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Catalogue No. 300 (2019) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75g · 1033 nn Amsterdam · The Netherlands Postal address: p.o. box 36224 · 1020 me Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM CONDITIONS OF SALE

1. Prices in this catalogue are indicated in EUR. Payment and billing in US-dollars to the Euro equivalent is possible.

2. All prices are strictly net. For sales and delivery within the European Union, VAT will be charged unless a VAT number is supplied with the order. Libraries within the European Community are therefore requested to supply their VAT-ID number when ordering, in which case we can issue the invoice at zero-rate. For sales outside the European Community the sales-tax (VAT) will not be applicable (zero-rate).

3. The cost of shipment and insurance is additional.

4. Delivery according to the Trade Conditions of the NVvA (Antiquarian Booksellers Association of The Netherlands), Amsterdam, depot nr. 212/1982. All goods supplied will remain our property until full payment has been received. At our sole discretion we may require pre-payment on any order.

5. If items are already sold we shall always notify our customers. Unsuccesful orders will be kept on file for the titles requested and we shall requote without obligation if found again.

6. Orders should be addressed to (Please mention the article-identifier [#in brackets]):

John Benjamins Antiquariat B.V. P.O. Box 36224. Klaprozenweg 75G 1020 ME AMSTERDAM The etherlandsN

Phone: +31-20-6304747 e-mail: [email protected] website: antiq.benjamins.com rare Periodicals selected titles

Cover illustrations:

AMENOPHIS BIZARRE [#19507] page 3 [#19685] page 11

FILMLIGA SEMINA [#19316] page 36 [#18766] page 93

RUBBER KWY [#19690] page 88 [#15504] page 52

Conditions of sale see inside back-cover

Catalogue No. 300 (2019) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM

155-19507A.tif [#19507] AMENOPHIS. Périodique trimestriel (Revue sous Bandelettes). A significant collection of 26 numbers in 22 volumes (+ one special issue of nr. 5 with handwritten dedication ) published between 1968 and 1985. Various formats, printed in b/w and colour, richly illustrated. The following numbers are included: No. 1, 4, 5, 5 special, 6, 7, 8, 9, 10, 11,+supplt, 12, 13, 14, 15, 16, 17/18, 19, 20, 21, 25, 26, 29/30, 31/32. EUR 4,000.00

Belgian artist periodical, (in total 38 numbers published). founded by André Morlain, directed by José Goemaere (Lot/Brabant, Belgique), with André Vandegeerde, Marie-Claire Gouat, Robert Kayser, André Morlain, contributions by Charles Autrand, Jean-François Bory, Pierre Boujut, Stanislas Defize, Pierre Gallissaires, José Goemaere, Marie-Claire Gouat, Horus, Robert Kayser, Théodore Koenig, Nefertiti, Lucifer, Jean-Marie Le Sidaner, André Miguel, Jean-Claude Moineau, André Morlain, Pierre-Yves, Christian Prigent, La tatane à toutoune, Albin Tzaut, Michel Vachey, Jean-Pierre Verheggen, Nicole Verheyden

collage + tipped in thin plastic glove. Illustrated wrappers by Marie Claire Gouat. - Nr. 7. Bruxelles/Paris: Amenophis/ Charles Autrand, Jean-Francois Bory, Aout 1970. Illustrated portfolio illustrated by Robert Kayzer, containing 2 folded posters. Poster 1: ‘La Cocote des Arts’ (68 x 54 cm unfolded, printed in red) by Marie-Claire Gouat, Robert Kayzer, Nicolas Poster 2 (61 x 53 cm unfolded, printed in blue) ‘Trop Milles millions de milliards de trop pas de vis universel trop simple trop de O zeros” Texte Morlain Graph Kayzer. - Nr. 8. Poster. J.F.Bory;, printed in black on white paper, 56,5x45,5 cm. - Nr. 1. Bruxelles: self published, n.d. - Special: Nr. 5. Aménophis pour voir folded 3 times [septembre 1970) - Nr. Small quarto, 34 pages, illustrated LEU mONdd à travers lev MONDD. 9. Bruxelles : Amenophis, octobre 1970. throughout. Wrappers illustrated by Another copy of issue 5 with only Square quarto, un paginated, 44 pages Gilbert Herreyns. 22 pages loosely inserted in the of which two fold-outs. - Contributions - Nr. 4. AMemNOnPHIS fait une place original covers. The pages seem to by Thierry Agullo, Charles Autrant, aux Soleils. Bruxelles: self published, be proof prints for issue 5. The cover Gianni Bertini, Etienne Bertozzi, Daniel octobre 1969. Square quarto, 42 pages. of this issue with original (different) Biga, Robert Kayzer, Dr Leon, Werner illustrated throughout. Front cover by handwriting by the contributors being a Lambersy, André Miguel, Cécile Miguel, Jose Goemaere. presentation copy for Francois Di Dio: Norge, Clemente Padin, Michele Perfetti, ‘Cet Exemplaire est une incarnation de Jean-Marie Le Sidaner, Christian - Nr. 5. Aménophis pour voir LEU L”ERREUR nous le DIDIONS a Francois Tobas, Jean-François Bory, Jochen Gerz, mONdd à travers lev MONDD. du soleil NOIR. Art pour Art Pur. Notre Roland Flexner, Marie-Claire Gouat, Bruxelles: self published, janvier 1970. pharaons reincarne sous l’angle (Noir)’ Jean-Claude Moineau, André Morlain, Square quarto, 44 pages, illustrated Jean-Pierre Verheggen, Chimele Vernon, throughout + inserted photogravure by - Nr. 6. Mai 70. AMEnauFILS. Bruxelles/ Nicolas & Inconnu. Francois Massal. Front cover by Robert Paris: Amenophis/Charles Autrand, Kayser. The sheet covering the image in 1970. Square quarto, 38 pages, illustrated - Nr. 10. Poster. Littérature Policière, Série place. throughout, with original hand colored Noire. J.C.Moineau; adressed and mailed

John Benjamins Antiquariat B.V. 3 to Gianni Bertini. 10 décembre 1970. - Nrs. 19. Le Pied. Bruxelles: Amenophis, (With two staple-holes; this has possibly novembre/ decembre, 1980. Quarto, 60 been originally stapled to another piece, pages, illustrated throughout. Illustrated which we do not have) wrappers. - Nr. 11. 2 Posters, Azerty, mars 1971 - Nr. 20. Autopsy I. Bruxelles: Amenophis, & C’Est une histoire..,Ivan Alechin. Juillet / Aout-Septembre, 1980. Quarto, Together with: Supplément au n° 11. 48 pages, illustrated throughout. Rotterdam: Kunstcentrum ‘t Venster, Illustrated wrappers. September 1970. Bruxelles / Paris / - Nrs. 21. Autopsy II. Bruxelles: Milano: Amenophis / Charles Autrand/ Amenophis, Juillet, 1980. Quarto, 66 Jean Michel, 1970. Square quarto, 14 pages, illustrated throughout. Illustrated pages, illustrated throughout. Illustrated wrappers. This issue with an original wrappers. . Published on the occasion signed and numbered (77/100) of an art manifestation held in ‘t Venster lithograph by Pierre Pourbaix. (Rotterdam), from September 5 25, 1970. - Nr. 25. On lui a tout pris et elle ne - Nr. 12. Made in Italy, 1971. Bruxelles: se révolte pas. Bruxelles: Amenophis, Amenophis, 1971. Yellow printed Juin, 1983. Quarto, 58 pages, illustrated envelope containing 12 mimeographed throughout. Illustrated wrappers. contributions printed on different Wrappers by Roland Topor. Second colored stock. Contributions by half of this volume damped and some Salvatore Passarella, Sergio Dangelo, waving pages toward the end. Nicolas, Besozzi and Emilio Cremonesi - Nr. 26. Le hareng mystique. Bruxelles: a.o. (This copy belonged to Gianni Amenophis, novembre, 1983. Small Bertini and was mailed to him) quarto, 84 pages, Illustrated throughout - Nr. 13. Decmbre 1971. One sheet, 61x43 + one original ‘montagemanuel d’une cm., folded to 22x15,5 cm., b/w. Together bande magnetique’ by Jean Francois with supplement: a brown envelope Lacroix. Illustrated wrappers. “Cette enveloppe contient des graines - Nrs. 29-30. Le Trou. Bruxelles: d;Utopie”; adressed to Gianni Berrtini Aménophis, mars - juin, 1985. Folio, 80 - Nr. 14. Mars 1973. Bruxelles/ Paris: pages, illustrated throughout, Illustrated Amenophis, 1973. Tall quarto, un wrappers. paginated, (42 pages), illustrated - Nrs. 31-32. La dérive des continents. throughout. Illustrated wrappers. Bruxelles: Aménophis, 1985. Folio, (portrait d’apres nature d’un enzyme 80 pages, illustrated throughout, glouton). Wrappers lightly foxed Illustrated wrappers. Contributions towards edges. by Arbizzani, Barzin, Bertola, Bragard, - Nr. 15. Bruxelles: Amenophis, fevrier 76. Burgaud, Chaty, Colaux, Collignon, Quarto, 44 pages, illustrated throughout. Colot, Compere, Criel, Darbellay, De Illustrated wrappers by Eliane Taeye, Devil, Gasmi, Gouat, Joos, Kayser, Maurissen. Lefevre, Mastin, Mawet, Morlain, Nupi, - Nr. 16. si ce héros ne vous plait pas Orester, Petchanatz, M&G Piqueray, Amenohis peut vous en offrir un autre. Pochet, Puttemans, Reszohazy, Tania, Bruxelles: Amenophis, decembre 76. Trentini, Vancluysen and Vinche. Quarto, 60 pages (+ a 28 pages insert Added: Supplement A (no date) Poster by Justine Envermer), illustrated “Oproject for the World” No 5. Tobas. throughout. Illustrated wrappers by R. Kayser. - A more detailed list with the - Nrs. 17-18. Special Nourriture. Bruxelles: contributors to the individual issues on Amenophis, Mars 1979. Quarto, 96 request. pages, illustrated throughout. Illustrated wrappers (le saucisson utilize en couverture a ete grassement prete pa la firme Van den Bouf).

4 John Benjamins Antiquariat B.V. 11612-12635.tif [#18110] amBEATion. Zeitschrift für junge dichtung, grafik, kritik, versuch. Nos. 0, 1/2, 3 (Sonderheft Niederländische und Flämische Lyrik und Prosa), 4, 5, 6 (Texte von Psychisch Kranken), 7/8 “Gegen den Krieg in Vietnam” (book, 88 pages, in smaller format, an anthology with 39 firstprints of german authors). Wanderup, Nov. 1963-1968. 4to. Original wrappers. Illustrated, with original graphics. Stencilled, stapled. Published in an edition varying from 72-200 copies EUR 3,200.00

Nr. 0 (1963). With 3 signed linocuts by Jane Tech-Balsgaard Nr. 1/2 (1964), Marked on the cover as No. 1. With 3 Graphics (1 signed by Cloy (i. e. Klaus-Ove Kahrmann), Beilagen. Nr. 13 von 70 Ex. Nr. 3 (1964) - Sonderheft: Flämische und niederländische Lyrik und Prosa - bilingual. With graphic by Kahrmann and Beilagen. Nr. 155 von 200 Ex.small stain on front wrapper and first 6 pages, otherwise good condition Nr. 4 (1965). Grey cover with 2 unicate (pasted on top front cover and inside back cover) by Kahrmann, 1 Graphic of typewriter points by Timm Ulrichs, 3 additional pieces by Timm Ulrichs (2 Manifeste and an invitation of Galerie Patio, 1966). Nr. 101 von 150 Ex. (One missing page on the poems by Timm Ulrich added in fine photocopy) Nr. 5 (1966). With 2 signed graphics by Klaus-Ove Kahrmann, 1 signed graphic by Norbert Richter (“Im Untergrund”) and 1 signed graphic by Astrid Kayser. Additionally on the impressum page a pasted in ornament drawing (Feltpen 1966, signed by R. Q. Tode). Nr. 42 von 150 Ex. Nr. 6 (1967) - Sonderheft: Texte von geistig kranken Menschen. Deckel with pasted on title graphic “amBEATion Nr. 6”, with pasted in autograph of one of the autors, and a large folded orig.(2 sided) drawing by Altermann (Pseudonym). (This was included only in nos. 1-35; this copy no. 12, but impre4ssum page in copy) Nr. 7/8 (1968) -Book: Gegen den Krieg in Vietnam. Anthology with 39 Authors, mopst firstprints. Vorzugsaugabe with orig signed graphics by Klaus-Ove Kahrmann and signed by the editor. Nr. 58 of 200 Ex. Guter Zustand. - Plus: a few extra graphic prints and promotional material Re amBEATion. (together 15 pieces, different sizes).

John Benjamins Antiquariat B.V. 5 474-15526f.tif [#15526] ART INTERNATIONAL Vol. 1 no 1 - vol. 27 no 4 (=last published). Lugano, Switzerland, 1956 - Sept / Nov. 1984.

Set in the original illustrated wrappers with volume 13 no 3 in the regular and in the rare variant version. (Vol. 23 and 27 are partly bound) Overall condition good to very good, with only sporadic and unobtrusive library markings on the wrappers. EUR 7,000.00 An excellent, unbound set in ORIGINAL WRAPPERS. One of the best surveys of mainstreams in contemporary art’. Edited by James Fitzsimmons. Of Volume 1 (called ‘European art today’ ) we have in this set only 9 of the 12 issues. Otherwise all volumes/years are complete. The cover of vol. 13 no 3 designed by Mel Ramos is present in both versions, one with a gorilla and the scarcer one with a kangaroo.

6 John Benjamins Antiquariat B.V. 486-15729a.tif [#15729] ARTE FACTUM. Tijdschrift voor hedendaagse kunst in Europa.

Nos. 1-53 (all publ.). Antwerpen, 1983/84-1994. Original pictorial wrappers; 4to. EUR 4,000.00

Glossy magazine of contemporary art in Flanders characterised by increasing internationalisation and growing self-confidence, lso showing the expanding influence of the market. It balanced text with large, attractive illustrations, and its aim was to present the latest art to a broad readership of art-lovers and buyers with contribs. in English, French, German, Dutch, Italian. Edited by and contribs. of: Flor Bex, Leo v. Damme, Georges Roque, Saskia Bos, Wim v. Mulders, Catherine Strasser, a.o.

14365-18799l.tif [#18799] ARTPOLICE. (also as: Art Polic; Artpolice Magazine; Artpolice Newsletter; Artpolice Gazette; Artpolice Comics; Artpolice International). Collection/archive of Artpolice titles, associated publications and related Frank Gaard ephemera: Art Police; Artpolice Magazine; Artpolice Newsletter; Artpolice Gazette; Artpolice Comics; etc., [nos. 1] (March 31, 1974) through Artpolice International (April 1994) (final issue). Sixty-four (64) variously numbered and titled fascicles of the artist’s serial, lacking only seven issues from the complete run of Artpolice and the numerous associated titles issued by Gaard and his conspirators over the publication’s 20 year run. 16 mo to small tabloid.

-ADDED: Eighteen (18) additional related items, including Man Bag, nos. 3 (1994) through 5 (1996); Losing Faith nos. 1 (1986) through 2 (1987); Sub-Art vol. 1, no. 1 (May 1979); Art Moves vol. 1, no. 2 (April1982) and a host of other Frank Gaard correspondence, exhibition invites, articles, etc. Very good to near fine. EUR 20,000.00

Edited by Frank Gaard. Art Police was political cartoons appearing next to this bibliography. The zine lasted from an art zine collectively published by a pictures of blowjobs. It is described 1974-1994. Notable Zinesters who have dozen Minneapolis artists, including extensively in Aarons/Roths “In contributed to Art Police were Frank the painter Frank Gaard. The zine Numbers”(publications by artists since Gaard, Andy Baird, Stuart Mead. lasted from 1974-1994. It was known 1955). The publicatiob schedule was for a mixture of “low brow” humor highly irregular, and our collation has Complete list of included ARTPOLICE and “high brow” sensibilities, with been following the descriptions in titles (with issue counts) on request.

John Benjamins Antiquariat B.V. 7 8 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 9 775-13848A.tif [#18932] BIRTH BIRTH PRESS COLLECTION: consisting of: - Announcement Flyer: Single sheet of colored 8 1/2 x 11 paper announcing the publication of Tuli Kupferberg’s Birth #3 plus a new publication called SWING and another publication by Birth Press entitled YEAH. Sheet is a bit tanned with age, has a closed tear and has some faint folds. Overall very good condition of this rare piece of Birth Press ephemera., -Together with complete sets of the three periodicals from the announcement: - BIRTH. Nos. 1, 2, 3, (all publ.), in 4 parts. New York, 1958-1960. Original stapled photographic wrappers. The first near fine with a small corner crease to the front cover and a tiny ink price to first leaf, other issues fine. The third issue was published in two volumes. The second issue has two covers, and the original prospectus laid in. - SWING. Numbers 1, 2, 3 and 4 (all publ). New York, Birth Press, Winter 1960-Fall 1961. Spine stapled in original photographic wrappers. Spine of no. 4 lightly faded, otherwise all in excellent condition. Each ab. 40 pages. - YEAH. Numbers 1-10 (all publ). New York. Original stapled (collaged) wrappers. Together with: Fuck for Peace, single sheet, privately printed, n.d. (1965). (Faint stamp on front cover of no 2, otherwise good and clean set). December 1961-1962. (No. 10: Kill for Peace, together with the rare supplement Fuck for Peace. Very good collection, quite rare together). Laid in No. 3 a prospectus of Birth Press publications. EUR 4,000.00 Published by “Birth Press”, edited by Tuli Kupferberg, with No. 1: December 1961. Offset Sylvia Topp, Stella Tohl, Bill Rice, James Frankfort, Ray Johnson, lithograph printed on one side, and Norman Solomon. Roneotyped, with numerous illustrations mimeograph printed on the reverse, and interesting lay-out. blue,red,black and white. (28,3 No.1: Tuli with Ray Johnson. “Notes towards a Theory of x 21,5 cm). Folded. Back cover: L. Bohemianism, drawing by Tuli and by Ray Johnson (the Art Kotkovsky, rubber stamped. Editor); contributions by L. Jones and D. Di Prima No. 2: A satyric excursion published No. 2: Summer 1959. Children’s Writings. Contributions from at will (laid in: prospectus Anais Nin (childhood diaries), Walter Lowenfells, Barbara announcing no. 3) Moraff, Henry Miller’s 16-year-old daughter, etc. No. 3: The mild power subdues No. 3 (The Stimulants Issues) was published in 2 parts, both No. 4: September 1962. Includes an authentic reproduction devoted to various drugs, from early Egyptian and Classical of KILLL! Magazine July 1962 Greek to 1960’s (Ginsberg Diary entries, Ted Joans first poem, No.5: Gala Xmas Number 1940’4 anti-marijuana poster). No.6: A frigid wife ruined me SWING is a collection of children’s writings, intermixed with No.7: A look at the white problem woodcuts by Tuli Kupferberg and other artwork. Ostensively No. 8-9: True Professions 1 & 2 anthologies of children’s writings, but all intermixed with No. 10: Kill for Peace, together with the rare supplement Fuck antique woodcuts and Tuli’s savage but gentle humor, YEAH for Peace. Includes contributions by (i.a.): B. Brecht, Y. Yevtushenko, A. Very good collection, quite rare together. Sillitoe, C. Farllon, C. Forsberg, B. Shay, K. Herz, S. Morland, A. Laid in No. 3 a prospectus of Birth Press publications. Kaye, K. Mayamoto, E. O’Brien, T. Kupferberg, etc.

