Howard Elman's Farewell
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The Death Penalty for Drug Crimes in Asia in Violation of International Standards 8
The Death Penalty For Drug Crimes in Asia Report October 2015 / N°665a Cover photo: Chinese police wear masks as they escort two convicted drug pedlars who are suffering from AIDS, for their executions in the eastern city of Hangzhou 25 June 2004 – © AFP TABLE OF CONTENTS Introduction 4 I- The death penalty for drug-related offences: illegal in principle and in practice 5 Legislation imposing the death penalty for drug crimes: a violation of international legal standards 5 The application of the death penalty for drug crimes in Asia in violation of international standards 8 II. Refuting common justifications for imposing the death penalty for drug crimes 11 III. Country profiles 15 Legend for drug crimes punishable by death in Asia 16 AFGhanisTAN 18 BURMA 20 CHINA 22 INDIA 25 INDONESIA 27 IRAN 30 JAPAN 35 LAOS 37 MALAYSIA 40 PAKISTAN 44 THE PHILIPPINES 47 SINGAPORE 49 SOUTH KOREA 52 SRI LANKA 54 TAIWAN 56 THAILAND 58 VIETNAM 62 Recommendations 64 Legislation on Drug Crimes 67 References 69 Introduction Despite the global move towards abolition over the last decade, whereby more than four out of five countries have either abolished the death penalty or do not practice it, the pro- gress towards abolition or even establishing a moratorium in many countries in Asia has been slow. On the contrary, in The Maldives there was a recent increase in the number of crimes that are punishable by death, and in countries such as Pakistan and Indonesia, who had de-facto moratoriums for several years, executions have resumed. Of particular concern, notably in Asia, is the continued imposition of the death penalty for drug crimes despite this being a clear violation of international human rights stan- dards. -
TREATED with CRUELTY: ABUSES in the NAME of DRUG REHABILITATION Remedies
TREATED WITH CRUELTY ABUSES IN THE NAME OF DRUG REHABILITATION Copyright © 2011 by the Open Society Foundations All rights reserved, including the right to reproduce this book or portions thereof in any form. For more information, contact: International Harm Reduction Development Program Open Society Foundations www.soros.org/harm-reduction Telephone: 1 212 548 0600 Fax: 1 212 548 4617 Email: [email protected] Cover photo: A heroin user stands in the doorway at the Los Tesoros Escondidos Drug Rehabilita- tion Center in Tijuana, Mexico. Addiction treatment facilities can be brutal and deadly places in Mexico, where better, evidence-based alternatives are rarely available or affordable. (Sandy Huf- faker/ Getty Images) Editing by Roxanne Saucier, Daniel Wolfe, Kathleen Kingsbury, and Paul Silva Design and Layout by: Andiron Studio Open Society Public Health Program The Open Society Public Health Program aims to build societies committed to inclusion, human rights, and justice, in which health-related laws, policies, and practices reflect these values and are based on evidence. The program works to advance the health and human rights of marginalized people by building the capacity of civil society leaders and organiza- tions, and by advocating for greater accountability and transparency in health policy and practice. International Harm Reduction Development Program The International Harm Reduction Development Program (IHRD), part of the Open Society Public Health Program, works to advance the health and human rights of people who use drugs. Through grantmaking, capacity building, and advocacy, IHRD works to reduce HIV, fatal overdose and other drug-related harms; to decrease abuse by police and in places of detention; and to improve the quality of health services. -
Barbara Mandigo Kelly Peace Poetry Contest Winners
The Gathering by Ana Reisens Adult Category, First Place In the movie we sleep fearlessly on open planes because we cannot imagine any danger more tragic than those that have already passed. For weeks we have been arriving over the earth’s broken skin, over mountains and rivers, shaking the aching flagpoles from our shoulders. Now all the priests and imams and rabbis and shamans are gathered beside the others, teachers, brothers and kings and they’re sharing recipes and cooking sweet stories over fires. Suddenly we hear a voice calling from the sky or within – or is it a radio? – and it sings of quilts and white lilies as if wool and petals were engines. It’s a lullaby, a prayer we all understand, familiar like the scent of a lover’s skin. And as we listen we remember our grandmothers’ hands, the knitted strength of staying, how silence rises like warmth from a woven blanket. And slowly the lines begin to disappear from our skin and our memories spin until we’ve forgotten the I of our own histories and everyone is holy, everyone is laughing, weeping, singing, It’s over, come over, come in. And this is it, the story, an allegory, our movie – the ending and a beginning. The producer doesn’t want to take the risk. No one will watch it, he says, but we say, Just wait. All the while a familiar song plays on the radio and somewhere in a desert far away a soldier in a tank stops as if he’s forgotten the way. -
The Staircase Model” – Labor Control of Temporary Agency Workers in a Swedish Call Center
