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ウィークエンド サンシャイン Playlist Archive Dj:ピーター・バラカン 2016 年 6 月 4 日放送 01
ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ:ピーター・バラカン 2016 年 6 月 4 日放送 01. James Bond / Roland Alphonso // Intensified 02. Whose Muddy Shoes / Elmore James // Whose Muddy Shoes 03. Be Careful / John Brim // Whose Muddy Shoes 04. Call It Stormy Monday / Elmore James // Whose Muddy Shoes 05. This Strange Effect / Dave Berry // Kinked! Kinks Songs & Sessions 1964-1971 06. I Go To Sleep / Peggy Lee // Kinked! Kinks Songs & Sessions 1964-1971 07. Who'll Be The Next In Line / The Knack // Kinked! Kinks Songs & Sessions 1964-1971 08. All Night Stand / The Thoughts // Kinked! Kinks Songs & Sessions 1964-1971 09. A House In The Country / The Pretty Things // Kinked! Kinks Songs & Sessions 1964-1971 10. Rosy, Won't You Please Come Home / Marianne Faithfull // Kinked! Kinks Songs & Sessions 1964-1971 11. Big Black Smoke / Mick & Malcolm // Kinked! Kinks Songs & Sessions 1964-1971 12. Mister Pleasant / Nicky Hopkins & The Whistling Piano // Kinked! Kinks Songs & Sessions 1964-1971 13. I'm Not Like Everybody Else / The Chocolate Watchband // Kinked! Kinks Songs & Sessions 1964-1971 14. Act Nice And Gentle / Duster Bennett // Kinked! Kinks Songs & Sessions 1964-1971 15. Nobody's Fool / Cold Turkey // Kinked! Kinks Songs & Sessions 1964-1971 16. Compared To What / Les McCann & Eddie Harris // Swiss Movement 17. A Change Is Gonna Come / Sam Cooke // Portrait Of A Legend 1951-1964 18. Shine / Joni Mitchell // Shine 19. Sam Stone / Swamp Dogg // A Soldier's Sad Story: Vietnam Through The Eyes Of Black America 1966-73 20. War / The Temptations // Does Anybody Know I'm Here? 21. Open Letter To The President / Roy C / Does Anybody Know I'm Here? 2016 年 6 月 11 日放送 01. -
Fairport Convention XXXV Mp3, Flac, Wma
Fairport Convention XXXV mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: XXXV Country: UK Released: 2014 MP3 version RAR size: 1122 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1324 mb Rating: 4.1 Votes: 339 Other Formats: VOC WAV AA AUD AAC XM MIDI Tracklist A1 Madeleine 4:23 A2 My Love Is In America 4:43 A3 The Happy Man 2:48 A4 Portmeirion 5:56 B1 The Crowd 6:09 B2 The Banks Of Sweet Primroses 4:27 B3 The Deserter 6:55 C1 The Light Of Day 6:11 C2 I Wandered By A Brookside 4:52 C3 Neil Gow's Apprentice 4:43 C4 Everything But The Skirl 4:05 D1 Talking About My Love 2:40 D2 Now Be Thankful 3:45 D3 The Crowd Revivited 2:35 Bonus Tracks (Live From XXXV 2002 Tour) D4 The Widow Of Westmorland's Daughter 4:43 D5 Rosie 4:27 Companies, etc. Phonographic Copyright (p) – Eagle Rock Entertainment Ltd. Copyright (c) – Eagle Rock Entertainment Ltd. Copyright (c) – Let Them Eat Vinyl Notes Record Store Day 2014 release. Barcode and Other Identifiers Barcode: 803341420038 Other versions Category Artist Title (Format) Label Category Country Year XXXV: The 35th Fairport Woodworm WRCD038 Anniversary Album WRCD038 UK 2002 Convention Records (CD, Album) XXXV: The 35th Fairport Compass 7 4332 2 Anniversary Album 7 4332 2 US 2002 Convention Records (CD, Album) XXXV: The 35th Fairport ER 20110-2 Anniversary Album Eagle Rock ER 20110-2 US 2007 Convention (CD, Album, RE) XXXV: The 35th Eagle EAGCD350, Fairport EAGCD350, Anniversary Album Records, Europe 2007 0000350 EAG Convention 0000350 EAG (CD, Album, RE) Eagle -
The History of Rock, a Monthly Magazine That Reaps the Benefits of Their Extraordinary Journalism for the Reader Decades Later, One Year at a Time
