS Press. Content of the work is copyright Senior Family Ink. All rights reserved. Portions of chapter 2 originally appeared in University of Wyoming Publications 25(3), 1961; chapter 6 in Gary Tate, ed., Reflections on High School English (Tulsa, Okla.: University of Tulsa Press, 1966); and chapter 7 in the Journal of the Kansas Bar Association 39, Winter 1970. No portion of this work may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review, or except in cases where rights to content reproduced herein is retained by its original author or other rights holder, and further reproduction is subject to permission otherwise granted thereby according to applicable agreements and laws. ISBN-13 (eBook): 978-1-932528-51-0 ISBN-10 (eBook): 1-932528-51-2 Library of Congress Cataloging-in-Publication Data Senior, John, 1923– The death of Christian culture / John Senior; foreword by Andrew Senior; introduction by David Allen White. p. cm. Originally published: New Rochelle, N.Y. : Arlington House, c1978. ISBN-13: 978-1-932528-51-0 1. Civilization, Christian. 2. Christianity–20th century. I. Title. BR115.C5S46 2008 261.5–dc22 2007039625 IHS Press is the only publisher dedicated exclusively to the social teachings of the Catholic Church. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
The High 48S Walk on the Wild Side by Ellen Stanley
The High 48s Walk on the Wild Side By Ellen Stanley Bluegrass with a Bang around one microphone to delight for ‘Bankrobber.’ Also, for the first time Kicking off with a bang, The High bluegrass audiences with their masterful in the band’s 11-year history we went 48s’ new album Daddy Was a Bank playing and engaging stage presence. into the studio with a few open-ended Robber begins with a cover of The Clash’s Since then, they have taken the scene arrangements. For instance, the section song “Bankrobber.” Although giving the by storm and have become so good at of ‘House of the Rising Sun’ where the rocker a surprisingly gentle treatment translating songs into the bluegrass idiom fiddle and the mandolin trade solos was by fiddler/vocalist Eric Christopher, the that it’s easy to forget that at their hearts, essentially improvised in the studio.” song sets the tone for an album of dark Searching Out story songs written Bankrobbers & and selected by the Heartbreakers band’s members. The band might “For this album, we not have rehearsed raided our personal all the solos or set record collections out to make any and picked a thematic record bunch of songs (they’ve already that got our blood done three), but in moving,” fiddler Eric doing so, they may Christopher says. have made their “We didn’t worry too most cohsive album much about whether yet. Due, no doubt, the songs were to their weekly ‘bluegrass’ enough.” bluegrass brunch Tackling songs gigs at Minneapolis’ by iconic rock Aster Cafe and band The Clash, their rigorous tour blues singer Little schedule, the band Milton, alt-country artist Robbie Fulks they are a bunch of guys who like to has never sounded more musically in and country maverick John Hartford is jam out to their favorite records, singing synch, understanding each other’s a bold move for a band that has won songs by the bands they loved as kids. -
Course Name: HIST 4 Title: History of Western Civilization Units
Course Name: HIST 4 Title: History of Western Civilization Units: 3 Course Description: This course is a survey of western civilization from the Renaissance to the present, emphasizing the interplay of social, political, economic, cultural, and intellectual forces in creating and shaping the modern world. The focus is on the process of modernization, stressing the secularization of western society and examining how war and revolution have served to create our world. Course Objectives: Upon completion of this course, the student will be able to: identify and correctly use basic historical terminology distinguish between primary and secondary sources as historical evidence compare and evaluate various interpretations used by historians to explain the development of western civilization since the Renaissance evaluate multiple causes and analyze why a historical event happened identify the major eras and relevant geography of western civilization since the Renaissance evaluate major economic, social, political, and cultural developments in western civilization since the Renaissance evaluate the experiences, conflicts, and connections of diverse groups of people in western civilization since the Renaissance draw historical generalizations about western civilization since the Renaissance based on understanding of the historical evidence describe and evaluate the major movements and historical forces that have contributed to the development of western civilization. Course Content: 4 hours: Introduction to the Study of Western Civilization, Historiography; Age of Transition: The Early Modern Period. 3 hours: The Nature and Structure of Medieval Society; those who work, those who pray, those who fight, the Great Chain of Being, manorialism; Decline of the Medieval Synthesis; The Renaissance and the Question of Modernity: humanism, individualism, secular spirit, Petrarch, Bruni, Pico, Castiglione, Machiavelli, etc., literature, art, and politics. -
“Clash of Civilizations”?