10 John Benjamins Antiquariat B.V. [#19685] BIZARRE. “a fashion fantasia” No. 1-26 (all published), in the original pictorial wrappers, stapled in the spine, together 25 volume (as 15/16 was double). 8vo, 34-128pp each. Montreal / New York / Bizarre Publishing Company / 1946-1959 / Printed wraps(mostly b/w photographically illustrated with colour added on some covers). Numerous Black & White plates full page and in the text. Price stamped to some issues. All issues well preserved, most, near mint, with only light wear to some volumes. Single issues of John Willie’s self published Bizarre are already uncommon but a complete run is. EUR 8,000.00

Complete set of this fetish periodical founded impact on later fetish- and edited by legendary John Willie born themed publications and John Alexander Scott Coutts [9 December experienced a resurgence in 1902 Singapore Died 5 August 1962 (aged 59) popularity along with well- England]. Photographer, artist, comic strip known fetish model, Bettie cartoonist, Editor of Bizarre Magazine (1946– Page, starting in the 1970s. 1956), and the publisher of the first twenty Though Willie was only issues of Bizarre. Willie is best known for his directly responsible for the first 20 issues, all 26 fetish illustration and bondage fantasy comics, published issues are present here. The first issue specifically “Sweet Gwendoline,” featuring is curiously titled Vol. 2 January 1946, because the villain Sir Dystic d’Arcy. Coutts was able Willie wanted the publication to appear more to avoid controversy in censorship through established. So the first issues have erratic dating, careful attention to guidelines and the use (in fact copyrighted 1951) and the first ones state of humor. Though distributed underground, they are reprints of 1953. What is titled as issue “Bizarre” magazine had a far-reaching 1 was published much later in 1954, and volume

John Benjamins Antiquariat B.V. 11 15/16 are published in one volume. Early where he continued his photographic issues were sold primarily by mail order, work until he suffered a brain tumour with later issues being stocked in a small after which he destroyed his work and number of specialist outlets. It’s almost archive and moved to England until impossible to convey the importance, his death in 1962. His combination of impact and place in the history of fetish talent and inclination are quite unique publishing of Bizarre, the brainchild and and quite distinct from his peers, and private passion of Singapore Born John his style seems to have accidentally Alexander Coutts aka John Willie. His become part of a common cultural contribution and the quality of his work lexicon, so much so that when classic is amongst the most respected in the fetish is referenced in a modern context, genre, obscured by his reclusiveness and it almost always looks as if it was heavily the clandestine nature of his published influenced by the hand of Willie Himself. output, which until some years after A few private holdings, one institutional his death remained an exclusively holding declared, and 2 more which are underground phenomenon. Willie acted known of. not only as editor, but also took almost Most interesting advertising for “Achilles” all of the photographs (many featuring footwear, high heels, “For slaves of his wife Holly Anna Faram) and drew Fashion, Theatrical Footwear”, many all of the illustrations. He sold Bizarre photographs, footwear and lingerie in 1956 and moved to Los Angeles designs.

625-680.tif [#680] BANANAS. The Literary Newspaper. Nos. 1-26 (all publ.). London, Jan/Feb.1975-Apr.1981. Tabloïd size ; later 4to; original illustrated wrappers. EUR 2,500.00 Edited by Emma Tennant, from no. 12 onw. by Abigail Mozley. Tennant chose to name the magazine after the motion picture Bananas (1971), directed by Woody Allen; the size of the magazine was inspired by Allen’s Interview. Includes special issues (Russia, South America, Spain, Germany). Contribs. inc. Sylvia Plath (previously unpubl.), William Burroughs, Harold Pinter, Ted Hughes, Alan Sillitoe, J. G. Ballard, Angela Carter, Williams, Bruce Chatwin, Claud Cockburn, Jon Silkin, Michael Horovitz, Thomas Disch, Brian Patten, Elaine Feinstein, Frances Horovitz, Marilyn Hacker. Rare complete set.

12 John Benjamins Antiquariat B.V. 779-17918a.tif [#17918] BIZARRE. (J.J. Pauvert, Paris). Serie 1: Nos. 1-2 (all). Paris, 1953; Serie 2: Nos. 1-46 (all and last). Paris, 1955-1968. Unbd., in the original pictorial wrappers; 4to; numerous illustrations. Occasional spine damage and light discolorations but on the whole a nice set. No. 11/12: La Joconde, with two die-cut see-throughs in the front cover, in perfect condition. EUR 1,500.00

Artistic and literary periodical with littérature à la strong surrealist tendency. Many issues lettre, Raymond dedicated to a special topic. Paris, Eric Roussel, Les Losfeld (1re série), there after Jean-Jacques oiseaux sont des Pauvert (2e série), 1953-1968. Complete cons par Chaval, set of 48 issues of which 11 double in 37 Les vies parallèles de Boris Vian, Romaine Brooks. volumes. Some important topical issues: Illustrations by: Siné, Folon, Topor, André François, Cent-cinquentenaire de J.J. Grandville, Chaval, Wolinsky, Ylipe. Texts by: Jean Paulhan, Isidore Les hétéroclites et les Fous littéraires, Isou, Noël Arnaud, André Blavier, Raymond Queneau, Dessins inavouables, Les Monstres, A-t-on Lise Deharme, Gisèle Prassinos, Pierre Bettencourt, lu Rimbaud?, Littérature illettrée ou la Eugène Ionesco, Paul Gilson.

798-19535H.tif

[#19535] BLOCNOTES. Art Contemporain. Contemporary art magazine, text in French & Nos. 1-13 (all publ.) Paris, Automne 1992-sept/oct.1996. English. Edited by Frank Perrin, Armelle Leturq, Fr.-Claire Prodhon, Jerôme Sans, Pascal Pique, Terry Original pictorial boards; complete with No. 12 bis. R. Myers. EUR 1,500.00 Thematic issues: No. 1: ‘Stratégies d’Exposition’. No. 2: ‘Epidemic’. No. 3: ‘Dispositifs Contemporains’. No. 4: ‘Champs d’Utopies’. No. 5: Dérives d’Hexagone’. No. 6: ‘Économies & Système de l’Art. Contr. incl.: Larry Clarck, L. Cottingham, Thomas Wulffen, Robert Fleck, Roberto Ohrt, Philippe Régnier, René Viau, Luk Lambrecht, Sarah Rossiter, Vincent Labaume, a.o. No. 7: Décalages/Discrepancies. No. 8: Des Laboratoires. No. 9: Nouvelle Montricités’ No. 10: Des Féminités. No. 11: Extreme Beautés. No. 12. Guérillas; No. 12 bis Moblilisation générale. No. 13: La Fête!. The Bloc is not concerned with groups, collectives and felicitous, amnesic congeries. Quite to the contrary, it offers a cross-fertilization of individuals and events, a certain notion of condensation. Nothing else than a sounding board for contemporary sensibiblity...”.

John Benjamins Antiquariat B.V. 13 805-863.tif [#16904] BOA. Cuadernos internacionales de documentacion sobre la poesia y el arte de vanguardia. No. 1-3 (= last published). Buenos Aires, May, June 1958 - July 1960. Original illustrated wrappers; 4to. Illustrated

Together with: Catalogue- Exposition Boa-Phases. EUR 3,000.00 Confrontacion internacional de arte experimental. Complete set of this Argentine avant-garde Museo Provincial de bellas artes Rosa Galisteo de periodical of the Group BOA, close to ‘Phases’, Rodriguez, Santa Fe, 4-20 June 1959. Original directed by Julio Linás; covers illustrated by Kazuya wrappers. Sakai, E. Scanavino, M. Peluffo, Karl-Otto Götz and Juan Langlois. Contributions include: J. Linas, Together with: Announcement of an exposition: E. Jaguer, O. Girondo, A. Pellegrini: “Wolfgang Grupo BOA. Diez años después. Text by Julio Llinas. Paalen”, G. Luea, E. Sanguineti, B. Rybak, G. Henein, Sociedad Hebraica Argentina. Buenos Aires 1969, 4 Jacques Lacomblez: “A Wifredo Lam”, S. Dangelo, R. pp. (14 x 12,2 cm). The first number in good Giguère, Ghérasim Luca, J. Hérold, L. Soederberg, J.J. condition, but for some soilage and marginal Lebel, Jean Pierre Duprey, F. Madariaga, A. Porchia, dampstains, lightly shaven and right-bottom corner F. Urondo, R. Alonso, M. Trejo, E. Bayley, M. de dogeared; the second number and the Phases- Lima Sousa etc. Reproducing work of Sakai, Chab, Catalogue in excellent condition, the third number Borda Peluffo, Miguens, Gianni Bertini, Corneille, with light shaving on the back-cover, otherwise in Y. Tabuchi, E. Schumacher, E. Baj a.o. [Lafleur, Provenzano, Alonso p. 245, 262] excellent condition.

11821-15744C.TIF [#19530] BRAAK. Maandelijks Cahier voor proza, poëzie en critiek. The complete series vols. 1-7 with all variants in deluxe red cloth box with black title piece by Bindery Phoenix. Braak. Amsterdam, 1950-1951. 4to. Original stapled pictorial wrappers. With text illustrations. The collection consists of: Vol. 1, numbered in pen and dated mei (stamp) 1950, p. 1-24 Vol. 2, numbered and dated in pen ‘Juni’ 1950, p. 25-48 Vol. 3, with cover illustration by Lucebert

Vol. 3 variant with cover illustration corrections by hand on p. 51; with autograph addition ‘ter recensie’ by Karel Appel (executed by Rudy separate proof of the cover of the (upper right) plus an uncut copy Kousbroek!), numbered and dated edition by Appel printed on white with the same cover. In these in pen ‘Juli’ 1950, p. 49-76; with paper from the collection of Bert copies p. 80 and 101 have been handcolouring by Lucebert on p. 53 Schierbeek swapped and printed upside down /55/56/57/58/62/65/66/67/68/69/70/ Vol. 4 variant with cover 73/76 and in both copies illustration by Lucebert, and

14 John Benjamins Antiquariat B.V. Vol. 5, p. 105-136, printed in black, green and red, with cover illustration by Lucebert; Vol. 5 variant with cover illustration by Karl-Otto Götz Vol. 6, p. 137-164, with cover illustration by Oscar Scheffel [= Lucebert]; Vol. 6 uncut variant with cover illustration by Hein Boekenoogen (printed in red) Vol. 7, p. 165-184, uncut, with cover illustration by Nico Lijsen. Finger-soiled and some staining, but overall in very good condition. EUR 6,000.00 CAMPERT, Remco (Dutch 1929); H.R. KOUSBROEK (Dutch 1929 - 2010) (red.). Very rare and complete set of this scarce periodical, one of the most elusive of the fifties. Literature: Hans Renders. Braak. Een kleine mooie revolutie tussen Cobra en Atonaal Provenance: Collection Gert Jan Hemmink, Amstelveen; Collection K. Lekkerkerker, Amsterdam Notes: With typed and signed postcard by Remco Campert to K. Lekkerkerker, dated Amsterdam 1 juni 1960 concerning the poem ‘Gontrand’ and about the address of his great-aunt Lucie Snoeck- Broedelet, with autograph card with the envelope from Lucie Snoeck-Broedelet to Lekkerkerker, dated 3 juni ‘60. Added: Hans Renders. Een kleine mooie revolutie tussen Cobra en Atonaal.

13886-17729A.tif [#17729] BRERA FLASH. Mensile di informazione culturale del Centro Internazionale di Brera/ Bimestrale di interventi a analisi del sistema culturale.

Numbers 1-10 ( also Anno 1-3, all published). Milano, Centro Internazionale di Brera, Milano (1-6). Editrice Brandini (7-10)., October 1976-1978. Unbound, folded and spine-stapled as issued, first 6 numbers 42x29,5cm, then becoming 29,5x21 cm. Pictorial (self)wrappers. In excellent condition. EUR 4,800.00

Direction: Alessandra Quaglia (1- Gianni Lo Scalzo, Franco Mazzuchelli, avant-garde cinema, visual arts, theatre, 6). Ugo La Pietra (7-10). Redazione: Ettore Pasculli. Contains the programs music, etc. At first 8 folded pages on Cornelio Brandini, Nanni Cagnone, of the International Cultural Center the large size, then becoming 32 pages Francesco Casetti, Alberto Farassino, and articles on progressive and stapled in pictorial wrappers. Pasquale Guadagnolo, Cini Liguori, countercultural aspects, discussions,

John Benjamins Antiquariat B.V. 15 13741-19099a.tif [#19099] C- MAGAZINE. A Journal of Poetry (+ Behind The Wheel)

Superbly preserved complete set, fine to almost mint: (“C” - A Journal of Poetry): - Nos. 1-14 (Complete, less No. 12 which was never published, but substituted by C-Comics No 1), including - BEHIND THE WHEEL (“C” No. 14, by Michael Brownstein). New York: Lorenz Gude and Ted Berrigan, 1963-1967. Side stapled mimeographed sheets with wrappers or selfwrappers (35,4x21,5 cm, except for no. 14 which is 28x21,2 cm). In near fine to mint condition, detailed condition of issues at the end of footnote.

- TOGETHER WITH: C-COMICS 1-2 (cplt) C-Comics Number 1. New York, C-Press, June 1964; folio, mimeographed, stapled; together with: Number 2. New York, n.d. (ca. 1966), Boke Press. Sm.folio; pictorial wrappers, stapled in the spine. Both fine. This constitutes the complete appearance of both titles. Side stapled mimeographed sheets with wrappers or selfwrappers (35,4x21,5 cm, except for no. 14 which is 28x21,2 cm). EUR 22,000.00

Landmark Beat magazine, one of the cornerstones of the 1960’s mimeo revolution and poetry scene. “C” was founded to replace the short-lived “Censored Review,” which gathered work that had been banned from The Columbia Review. Edited by Ted Berrigan and Ron Padgett. “C” became the organ of ‘Second-Generation New York School’ (and served as a bridge between the older and younger branches of both The Beats and The New York School. Includes Ginsberg, Burroughs, O’Hara, Koch, Schuyler, Ashbery, Whalen, Orlovsky, Corso, Pagdett, Wieners, Elmslie, Lima, Rothenberg, Gysin, Saroyan,O’Hara, Koch, Schuyler, Ashbery and others. The very scarce No.4 was dedicated to Edwin Denby. The cover was designed by Andy Warhol and has on the covers the famed silk-screened images of Denby with Gerald Malanga.

16 John Benjamins Antiquariat B.V. It marked the first time Warhol based a silkscreen on a poloroid, a technique that would become one of his defining methods in the 1970’s. Most of the other covers are by Joe Brainard. The Brownstein (No. 14) was published in 200 copies.

There was no Number 12. Jed Birmingham, co-editor of Mimeo Mimeo, has quoted Ron Padgett as suggesting that “C” Comics No. 1 was intended in the place of issue 12 of C-Magazine, which given format and timing makes sense. (“C” Comics No. 2, despite its title, was issued under the Boke Press imprint).

- Detail of condition: No. 1. Fine; No. 2. Fine; No. 3 Light toning to verso of last sheet, else fine; No. 4 Touch of wear to fore-edge and spine, else fine. The Warhol cover about the best we have seen. the images on front and back cover clear and clean. The sheet on which the silkscreened polaroids were printed has shifted in the process, thus causing that the white stripe intended for the spine was displaced by a few cms to the front. Both images are identifiable, sharp and clear, in particular the kiss on the back cover. It is rare in this condition;

No. 5 Fine; No. 6 Near fine; No. 7 One tiny tear to fore-edge, else fine; No. 8 Light bend to upper corner, else fine; No. 9 Front cover a bit soiled, else near fine; No. 10 A few pale spots to front cover, else near fine; No. 11 Fine; No. 13: Fine; No. 14 (Behind the Wheel): fine; C-Comics No. 1: Near fine; No. 2: Fine.

John Benjamins Antiquariat B.V. 17 12491-14540.tif [#14540] CAHIERS 333. Périodique littéraire et artistique d’avant-garde. No. 1-3 (all publ.). Antwerp, April 1950 - Feb. 1951. Limited edition of 250. Original wrappers; light stain on fromntcover of no 1, otherwise in very good condition. Rare. EUR 400.00 With contributions by Paul van Ostaijen (translated into French), Paul Joostens, Ray van Goethem, Gova, Etienne Schoonhoven, Gust Gils,Philippe Marsault, a.o. Illustrations by Herman Denkens, Roger Kort, Roger Thijs, Jan Vaerten, Paul Joostens, Ray Gilles, Gust Gils, Pol Mara, Emile Panzer,and others.

13097-16036.tif [#16036] CAMION. Rivista internazionale di Nuova Poesia. Anno 1 nos. 1-2 (all publ.). Torino, gennaio-aprile 1980. 16 pp (incl. selfwrappers); 20 pp (incl.selfwrappers). 27x20 cm. Fully illustrated. EUR 700.00 Initiated and directed by Giulio Tedeschi, publishes international underground poetry. Editors in Torino, Milano and Amsterdam (Aldo Piromalli). Poetry (original or in Italian Roberto Sanesi, Piero Verni, Simonka translation) by Roberto Aversa, Antonio Meo, Toncy Violi, Giulio Tedeschi, Christian Francesco Paolo Tanzi, Walter Tarello, Federico Cannstadt, Simon Winkenhoog (sic!), Ballarin, Pier Castrale, Franco Beltrametti, Meo Lee Van der Zalm, Alex Holst, etc. Cataldo Dino, Paolo Cerrato, Walter Ferrari, Photography by Italo Bertolasi and Gianni Milano, Vincenzo Parrella, Giancarlo Pietro Borsi. Pavanello, Aldo Piromalli, Antonio Rodriguez,

1078-1142A.tif [#1142] CARTE SEGRETE. Rivista trimestrale di lettere e arti. Nos. 1-41 (vols. 1-12). Roma, Jan/March 1967 - July/Sept. 1978. In the original cardboard wrappers, untrimmed. The corrugated cardboard covers very lightlydustsoiled, buth otherwise in excellent condition). Illustrated. EUR 2,200.00 A quarterly of contemporary and Alfred Jarry, Gramsci, F.T. Marinetti, Musil, vanguard Italian and international D’Annunzio, Apollinaire, art, literature, theatre, criticism, ed. by Klee, P. Neruda, G. Filippo Maria Ferro, Claudio, Anna Severini, O. Tamburi, Salvatore, Paolo Russo, Marcello Avenali, Ferlinghetti, etc., etc. Em. Greco, Filippo Panseca, Alb. Sughi No. 2 is ‘Il Manifesto (also ills. by these authors); issues of dei Provos’, No. 15 is 200-220 pp each, bound in corrugated ‘Manifesto degli Scumidi cardboard, different for each issue. (=Society for Cutting Also articles on pre-war avantgarde Up Men)’; one binding (Futurism / Dada / Constructivism / Stijl), with examples of the works of A. restaured, otherwise in Breton, S. Beckett, James Joyce, Fernando Pessoa, A. Blok, Th. van Doesburg, good condition.