L 1 A MONTHLY TRIP THROUGH MUSIC'S GOLDEN YEARS THIS ISSUE:1969 STARRING... THE ROLLING STONES "It's going to blow your mind!" CROSBY, STILLS & NASH SIMON & GARFUNKEL THE BEATLES LED ZEPPELIN FRANK ZAPPA DAVID BOWIE THE WHO BOB DYLAN eo.ft - ink L, PLUS! LEE PERRY I B H CREE CE BEEFHE RT+NINA SIMONE 1969 No H NgWOMI WI PIK IM Melody Maker S BLAST ..'.7...,=1SUPUNIAN ION JONES ;. , ter_ Bard PUN FIRS1tintFaBil FROM 111111 TY SNOW Welcome to i AWORD MUCH in use this year is "heavy". It might apply to the weight of your take on the blues, as with Fleetwood Mac or Led Zeppelin. It might mean the originality of Jethro Tull or King Crimson. It might equally apply to an individual- to Eric Clapton, for example, The Beatles are the saints of the 1960s, and George Harrison an especially "heavy person". This year, heavy people flock together. Clapton and Steve Winwood join up in Blind Faith. Steve Marriott and Pete Frampton meet in Humble Pie. Crosby, Stills and Nash admit a new member, Neil Young. Supergroups, or more informal supersessions, serve as musical summit meetings for those who are reluctant to have theirwork tied down by the now antiquated notion of the "group". Trouble of one kind or another this year awaits the leading examples of this classic formation. Our cover stars The Rolling Stones this year part company with founder member Brian Jones. The Beatles, too, are changing - how, John Lennon wonders, can the group hope to contain three contributing writers? The Beatles diversification has become problematic. -
Download PDF Booklet
“I am one of the last of a small tribe of troubadours who still believe that life is a beautiful and exciting journey with a purpose and grace well worth singing about.” E Y Harburg Purpose + Grace started as a list of songs and a list of possible guests. It is a wide mixture of material, from a traditional song I first heard 50 years ago, other songs that have been with me for decades, waiting to be arranged, to new original songs. You stand in a long line when you perform songs like this, you honour the ancestors, but hopefully the songs become, if only briefly your own, or a part of you. To call on my friends and peers to make this recording has been a great pleasure. Turning the two lists into a coherent whole was joyous. On previous recordings I’ve invited guest musicians to play their instruments, here, I asked singers for their unique contributions to these songs. Accompanying song has always been my favourite occupation, so it made perfect sense to have vocal and instrumental collaborations. In 1976 I had just released my first album and had been picked up by a heavy, old school music business manager whose avowed intent was to make me a star. I was not averse to the concept, and went straight from small folk clubs to opening shows for Steeleye Span at the biggest halls in the country. Early the next year June Tabor asked me if I would accompany her on tour. I was ecstatic and duly reported to my manager, who told me I was a star and didn’t play for other people. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
(Fhmttttttntt Ilatuj Gkmjjub Serving Storrs Since 1896
(fhmttttttntt IlatUj GkmjJUB Serving Storrs Since 1896 VOL. LXXVII NO. 96 STORRS, CONNECTICUT MARCH 20, 1969 | Board of Trustees Meet: 250 Demonstrate; Support Professors Colfax Denied Tenure By RICH COHEN On* of the demonstrator: In a yester- STEVE FAGIN day's protest looks over the shoul- JIM CONROY der of Trustee Joseph R. McCormick. Approximately 50 demonstrators unanimously granted tenure to Colfax" Over the Table The demonstrators were protesting crowded into an open Board of Trustees and many thrust their arms upward with the Trustee's powers of deciding fa- meeting on the second floor of Gulley hands forming a phallic-fingered ges- culty tenure. Hall yesterday morning to protest the ture. Board's power to decide faculty tenure. The UConn Board of Trustees then Another estimated 200 persons wai- went to the Faculty Alumni Center, and ted downstairs and around the building. everyone else was denied entrance. A u*i