“The Staircase Model” – Labor Control of Temporary Agency Workers in a Swedish Call Center ❚❚ Gunilla Olofsdotter Senior lecturer in Sociology, Department of Social Sciences, Mid Sweden University, Sweden ABSTRACT The article explores the labor control practices implemented in a call center with extensive con- tracting of temporary agency workers (TAWs). More specifically, the article focuses on how struc- tural and ideological power works in this setting and on the effects of this control for TAWs’ working conditions. Open-ended, semi-structured interviews were conducted with TAWs, regular employees, and a manager in a call center specializing in telecommunication services in Sweden. The results show that ideological power is important in adapting the interests of TAWs to correspond with those of temporary work agencies (TWAs) and their client companies, in this case the call center. The results also show how ideological power is mixed with structural control in terms of technologi- cal control systems and, most importantly, a systematic categorization of workers in a hierarchical structure according to their value to the call center. By systemically categorizing workers in the staircase model, a structural inequality is produced and reproduced in the call center. The motives for working in the call center are often involuntary and are caused by the shortage of work other than a career in support services. As a consequence, feelings of insecurity and an awareness of the precarious nature of their assignment motivate TAWs to enhance their performance and hopefully take a step up on the staircase. This implies new understandings of work where job insecurity has become a normal part of working life. -
08-25 Grow Local
Orange County Review inSIDEr, August 25, 2011 in Some vegetable stands do not sell locally watermelons! Seriously, the Chinese are inject- Plant, till, harvest, sell, buy, eat grown produce. They buy it from wholesalers, ing watermelons with some sort of growth sub- and they are not listed in the guide. Wiley stance that makes some of them explode. You says, with these sellers, just ask; they'll tell you will not find one exploding watermelon at The where the produce comes from. And keep an Garden Patch. None of the pork coming out of SIDE eye out for dead giveaways, "products out of Retreat Farm is toxic. You will not get food poi- LOCAL season," such as tomatoes in April. soning from eating Tree and Leaf's leafy greens. There are a lot of enduring reasons to buy Are we self-sufficient locally? Molly Visosky We've seen the bumper fresh, buy local. One of them is travel distance. says we have the potential to be. She started stickers. We've opened our According to the Leopold Center for Sustainable the first locally grown gourmet produce distribu- mailbox to find the Buy Agriulture at Iowa State, locally produced food torship in this area three years ago, known as Fresh, Buy Local annual travels an average of 56 miles before it reaches Fresh Link. The name says it all. She's the link guide. New local pick-your- the consumer. Non locally produced food trav- between producers in Orange, Madison, and own outlets have sprouted els 1,494 miles or 27 times further. -
Wastewater Management
20 Wastewater Management Peace Amoatey (Mrs) and Professor Richard Bani Department of Agricultural Engineering, Faculty of Engineering Sciences, University of Ghana, Ghana 1. Introduction Wastewater is water whose physical, chemical or biological properties have been changed as a result of the introduction of certain substances which render it unsafe for some purposes such as drinking. The day to day activities of man is mainly water dependent and therefore discharge ‘waste’ into water. Some of the substances include body wastes (faeces and urine), hair shampoo, hair, food scraps, fat, laundry powder, fabric conditioners, toilet paper, chemicals, detergent, household cleaners, dirt, micro-organisms (germs) which can make people ill and damage the environment. It is known that much of water supplied ends up as wastewater which makes its treatment very important. Wastewater treatment is the process and technology that is used to remove most of the contaminants that are found in wastewater to ensure a sound environment and good public health. Wastewater Management therefore means handling wastewater to protect the environment to ensure public health, economic, social and political soundness (Metcalf and Eddy, 1991). 1.1 History of wastewater treatment Wastewater treatment is a fairly new practice although drainage systems were built long before the nineteenth century. Before this time, “night soil” was placed in buckets along streets and workers emptied them into “honeywagon” tanks. This was sent to rural areas and disposed off over agricultural lands. In the nineteenth century, flush toilets led to an increase in the volume of waste for these agricultural lands. Due to this transporting challenge, cities began to use drainage and storm sewers to convey wastewater into waterbodies against the recommendation of Edwin Chadwick in 1842 that “rain to the river and sewage to the soil”. -
This Generation a Shifter Will Arise, Hidden Amongst the Lost and Lies