18 John Benjamins Antiquariat B.V. 1188-18078.tif [#18078] CIMAISE. Revue de l’Art actuel. Art et Architecture actuels / Presentday Art and Architecture. Série 1: Nos. 1-8 cplt. (nov. 1953- juillet/août 1954); Série 2: Nos. 1-8 cplt; (sept/oct. 1954- juillet 1955); Série 3: Nos.1-8 cplt. (oct/nov .1955- juillet/août 1956); Série 4: nos. 1-6 cplt. (sept/oct. 1956-juillet/aout 1957); Série 5 Nos. 1-6 cplt. (sept/oct. 1957-juillet/sept.1958); Série 6 Nos. 1-5 cplt. (oct/nov. 1958-juin/août 1959); All in the original pictorial wrappers, in the first years with original lino- or lithographed covers (size of the first two years 21,9 x18,5 cm., then becoming 24,5 x19,8 cm.). (without série 2 no 5, avril 1955; série 6 no 4, 1959 2e trim.). A few spines lightly damaged, but otherwise a good clean set of the essential first 41 numbers. TOGETHER with 4 (of 5) issues of the precursor, Bulletin trimestriel, Janvier 1953-Juillet 1953. Original illustrated (lino/lithographed) wrappers. EUR 3,000.00

Five issues as Bulletin bimestriel, by Galerie Arnaud, preceeded the actual start in November 1953: No. 2: lino by R. Lapoujade, and by C. Maussion inside; No. 3: lino by Carrade on cover and by Koenig inside; contribs. by Seuphor, Max Ackermann, Le Corneur, Kalinowski; handwritten note on backcover; No. 4/5: lino by Bertini and by Navarro and Enard inside. Then the actual periodical started as ‘Revue de l’art actuel’: Directed by J. R. Arnaud. Articles, features and documentation on modern and avant-garde art movements (in particular lyrical- abstract) in France as well as in other European countries and in the United States (e.g. Special issue Regard sur l’art américain, nov./dec, 1956). Contributors include R.-V. Gindertael, Michel Ragon, Herta Wescher (reporting on German art), Dore Ashton (contacts with the USA), Michel Seuphor, Pierre Restany (in particular for Italy), Gilles Plazy, Daniel Abadie, Maiten Bouisset, Pierre Cabanne, Jean-Jacques Lévêque, André Wogenecky, etc. In the first years colourful linographed and lithographed (later serigraphy) covers with work of: Deyrolle, Edg. Pillet, Manolis Calliyannis, Schneider, Jean Milo, Hartung, Legrand, Dumitresco, Corneille, Prassinos, Sugai, Ben Nicholson, Arp, Bertrand, Olson, Goebel, Carrade, Fichet, Mathieu, etc.

John Benjamins Antiquariat B.V. 19 1203-19504A.tif [#19504] CIRCLE Nos. 2, 3, 4, 5, 6, 7/8, 9, 10 (out of 10 published). Berkeley, CA.1944-45 in orig. Pictorial wrappers, Rare: with the four cover variations for Issue 9 by Bezalel Schatz. Together 11 physical issues. Issue 7/8 is a double issue and includes a foldout “Map of Joyce’s Life” by Bern Porter. Glue bindings with exception of issue 3 which is staple bound, Added: a 4-page illustrated prospectus for the magazine, laid in number 2. EUR 2,000.00

Edited by George Leite, Co-Editor Bern generation. Contributors include Porter. landmark Bay Area magazine of Carrington, Patchen, Crews, Henry art and literature with ties to surrealism. Miller, Anais Nin, Porter, Fowlie, Kees, It preceded ARK, and was essentially E.E. Cummings, G. Ungaretti, Rexroth, R. the point of departure for the Beat Duncan, Durrell, Everson, Norse, Yvan Goll, and many others. Interesting typography and numerous illustrations and covers by Bern Porter, George Barrows Darius Milhaud, Henry Miller, (creative photography), Anais Nin, Bern Porter, Gil Rexroth, Jean Varda (in a Orlovitz, Kenneth Patchen, feature written by Henry Paul Radin, Kenneth Rexroth, Miller), Schatz, Edwin Ver Jean Varda, Oscar Williams, Becke (prints), John & James and others. Whitney (Audio-visual Condition note: All copies music), Jim Fitzsimons have some shelf wear to (Solarized Photography). covers and spines as wel as Contributions by George some discoloration inherent Barrows, George Barrows, in publications from this Leonora Carrington, Robert period. Issue 3 (which is staple Duncan, Maya Deren, Ian bound) has some damage to Hugo, James Laughlin, spine.

13828-17623A.tif [#17623] CIRCOLI. Rivista di poesia Anno 1-11 (all published, except for the last 3 issues published in 1943). Change of name to “Raccolta” for the last 3 years. Genova, 1931-1934, Roma, 1935-1942. In the original paper wrappers with overlaying edges, partly untrimmed; occasional light foxing, but in overal excellent condition. EUR 2,500.00 Bi-monthly founded in Genova. Directed by Adriano Grande, editors: Angelo Barile, Guglielmo Bianchi, Giacomo Debenedetti, Eugenio Montale, Camillo Sbarbaro, Sergio Solmi.Transferred to Rome in 1935 with editorial change (Falqui, G.Ungaretti, M. Gallian.) Editorial change again in 1937 (I.Montanelli, S.Valitutti, G.Natoli), and after the name change to Raccolta it was directed by Guliemo Danzi. Reproductions

20 John Benjamins Antiquariat B.V. of work by (a.o.) F.de Pisis, F. Messina, Angioletti; Indro Montanelli; Gianfranco Contini; Longanesi, L.. Bartolini,Ph.Hasiasson, Soffici, Carlo Bo, Luigi Bartolini; Massimo Bontempelli; A.Funi, G.Stradone, G.V.de Salvon. The Enrico Pea; Giovanni Comisso; Alfonso Gatto; journal had an international orientation. Vol. Angelo Barile; Alberto Savinio; Romano Bilenchi; 3 no 6 was dedicated to “Moderna Poesia Sandro Penna; Paola Masino; Anton Giulio Nordamericana”, with Emily Dickinson, Bragaglia; Carlo Carrà; Mario Praz; Giovanni WCWilliams, Elliot, Stevens, Ezra Pound, Cavicchioli; Anna Maria Ortese; etc. After 1939 etc., translations a.o. by Prampolini. Also the journal became also politically oriented. translations of work by Lagherkvist; James Collaborators to Raccolta were: Ada Negri, Ciano, Joyce; Max Jacob; Tristan Tzara; Jean Tilgher, Titta Rosa, Malaparte, Sibilla Aleramo, Cocteau, Morgenstern etc. Furthermore we Missiroli, Farinacci, Bragaglia, Lorenzo Viani, find texts by Telesio Interlandi; Scipione; Cecchi, Govoni, Gallian, Valeri, Fabio Tombari, Gallian; Giuseppe Ungaretti; Mario Soldati; Alfonso Gatto, etc

13983-17957c.tif [#19295] CODE Nos. 1-10 (all published). Amsterdam, 1983-1989. In the original illustrated wrappers, (with small burnhole to front cover of no. 2). 4to. (limited edition between 250/450 copies), Rare complete set with the original plates. EUR 4,000.00

Edited by Waling Boers, Martin van Vreden, Dirk van Weelden. Together with original serigraphies, some folding out, included in the issues, some unfolded. No. 1: folding screenprint b/w by Frank van den Broek (monogr.FB83) No. 2: screenprint in colour by Peer Veneman (monogr. PV 84),and photocopy by Rob van Koningsbruggen (RvK 84) No. 3: folding screenprint Martin van Vreden, and folding colour copy by Günther Forg (e.a.Forg,985) No. 4: folding screenprint, b/w, by Rob Scholte, entitled “Olympia”, but title changed by the artist in “Utopia”, signed Rob Scholte 1985 No. 5: screenprint in colour by René Daniels (monogr. RD 86) No. 6: screenprint in colour by Han Schuil, and folded poster by K.Michel. No. 7: screenprint b/w, signed by Jiri Dokoupil. No. 8: folding screenprint b/w, signed, by Ton van Summeren (+1 extra, not folded) No. 9: has no art supplement (which only appeared in a de-luxe version, by Peter Schuyff) No. 10: no art supplement was published.

John Benjamins Antiquariat B.V. 21 14001-18877ii.tif [#19529] COBRA. Bulletin pour la Coordination des Investigations Artistiques / Revue Internationale de l’Art Experimental. Bulletin pour la coordination experimentaux danois (Høst), Belge (Surrealiste-Revolutionnaire), Hollandais (Reflex). Kopenhagen: (vol.1), Brussel (vols. 2, 3, 6, 7), Amsterdam (4), Luik (10), 1949-1951. 4to. Original decorated stapled wrappers. Complete series in cloth covered box with title piece by Bindery Phoenix. The collection consists of: Vol. 1: March 1949. Lithographed cover by Asger Jorn, Carl-Henning Pedersen and Egill Jacobsen). 24 p. Vol. 2: 21 March 1949. Cover by Pol Bury. 8 p. Vol. 3: Juin 1949. Cover by Alechinsky (Riviére no. 49). 24 p. Vol. 4: November 1949. Numéro Hollandais. With two attachements, loose as issued: one with text “Le grand rendez-vous naturel” by Christian Dotremont and “Promenade au pays de pomme” by Corneille and the catalogue of the “Exposition internationale d’art expérimental” in the Stedelijk Museum Amsterdam, 3-28 novembre 1949. 26 p. Vol. 5: First German edition Hannover, 1950. Oblong sm. 4to. Complete with the mounted original lithograph by Pierre Alechinsky (Riviére no. 68) and two woodcuts by Otto Hoffmann and Michel Olyff. Vol. 6: 1950. With four lithographs by Pierre Alechinsky (Riviére no. 67), Pol Bury, Jan Cox and Louis van Lint. 28 p. Vol. 7: Year II, Automne 1950. 28 p. Vol. 8-9: never published. Vol. 10: Automne 1951. With the original wraparound band in perfect condition. With the attachement ‘Préludes aux noces’ by Charles Organe du front international des Estienne. Stapled booklet, 12mo, with cover illustration by Alechinsky. artistes expérimentaux d’avant- 24 p. garde Directeur: Christian Dotremont. Very rare complete set, Some mild handling creases and staining, covers of vol. 5 and 6 loose, printed in small numbers only for but overall still in very good condition. lack of funds, and in particular no 5 EUR 8,000.00 was printed in a very small number.

22 John Benjamins Antiquariat B.V. 14635-19559.tif [#19559] COBRA. Artistes Libres Première série de bibliothèque de Cobra. Copenhagen, Editions Enjar Munksgaard. 1950. 12mo. 15 stapled brochures with lithographed (9 original) covers and one folded text leaf in paper portfolio/slipcase by Jorn, with the loose index, in deluxe red cloth covered box with title piece by Bindery Phoenix. EUR 2,000.00

A very fine and complete series of this first Cobra publication of “l’encyclopédie permanente de l’art expérimental”. Each 16 p. Rare with the slipcase in mint condition and the loose index. Including: Pierre Alechinsky, Else Alfelt, Karel Appel, Jean- Michel Atlan, Ejler Bille, Constant, Corneille, Jaques Doucet, Sonja Ferlov, Stephen Gilbert, Svavar Gudnason, Henry Heerup, Egill Jacobsen, Asger Jorn, Carl-Henning sm. dog-ear, small white spot on the cover of Pedersen and Erik Ortvad (published in 1979). Texts by Chr. Dotremont, the box, else all in perfect condition.vis. Cobra. Edouard Jaguer, Jean Laude, Michel Ragon and Luc Zangrie. Vol. 10 De weg naar spontaniteit, fig. 95. Provenance: Stephen Gilbert with small indentation, one corner portfolio with a very Collection Gert Jan Hemmink, Amstelveen

14650-19595A.tif [#19595] COZMIC COMICS. Nos.1-20 (all pulished). London: H. Bunch Associates, 1972-1975) Stapled wrps., unpaginated (32pp.-46pp.). Formats vary, mostly quarto or small quarto. All in excellent condition. EUR 1,000.00

More or less the successor to OZ-magazine. A rare comlete set of all twenty comics published by Felix Dennis’s imprint, together with The Trials of Nasty Tales, co-published by H. Bunch “in league with the editors of Nasty Tales” in 1973. Cozmic Comics launched in 1972 and was given further impetus when Felix Dennis and his associate Dick Pountain began looking for new publishing opportunities following the closure of Oz magazine at the end of October 1973. In the beginning mostly reprints of American material but soon featuring the work of individual British artists, most notably Ed Barker, Mike Weller, Joe Petagno and William Rankin (aka Wyndham Raine), it created its own distinctive identity and established itself as most successful British ‘underground’ of the day.

John Benjamins Antiquariat B.V. 23 13448-19658A.tif [#19658] COMMONPRESS A collection of 25 issues: Commonpress is an Artist’s magazine with a unique editorial premise. Every issue has a different editor. It grew out of mail art, and many of the editors were acrtive mail artists. At the time of it’s seven-year retrospective in 1984 the magazine listed fifty-nine issues and editors (though a few issues had still to appear). Commonpress magazine began in Poland and subsequently spread geographically with the postal system from Brazil to Australia to the United States and beyond.” (From: In Numbers). The numbering is verry erratic. Most likely there were only 32 numbers actually published between numbers 1 and 59. Of these we offer 25 numbers in this collection. EUR 13,000.00

- No. 1. Petasz, Pawel Location: Arriére- - No. 12. White Lies: Crozier, Robin: - No. 23. Political Satire: Post Scriptu: Garde Edition, Elbag, Polland. Dec., 1977 Sunderland, England 1979 Baroni, Vittore : Forte dei Marmi, 1979 - No. 2. What Is The Difference Between - No. 15. Selfportraits Amsterdam, - No. 26. Zen and Art: Frangione, Nicola Open and Closed? Organizer(s): Stempelplaats, 15 September – 12 (ed.): Armadio e Officina, Monza, Italy, Jonge, Ko deLocation: Key Art Edition, October, 1979. 59 cards illustrated by 1980 Middenburg, The Netherlands. : March, original stamps in various colours, of - No. 28. Drawing Activity (= a POSTER): 1978 wich 2 are the titlepage and list of Wielgosz, Andrzej : Poznan, Poland, 1981 participants, and 57 numbered. Includes - No. 3. Eroticism and Art. : Below, Peter, - No. 33. Meanwhile.: Butler, Russell : works by (a.o.): Anna Banana, Ulises Kitzingen, Germany. March, 1978 Gurdon, Arkansas, USA 1980 Carrión, Vittore Baroni, Piotr Rypson, - No. 5. Box Boxing Boxers Organizer(s): Johan Cornelissen, Bill Gaglione, - No. 36. IDEA and Communication: Carrión, Ulises Amsterdam, 1978 Robin Crozier, Michael Perfetti, Nicola Ruch, Günter : Switzerland 1980 - No. 6. Ideas on Wheels. Organizer(s): Frangione, Pavel Peta - No. 39. Homosexuality: Christoph Carioca San Francisco, California, USA. - No. 16. Artists’ Postage Stamps: Guy Machart: Witten / Germany 1978 1978 Schraenen: Antwerpen Belgium: 1979 - No. 46. Photoboothpictures. Schmidt, - No. 7. was never published - No. 19. Pigeons of Freedom: Marx Vigo, Angelika : Stuttgart, Germany : 1982 - No. 8. Positiv –Negativ. Hans Broeg, : G. E.: La Plata, Argentina: June, 1979 - No. 47. Material Metamorphosis: Kid, Bergisch-Gladbach (Germany) 1978 - No 22. “you can know more than Cracker Jack (Chuck Welch) Omaha, - No. 11. Diary Pages :t. Mew. Mt. Berry, you can tell”. Ed. Steve Durland, 1982 (Invitation Card to participate in Georgia, USA 1978 Commonpress October 1979 the project (Postmarked). Note: It is not the issue.

24 John Benjamins Antiquariat B.V. - No. 48. Selfexamination: Schmidt- Olsen, Carsten : Kiregardsvej, Denmark 1985 - No. 51. Hungary Organizer(s): Galántai, György – Budapest, Hungary 1984 - No. 53. The Dictionar: KP Fuerstenau: Frankfurt, Germany Date: 1984 - No. 55. Mail Art about Mail Art : John Held: Dallas, Texas / USA: 1984 - No. 56. Commonpress Retrospektive, Born To Survive / B.T.S.: Bleus, Guy Wellen, Belgium - Belgium 1984 - No. 64. Berliner im Pariser. Kalauer.: P. Kuestermann: Minden, Germany : 1985

John Benjamins Antiquariat B.V. 25 1347-16273A.tif [#18600] CONTROL. (No. 3 onw. CONTROL MAGAZINE) Nos. 1-20 (with a variant of No. 3). London, 1965-2018. (First 5 issues 34,5x 27 cm with screenprinted wrappers, then becoming 31x22,5cm.; also nos 6 and 13 with screenprinted wrappers, the others have printed pictorial wrappers). Complete collection of all issues thusfar published . Very light rubbing to the first ones, closed tear of 1 cm on cover of no 2, very light soilage to nos. 6 & 7, but as a set the condition is very good to near mint). Number 3 is present in TWO copies: both have a tipped-in envelope (with 3 Light modulators), and each a different ORIGINAL drawing by Peter Upward (one of 33,2x 52,5 cm, executed in green and pink wax-crayon over an aquamarine background, and the other 33,2x52,5 cm an abstract composition executed in blue, pink and orange wax-crayon on a white surface) and a moveable device (Poem Blanc/Blank Poem etc.), both have screenprinted covers in blue and pink (one a bit rubbed leaving light damage). Number 13 has a screenprint by Glenys Johnson “Agent Orange” and has the original artwork by Anish Kapoor in it (probably limited to 100 copies). Artist magazine self-published by Stephen Willats and with a full list of contents of all the issues. EUR 5,000.00

Published and edited by Stephen Mason, Kevin Lole, John Stezaker, Peter Willats. “The magazine is concerned with Smith, Anish Kapoor, Tony Bevan, Mary developing conceptual models”. Control Kelly, Lili Fischer, Dan Graham, Helen Magazine acts as a vehicle for proposals Chadwick, Martha Rosler, Lawrence Weiner, and explanations of art practice between Les Levine, Michael Gibbs, Endre Tot, artists seeking to create a meaningful etc.; also collectives and galleries, special engagement with contemporary society... issues (e.g. Coginition Control, Midland has documented the work of many Group Gallery, Norringham, 1972; No. 10: artists, both from the UK and abroad Extending the social function of art; No. and encouraged a wide discussion of 11: Self Organisation, the expression of artist’s practice”. Contribs. include Logie counter consciousness; No. 14: Symposium Barrow, Roy Ascott, Mark Boyle, Anthony Art Creating Society Oxford, 1989; Art and Benjamin, Peter Stroud, Joe Tilson, intervention at Wilma Gold, London, 2003). Victor Burgin, Derrick Woodham, Eric Brown, Adrian Berg, Douglas Sandle, Don Further details on request.

26 John Benjamins Antiquariat B.V. 13931-17855a.tif [#17855] DÉJÀ-VU. A Photography Quarterly Nos. 1-20 (all published). Tokyo, Photo-Planete, 1990-1995. Large quarto, thick issues in stiff pictorial wrappers, mint condition. EUR 3,000.00

Edited by I(a.o.) Izawa Kohtaro, Sawada Yoko; art directors: Komagata Katsumi, Tsuchiya Naohisa, Kawahata Naomichi. Beautifully designed and impeccably produced Japanese photo magazine.