Demonstrator s began gathering a- few demonstrators tried to open the round Gulley Hall at 9:30. The crowd doors, but they were locked. At 1:30, swelled to approximately 250. At 10:00, the Board left via a side exit, escorted • r* about 75 marchers circled the building by a handful of Security of'icers. once and then entered through the front No results of the executive meeting doors. One or two snowballs were thrown were released. Friedman later said the ^ by anti-demonstrators standing across normal procedure for granting tenure is the street, but no one was hit. Other through letters, which would be sent early ^pc groups of demonstrators, including fa- next week to the professors involved. -
1 John Renbourn. John Renbourn Est Un Guitariste Folk Anglais Né En
John Renbourn . John Renbourn est un guitariste folk anglais né en 1944 en Angleterre appartenant à la mouvance créée par Davey Graham (co-auteur de « Angie » avec Janch, qu’interpréta Paul Simon sur son premier disque). Il est connu du public pour ses collaborations avec le guitariste Bert Jansch, ainsi que pour son travail au sein du groupe folk qu’il a formé avec lui et d’autres, le Pentangle, mais a toujours mené une carrière solo avant, pendant et après l'activité du groupe (de 1967 à 1973). Ecoutons le : White house blues (du disque Faro Annie ) : http://official.fm/tracks/323234 Little Sadie (du disque Faro Annie ) : http://official.fm/tracks/323235 Shake, shake mama (du disque Faro Annie ) : http://official.fm/tracks/323236 John Renbourn a étudié la guitare classique à l'école, et c'est pendant cette période qu'il a fait la connaissance de la Musique Primitive. Dans les années 1950, il fut grandement inspiré par l'originalité décalée du Skiffle et ce fut pour lui l'occasion d'explorer le travail d'artistes tels que Leadbelly, Josh White et Big Bill Broonzy. Au début des années soixante, la mode populaire était au Rhythm and Blues, dont se réclamaient des groupes tels que les Rolling stones. Cette émergence de la musique noire américaine au Royaume-Uni tient beaucoup à l'influence de guitaristes acoustiques tels que Davey Graham. En 1961, Renbourn a ainsi tourné dans le Sud- Ouest des États-Unis avec Mac MacLeod, tour de chant répété en 1963. Pendant ses études au Kingston College of Art de Londres, Renbourn fit brièvement partie d'un groupe de Rhythm and Blues. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Shirley Collins and the Lodestar Band Live from the Barbican
Shirley Collins and the Lodestar Band Live from the Barbican Start time: 8pm Approximate running time: 60 minutes, no interval Please note all timings are approximate and subject to change. This performance is subject to government guidelines Shirley Collins looks back over her distinguished career as an icon of English folk with Martin Aston , ahead of this special performance to celebrate Heart’s Ease. ‘Time is a bit of a nonsense at the moment,’ ventures Shirley Collins MBE, referring to the stop-start nature of life under COVID-19, before the UK’s third tranche of lockdown ensured that her streamed Live At The Barbican show in February had to be postponed. But as Collins points out, she has experienced worse. In her teens, the country faced the polio outbreak, ‘and you couldn’t go to school or visit anyone,’ she recalls. And there was the small matter of WWII. Collins’ family were evacuated, bombed out of their house, and Shirley and sister Dolly were machine- gunned by a German plane. ‘Mum said, if we saw one to dive under a hedge, so we did,’ she recalls. ‘But the dreadful thing about the pandemic is that you can’t see or feel it coming.’ One wonders if anyone will be writing songs about the pandemic in the same way that people did about the dramas of everyday life in centuries past – love, death, lust, betrayal, pressganging, witchcraft, worker’s rights, murder, and beyond. Even after WWII, Collins’ own life has seen more than its fair share of drama, as detailed in her two memoirs: America Over the Water, about her trip to the American South in 1959 with the song collector Alan Lomax; and the self-explanatory All in the Downs: Reflections on Life, Landscape, and Song, plus one documentary, The Ballad Of Shirley Collins, which told the story of how a young Sussex girl emerged to become the undisputed grand dame of traditional English folk, only to effectively disappear, abandoning recording and performing for 34 years - from 1980 to 2014. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Plant Project's Price Tag Spikes
Find out who is performing in Largo Performing Arts Center announces lineup. … Page 2B. Smithereens ready to take the stage The rock band, which has been performing for nearly 40 years, visits the Central Park Performing Arts Center on Friday. … Page 4B. Volume 40, No. 36 www.TBNweekly.com August 8, 2019 LARGO CONNECT WITH US ONLINE Plant project’s price tag spikes Increasing construction costs mean new facility could cost as much as $8.35 million Visit us at www.TBNweekly.com By CHRIS GEORGE and reinforce the approximately 40-year- to move forward with construction after $5.25 million.The remainder of the spike, Follow us on Facebook Tampa Bay Newspapers old operations building and laboratory so approving the Belleair-based Biltmore he said, is a result of escalating construc- www.facebook.com/ that the structure, which city staff said is Construction fi rm’s guaranteed maximum tion costs. TBNweekly LARGO — A project at the wastewater essential to treatment plant operations, price of $8.35 million. “One of the things we’ve heard through- Follow us on Twitter treatment plant that once was estimated could survive a Category 5 hurricane. Facilities Manager Mark Meyers said out this process is that, since the reces- @TBNwebmaster to cost $4 million could now cost more The facility will consist of a three-story, $1.25 million of the price increase was a sion, construction prices in the country than double that, city commissioners 13,187-square-foot hardened building that result of hardening the building to survive have just skyrocketed,” he said. -
The Ingham County News
NO. 41 VOL. LU. MASON. MICH.. THURSDAY. OCTOBER 13. 1910. Bargains in Groceries lEVERmS at G. S. Thorburn's 1 W Cash Grocery 25 lbs Moss Rose Floiu- 75e :i bushel PoLatocs VDC 25 lbs Lily White Flour SOc 1 bushel Tomatoes SOc 25 lbs Best Flour 75c Fresh Melons every day, each ^ DC 25 lbs I-Ienkle Bread Flour 85c Apples, peck - ^Oc 25 lbs Gold Medal Flour 95c All Rradcs Iflour •--''So (;anvas Gloves, loe pair, ;i pair 250 25 lbs H. & E. Gran. Sugar $1.48 :r)airy and Creamery Jiuller for sale. Pulverized Sugar, per lb 8c A Kood Broom 'lOc. Loaf Sugar, per lb 8c 10 llttaraham Mi^ 1 lb Santos and Rio Coffee 15c :i()ll)s Meal '^5(1 Trv lloinz Apple liuttcr, line. 10 lbs Pure Buckwheat ,35c Kr'usli Hrcad and Friedcakcs daily. Henkle Prepared Buckwheat,. 9c 1 gal pail Corn Syrup 35c GEO. H. LEVERETT. Mi gal pail Corn Syrup 18c Itiith l>hi)ncs. 2-lb can Corn Syrup 10c Leader Condensed Milk 10c Ann & Hammer Soda 5c |luj)ham(!5outttij|lcutsi Cold Blast Lantern Globes 8c Eiil.iU'nd 11.H.I10 I'list. onlce, Mason, No. 1 Lamp Chimney 5c iissucDtid-cliiss niattur. Best Eocene Oil, gal 10c I'uljllsliuil Kvory Tluirsdiiy by •I'he uprising in Portugal was iho most Important news event of tUe week King M.nuuel wns variously reported a cnplive and 25 lb. sack Suffar *1.'10 News Snapshots a fleeing monnrch. The consecration of St. Patrick's cnfheilral In New York was one ot the greatest events in American Cath (With $1,50 other groceries) Sweet Potatoes, peck , iiOc TERmS olic history.