Volume 5, No. 2-3 104 How Inevitable Is A “Clash of Civilizations”? Chen LI Jesus College, University of Cambridge, UK Email: [email protected] Abstract: The period since September 11 attacks in 2001 has witnessed intense debates over to what extent a ―clash of civilizations‖ is inevitable. This paper argues that the ―clash of civilizations‖ thesis is a mistaken paradigm of understanding the Post-Cold War international order. While cultural and religious identities have increasingly become a source of political mobilization in the Post-Cold War world, the ―clash of civilizations‖ thesis wrongly presumes that the civilization identities can override other major driving forces of political mobilization, which includes nation-state, global capitalism, and global governance based on common liberal values. All of these forces run against and will constrain the possibility of a clash of civilizations. Key Words: Clash of civilizations, Nation-state, Global capitalism, Global governance, China Journal of Cambridge Studies 105 1. INTRODUCTION Since the collapse of the Soviet Union, there have been heated debates on the future of international order. The optimistic views argue that with the triumph of liberal democracy and market economy, the end of the Cold War has marked the end of history and the perpetual universal peace is eventually coming (Kant, 1970; Fukuyama, 1992). However, sharply contrasting these views, Huntington (1993a, b) provocatively argues that world peace is under severe threat of a ―clash of civilizations‖1, which will dominate global politics in the Post-Cold War world. According to his analysis, the Post-Cold War world is divided into seven or eight civilizations2, the fault lines between which will be the battle lines of the future. -
Filatova N.P. PHILOSOPHICAL ASPECTS of FORMING OF
SWorld – 18-27 December 2012 http://www.sworld.com.ua/index.php/ru/conference/the-content-of-conferences/archives-of-individual-conferences/december-2012 MO DERN PROBLEMS AND WAYS OF THEIR SO LUTIO N IN SCIENCE, TRANSPORT, PRODUCTION AND EDUCATION‘ 2012 Filatova N.P. PHILOSOPHICAL ASPECTS OF FORMING OF INDIVIDUAL’S POLYCULTURAL COMPETENCE North-Eastern Federal University, Yakutsk, Russia (677000, Yakutsk, 2 Lenin Avenue Abstract. The article is devoted to the formation of pupils’ polycultural competence. We consider the most effective phases, structure, pedagogical conditions of polycultural competence formation based on pedagogical projection. Key words: polycultural education, polycultural competence, pedagogical projection, project and research work, integration, interaction. The idea of polyculturalism began to develop in the beginning of XX century. Since then it has become a fundamental trend of modern cultural and civilizational development. L. Gurlitt, F. Gansberg, G. Sharrelman included in the concept of polyculturalism ethnic and world culture, promoting the development of human consciousness and predicating the idea of a common world. They connected polyculturalism with the freedom of the spiritual development of individuals and peoples: a person may not consciously and deeply possess culture, if he imposed foreign ideas and views, if the development of his natural strength and abilities are not provided. L. Gurlitt argued that foreign influence can never be harmful, if it is imposed not forcibly or from the outside, if it does not suppress or obscured individual characteristics and distinctive spiritual life of the given people [6, 41]. Thus, the basic idea of polyculturalism is reflecting the coexistence of different cultures in the society. -
Ethnicity, Multiculturalism and the Problem of Culture
Ethnicity, Multiculturalism and the Problem of Culture Aleksandra Ålund The self-archived postprint version of this journal article is available at Linköping University Institutional Repository (DiVA): http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-45213 N.B.: When citing this work, cite the original publication. This is an electronic version of an article published in: Ålund, A., (1999), Ethnicity, Multiculturalism and the Problem of Culture, European Societies, 1(1), 105-116. https://doi.org/10.1080/14616696.1999.10749927 Original publication available at: https://doi.org/10.1080/14616696.1999.10749927 Copyright: Taylor & Francis (Routledge) (SSH Titles - no Open Select) http://www.routledge.com/ ETHNICITY, MULTICULTURALISM AND THE PROBLEM OF CULTURE Aleksandra Alund Universityof UmeA, Sweden Abstract: This articlediscusses the complex meaning of ethnicity and identity in the multicultural society of today with reference to Swedish society. Sweden, a pronouncedly multiethnic society, is today undergoing division along ethnic lines. Social inequalities tend to be understood in terms of cultural difference. This development seems to be characteristic of most European countries. Culture is usually connected with ethnicity and race and understood as pure, as an 'essence', as related to some original and eternal ethnic core. In this way importantaspects of cultural dynamic in multicultural societya re leftunobserved. What is usually not recognized are cultural crossings and the emergence of composite identities. Within the framework of multicultural society new cultures, identities and ethnicities are created. Departing from some general features of the dominant discourse on ethnicity, its historical roots and its relations to culture and multiculturalism, I discuss problems of cultural essentialism.