No. 1. Cover photo by Kurigami Kazumi. Theme: Landscape and Silence (Emmet No. 15. Tokyo Diaries, Philip-Lorca Theme: l’oeil de déjà-vu (Moriyama Gowin a.o.). DiCorcia. Daido a.o.). No. 8. Dedicated to Gocho Shigeo. No. 16 Louis Faurer; Photography and No. 2. Cover photo by Tahara Keiichi. No. 9. Theme: Private Life (Nan Goldin Obscenity. Theme: le théâtre de la mode (Jan a. o.). No. 17 Furuya Seiichi; August Sander. Saudek a.o.). No. 10 features Robert Mapplethorpe No. 18 New Tokyo Photographers (Kasai No. 3. Theme: travel documents (Wim and Araki Nobuyoshi (Images of Girls). Chikashi, Konno Kumiko, Kanemura Wenders a.o.). No. 11 features Inose Kou and Frederick Osamu, Yoshino Erika, Nagashima Yurie, No. 4. Araki Nobuyoshi a.o. Sommer. Nomura Sakiko). No. 5. South (Minato Chihiro a.o.). No. 12 features Yasui Nakaji and the No. 19 Bauhaus Photography (Yamawaki No. 6. Front and back covers: Kurata 1930s, Touhami Ennadre. Iwao a.o.).

Seiji. Theme: Documentary Photography No. 13 features Larry Clark and No. 20 Araki Nobuyoshi and the ‘I Novel’ Today (Jane Evelyn Atwood, Martin Parr Sebastião Salgado. a.o.). No. 14 on The ‘Provoke’ Era; Anselm No. 7. Front cover: Emmet Gowin. Kiefer.

14647-19588E.tif [#19588] EL DJARIDA KUNST/MUSIKK/LITTERATUR 1985 – 1990.Numbers 1-8 (all publ.). Artists’ Magazine published by Idiot Press, Trondheim, Norway Folded “newspaper”, 41.5 x 25 cm, each 20 – 30 page. B+w and color offset. 8 issues: EUR 1,800.00 Interestingly illustrated mail art and graphic magazine.Texts in Norwegian, English, German. B+w and color offset. -1. PROOFNUMBER (very rare !!!), - 2. ART ATTACK, - 3. REALLY REAL SERIOUSNESS ARTBEAT, - 4. PROPAGANDA, - 5. MAIL ART MANIFEST, - 6. THE WORDLESS MAGAZINE (encl. is a personal letter of the editor and a leaflet w. infos), - 7. BURIAL ISSUE. Anthology about Mail Art. Theory + texts by: Monty Cantsin, Steve Perkins, M. Bloch, G. Bleus, Al Ackerman, H. Mittendorf, G. Perneczky and othersl). Loosely enclosed is a small paper multiple. - 8. FLUXUS Performance Workbook. 1990. Together (in very fine condition). Ref. Perneczky.Magazine Network, Cologne, 1993. page 131, 146, 212, 233

John Benjamins Antiquariat B.V. 27 6711-17753aa.tif [#19392] DIAGONAL CERO. Revista trimestral Argentina.

No. 1-28 (= last published, No. 25 never published). Buenos Aires, 1962-1969. Size (h/w): ± 24 x 19 cm. Loose (folded) sheets in original decorated wrappers or folders made of different stock. Illustrated by wood-engravings or linocuts (some coloured, most are by Edgardo Antonio VIGO) and collage. TOGETHER WITH: - Anuario 1962 and Anuario 1963 (all published).

TOGETHER WITH PRECURSOR: - (Revista) WC. No. 2, La Plata n.d. (1958) loose sheats and an oblong sheet folding to 4 pages, in an illustrated brown kraft envelope (26,6x27,6 cm). Fine condition. - (Revista) WC. No. 5, La Plata n.d. (1958). 10 loose sheets kept in green card folder,25x25 cm, image and lettering in black, with a sheet of brown kraft 18x11 cm., printed in red (a cross) and QEPD in black, pasted onto the front cover. Light wear on the spine and the edges. 2 out of 5 published numbers; extremely rare. (Detail see below).

28 John Benjamins Antiquariat B.V. TOGETHER WITH CONTINUATION: - HEXA’GONO. Nos. 1-13 (=all published). La Plata, Argentina, 1971-1975. In the original envelopes, as issued. (Comprising Nos. a, ab, ac, bc, bd, be, cd, ce, cf, de, df, dg, e). (Detail see below).

TOGETHER WITH CONTINUATION: - LIBRO INTERNACIONAL. International Book. Livre Internationale. (Director: Edgardo Antonio Vigo.), (La Plata –Argentina-), 1976-1980. 3 numbers (all published) In 4°. Loose leaves in poster stock folders, that of number 1 in blank and the two following stamped. Edition of 200 copies. Complete set.

Followed by: - NUESTRO LIBRO INTERNACIONAL DE ESTAMPILLAS Y MATASELLOS. (Para) hacia una filatelia marginal creativa y paralela. (Our International Stamps. Cancelled Seals. (To) towards a marginal creative parallel philately). (Director: Edgardo Antonio Vigo) La Plata, (Argentina), 1979-1993. In 4°. Numbers 1-20, plus 2 “between numbers” and 2 “plaquetes” dedicated, respectively, to Julien Blaine and Harley Francis II. Complete set. Loose leaves of texts, stamps and seals in carton portfolios

John Benjamins Antiquariat B.V. 29 illustrated with color woodcuts, seals, stamps, ribbons, and collages. The “between numbers” and plaquetes in a smaller forma (ab. half the size of the portfolios.

THE ENTIRE COLLECTION IN VERY GOOD TO EXCEPTIONALLY FINE CONDITION. EUR 50,000.00 Details on request.

Diagonal Cero is directed by Edgardo Antonio Vigo, the leading figure of the South American Concrete Art, Mail-Art and Concrete- and Visual Poetry movements, and great artist in wood-engraving. This is his periodical, finely produced in an innovative lay-out, using varying techniques for the illustrations (o.a. fold-outs, broadsides and colored paper) and frequently woodcuts. “Estamos en la DIAGONAL CERO, en el centro de la cuestion, observando a nuestros observadores, attrayendo y dejandonos atraer … Somos contradictorios … equivalente a libertad expresiva …” Alongside numerous contributions by the editor himself (many wood-engravings and most cover illustrations) we find a large array of other important contributors from all over South America, and elsewhere. Vigo was in contact with artists like Eugen Gomringer, Henri Chopin, Max Bense, Julien Blaine, Herman de Vries etc. In the first period, till number 19, the focus was on poetry and art by Argentinian and international authors and artists, as well as on the publication of the woodcut-collections. As of Number 20 (dedicado a la Nueva Poesia Platense) important elements of visual and experimental poetry were introduced, and started the diffusion of the work of the Movimiento Diagonal Cero experimental poetry group (Gancedo, Jorge de Luján Gutiérrez, Luiz Pazos Vigo and Carlos Ginsburg).

30 John Benjamins Antiquariat B.V. 6767-16558A.tif [#16558] DOCUMENTO SUD- (LINEA SUD). Rassegna di Arte et di Cultura di Avanguardia. Nos. 1-6 (all published). Napoli, n.d. (1959-1961). Size (h/w): 22,5 x 24,5 cm. Original pictorial wrappers. Continued as: - LINEA SUD. Nuova rassegna d’arte e di cultura d’avanguardia. Nos. 0,1,1 bis, 2, 3/4, 5/6. (all published). Napoli, Luca, 1963-1967. Original wrappers (tall narrow 4to; illustrated wrappers; first 2 issues on tabloïd size, folded twice, Directed by Luca Luigi Castellano, with light wear on the folds). published by Edizioni Sud-Arte. Contributions by Andriani, Biasi, Jaguer, Goncalvez, EUR 5,000.00 P. Jorre de Saint Jorre, I. Michiels, E. Sanguinetti, F.T. Marinetti, F. Picabia, M. Persico, Toniato von Holten, a.o. Illustrations after Baj, Mesens, di Bello, Man Ray, Picabia, Biasi, Bertini, Kalinowski, Fahlstroem, Sant’Elia, Persico, a.o. Cover ills.: G. Biasi, M. Persico, G. Moreau. Linea Sud Nos. 0 and 1 in tabloid size.; Linea Sud No. 2: “PO IO RA MA -spatolaballestrinimiccinigiulianiportapediomatticarregapignottimartinitolagiorgipersicobuenoscgiariluicapoole” Linea Sud No. 3: “NUO VERE ALTADE LLAPIT TURA ANA POLI”. Contribs. on Mimmo Paladino, Desidato, Morelli, Matarese, Rubino, Diodato. Linea Sud No. 5/6: Includes 2 loose inserted supplements with a poem by Ian Hamilton Finlay: ‘Nets’ (39 x 37,5 cm) & ‘Sails’ (59 x 37 cm), folded to fit the size of the issue.

13410-16792A.tif [#19656] EAU DE COLOGNE Nos. 1-3 (all published). Köln, 1985-1989. 40x26 cm., (No. 3: 30x24,5 cm.), stapled, 76pp, 84pp and 108pp. EUR 1,200.00 Published by the Monika Sprüth Galerie in Cologne, which focussed strongly on female artists and feminiust art. Edited by Monika Sprüth, Jutta Koether, Karen Marta, photography and illustrations in b/w and colour. Includes: Barbara Kruger, Annette Messager, Cindy Sherman, Susan Hiller, Ulrike Rosenbach, Nancy Spero, Meret Oppenheim, Rosemarie Trockel, Jenny Holzer, Dorine Mignot, Eva Meyer, Louise Bourgeois, Barbara Bloom, Hanne Darboven, Sophie Calle a.o.

John Benjamins Antiquariat B.V. 31 14406-18886a.tif [#18886] EGOISTE. Revue de mode et de photographie. Numbers 0 and 1-17. Paris, 1977-2014. Original issues as published. (Together 29 physical issues as the last 6 arein 2 volumes each, and Number 3 is missing). Unbound, b/w printing on heavy white stock, 40x30cm.

No. 0 mai 1977 No. 10 - Andy Warhol - 1987 (faint fold front cover, small stain, No. 1 novembre 1977 No. 11 - Isabelle Adjani - 1989 but otherwisevery good). - Tome 2: No. 2 décembre 1977 No. 12 - Tome 1 : Yannick Noah - Bernard-Henri Lévy. No. 4 mai-juin 1979 tome 2 : Glucksman - 1992 No. 16(2011)- Tome 1: Keira Knightly - Tome 2: Jasmes Thierrée No. 5 1982 (lacks 8 leaves,4 pages) No. 13 - Tome 1: Uma Thurman - tome 2 : Le Cirque du Soleil - 1996 (small chip lower corner back No. 6 1982 cover, otherwise fine) No. 7 1983 No. 14 - Tome 1: Gérard Depardieu - Tome 2: Soeur Emmanuelle. No. 17 (2014) - Tome 1: Cate No. 8 - Ava Gardner - 1984 Blanchett - Tome 2. Golsifteh No. 15 - Tome 1: Natalia Vodianova No. 9 - Richard Avedon - 1985 Farahani

EUR 4,000.00 Important photography journal on large size, luxuriously produced, very nicely printed on large paper (40 x 30 cm). Almost complete set (lacking only no 3). Very rare, in particular with the Zero number. Directrice Nicol Wisniak. Financed by advertising of the great brands of perfume, jewelry, watches and fashion. With the contribution of famous photographers (Helmut Newton, Richard Avedon, Bettina Rheims, etc.), on full page in black and white. With literary contributions by Marguerite Duras, Cioran, Françoise Sagan, William Styron, Jean d’Ormesson, Michel Tournier, Bernard-Henri Lévy, François Nourissier, etc.

Nº 0 mai 77: Jean-Edern Hallier, Loulou Greggory, Emanuel Ungaro, Pincemin, de la Falaise, Matthieu Carriere, M. Marc Cholodenko, Alice Springs Cholodenko, Ph. Solliers, M. Lassance, J.- Nº 6: Emile Aillaud, Ricardo Bofill - A. Leger, P. Eudeline, L. Catelli, Fr. Hardy, Claire Bretecher, Roger Corbeau - Clio S. Gainsbourg, C. Chatmet, B. Jacquot. Goldsmith, Roy Lichtenstein - André Nº 1. novembre 77: Andy Warhol - Lwoff, Lisa Lyon - Andrzej Zulawski, d’Ormesson, Bernard Frank, Michel Regine, Francois Mitterand - G. Saint- Abris anti-atomiques, Exposition Tournier, Françoise Verny, Alive Springs, Bris, Tan Giudiceli, Jean-Edern Hallier, Universelle 1989. Catherine Deneuve, Claude Lévi-Strauss, Raïssa Garbatchev, Caroline Grimaldi, Serge Gainsborg. Nº 7: Mikhaïl Baryshnokov, Caroline Bernard-Henri Lévy, Jacques Chirac, Nº 2. décember 77: Mick Jagger - Jodie Grimaldi, Simone Veil, William Styron, Drew Barrymore, Philippe Grumbach. Foster, Jorge-Luis Borges - G. St. Bris, Général Bigeard, Chalotte Rampling, Hubert de Givenchy, Yvette Horner - Angelo Rinaldi, Jean-Jaques Beineix, Gae Nº 10: ANDY WARHOL, Federico Ingrid Caven, Philippe Sollers - Patrice Aulenti, Elsa Schiapareli, Jean-Pierre Fellini, Liliane Bettencourt, Françoise Chereau. Changeux, Brassaï, Yves Saint Laurent, Sagan, Helmut Newton, Chet Baker, Patrice Chéreau, Sigourney Weaver, Kark Nº 4 Mai-Juin 79: Jean-Paul Sarte, Edgar Françoise Sagan. Lagerfeld, Marguerite Duras, Jean- Faure, Joseph Losey, Gloria Swanson, Nº 8 AVA GARDNER, Norman Paul Goude, Bettina Rheims, Brassaï, Helmut Newton, Madame Gres, Jean mailer, Margaret Thatcher, Ieoh Ming E.M. Cioran, Raymond Barre, Julian Verame, Tom Wolfe Nimen II, Madame Pëi, Maurice Pialat, Valérie Kaprisky, Schnabel, Richard Avedon, Yves Saint Paulette. Caroline Gimaldi, Lawrence Durell, Inès Laurent, Jeanne Moreau, Robert Evans, de la Fressange, Pina Bausch, Helmut Nº 5: Isabelle Adjani, Samuel Beckett, Ivo Pogorelich, Bernard-Henri Lévy, Newton. Indire Gandhi, Arthur Rubinstein, Karl Bernard Frank, Betrand Poirot-Delpech, Lagerfeld, Dalida, Gore Vidal, Sonia Nº 9 RICHARD AVEDON, Helmut Philippe Grumbach. Delauney, Olivier De Kersauzon, Éric Newton, Françoise Sagan, David Nº 11: ISABELLA ADJANI, Marella Rohmer, Maurice Rheims, Pascal Hockney, Philip Johnson, Jrean

32 John Benjamins Antiquariat B.V. Agnelli, Richard Avedon, Milhaïl Gorbatchev, David Lynch, Twyla Tharp, Guy Bourdin, Samuel Beckett, Francis Bacon, Jorge Luis Borges, Françoise Sagan, Bernard-Henri Lévy, Bernard Frank, Angelo Rinaldi. Nº 12 - Tome I: YANNICK NOAH, Patrice Chéreau, Lady Di, Antoine Gallimard, Sylvie Guillem, Saul Steinberg, Stepahnie Seymour, Eimuntas Nakrosius, Bruna Nuytte, Marguerite Duras, Oson Welles, André Glucksmann, Richard Avedon, Peter Handke, Elie Wiesel, Luc Bondy, François-Marie Banier, Jean Baudrillard, Bernard Frank, Jean d’Ormesson, Françoise Sagan, Philippe Grumbach. Nº 12 - Tome II: ANDRÉ et RAPHAËL GLUCKSMANN Nº 13 - Tome I: UMA THURMAN, Richard Avedon, Sharon Stone, Salman Rushdie, William Styron, Daniel Cohn-Bendit, Françoise Sagan, André Glucksmann, Valérie Lemercier, Le Cirque du Soleil, Stephanie Seymour, Diane von Fürstenberg, Botho Strauss, Luc Bondy, François-Marie Banier, Khalida Mesaoudi, Bettina Rheims, Marguerite Duras, François Nourissier, Philippe Sollers, Bernard Frank, Patrick Besson, Philippe Grumbach. Nº 13 - Tome II: LE CIRQUE DU SOLEIL Nº 14 - Tome I: Gérard Depardieu - Tome II: Soeur Emmanuelle. Nº 15 - Tome I: Natalia Vodianova - Tome II: Bernard-Henri Lévy. Nº 16 - (2011) Tome I: Keira Knightly - Tome II: Jasmes Thierrée Nº 17 - (2014) Tome I: Cate Blanchett - Tome II: Golsifteh Farahani

13515-16998.tif [#19653] ESOPUS Vol. 1-25. NY: Esopus Foundation (2003-2018). In glossy illustrated wrappers with accompanying compact discs, inserted posters, and fold-out sheets. Excellent condition. EUR 2,000.00 Edited by Tod Lippy. Twice-yearly artist, film director, and musicians’ mag. Includes artist’s projects, critical writing, fiction, poetry, interviews and themes cd’s of new music. Contributing artists include Richard Tuttle, Don Bachardy, Peter Seligman, Bruce Conner, Jenny Holzer, Ed Ruscha, Edward Misrach, Alex Katz, Allen Ruppersberg, Berend Strik (issue includes a multiple), Robert Therrien, and many others.

John Benjamins Antiquariat B.V. 33 14500-19204.tif [#19204] ENTR’ OPIUM. Künstlerzeitung Nos. 1- 8 (of 10 published). Kassel: Self published, 1987 - 1988. All diferent formats. Published in an edition of 50 copies each. EUR 1,600.00

No. 1. Large Quarto. 34 pages printed on different stock - with original contributions (paintings, water colors,photocopies, collages, inserts etc.) Original grey wrappers with pasted on title, held together with 2 bolt screws. Contributions by: Rolf Lobeck, Ottmar Kiefer; Gudrun Emmert, Gunnar Rosinke; Joern Budesheim; Kirsten Uchman, Thomas Bachler, Hartmut Bepler, Martin Gassner, Thilo Mössner + Harald Werner. No. 2. Small quarto, 60 pages, printed on different stock - with original contributions (paintings, walter No. 6. Folio, 78 pages, printed on different stock - with original colors,photocopies, collages, pasted inserts etc.). Printed contributions (paintings, walter colors, photocopies,collages, original light green wrappers. inserts etc. Photographic wrappers with taped spine. Contributions by: Thomas Bachler, Hartmut Bepler, Joern Contributions by: Thomas Bachler, Hartmut Bepler, Joern Bodesheim, Gudrun Emmert, Garry Fritsch, Martin Gassner, Budesheim, Gudrun Emmert, Garry Fritsch, Martin Gassner, Harald e. Hohmann, Andreas Kuhn, Rolf Lobeck, Brigitte Harald E. Hohmann, Andreas Kuhn, Rolf Lobeck, Thilo Rathmann, Gunnar Rosinke +Kirsten Uchman. Rössner, Gunnar Rosinke, Waltraud Schu,Kirsten Uchman + No. 3. Small quarto, 60 pages, printed on different stock - with Harald Werner. original contributions (paintings, walter colors,photocopies, No. 7. Aufklarung als Unterhaltung. Jahrgang 2 1988. Oblong collages, pasted inserts etc.). Blind stamped original blue quarto, 74 pages - with original contributions (paintings, rubber wrappers. walter colors, photocopies, computer prints collages, inserts Contributions by: Andreas Kuhn, Gudrun Emmert, Thilo etc. Printed stiff wrappers with taped spine. Mössner, Rolf Lobeck, Carolin Schneider, Otmar Kiefer, Contributions by: Bachler, Bepler, Budesheim, Emmert, Gunnar Rosinke, Garry Fritsch, Hartmut Bepler, Thomas Gassner, Kuhn, Lobeck, Rössner, Schu, Uchman, Werner, Bachler, Joern Budesheim, Martin Gassner, Harald Werner, Wilka. Kirsten Uchman + Harald Hohmann. No. 8. Effizienz und Faulheit. Jahrgang No. 2. Quarto, 54 No. 4. Oblong octavo, 130 pages (offset). Stapled, in original pages - with original contributions (paintings, walter colors, painted slipcase with pasted on title. photocopies, computer prints collages, inserts etc. Printed stiff Contributions by: Hartmut Bepler, Thomas Bachler, Andreas wrappers with taped spine. Kuhn, Harald Hohmann, Gudrun Emmert, Kirsten Uchman, Contributions by: Martin Gassner, Thomas Bachler, Joern Joern Budesheim, Rolf Lobeck, Harald Werner, Martin Budesheim, Kirsten Uchman, Thilo Rössner, Andreas Kuhn, Gassner, Garry Fritsch, Gunnar Rosinke. Waltraud Schu, Harald Werner, Harald E. Hohmann, Garry No. 5. Small quarto, 44 pages, with tipped in photograph, Fritsch, Gunnar Rosinke. original drawings... Red printed wrappers. One of 50 numbered copies. Contributions by: Thomas Bachler, Hartmut Bepler, Joern Budesheim, Gudrun Emmert, Garry Fritsch, Martin Gassner, Rolf Lobeck, Andreas Kuhn, Thilo Mössner, Gunnar Rosinke + KirstenUchman.