“This generation a Shifter will arise, Hidden amongst the lost and lies. A great many will see The life that could be. The universe will shake; The greatest among us will quake. The towers will fall. The ruled will rule all.” Douglas and Angelia Pershing Prologue Rian growled when a small group of Shifters entered The Council chamber following Navin and Lena. Lena sauntered in, her hips swaying dangerously from side to side. Other than Rian, all eyes in the room were on her. Her long auburn hair was undulating behind her in a tight ponytail. Her green eyes were bright and cold. Her smirk revealed straight white teeth, poised and ready for the kill. “My Lord,” Lena said in her throaty alto. She bowed then, carefully positioning her body in the most flattering way. The new Seer on The Council, a small mousy man with flat brown eyes and little ability to see anything, gulped audibly as he watched Lena. “I am not a feudal lord,” Rian snapped at Lena. “Of course not,” Lena said, rising slowly, allowing the eyes in the room to linger on her lithe body. “You are my god.” Rian’s eyes flicked to her, somehow his copper eyes were both irritated and pleased. He then returned them to the piece of Shifter trash that had entered the room with her. His copper eyes flashed red for a brief moment, appearing more vibrant and cruel than any eyes before. “Navin,” he growled. It was almost as though when Rian ordered the deaths of the Shifter Young nearly 1 thirteen years ago, he had become less than human. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Judging the Suspect-Protagonist in True Crime Documentaries
Wesleyan University The Honors College Did He Do It?: Judging the Suspect-Protagonist in True Crime Documentaries by Paul Partridge Class of 2018 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Film and the Moving Image Middletown, Connecticut April, 2018 Table of Contents Acknowledgments…………………………………...……………………….iv Introduction ...…………………………………………………………………1 Review of the Literature…………………………………………………………..3 Questioning Genre………………………………………………………………...9 The Argument of the Suspect-protagonist...…………………………………......11 1. Rise of a Genre……………………………………………………….17 New Ways of Investigating the Past……………………………………..19 Connections to Literary Antecedents…………………..………………...27 Shocks, Twists, and Observation……………………………..………….30 The Genre Takes Off: A Successful Marriage with the Binge-Watch Structure.........................................................................34 2. A Thin Blue Through-Line: Observing the Suspect-Protagonist Since Morris……………………………….40 Conflicts Crafted in Editing……………………………………………...41 Reveal of Delayed Information…………………………………………..54 Depictions of the Past…………………………………………………….61 3. Seriality in True Crime Documentary: Finding Success and Cultural Relevancy in the Binge- Watching Era…………………………………………………………69 Applying Television Structure…………………………………………...70 (De)construction of Innocence Through Long-Form Storytelling……….81 4. The Keepers: What Does it Keep, What Does ii It Change?..............................................................................................95 -
I Know Why the Caged Bird Sings by Maya Angelou
y f !, 2.(T I Know Why the Caged Bird Sings MAYA ANGELOU Level 6 Retold by Jacqueline Kehl Series Editors: Andy Hopkins and Jocelyn Potter Contents page Introduction V Chapter 1 Growing Up Black 1 Chapter 2 The Store 2 Chapter 3 Life in Stamps 9 Chapter 4 M omma 13 Chapter 5 A New Family 19 Chapter 6 Mr. Freeman 27 Chapter 7 Return to Stamps 38 Chapter 8 Two Women 40 Chapter 9 Friends 49 Chapter 10 Graduation 58 Chapter 11 California 63 Chapter 12 Education 71 Chapter 13 A Vacation 75 Chapter 14 San Francisco 87 Chapter 15 Maturity 93 Activities 100 / Introduction In Stamps, the segregation was so complete that most Black children didn’t really; absolutely know what whites looked like. We knew only that they were different, to be feared, and in that fear was included the hostility of the powerless against the powerful, the poor against the rich, the worker against the employer; and the poorly dressed against the well dressed. This is Stamps, a small town in Arkansas, in the United States, in the 1930s. The population is almost evenly divided between black and white and totally divided by where and how they live. As Maya Angelou says, there is very little contact between the two races. Their houses are in different parts of town and they go to different schools, colleges, stores, and places of entertainment. When they travel, they sit in separate parts of buses and trains. After the American Civil War (1861—65), slavery was ended in the defeated Southern states, and many changes were made by the national government to give black people more rights. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
She Said What? Interviews with Women Newspaper Columnists
University of Kentucky UKnowledge Women's Studies Gender and Sexuality Studies 4-7-1993 She Said What? Interviews with Women Newspaper Columnists Maria Braden University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Braden, Maria, "She Said What? Interviews with Women Newspaper Columnists" (1993). Women's Studies. 2. https://uknowledge.uky.edu/upk_womens_studies/2 SHE SAID WHAT? This page intentionally left blank SHE SAID WHAT? Interviews with Women Newspaper Columnists MARIA BRADEN THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1993 by Maria Braden Published by The University Press of Kentucky Paperback edition 2009 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-8131-9332-8 (pbk: acid-free paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.