34 John Benjamins Antiquariat B.V. 11610-15445.tif [#17468] EXIT. Revue trimestrielle. Nos. 1-12/13 (all publ.). Paris, déc. 1973 - automne 1977. Original pictorial wrappers, kept in a fine box designed by Pierre Mercier; numerous illustrations. Together with another copy of No. 1. déc. 1973: De-luxe, No. 36/100, with signed serigraphies by Bellegarde, Nave and Sandorfi. EUR 1,800.00 Edited by: Patrice Delbourg, Olivier Kaeppelin, Martine Cagnot, Raphaël Pividal, and with contributions of: William Burroughs, Brion Gysin, Jean- Marie Gibbal, Martine Cagnot, André Velter, Yves Buin, Mac Cullers, Georges Perec,a.o. Photography: Jacques Monory, Marisa Duhalde, Marie Breton, Luc Girard. Informative and well illustrated magazine featuring many contemporary artists (e.g. Bellegarde, Naves, Sandorfi, Gafgen, Messac, Schmosser, Stempfel, Gasiorowski, Kijno, Biasi, Monory, Aillaud, Delay, Babou, Van Velde, Bailly, Lüthi etc.).

12961-16565a.tif [#16565] EXTRA. (An Artists Magazine). Numbers 1 - 5 (all publ.). Köln, Juli 1974 -1975. Quarto, original pictorial wrappers. Pictorial covers, a very nice set, as new. Rare complete. EUR 2,500.00 Edited by Werner Lippert, with original contributions by the artists.

-Number 1: Front cover courtesy Paula Cooper. Contributions by Hans HAACKE with text about the refusal of his project’74 ‘Manets Spargelstilleben’ by the Wallraf-Richartz Museum, which was shown later in the gallery of Paul Maenz. Urs LÜTHI: ‘The Numbergirl 1973’, Daniel BUREN: 2 pages with vertical yellow bands printed on vellum. Duane MICHAELS: ‘portrait of Andy Warhol, 1973’. Joseph KOSUTH: (Notizen) ‘Über eine anthroplogisierte kunst’ and Jean le GAC – ‘Les Anecdotes, 1974’. + loosely laid in one page text ‘Zusatz sur Projekt 74 Au s g a b e’. - Number 2: Bernar VENET: Analysis of the graphic representation of the Function y =x etc.; Anne + Patrick POIRIER: Dodici Vedute etc. + Tempio C Dell’ Acropoli etc.; A. DIAS: The Illustration of Art; Karl BLOSSFELD: 5 photographs; Art & Language, Joseph Kosuth, Iole de Freitas. - Number 3: Robert BARRY: 25 Words and 5 Blank Pages 1974; Terry ATKINSON: Article concerning Kosuth’s Anthropologized Art”; Hanne DARBOVEN: Manuscript for a Film 1970-74; Ralph GIBSON: From Days at Sea 1974; Roman OPALKA: Details and Voyage Notes; Sol LEWITT: Drawings 1974. - Number 4: Devoted to David ASEKEVOLD: Complete Documentation of his Works 1968 - 1974. - Number 5: G. PENONE: Five pressures w. constant spatial characteristics etc; Rune MIELDS: Line drawings on transparent sheets; Hans Peter FELDMANN: Pin Up Girls (photographs); Lewis BALTZ: Installations (photographs); G. ZORIO: Energy as Absence / Energy as Presence (photos on transparent sheets w. red line drawings).

John Benjamins Antiquariat B.V. 35 7089-19316c.tif [#19316] FILMLIGA. (Orgaan der Ned. Filmliga). Tijdschrift voor zelfstandige Filmkunst (after 1931 subtitle becomes: Onafhankelijk Maandblad voor Filmkunst).

Vol. 1-8 (all published. Amsterdam, J. Clausen (later: Rotterdam, Nijgh & v. Ditmar), 1927/28-1935, together with the continuation: FILMGIDS. Vol. 1 nos. 1-6 (last and all published, on orig. wrappers, light wear). Rotterdam, Jan.-June 1936). A complete collection, entirely in the original wrappers, in very good near fine condition. EUR 17,000.00

“Film League”. Complete set of the only serious avant-garde film periodical published in the Netherlands; first year (nos. 1-12) entitled ‘Orgaan der Ned. Filmliga’, published monthly in relation to the programs shown by the league, with very serious articles on the films and their makers; in later years the contents become less strictly connected to the league’s monthly program, but are not less serious. Editors: Menno ter Braak (till 1931), Joris Ivens (till 1930), L.J. Jordaan, H. Scholte, C. van Wessem, Knap, J.F. Otten. Contribs. include (apart from the editors, who gave an important share, especially ter Braak en Ivens): El G. de Roos, M.H.K. Franken, M. Sluizer, D.A.M. Binnendijk, N. Rost, A. Muller-Lehning, J. Lenauer, Lou Lichtveld, Jef Last, C.J. Graadt van Roggen, Math. Visser, Ch. Boost, Rico Bulthuis, and numerous important contributors from abroad (often publishing in German, French or English) e.g.: Cavalcanti, Marko Bardach, W. Ruttmann, Fr. Rosenfeld, Symon Gould, S. Silka, V. Huszar, Germaine Dulac, Eisenstein, D. Marion, Rene Clair, Moholy-Nagy, H. Richter, G. van Hecke, Mary Dressler, Ellen Kahn, Erika Mann, etc.; Illustrations

36 John Benjamins Antiquariat B.V. include: woodcut by Mirowitch; potraits by Jordaan (Renée Clair, Cavalcanti, Lang, Bataloff); Mitry; photo’s by Germaine Krull; photo composite by Paul Schuitema, Moholy-Nagy (Photogram), Man Ray; etc. etc.a few issues on a special theme (Hollywood, Disney, Dutch Cinematography, Film in the Netherlands). Two supplementary plates (by Cavalanti and Mirowitch, and photomontage by S. van Ravesteyn) are present. Year 1 (12 numbers), 1927- Aug.1928, with woodcuts by Cavalanti and Mirowitch in no.1; Photomontage by S.van Ravestein included in no 11in/bw,(same image as the cover which has red added;some repairs to the edges, but front cover in perfect condition). All typographical covers. Year 2 (10 numbers). Oct.1928-Oct.1929. White typographical covers, with (mostly) photograpical (Joris Ivens) or woodcut illustrations. Year 3 (10 numbers). Nov.1929-May 1930. White typographical covers, illustrated as Yr. 2. A small stain on the front cover of no 5 and no 9/10 with light damage to the right edge. Years 4 and 5 (12 numbers each). November 1931-Oct,1932. Covers in colour, designed by and with photomontages of Paul Schuitema.Two issues loose in the spine and 2 issues slightly stained, otherwise all excellent. Year 6 (12 numbers). November 1932-Dec,1933. Photo illustrated covers. Year 7 (12 numbers). January-December 1934. Covers photomontages by Cas Oorthuys. Year 8 (12 numbers). January-December 1935. Covers photomontages by Cas Oorthuys.

12272-14101.tif [#15397] EYE. The International Review of Graphic Design. Die Internationale Fachzeitschrift fuer Grafik-Design. Nos. 1-58. London, 1990-2005. Original pictorial wrappers. Fine. EUR 3,500.00 Quarterly review of graphic design with an innovative typography, edited by Rick Poynor. Features (in English, French and German), on (e.g.): Blue Note designer Reid Miles & photographer Francis Wolff, Posters of Freedom, Flash Art!, Experiments in publishing, W.A.Dwiggins (The man who invented graphic design), Play- centre of the avant-garde (on London’s Institute of Contemporary Arts), etc.

John Benjamins Antiquariat B.V. 37 14599-19482A.tif [#19482] GABBA GABBA GAZETTE (La Mere Vipere) Numbers 1-10 (1977 - 1979) All published, complete run of this pioneering punk fanzine from Chicago. R are complete, in particuler with number 1, which was 4 sheets only, stapled. Later issues expanding to 32 pages. Printed b/w only, with numerous graphics and photographs. EUR 3,700.00 The Gabba Gabba Gazette was produced in 1977 - 1979 by Mary Alice Ramel. This zine chronicled the early punk/ new wave scene of La Mere Vipere. Staff: Mary Alice Ramel - Editor, Jeanne Bukowski - Assistant Editor, Noe Boudreau - Writer Gabba Gabba Gazette is thought to be the first punk zine to emerge in Chicago. It covered the Ramones and the scene surrounding the first punk club, LaMere Vipere.

7239-7800.tif [#19702] GANDALF Nos. 1-58 (all publ.). Amsterdam, 1964-1971. Original pictorial wrappers; all issues in the original imprint, well preserved set. Added: 2 Copies of UIT GANDALF GOED VOOR U (Amst., 1968, 1st and 2nd ed., plates, orig. unif. wr. Frontwr. of second ed. sl. waterstained). EUR 4,000.00 Dutch countercultural magazine, inspired by the Hippies, the sexual revolution and the Provo movement, published monthly, issues of ab. 50/60 pp. each, with numerous (provo-cative) photographs and ills., very typical for the sixties’ , edited by and with contribs. of: Peter Hamelink, Guus Dijkhuizen, S. Carmiggelt, J. v. Hattum, Jef Last, Heere Heeresma, D.H. van Proosdey (Dichterskring), J.W. Holsbergen, Ch.B. Timmer, R. Campert, Guus Vleugel, Bibeb, Willem, Michiel de Ruyter, J. Waasdorp, K. Soudijn, P. Andriesse, L.P. Boon, R. Chapkis, J.A. Deelder, P. Grijs, J.W. Holsbergen, F. Pointl, J. Waasdorp, J. Wolkers. W. Noordhoek, Bertrand. Photos by F. Laufer, P. Boersma, E. v. Moerkerken, D. v.d. Klei, Peter Dicampo, Arn. Steenkamp. Erotic and provocative photography, Ills. by Wolinski, Barbieri, Bertrand (erotic drawings) and many others.

38 John Benjamins Antiquariat B.V. 12713-15314.tif [#16177] GANDALF’S GARDEN Nos. 1-6 (all published). Citadelle Press, London, May 1968 - 1969. Printed on various coloured stock, 30-34 pages per number, stapled into colourful pictorial wrappers; numerous ills. Mystical Scene Magazine.

Nos. 1-2: Fear Not- You are now entering Gandalf’s Garden No.3: A New World grows beneath the snows No. 4: the inner zodiac wheels between the leaves No. 5: beyond the brain& blown mind lies Gandal’s Garden). Except for some very light soilage to covers in fine condition. Very rare. Added: CD: The complete Gandalf’s Garden (signed by Muz Murray). EUR 2,000.00 Editors (Gandalf’s Gardeners): Muz Murray. Field editor: Alex Lowsiewkee; Head Gardener: Gerry Snelling; Graphics: Pip Bassett, Francois Vasseur, June Cramer, Sue Soar, Ken Hayes, Geoffrey Carton, John Hurford, Carol Blain, Jay Amler, Pat Kyle, Steven Ridgeway, John Power, etc. ; Photography: Chris Ridley, Robin Chapman, Colin Bord, Andy Coventry, Selene, etc. Contributors include Peter Finch, John Mitchell, John Peel, Marc Bolan, Nicki Wood, Geoffrey Ashe, Barney Bubbles, Dave Cumliffe, Viv Broughton, etc. A monthly venture; later: Published as often as possible for people with love. And will appear again when the weather is right. It is the lifestyle of those who produce it. We hope it is yours. (The Voice of the Overground; Overground Free Press).

12746-15380B.tif [#18381] INK. The Other Newspaper. Nos. 1-29 (all publ.). London, May 1971 - Feb. 1972. Tabloïd, unbound. On newsprint, with colour added; numerous photographs and illustrations (some small marginal tears and endemic browning, No. 26 has front cover damage, a small piece is missing). EUR 4,000.00

British Underground paper, at first as No. 21 (which appears twice in the weekly, then becoming irregular. With numbering). attacks on the government, police and Features including David Cooper on the society in general, with much avant- family; Tim Souster on Stockhausen; garde artwork. Supposedly financed by “Ralph Nader for President?” by JG John Lennon, Yoko Ono and Germaine Ballard; Alexander Trocchi on the junkie Greer. Published by Paul Bream. Critical scapegoat; the first appearance of “The against domestic politics, as well as Writer” by William Burroughs; Felix foreign politics, particularly the war Dennis on John Lennon; interviews in Vietnam. Also pop music, film, sex, with Eldridge Cleaver, James Baldwin, books, etc. Contributions by Alex. and others; and news coverage of the Trocchi, Richard Neville, Alex Mitchell, Stoke Newington 8; the Prescott/Purdie, Felic Dennis, Andrew Fisher, Ed Victor, Angela Davis, Mangrove, and Oz trials; etc.; interviews with Eldridge Cleaver, Gay Liberation; censorship etc. James Baldwin, etc. No. 22 misnumbered

John Benjamins Antiquariat B.V. 39 7486-17598a.tif [#17598] HIGH TIMES. The Magazine of High Society. Numbers 1-76. Summer 1974 - December 1981. In the original coloured wrappers, overall condition is excellent with some issues “like new” and others with only minor reading wear. Front and back covers all intact and fine (except for a rubberstamp on no.16 and an old mailing label on no 55; small ink mark on no 60; one spine split). The first in the premiere edition, First state with $1.00 price and “premiere issue” on the cover (grey and blue-green colored pictorial wrappers). A very rare ongoing set of the earliest period. EUR 6,500.00

Editor: Ed Dwyer. From the announcement-letter (May 16, of High Times.” Contribs. by Richard Ashley, Bruce Eisner, 1974): “The Trans-High Corporation of New York announced Albert Goldman, Michael Horowitz, Ron Rosenbaum, John today the publication of a new magazine.... It offers Wilcock, Deanne Stillman, a.o. Also interviews with (o.a.) extensive and sophisticated coverage of the pleasure and the Dalai Lama, Albert Hofmann, Dr. Norman Zinberg, psychochemical culture.... articles ranging from the ecology Andy Warhol, Peter Beard, Fran Lebowitz, Keith Richard, of cannabis paper to an investigative report on a nine-ton Marianne Faithfull, etc. In addition to the controversial drug pot bust. A regular feature of High Times is a comprehensive coverage and in-depth countercultural articles, there is a Wall Street Journal-type listing of psychochemical prices sizeable amount of early punk rock coverage thanks to Tom around the world (=in fact ‘High Witness News’). Also Forcade’s early interest in the Sex Pistols and punk music as featured are medical and legal columns written by leading the “next big thing”. Forcade even provided funding for John experts as well as eclectic reviews of films, records and books. Holmstrom’s Punk magazine at one point. While High Times ... psychochemicals have become the cause of psychological continues to this day, the focus here was on music related and sociological problems; to alleviate these problems, the coverage and therefore this particular run ends in 1981 where first step is to take a more thorough look. This is the purpose the musical interest also begins to taper off.

7609-8189A.tif [#17996] IMAGO. Proposte per una nuova immagine. Nos. 1-15 (all published, without No. 13 which was probably never published). Milano, Edizione della Bassoli Fotoincisioni, 1960-1968. Loose-leaf and/or in the original wrappers, kept in the original black cardboard slipcases, 31 x 25 cm. (Some of the slipcases rather worn at the edges; vols. 9,10,11,12 with the original wrap-around intact; only Vol. 3 without slipcase) EUR 5,000.00

Director: Raffaele B. Munari, M. Provinciali, F. Rognoni, L. Spacal, A. Testa, P. Bassoli. Each volume Tovaglia, E. Treccani, a.o. Texts by G. Arpino, C. Belloli, G. contains contributions Bocca, A. Borlenghi, J.L. Borges, D. Buzzati, R. Carrieri, G. by contemporary Celant, P. Chiara, R. De Grada, G. Dorfles, G. Ferrata, S. Fiume, Italian writers, artists, T. Kezich, G. Pontiggia, a.o;Vol. 14: Numero speciale dedicato photographers, graphic designers, etc., in loose-leaf form al caminetto ( Dedicated to the Fireplace), Vol. 15: Numero and small booklets in various sizes, executed in different monografico di “Imago” (n. 15), dedicato alla automobile printing techniques by Bassoli Fotoincisioni. Included are di stile (Dedicated to the designed autocar), realizzato in publicity leaflets, typographical lay-outs, multiples, manifestos, edizione speciale per la Pininfarina Spa. Bibliographic posters, visual poetry, photographs, etc. Includes work by searches have not resulted in locating a copy of a Volume 13; Bianconi, Bonfanti, E. Carmi, G. Confalonieri, S. Dangelo, S. the only sets offered in the trade are without vol. 13, and we Fiume, A. Gastaldi, M. Huber, H. Osterwalder (Studio Boggeri), may assume that this has never been published.

40 John Benjamins Antiquariat B.V. 14250-18517a.tif [#18607] IDENTITÉS Nos. 1-14 (all published). Aix-en-Provence, Nice, juin 1962 - hiver-printemps 1966. Together 11 physical issues (3 double issues), 50x33 cm, varying from 4 to 10 pages, all in good condition (only no 5 light soilage and split spine). An extremely rare periodical, EUR 4,000.00

Founded by the painter Marcel Alocco, typographically designed wit Ben’s en 1965” (Isidore Isou). “Architecture with Régine Aizertin-Robin. 1962 : 1, handwriting in the middle”Je soussigné dépaysée”, Ernest Pigeon. An interest in juin / 2, sept.-oct. / 3, nov.-déc.- 1963 : 4, Ben Vautier, déclare authentique oeuvre Fluxus: George Brecht “Conversation avril-mai / 5, hiver.- 1964 : 6, printemps d’art l’ABSENCE D’ART, 1/10/63”: avec Ben et Alocco”. No. 13/14 devoted / 7-8, été-automne.- 1965 : 9, hiver / 10, Ben’s contribution from then on in to “La musique de la Vie”, with “l’ printemps / 11-12, été-automne.- 1966 : all the issues and a general interest Événement happening”, with text by 13-14, hiver-printemps. Title suggested for FLUXUS. Robert Filiou, George Jean-Jacques Lebel. Also contribution by Aizertin, based on a poem by Eluard, Brecht, John Cage, Jean-Jacques by John Cage (conversation with Michel dedicated to Dora Maar (“feministe”). Lebel, Wolf Vostell, Gius.Vhiari, Duick Kirbyand Richard Stechner). A feature Initially a predominantly literary Higgins. No. 10 is devoted to the Beat on the Young Japanese Poetry (Tajiro journal (Jean-Pierre Charles, Daniel Generation, contributing are Allen Amazawa, Takahido Okada, Makoto Biga, Richard Laszlo, Daniel Karm, on Ginsberg and J. J. Lebel, also François Oaka, and Robert Filiou (“Bruits Robbe-Grillet, Jean Pastureau, Daniel Maspero. It has a full page supplement montants de la Fginza”). Feature on Reynaud, Renaud Matignon, Serge (printed recto only), with 4 texts Architecture in no 10 “ l’Architecture Bec etc.) the interest and scope widens by Vautier (“Vers la fin cela devient dépaysée” and in no 13/14: Art significantly after the transfer to Nice. cochon”). Also Arman,Ben,Gette Gilli, Habitable by Ernest Pignon. Important In No. 7/8 begins the collaboration of Le3 Clézio,Malaval, Raysse,Venet.No. contributions on the “Happening” by BEN VAUTIER (Une lettre de Ben) 11/12 on the Ecole de Nice (drawing by Ben Vautier, Al Hansen, Gius Chiari, J-J. and a full-page poster-like supplement, Robert Malaval). A feature on “Lettrisme Lebel, Milan Knizak, Dick Higgins.

13125-16083.tif [#16083] INTERNAZIONALE SITUAZIONISTA Voll. 1-3 (all publ.) Genova, E.C.A.T. Libri, 1975 - 1977 (maggio); Original pictorial wrappers, typed, mimeographed. EUR 700.00 The first Italian translation by Sergio Carlini. of the first 6 numbers of «Internationale Situationniste»: Vol. I (1975): 22,6x19,4 cm.,; Vol II (febbraio 1976): 22,4x19,4 cm. ; Vol. III (maggio 1977): 20x21 cm. Not more published after this.

John Benjamins Antiquariat B.V. 41 7717-8325.tif [#8325] INTERNATIONALE SITUATIONNISTE Collection of ‘Internationale Situationniste’ and the corresponding international sections, as described below. Together 18 original issues.

- INTERNATIONALE SITUATIONNISTE. Bulletin - DIVERSION. Number 1. Brooklyn, June 1973. central édité par les sections de l’internationale Original salmon pink metallic cover, ill., 56 pp. situationiste. Nos. 1-12 (all publ.). Paris, juin 1958 - septembre 1969. 8vo; original wrappers (each in a - SITUATIONISTISK REVOLUTION. Centralorgan different colour metallic board, No. 2 in the 2nd for den skandinaviske sektion af situationistisk edition), kept in black cloth slipcase, with silver paper internationale. No. 1. Copenhagen, Internationale spine. Situationniste scandinavian section, October 1962. 40 pp. Original silver metallic cover. Illustrated. - SITUATIONIST INTERNATIONAL. Review of the American section of the I.S. Number 1 (all publ.). New - DER DEUTSCHE GEDANKE. Organ der York, June 1969. Original cover, 48 pp. Situationistischen Internationale für Mittleuropa. No. 1. Brussels, Internationale Situationniste german - INTERNAZIONALE SITUAZIONISTA. Rivista delle section, April 1963. 40 pp. Original gold metallic cover. sezione italiana dell’I.S. Number 1. Milano, July 1969. Illustrated. Original green cover, ill., 144 pp.

42 John Benjamins Antiquariat B.V. TOGETHER WITH:

- PLANKTON The Quarterly Bulletin of the Plankton Society/ Driemaandelijks tijdschrift van de Vereniging ter Bestudering van het Plankton/Revue trimestruielle de la Societe d’Etudes du Plancton. (Vol. 27, No. 3). Paris, 1969. Size: (h/w): 26 x 16,5 cm. 120 pp. Uncut. Original wrappers around the original text-pages of the August/September issue 1969 of the Paris Internat. Situationiste No. 12.

- ADDED: POSTER: (Raoul Vaneigem, Bertrand, Gérard Joannes): Camarades ceci n’est qu’un commencement pour en avoir plus sur vous-même… Lisez la revue Internationale Situationiste. Le numéro 11 vient de paraitre. Boite Postal 30703, Paris. ; Imp. Les Presses du Marais, 5, rue Aubriot, Paris. Poster on thicker white paper, 37x55,5 cm., printed in black with red. Nice clean copy. EUR 6,000.00

- Internationale Situationiste: Director: - Situationisk Revolution . Edited by Guy Debord. Contributions by Michèle Bernstein, Guy Debord, Atilla Mohamed Dahou, Asger Jorn, Gius, Kotanyi, Uwe Lausen, J.V. Martin, Raoul Pino-Gallizio, M. Wyckaert, H. Sturm, Vaneigem, Alexander Trocchi. Director: Kotanyi, Lausen, Vaneigem, Trocchi, Jeppesen Victor Martin. Théo-Frey, Michèle Bernstein, Constant, - Der Deutsche Gedanke: Brussels, a.o. Internationale Situationniste german - Situationist International: Editorial section. Director: Raoul Vaneigem. Committee: Robert Chasse, Bruce - PLANKTON: Clandestinely published Elwell, Jonathan Horelick, Tony and distributed in the disguise of Verlaan. Articles: ‘Certain Extraordinary a scientific natural history journal Consideratoins Contributing to the (‘Founded by the Fonds Neerlandais Understanding of the Devolution of pour la Recherche scientifique, Capitalism and Bureaucratization of Nederlandse Organisatie van Zuiver- Existence’, ‘The Practice of Theory. The Wetenschappelijk Onderzoek’). Situationist International’, etc. Contents of the issue as printed on the World & infra-world or/and life & - Internazionale Situazionista: Ed. front-cover consists of the following infra-life”. The back-cover of the by: Claudio Pavan, Paolo Salvadori, imaginary articles: Pr. Parvus “La issue contains the following curious Gianfranco Sanguinetti. Articles: ‘Il métamorphose de la larve garnautine”, information: “Un numéro spécial de Ritorno della Rivoluzione Sociale’, E. Pouget “Le syndrome de Frei en notre revue paraîtra en février 1970 qui ‘Banalità di Base’, etc. deça des grandes profondeurs”, M. sera consacré au compte-rendu par - Diversion: Ed. by Jon Horelick. Jacob “Dynamique des courants sous- l’équipe du Professeur Riseau-Lebel de Articles: ‘The Poverty of Ecology’, ‘News jacents: 1) Monde & infra-monde l’expédition de recherches sur la fosse of Disalienation’, ‘The Shattering of abyssal (à suivre).”, G. Van Vollenhoven 74 de Meni-Montang (Indonésie). Nos Bureaucratic Power in Polan’, ‘The “Gregarious behaviour in the I.C.O. abonnés recevront automatiquement ce Practice of the Truth. The Crisis of the zone: Answer to the first part of the numéro spécial.” Very rare document of Situationist International’, etc. communication delivered by M. Jacob: the Situationist movement.

John Benjamins Antiquariat B.V. 43 7748-8341.tif [#14458] THE I.S.C.A. QUARTERLY. Journal of the International Society of Copier Artists, Ltd.

Vol. 1-21 no. 4 (= Final Issue; all published). New York, April 1982 - June 2003. Tog. 84 issues; sizes vary; spiral bound and in folder, or loose in special boxes for some issues. Tog. ca 2700 prints or items, all signed by the artist. Limited edition of 100 to 200 copies. EUR 10,000.00

44 John Benjamins Antiquariat B.V. The International Society of Copier Artists (I.S.C.A) was a non-profit group founded by Louise Neaderland in 1981, intended to promote the work of copier artists and to advocate for the recognition of copier art as a legitimate form. Complete set of this unique periodical of which each issue consists of an assemblage of photocopied-prints, turned into original artwork by various techniques (colouring, collage etc.), numbered and signed, by artists who use the photocopier as a creative tool, including colour copying. Directed by Louise Neaderland. Contribs.include Anne Gilman, Susan Gold, Ralph Neaderlan, Keiichi Nakamura, Eiichi Matsuhashi, Lisa Reichenberger, etc.; final issue: “War and Peace”. The I.S.C.A. Quarterly was published from 1982-2003. Typically, issues were produced in limited editions of 200 copies, with an average of 45 pages of original copier art supplied by I.S.C.A. members. Over the years the form of the Quarterly mutated from a collection of unbound pages to a spiral bound journal with an Annual Bookworks Edition composed of a box of books made by I.S.C.A. members. The work produced for the Quarterly ranged widely in focus from social and political issues to personal and emotional themes. The final issue (Volume 21, #4) was published in June 2003.

12085-19387b.tif [#19473] INNERSPACE. The magazine of the psychedelic community. Vol. 1 nos. 1- 5 (all published). New York, 1966-1967. Size (h/w): 28,5 x 26,7 cm. Stapled in original illustrated wrappers. (very mild soilage to all numbers, No. 1 frontcover with near invisibly repaired closed tear ; No. 3 backcover has small ad cut out.but otherwise quite good). Rare complete EUR 2,200.00 Edited by Linn House, managing editor: Peter Weinberg. Contributing ediotrs: Peter Stafford, Ira Einhorn. Staff artist: Linda Jarvis.I ssues of 24-32 pages, printed in offset in vartious colours, fully illustrated. Part of the Underground Press Syndicate. Number 5 is the “American Indian Issue” and contains a letter referring to issue no. 4. Contains articles and reports on drugs, be-ins, etc. with correspondents in San Francisco, Los Angeles, Beirut, Berkeley, Nashville, later also Bombay, Amsterdam, Cleveland, etc.

John Benjamins Antiquariat B.V. 45 7685-19622A.tif [#19622] INTERFUNKTIONEN. Zeitschrift fuer neue Arbeiten und Vorstellungen / Paper for New Visual and Verbal Works / Revue des Travaux Théoriques et Pratiques. Nos. 1-12 (=last published). Cologne, Interfunktionen1968-1975. Together 12 vols., 30x23 cm., (nos. 9 and 10 are 14,6x21 cm). Original wrappers, in very good condition; only no 2 with minor repair to the spine). Number 1 in the second facsimile edition (which was published in an edition of 77 numbered copies only, monogrammed by Heubach), all others in first (and only) edition; numbers 9 and 10 fine with the supplements. EUR 5,000.00

Excellent complete set: Edited by Fr. W. Heubach, and (after no 11): B.H.D. Buchloh. From an edition of 250-500 copies. Central organ of the Happening Movement and Fluxus, with articles on and by Vito Acconci, Baumgarten, John Baldessari, Josef Beuys, Marcel Broodthaers (cover design of no 11), Günter Brus, Daniel Buren, Jan Dibbetts, Gilbert and George, Haacke, Richard Long, Bruce Nauman, Dennis Oppenheim, Panamarenko (Das Fluzeug,printed on acetate in No. 4) , Sigmar Polke (small orig.in No.9) , Rainer Giese (suppl. No. 10), Dieter Rot, Vostell. No. 12: Photography, filmography and filmscripts (Buren, Yvonne Rainer, Lamelas etc.).

12075-13831.tif [#13831] LOCUS SOLUS Nos. 1-5 (all publ.) Lans-en-Vercors, France, Winter 1961-1962. Size (h/w): 18,2 x 12,4 cm. Original wrappers. EUR 800.00 Magazine for experimental poetry and prose in the early sixties, and an important Beat periodical. Edited by novelist Harry Mathews and poets John Ashbery, Kenneth Koch and Jimmy Schuyler, all of whom contributed to its pages. Other contributors were Frank O’Hara, LeRoi Jones, Edwin Denby, Diane DiPrima, Ted Berrigan, William Burroughs, Gerard Malanga, Barbara Guest and Daisy Aldan. Outstanding was a special issue devoted to the neglected art of literary collaboration, a historical survey which included translations of Japanese, Chinese, Provençal and French surrealist poets. Nos. 3/4 were combined to a double issue. No. 5 is extremely scarce.

46 John Benjamins Antiquariat B.V. 14685-19668A.tif [#19668] INTERNATIONAL ANTHEM:. NIHILIST NEWSPAPER FOR THE LIVING

Nos. 1-3 ( all published), New York, London, 1977-1980. Tabloid format, unbound, folded newsprint sheets offset printed in b&w [with red color added on the cover of no. 2]. Handwritten additions in red marker last pager of first number. On the front of no 1 remainder of old price sticker No 1: 20 pages light toning,fine; No. 2: Domestic Violence Issue. 16 pages, very small tears to right margin of the last pages, light toning, very good condition; No. 3: Anti War Issue 20 pages, slightly enlarged,better paper; light damage to righthand margin of front page and a few later papers, very good condition.(This number produced by ExitstencilPress, c/o Rough Trade,202 Kensington Pard Rd., London W11) ; EUR 3,000.00

Edited by Gee Vaucher, renowned political artist, known for her ‘radical creativity’, montages, and iconic record sleeve artwork for the famous anarchist-pacifist band Crass. Vaucher has always seen her work as a tool for social change, using surrealist styles and methods, and a DIY aesthetic to create powerful images exploring political and personal issues.Gee Vaucher, started in this magazine in New York in 1977. Related to the English anarchist punk band Crass she published this anarcho-punk newsletter with many very strong full- or double-page photo collages or reproductions of artwork by herself. Numbers 2 and 3 have the Crass-Logo on the front page. Number 2 has the famous “Soldier” with red lips on the front. Vaucher was a graphic designer working in New York, known for ther striking photocompositions on feminism and pacifism, and opposing consumer culture, violence and war. An important number of these remarkable collages are full page in this magazine. The periodical also included contributions from Crass members Penny Rimbaud and Eve Libertine.

John Benjamins Antiquariat B.V. 47 14595-19465F.tif [#19465] JAY’S JOURNAL OF ANOMALIES Numbers 1-16 (Volumes 1-4). 16 Issues, The complete set plus related ephemera. Los Angeles: Ricky Jay / W & V Dailey, 1994-2000. First Edition. 4to. Self-wrappers. Letterpress printed by Patrick Reagh on Rives Heavyweight paper. Sixteen issues plus assorted related ephemera, including most of the original mailing envelopes. Fine condition. EUR 4,000.00 Complete run in the original imprint of Ricky Jay’s exceptionally- produced periodical of “conjurers, cheats, hoaxters, pranksters, jokesters, impostors, pretenders, side-show showmen, armless calligraphers, mechanical marvels, [and] popular entertainments.” bizzare, and eccentric individuals. The circus, the side shows, the freaks, the daredevils, the magicians, the London Fairs, Bartholomew Fair and their collection of off beat eccentrics. With the likes of P.T. Barnum and his collection of eccentrics, and the side shows, the Magicians, with the likes of Isaac Fawkes, Robert Houdin, Johann Nepomuk Hofzinser, the Herrmann’s, Harry Houdini, etc. Profusely illustrated with drawings and posters, many in full color. A quarterly publication, written by Jay,

drawn entirely from his own personal collection, and sumptuously printed by Patrick Reagh, JAY’S JOURNAL sought to be “[a]n anomaly devoted to anomalies.” As he later wrote in the afterword to 2001 trade reprint of the journal: “The major catalyst [...] was the pursuit of a higher standard of illustration, type, and paper than the mainstream publishers of my earlier work were able to provide. I wished to do justice to materials collected over long years [...] The idea of a [...] fine-press book intrigued me less than a periodical with high production values - a magazine printed letterpress on mold-made paper, with tipped-in color illustrations” (163). A luxurious production devoted to the curious and issued in decidedly small runs, individual issues are uncommon and sets scarce. The provenance of this set would be the first original subscriber. The set includes annual renewal forms, original mailings envelopes, and an illustrated letterpress broadside announcement published by the Quantuck Lane Press of an exhibition of Jay’s collection of magic-related broadsides from the 17th, 18th, and 19th centuries.

48 John Benjamins Antiquariat B.V. 8027-8634B.tif [#15398] KAYAK Nos. 1-64 (all publ.). Autumn 1964 - 1984. Original pictorial wrappers (nos. 49-64 with inobtrusive small library stamp). EUR 3,600.00

Ed. by George Hitchcock, with contribs. by One of the major literary and artistic periodicals Kenneth Rexroth, Gary Snyder, M. McClure, of the period. “…particularly hospitable to Robert Bly, W.S. Merwin, Ed. Roditi, Anne surrealist, imagist and political poems…… Sexton, Paul Blackburn, Antin, Atwood, Levine, welcomes vehement or ribald articles on the Ammons, Merwin, Simic, Knott, Tate, Roditi, subject of modern poetry…” See Anderson/ Berry, Pillin, Blazek, Carver, Valaoriti s, Beiles, Kinzie, p. 707; Secret location p. 283. Sexton, Snyder, “found poems” and translations.

12798-15488.tif [#16848] KRATER UND WOLKE Band 1-7 (all published). Cologne, Galerie Michael Werner, 1982-1990. Original illustrated boards, size 30,5 x 24,5 cm., each volume containing ab. 120 unpaginated pages, including numerous original graphics, partly in colour, partly folding (by Baselitz, Immendorff, Kirkeby, Lüpertz, Penck), and 3 flex-discs. EUR 8,000.00 Complete set of this artist publication edited by Ralf Winkler (A.R.Penck) and Georg Baselitz (for volume 7). Published in a limited edition of 200 copies, each volume is dedicated to an artist and contains original work. Vol. 1: Georg Baselitz Vol. 2: Jörg Immendorf Vol. 3: Markus Lüpertz Vol. 4: devoted to Per Kirkeby Vol. 5: devoted to James Lee Byars Vol. 6: entitled USA/Europa Vol. 7: A.R. Penck. The discs record: Peter Kowald: KontrabassSolo; J. Immendorff: Die Vielleichtors und Cafe Deutschland; Penck (Drums) & Lüpertz (Vocals & piano): Das Springerkonzert 1983.

John Benjamins Antiquariat B.V. 49 8141-8752.tif [#8752] KWADRAAT-BLADEN / QUADRAT-PRINTS / FEUILLES-CADRAT / QUADRAT-BLAETTER. Edited by Pieter Brattinga.

Collection of all 35 pieces (complete and in unusual good condition) published by Steendrukkerij de Jong, Hilversum, between 1955 and 1974. Original wrappers, portfolio-wrappers, foldings, and one box. Sq. 4to., 25 x 25 Cm. Text in Dutch, English, French and German. comprising: all 27 proper Quadrat-Prints, plus 5 folding cards (text + image), the Sonsbeek folder and 2 anniversary volumes. Rare collection in absolutely excellent, near mint condition. EUR 7,000.00 A landmark of fine Dutch design. A series of publications initiated by Pieter Brattinga, focusing on printing-art and characterised by a great diversity in concept, design, context and typography. In 1955 the name ‘Kwadraatblad’ (Quadrat Prints) was introduced with the folded lithographs measuring 25x25 cm., by Cor Klaasen, Jan Sleper, Ed van der Elsken/Lucie Kurpershoek,Friso Henstra. These were followed by the famous ‘Clocks of Chagall’ an, original work by Marc Chagall illustrating a text by Bernard Majorick in November 1956. Also present is the rare Photolitho for Sonsbeek Pavillion by Rietveld and the 2 Anniversary Books of the Steendrukkerij (50th and 60th Anniversary). Brattinga assigned a cultural task to the quadrat prints: they were devoted to yechnologically much advenced experiments in the field of design, art, architecture, music and literature and evolved to a wellknown avant-garde annual journal. In 1974 the succesful series came to an end with ‘Typographic analysis’ by A. Magelhaes. The prints and booklets were available free of charge as promotional matter for clients and friends. Due to this only few complete sets have survived and have become quite rare, particularly in near mint condition as here, and with the added parts. This collection checked against the bibliography by Geneviève Waldmann: ‘The activities of Pieter Brattinga’ (‘s Gravenhage, 1989) comprises the following titles:

- DE KLOKKEN VAN CHAGALL (The clocks of Chagall). - GENESIS OF A COMPOSITION, booklet. 1961. With a Booklet. 1957. With a lithograph of Marc Chagall. Author B. reproduction of a mural painting (foldout) by Jan Bons; Majorick; design Otto Treumann Plain cover, spine very lightly author B. Marjorick sunned - ORGANICS. Booklet. 1961. Author William Katavolos; design - THE SICK LION AND THE FOX. 1957. With litho by Cees Pieter Brattinga. 1961. The philosopher designer William Timmer Katavolos writes about “Organics” in design” - BUCKMINSTER FULLER. Loose-leaf booklet. 1958. Together - UNREADABLE BOOK, folded portfolio with loose-leaf. 1964. 4 leaves + wrapper, design Otto Treumann Design: Bruno Munari. 1964 (Note: This book folded in the - NU XX (in the middle of the XXth century). Booklet. 1959. original wrapping paper designed and imprinted by Brattinga; Text and design by W. Sandberg. 1959 left bottom corner of the wrap has a minuscule defect, but otherwise near mint and the book itself mint, as is seldom - MART KEMPERS. Portfolio of 3 lithographs. ca. 1959 seen) - MUZIEK EN TECHNIEK (Music and Technics). 1960. Text - SCHRIJF-TAAL ii (Written language ii). 1963. Portfolio by the composer Ton de Leeuw. Design Harry Sierman / - containing 19 leaves. Ed. - S. Vinkenoog, design Ton Raateland PLAYING CARDS, looseleaf, 1960/61. By Anne H. Mulder, design: H.P. Doebele - SCHRIJF-TAAL iii (Written language iii). No date. Portfolio with loose-leaf. Contemporary poetry collected by Simon - SCHRIJF-TAAL (Written language). 1961. Portfolio of Vinkenoog, with the handwriting of poets handwritten poems by international poets, loose-leaf. Ed.: Simon Vinkenoog; design Ton Raateland - DAILY MIRROR, portfolio with loose-leaf printed by Diter

50 John Benjamins Antiquariat B.V. Rot on newsprint. 1965. Design Diter Rot. (the cardboard - MUSIC PAPER. Portfolio with loose-leaf ‘music-paper’, 1970. portfolio in good condition,with only the left overlaying flap Text and design Paul v. Reeuwijk. neatly enforced from the inside, the printed pages inside - HOUSE. 1971. Booklet with photographs by Les Levine. internally mint) Design Pieter Brattinga - PHILOMENE, book illustrated by Pim van Boxsel. 1966. - CIJFER (Figure). 1971. Box with cash receipts, symbolising a Design Pieter Brattinga. (‘The marvelous adventures of trip around the world. Design Pieter Brattinga. (copy no. 0549) Philomene’ told in drawings by Pim van Boxsel) - A TOPOGRAPHIC ANALYSIS OF A PRINTED SURFACE. - NEW ALPHABET. 1967. Booklet. Text and design by 1974. Concept Aloisio Magalhaes; design Pieter Brattinga. W. Crouwel. ‘Proposal for a new type that, more than the traditional types, is suited for the composing system with the TOGETHER WITH: CRT’ - Folder on white card (photolitho) for SONSBEEK - COUNTERPROPOSAL by Gerard Unger in response to ‘New PAVILLION BY GERRIT RIETVELD. 1956. Author: Jan Alphabet’ 1967 Elburg; design Jurriaan Schrofer (format 21 x 25 Cm; a bit - SCHRÖDER HOUSE. Booklet with foldouts. 1963. Text by yellowed) with the book added. G. Rietveld. Design and photography Pieter Brattinga. With - All 5 folding cards (complete, 1955-1956) lithographed Cards architectural drawings and handwritten notes by Rietveld. (25 x 25 Cm) by: Mart Kempers (Uuur U, rare), Jan Sleper, Cor - EXTRA SCHRIJFTAAL (Extra written language). 1967. Cover Klaassen, Friso Henstra, Lucie Kurpershoek-Visser) with double-page spread. With 3 lithographs by Henry Miller; - TWO BOOKS published on the occasion of the 50th and design Pieter Brattinga / - NU 2. Booklet, edited and designed 60th Anniversary of Steendrukkerij (the printer) De Jong. by W. Sandberg. 1968 - 7 INVITATIONS (12,5x12,5 cm each, folding) to openings/ - ALPHABET. Booklet. 1969. Author Thimoty Epps in response vernissages of Exhibition in the Canteen of the Printshop: to ‘New Alphabet’. Design John Stegmeijer / - ALPHABET. 23/1-4/3,1965 (Kelly):- 16/8-22/9, 1965 (Wim Schippers) Portfolio with looseleaf, by Anthon Beeke in response to ‘New 26/2-6/4,1966 (Colour abd Cube); 11/12-11/2,1966 (Vases); Alphabet’. 1970. Photography by Geert Kooiman; on the inside 11/6-30/8,1966 (Topor Panic); 18/6-30/7, 1971 Roland van den cover a photo essay by Ed van der Elsken Berghe). -27/3/27/5,1965 (Ikko Tanaka). - WIM SPREEUWERS. Untitled. 1970. Folded portfolio with box constructions

John Benjamins Antiquariat B.V. 51 8146-17924a.tif [#15504] KWY. Revue trimestrielle d’art actuel. • Nos. 1-12 (=last publ.) & 2 Nos. Hors série. Paris, Mayo 1958 - Hiver 1963. Loose or sewn in original illustrated wrappers, folio, (except no 6 which is 8vo and No. hors série which is oblong 8vo.). Ills. • No. 2 limited edition of 60 copies • No. 3 limited edition of 85 copies (the removed artist’s name of Brust still faintly viisible in handwriting on the frontcover) • No. 4 limited edition of 100 copies • No. 5 signed in pencil on back-cover: 73/134 (suggesting that this issue was limited to 134 copies only) • No. 6 limited edition of 500 copies • Nos. 7-12 each in a limited edition of 300 copies. The first number had 8 pages only, and is present in perfect colourcopy. COMPLETE SET, ALL FIRST PRINTS (except No. 1), VERY RARE. In No. 12 some of the cards on the sheets are signed in pencil or pen (see below). Added: an original gouache (21x30 cm) attributed to Gonzalo Duarte. EUR 30,000.00 Edited by ‘Le Groupe KWY’: Lurdes de Castro, Gonçalo Duarte, Christo, Jan Voss, Joao Vieira, Escada, Costa Pínheiro, E. René Bertholo. ‘La Seule Revue publiant des Sérigraphies originales imprimées à la Main’.

52 John Benjamins Antiquariat B.V. - No. 1 Mayo 1958 ( this - No. 4. Maio de 1959. Lurdes Castro, - No. 6, Juin 1960 (32 pp.) Wrappers issue in fine colour René Bertholo, Paris. 12 pages.Oblong, after work by Gonçalo Duarte. One of copy). 8 pages; 29x17,2cm; stapled in the spine (very light wear to 500 copies. With original silk screens Contribs: Sol Acin, R. right upper corner), but an excellent by Gonçalo Duarte (2), José Escada Bertholo, Lurdes Castro, copy. 23,7x29,8 cm Edition of 100 (3) and Antonio Saura (1, folded in 3). François Simoneau). copies, Frontcover colour serigraphy Contributions by Manuel de Castro, by Antonio Costa Pinheiro. Contribs: Sebastião Fonseca, Alfredo Margarido Note: This is the only Guy Weelen (text), Manuel Gargaleiro and Michel Tapié. issue in colour copy, all subsequent ones (repod.), Nuno de Bragança (text) with are originals! As follows: ill. René Bertholo; J.A. Fraça (text), - No. 2. Agosto 1958 ( 12 pp. incl. Maria Heelena Vieira da Silva (orig. wrappers). Poema de Helder Macedo; Serigraphy); Christovam Pavia (Poema); Serigrafia de Jan Voss (executada pelo Christo (Gavacheff): original serigraphy proprio na academia de munique); “O (in black). mar profundo” da poetista brasileira Lucy Teixeira; Serigrafia de Gonçalo Duarte. Frontcover by Bertholo (60 exemplares serigrafias originais). Lurdes Castro, Paris.

- No. 7, Hiver 1960 (34 pp.+covers; loosening in the weak spine, but in - No. 5. Dezembro 1959 (24 pp. incl. perfect condition). One of (reduced wrappers). As paginas I a XX sao again!) 300 copies. Issue dedicated to organizadas por Manuel de Castro et the painter Karl Brust. Important for the Joao Vieira, em colaboraçao com KWY. extensive collaboration of Xchrist: by Front cover: Orig. serigraphy by Manolo him was the burlap front cover designed Millares. Furthermore: Maolo Minares: and Christo had 4 orig. Serigraphs. Dos Notas e um degno; serigraphy by There is 1 serigraph (detail) by Vieira da - No. 3. Outubro 1958 (14 pp. Incl. Hoao Vieira; photograph of Lisbon Silva. Texts by Joao Vieira,René Bertholo wrappers). Frontcover: Orig. serigraphy by Denise Colomb; Lurdes Castro: (a.o. ‘Hommage à Karl F. Brust’ (with by Escada. Contributions include a note reproduction of a painting and 5 on Karl F. Brust (faint trace of attempted original serigraphies; Pedro Tamen, removal of his name in red ballpen Poema; on pages 17/18 & 22/23 on right upper part of wrapper). With original serigraphies of Jan Voss; reproduction; serigraphy poem and poem by Joana (8 anos); on pages design “tu fus”by Michèle t’Serstevens; 20/21 Jorje Martins; Desenho “lugar” illustrated poem by Lopes (Formato de original). Included are Vidal; a serigraphy by J. Escada; “Ouro” 20 (unnumbered) mimeographed serigraphy/poem by Herberto Helder. pages of text (Simoes, de (85 exemplares serigrafia originais Vasconcelos, de Castro, Aguilera- impressas manualmente) Lurdes Castro, Cerni). René Bèrtholo, Paris.

tipped-in reproductions), Franz Roh, René Rouin,Antonio Costa Pinheiro, Lourdes Castro, Jan Voss, José Escada. Also reprod. Of ‘Le Mur’by André Payre de Mandiargues.

-Added: the original publicity wraparound.

John Benjamins Antiquariat B.V. 53 - No. 8, No. Vostok, (This issue dedicated - No. 9, Printemps 1962 (36 pp.). - No. 11, Printemps 1963 (60 pp). to travel in space). Automne 1961 (48 pp., Wrappers with original silkscreen by Wrappers with original silk screen print with silver-foil upper-cover designed/ Jan Voss in collaboration with Guido by Christo after photograph by ‘Harry blindstamped by Lourdes Castro, and Biasi. - Together with the yellow original Shunk and Janos Kender. One of 300 printed card back-cover with collaged silk screened wraparound band. Added copies. Original silkscreen prints by silver object pasted on the interior side). loosely a small publicity leaflet for Yves Klein (3), Martial Raysse, Niki de St. Silkscreen prints by Gianni Bertini, Daily Bul. One of 300 copies. Original Phalle, Jean Tinguely, Francois Dufrêne, Lourdes Castro (+ collage element), Joăo silkscreen prints by Jan Voss, Guido Lourdes Castro. Reproduced works by Lopes Vidal, João Vieira, Arpad Szenes, Biasi, George Noël, Lourdes Castro, Paul Christo, Tinguely, Jacques de Villeglé, J.J. Levêque (with a pasted in piece of Wunderlich, and René Bertholo. At the Gerard Descamps, Mimmo Rotella, magnetic tape ( which is part of the end is a folded serigraphy “morceaux Arman , Ben Vautier and Martial tape made during the space travel by choisis”,printed in black by Bertholo. Raysse. Texts by Yves Klein, Pierre the Soviet pilot Titiov on August 6,1961), An unfinished work which the reader Restany, Pol Bury, Andre Balthazar, Gail Singer, António Costa Pinheiro, should complete. With reproduced Robert Filliou, Francois Dufrêne, Alain Vieira da Silva, Conçalo Duarte, Guido art works by Cy Twombly and Christo. Jouffroy, Mimmo Rotella, Emmet Biasi, Jorge Martins, Christo (+ wrapped Texts by Guido Biasi, Benjamin Williams, Daniel Spoerri and Ben silver colored cone attached to the Patterson, Carl Laszlo, François Dufrêne, Vautier. Included is a 45 rpm flexidisc by inside of the rear board), René Bertholo, and Jean Jaques Levêque. Bernard Heidsieck (Poem “Exorcisme”), Manolo Millares, Guy Weelen, Peter kept in the very rare original colour- Klasen, Jan Voss, Pfahler, Gerresheim, illustrated sleeve. Photographs by and Jose Escada. Texts by José-Augusto Claudio Abate, Ed v.d. Elsken, Shunk). Franca, Jean Jaques Levêque, Andre Peyre de Mandiargues, Claus-Peter Jllinger, Antonio Arcal, Jaques Spacagna, Manuel de Castro, Carl Laszlo and Bazon Brock.

- No. 10, Automne 1962 (38 pp. ). With the original silkscreened wraparound band preserved and intact. Orig. Wrappers with original silkscreen by René Bertholo. One of 300 copies. Original - No. 12, Hiver 1963 (18 perforated sheets, silkscreen prints by René Bertholo, Peter each sheet contains 3 postcards). This Saul (2), Corneille, Lourdes Castro and Album contains together 54 postcards António Costa Pinheiro. Collages by by Cobra and kinetic artists. These are Robert Filliou and Jesus-Rafael Soto. handprinted serigraphs or attached (The very fragile and mostlty missing objects. Artists included are Lourdes - This issue in a personalised special movable needle construction that is Castro, Karl Brust, Colinet, Sergio edition kept in a larger plain card attached from the spine is present and Fergola, Samuel Buri, René Bertholo, wrapper(32x24 cm) with a title label intact). Texts by Mimmo Rotella, Jose Spribille, Hervé Télémaque, Guido withsilver lettering and red crayon Augusto França, Jean-Clarence Lambert, Biasi Mercedes Prado, Conçalo Duarte, attached; name of Bertini inscribed. Nuno de Bragança, Pol Bury, Imre Pan Camille Bryen, Iria Bernardini, Erro, (The left bottom corner and the and Robert Filliou. Incl. Index nos. 1/9. right bottom margin of the wrapper are defective, otherwise very good condition).

54 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 55 Dick Casse, Corneille, Julio LeParc, b) Paris: [1961]. poster, silkscreen print d) No. Hors série. Combined issue: Sens Pol Bury, Jan Voss, Alejandro, Otero, in two colors on thick, handmade paper Plastique XXVII & KWY Numéro hors- Carlos Cruz-Diez, Alberto Greco, Pierre (33,2x59,5cm). [René Bertholo, Lourdes série. Pierrefitte: mai 1961. Large octavo, Alechinsky, Marta Minujín, Christo, Jan Castro, Christo, António Costa Pinheiro. 28 pages. With original silk screen print van der Heyden. Includes poetry by Conçalo Duarte, José Escada, João Vieira, on inside flap of wrappers. Wrappers Blaise Cendrars and Andre Balthazar. and Jan Voss] The poster was for one by Joao Vieira with original silk screen SIGNED in pencil are cards by Bertholo, of only three exhibitions held under print by Rene Bertholo. With one Buri, Mercedes Pardo, Corneille, LeParc, the group’s name during their existence, double page original silkscreen print Otero, Alberto Greco collaged an at the bookstore and gallery Le Soleil by Costa Pinheiro, Lourdes Castro, Jan invitation for ‘un viaje de pié’, Alechinsky, dans la Tête, in Paris. Poster unsigned, Voss, and René Bertholo. With tipped in Voss, Lourdes Castro. but in the style of KWY member René reproduced work by Costa Pinheiro, Jan Bertholo, and possibly represents an Voss, Christo, Lurdes Castro, Gonçalo TOGETHER WITH: original print by him. Folded twice, Duarte Jose Escada, Joao Vieira and else fine. Rene Bertholo. Texts by Joao Vidal, J.M. a) No. hors série, Lisbon, december Samoes, Guy Weelen, Fernando Gil, José 1960 (28 pp with tipped in c) The original invitation for the Gil and Sebastio Fonseca. illustrations,including 4 pages on exhibition in Paris 28 avril au 5 mai thin red paper, stapled in the spine in (1961) Le Soleil dans la Tete. With typographical covers, red text on black white lettering on a black fond, 14x42 card). Exposição grupo kwy subsidiada cm, folded to 14x10,5 in the original pela fundacção gulbenkian na Sociedad envelope with black borders (Mailed to Nacional de Belas Artes,11 a 20 de Gianni Bertini). dezembro de 1960. (The catalogue for the KWY exhibition in Lisboa which was repeated by the exhibition at the Galerie ‘Le Soleil dans la Tête’ in Paris. Text in Spanish and with tipped-in b/w reproductions.)

8146-19680.tif [#19680] KWY. Revue trimestrielle d’art actuel. KWY: Lurdes Castro - Christo - Costa Pinheiro - Jose Escada - Rene Bertholo - Jan Voss - Joao Vieira - Goncalo Duarte. Exposicao grupo KWY subsidiada pela Fundacao Calouste Gulbenkian na Sociedade Nacional de Belas Artes de 11 a 20 de dezembro de 1960.

EUR 700.00 The catalogue for the KWY exhibition in Lisboa which was repeated by the exhibition at the Galerie ‘Le Soleil dans la Tête’ in Paris. Text in Spanish and with tipped-in b/w reproduction, portraits of each aparticipating artist.

- No. hors série, Lisbon, december 1960 (28 pp with tipped in illustrations, including 4 pages on thin red paper, stapled in the spine in typographical covers, red text on black card). Exposição grupo kwy subsidiada pela fundacção gulbenkian na Sociedad Nacional de Belas Artes,11 a 20 de dezembro de 1960. (The catalogue for the KWY exhibition in Lisboa which was repeated by the exhibition at the Galerie ‘Le Soleil dans la Tête’ in Paris. Text in Spanish and with tipped-in b/w reproductions.)

54 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 55 13130-16092D.tif [#16092] MAINMISE. Organe québécois de la pensée magique, du rock international, et du gay sçavoir.

No. 1 [octobre 1970] thru No. 78 [Eté 1978]. Quebec, Mainmise, 1970-1978. Nos 1 à 20 and number ‘Best of La dope’”, [1972], 21 numbers in-8 [11,5 X 18,5 cm] ab.224/240 pages,illustsrated, Nos 21 à 52, 32 numbers [20 X 27,5 cm.] comprising 64 pages each, illustrated,stapled; Nos. 53 à 78, 26 numbers [29 X 37 cm]. Each 48 pages, illustrated. All numbers with a different illustrated over. Added: Le petit supplément illustré” Nos 1- 9. 1975. [Complete ?] 9 numbers [36X 27cm.] 176 pp of comics with coninuing pagination. EUR 5,000.00 Founded by Jean Basile and Georges Khalm, member of the McLuhan, L. Clark Steven, Underground Press Syndicate (publié par Pénélope, distribué par Timothy Leary, Alan Watts, les Messageries du Jour). a manifest of homosexual Complete collection of this periodical of the counter-culture liberation (Carl Wittman), etc. Special issues on all the movement of Quebec, advocating and reporting on alternative topics of the time: drugs, free sex, free schools, ecological lifestyles and utopian ideology. Abundantly illustrated a.o. by issues, the media, womens liberation, etc. All in good Robert Crumb, R. Cobb, Guynard, M. Pouliot, Baloune etc, Articles condition except for some flaws to the covers of numbers and contributions by Pénélope & Linda Gaboriau, Christian 21-28-31-37-47-49 and 52 and ballpen mark on number Allegre, Jean Basile Bezroudnoff, Kenneth Chalk, Georges Kahl, 40. Number 4 has the folding Quebec-Marijuana-banner Denis Vanier, Raymon Lavallée, Buckminster Fuller, Marshall which was a supplement.

12675-17474.tif [#17474] MARCATRE. Rivista di cultura contemporanea. Numbers 1-64/65 (all publ.). Genova, Milano, GE-MI, 1963-1969. (‘Marcatre / UTT’ (issues 56-62 and 64/65) published by Ennesse Editrice in Rome). Original illustrated wrappers (in general good condition, with only light dustsoilage and rubbng to spines); (Nos. 1-5: 17 x 24 cm; then becoming 20 x 25 cm). EUR 5,000.00

Periodical of the famous “Gruppo 63”, Contemporanea”; nos. 56-62 as associated with Il Verri, dealing with Marcatre/UTT, alternately numbered as literature, music, arhcitecture, the visual 1-7. With progressive avant-garde spirit arts, mass culture, communication etc.. in the design and illustrations, some Editorial committee and contributors: issues entirely printed in a colour (e.g. Eugenio Battisti (founder), and Editor red, blue, purple), with fold-outs, etc. At in chief: Magdalo Mussio, who also first published in Genova by Edizioni designed covers, many illustrations, Vittone, then in Milano by Lerici Editore. lay-out, etc. Editors were responsible for The revivals with other publishers in various areas of interest, e.d. G.Dorfles, Milano and Rome were of a different Edoardo Sanguinetti, Umberto Eco, style and character The last number Paolo Portoghesi. G. Delmetti, D. published was 64/65, whereas no. 63 has Carpitello, Enrico Crispolti, etc. Nos. never appeared. Complete very rare ! 1-18 subtitled “Notiziario de Cultura

56 John Benjamins Antiquariat B.V. 13206-16254G.tif [#16254] MAXIMUM ROCKNROLL (MAXIMUM ROCK’N’ROLL zine; Maximum Rock and Roll). Bi-monthly.

Nos. 1-74. San Francisco, MRR, first number not dated (ca. Sept/October 1982) - July 1989. Unbound, as issued, 27,2 x 21 cm, about 56-124 pages/issue, printed on newsprint b/w, stapled in the spine. Endemic browning, some ragged edges and minor spine damage, a few numbers with closed tears, chipped corners. Altogether an excellent clean set with only minor damage to two numbers as detailed at the bottom of the footnote. EUR 8,000.00

Published (originally) by Jeff Bale, Jeff Berlin, Mark Berlin, Roseann Berlin, Jello Biafra, Bob Black, Booth, Eric Bradner, Mickey Creep, Peter Dimaria, Jim Donovan, Ray Farrell, Fletch, Henry Hample, Dave Rave (photographs) etc.; from the actual MRR website we quote: History of MRR- Maximumrocknroll is a widely distributed monthly fanzine dedicated to supporting the underground punk rock scene. MRR’s 20-year plus history and large, obsessed all-volunteer staff has made its punk rock coverage the most consistently up-to-date and reliable around. Several major media conglomerates control most music produced today. In contrast, MRR reinforces the values of the punk underground by remaining independent and not-for-profit. Maximumrocknroll started in 1977 as a punk rock radio show - one of the first and best of all time. “Tim (Yo) and the Gang” played the latest punk and hardcore sounds from across the world, the U.S., and from their home in the bristling SF Bay Area punk scene. “The gang” included personalities Tentacles. The comp included 47 Nevada and like Jeff Bale, Ruth Schwartz, and Jello Biafra. Punk Northern California bands, many of whom went antiheroes regularly visited as guest DJs, and the roster on to ruin thousands of impressionable kids for of touring bands interviewed on the show reads like productive civic life by releasing some of the best the track list on a classic old comp. The show was punk records ever….. The Maximumrocknroll notable for the immediacy of the music, a dedication columns section has served as the punk scene’s to international coverage (rare at the time), and for gossipy party line for decades…. By remaining explicitly interjecting progressive politics into the stable on the one hand, flipping the bird with the dialogue of punk. The show became hugely successful other, MRR’s controversial personality has affected- in the underground, and eventually was broadcast from or infected-the history of punk rock for all time. stations across the U.S. and abroad. Maximumrocknroll, Added: Collectors Issue Number 8. Noted Damages: in its zine form, first appeared in 1982 as the newsprint no 2 has a tear in first 2 pages without loss of text or booklet in Not So Quiet On the Western Front, a comp image, no.10 has half of an inside page missing and LP released on then-Dead Kennedys’ label Alternative a corner torn of another page.

John Benjamins Antiquariat B.V. 57 14604-19497A.tif [#19497] DE MELKWEG A collection of 54 weekly programs on music, films and theater published between 1976-1979 by Melkweg, together with: -Newsletter. Amsterdam (NL), Melkweg 1977. Jan.12/Jan.16: 295x210 mm., stapled, 8pp. Split fountain color printing, together with: -Program Poster. Amsterdam (NL), Melkweg (1977). 80x27,5 mm., color silkscreen. EUR 700.00 295x210 mm., recto/verso split fountain color printing and/or mimeographed (?).

8509-18322a.tif [#18322] DE METRO. Satyrisch tijdschrift (subtitle changes) Complete collection of 35 issues published [comprising Nos. 1-34 plus extra Jan. 1945., Amsterdam, D.A.V.I.D., 15 Nov. 1944 - 29 Juni], as follows: - First year,nos. [1-3] illegally published with misleading numbering as Year 5 nos 7, 8, 9-12 (15 Nov. 1944 - 22 Nov. 1944) followed by: - Extra Nummer, 20 Jan. 1945 and - Year 6 no. 1-3. Amsterdam, 19 Jan. 1945- 21 April 1945 continued as; - Year 6 (New Series Year 1, Eerste Daglicht Nummer [First legally published]) Nos. 7-14; Amsterdam, 10 Mei 1945 - 24 Aug. 1945 continued as: (Year. 2 ) Nos. 15-30 . 7 Sept. 1945 - 6 Mei 1946 (from 30 issues published) continued as: ( Year 3) Nos 1-4. 10 Mei 1946 -29 Juni 1946 (4 issues published to the end of publication) Set in the original issues as published, some light foxing or occasional dampstains due to the newsprint paper, some edgewear, but in general a very good set in the original issues, unbound. ADDED: rare compilation book “Metro Mozaïek”. N.d., Uitgeverij David. With orig. wrapper (sl, damaged). EUR 3,000.00

Extremely rare complete set. Edited by Jan-Gerhard and Marten Toonder. This rare satirical periodical published in The Netherlands during and immediately after the war, originated from the underground movement. Yr.6 no. 1 was still illegally published and no.7 (= Eerste daglicht-nummer) is the first “legal” issue, published after the liberation. Editor in chief was Jan

58 John Benjamins Antiquariat B.V. Gerhard Toonder, and most important in Metro was the contribution of his brother Marten Toonder, with several full-page (and also smaller) politico-satirical drawings, satirizing the former underground-press, the internment politics, the military authorities, etc. Metro was founded in Oct.1944 by J.C.Pellicaan and D.D.B.van Veen, both former collaborators of the illegal “Vrij Nederland”. To mislead the Germans but also “to irritate van Randwijk”, the first number published had the faked numbering Year 5 no.7 (suggesting that it was founded even before “Vrij Nederland”.) Publication went on till Yr.3 no.4. Apart from M.Toonder we also find drawings by H.G.Kresse, Fiep Westendorp, H.Kabos, René Zwartjes, a.o.; other collaborators were J.G.Toonder, P.Beihuizen, Geert Lubberhuizen. DAVID stands for “De Algemene Vrije Illegale Drukkerij”. Winkel: 421.In total 35 issues were published. In the Index of the reprint another extra-number is included, which was never distributed officially, This is not included in the set offered. A few issues with small stamp “leesvereniging”.

14286-18601a.tif [#18601] MOJO-NAVIGATOR. (Rock & Roll News) Nos. 1-14 (all published, also numbered as Vol. 1 no. 1 - Vol. 2 no 2). San Francisco, August 8,1966-August 1967. Mimeographed sheets in different colour and b/w printing on both sides, the last two issues printed offset (no. 9 and the last number with one colour added). Stapled in left upper corner (only no.2 has been re-stapled,others are all original staples). First issue is in colour photocopy, rest is in original issues as published, excellent condition and clean. ADDED: - a multicoloured psychedelic drawing (unsigned, by Geoff Evans?), - three other related ephemeral pieces, detail see below. EUR 4,500.00 The legendary “Mojo-Navigator Rock & Roll News” was a music zine by Greg Shaw and David Harris. Covers the local alternative music scene. Considered to be the precursor to later alternative journalism (Crawdaddy and Rolling Stone and later fanzines). Issues between 3 and 34 pages. The first issue was published August 8, 1966 as a mimeographed newssheet of two pages with concert announcements at the Matrix, Fillmore and Avalon. This issue in colour facsimile. ALL OTHERS ARE ORIGINAL FIRST PRINTS

• No. 2, August 16, featured news of The Straight Theatre, and is mainly devoted to an interview with the Grateful Dead, Jim Gurley, local musician from the band Big Brother & The plus a feature on Country Joe & The Fish by Greg Shaw. Holding Co. • No. 5, September 7, is given over to the second half of The • No. 3, August 23, is three sheets, with news of SF Oracle Grateful Dead interview, and a response to the SF Oracle’s launch, band news, rumours and gossip, and record reviews unsympathetic article on the SF rock scene. (Bob Dyland etc) -No. 4, August 30, is now four sheets, and • -No. 6, September 18, is three sheets, reporting on record

John Benjamins Antiquariat B.V. 59 releases, New York radio, and upcoming concerts. Report Country Joe & The Fish, who are also on the cover, plus a of the publication of “The I.D. Band Book”; news that “the two colour Tom Weller-designed handbill for the band’s Velvet Underground has released a lousy single on Verve upcoming show at the Jabberworck. As well, a photo of Bob Records - Andy Warhol produced it, Nico sings (hah-hah) Weir, and an Victor Moscoso-designed handill for Country on it. It’s the musical equivalent of a painted Brillo box Joe & The Fish, Bug Brother & The Holding Co, and which sells for $400”; a report on NY radio; record reviews Quicksilver Messenger Service at the Avalon, plus letters (incl. “Sunshine Superman”); upcoming dates by The Byrds, about the riot on Sunset Strip,the police heavy handedness, Grateful Dead, etc. and the differences between the scenes in LA and SF. • No. 7, September 27 is four sheets, and features an interview Correspondence between Bill Graham and Chet Helms; with SF DJ Tommy Saunders, and Big Brother & The photo of Bob Weir Holding Co., plus ads for upcoming concerts by Country • No. 12, December 22, is eight sheets, with a printed photo Joe & The Fish, Takoma, and Freedom Highway. cover of Ed Saunders, incorporating two Victor Moscoso-

• No. 8, October 1966, is six mimeo’d sheets, and features designed colour handbills, with The Grateful Dead and an interview with Janis Joplin and Big Brother & The Moby Grape at he Avalon, and Country Joe & The Fish at Holding Co. , plus news on The Doors, a review of The the California Hall. Featured ar ethe conclusions of the Seeds, and a full page ad “A Prophecy Of A Declaration Of Country Joe & The Fish and The Mystery Trends interviews, Independence” for the “Love-Pageant” rally in the Haight- and the article “The British Blues Scene” by David Harris. Ashbury (a psychedelic celebration held on Oct. 6 to • No. 13, April 1967, is 30 page, black and white printed with coincide with the outlawing of LSD, and incl. Big Brother, cover photo of James Gurley from Big Brother & The the Dead, and Ken Kesey with his Prankster bus). Holding Co. Featured is a Blues Magoos interview, reviews • No. 9, October 17, is six sheets, and features a Jim Kweskin by Greg Shaw and Gene Sculatti, editorial on the ris of interview, Dootone Records, new, events, and an original new rock criticism, Mike Daly on Phil Spector, Rick Griffin Stanley Mouse handbill announcing The Daily Flash with psychedelic artwork, incorporating a photo by Gene Country Joe & The Fish at the Avalon, stapled in as last page. Anthony of The Grateful Dead. (scarcer yellow and grey colour variant). Mick Jagger photo • No. 14, August 1967, is 38 pages, with cover photo of Jimi front cover. 3pp. Jim Kweskin interview; Dootone Records; Hendrix, and an interview with The Doors, coverage news, reviews, gossip, events. of the Monterey festival, article of Eric Clapton, record • No. 10, November 8, is nine sheets plus a printed photo reviews, news, and a Tom Weller designed psychedelic ad cover. It incorporates an two colour Tom Weller handbill for Country Joe & The Fish. ADDED MATERIAL: 1) an for Country Joe & The Fish at the Jabberworck, and a two original multi-coloured psychedelic drawing entitled “The colour Steve Renick-designed handbill for the 13th Floor Mojo Navigator” (27.5x21.5cm.), uncredited but probably by Elevators and Moby Grape at the Avalon, and a photo the magazine’s artist, Geoff Evans (who hand-drew similar of Jerry Garcia. Also featured was an interview with The artwork on denim jackets worn by the editors); 2) a small Mystery Trend, and news of Bill Graham banning Mojo- card with a hand-drawn design by Greg Shaw in purple Navigator editor Dave Harris from The Fillmore.terming and green, possibly an early idea for the magazine’s logo, the paper “a rag” and screaming “I’m not mad, you are stamped with his San Bruno address (thus pre-dating the beneath my anger”; full-page Stanley Mouse ad. for Big first issue); 3) an early Mojo-Navigator flyer, featuring a b/w Brother & The Holding Co.’s first single on Mainstream cartoon (Crime/Justice 4) a vintage 10x8 b/w photo of Brian Records; Jerry Garcia photo; record reviews Jones onstage in Cincinnati, 1965, sporting the look that Greg Shaw sought successfully to emulate (caption to verso • No. 11, November 22, is seven sheets and has part two

• written out in Shaw’s hand). of The Mystery Trend interview, and an interview with

60 John Benjamins Antiquariat B.V. 12834-15585A.tif MOVIMENTO ARTE CONCRETA.- DOCUMENTI. DOCUMENTI D’ARTE D’OGGI. Raccolta a cura del MAC

[#15585] Vol. 2. Milano, Libreria A. Salto, Editrice,1955/1956. Original pictorial wrappers, 32,5x 23 cm; 139 pages. Wrappers intact for the collaged red paper strip, which was the intervention by Munari on the frontwrapper (rarely seen is that the original protective glassine is present, however damaged on the right bottom and left upper corner). Altogether a very good copy, with only light dustsoilage. EUR 5,000.00

With original woodcuts, color lithographs etc. by Mauro Reggiani, Carolrama, Bruno Munari, Lucio Fontana (2, with piercing holes), Luigi Veronesi, Simonetta Vigevani Jung, Enrico Baj, Joe Colombo,Gillo Dorfles,Vittorio Verga, Gianni Monnet, Enrico Bordoni, Nino Di Salvatore, Angelo Bozzola, etc., also important texts. Contents conform the description by Maffei, MAC p. 192.

12834-15586A.tif [#15586] Vol. 3. Milano, Libreria A. Salto, Editrice, 1956/1957. Original pictorial wrappers (without the protective glassine), with only a thin vertical crease to the spine in very good clean condition. 152 pages; 32,5x32 cm. EUR 3,800.00

With original serigraphies, woodcuts, color lithographs etc. by Aagaard Andersen,Enrico Bordoni, Gilllo Dorfles, Carolrama, Capogrossi, Galliano Mazzon, Monnet (also an original collage with newsprint,carton, corrugated board, sandpaper), Munari (Lineography), Mario Nigro,Regina, Varisco, Luigi Veronesi, Mauro Reggiani, and many other reproductions of work and texts. Contents conform Maffei, MAC, p. 196.

John Benjamins Antiquariat B.V. 61 11720-12772.tif [#18888] NO MAGAZINE (No Mag) No. 1 - [14/15] unnumbered double issue. Los Angeles: NO, 1978-1985. Complete run. [Title change as of fourth issue: “No Mag”]. In 15 physical issues, ca. 30-75 pp. each, two including flexi-disc sound recordings: no. 8 featuring Wild Kingdom; no. 9 featuring Geza X. Small folio. Newsprint. Very good. Illus. self wraps. EUR 8,000.00 Tabloid-style fanzine (later issues 34,5x27 cm) which chronicled the L.A. underground, with a particular emphasis on some of the more morbid aspects of the Hollywood punk/ underground scene, featuring the punk-rock bands and artists, as well as fashion and design. Published and edited by Bruce Kalberg. in homage to its predecessor in the LA punk scene, Slash. Kalberg says he intended to make his title somewhat edgier. NO MAG sought to be “the most evil, nihilistic magazine ever”. Photo Editor: Frank Gargani. Contributors: Photography: Ed Colver, Bob Seidemann, Jules Bates, Will Shatter, Melanie Nissen, Rooh Steif, David Arnoff, Alison Brown, Ed Colver, Karen Filter, Peggy Photo, etc.; -- Graphics: Fred Tomaselli, Raymond Pettibon, May Zone, Mark Vallen, Bruce Kalberg, etc. ; -- Articles: Penelope Spheeris, Jill Young, Robert Lloyd, Mark Wheaton, Michael St.Pierre etc. Rare complete set in excellent condition.

62 John Benjamins Antiquariat B.V. 13300-16544A.tif [#16544] NO NEWS (CONTINUATION OF : ZEITSCHRIFT FUER TIEGEL UND TUMULT -NO NEWS Numbers 1-25 (all under this title). Kassel, 1986-1992. Continued as: NO NEWS. Numbers 26-40 and 1 ‘Extra-gabe’ (together 41 vols, all and last published). Kassel, 1992-1998. In a great variety of presentations, originally in folders, lateron becoming an object periodical, with various ready-mades, objects and supplements. From an edition of originally 150 copies reduced to 60 or 75 for ‘No News’. EUR 8,000.00

Edited by J. O. Olbrich and W. Luth. Each number/volume of this periodical was realised in cooperation with an artist, e.g.: Hainke, Stake, van Scooten, Jappe, Williams, Heckert, Heidsieck, Arts, Noel, Monro, Schnyder, Baroni, Norros, McLean, Koch, Resch, Böhmler, Die Zwei, Selg, Rindlichs bacher, Andryczuk, Ay-O, Dahn, Figueiredo, Franzobel, Hildebrandt, Spoerri and others. The numbers 16 and 25 with signed contributions by various artists. Detailed list of artists and contents of the issues on request.

John Benjamins Antiquariat B.V. 63 12894-15699A.tif [#15699] nota. Studentische Zeitschrift für bildende Kunst und Dichtung.

Nos. 1-4 (all publ.). München, 1959/60. Original self-wrappers, oblong 4to; (38, 36, 38, 46 pages). Illustrated. In fine condition. EUR 3,000.00

Complete set of this seminal journal close to Zero, featuring international avant-garde artists and depicting work by K.O. Götz, B. Schultze, H. Mack, O. Piene (dynamo), Piero Manzoni, N. Kricke, S. Francis, F. Kline, P. Dorazio. Herausgeber: Gerhard von Graevenitz & Jürgen Morschel. Literary contributions and articles by M. Bense, B. Brock, John Cage, Marcel Duchamp, R. Hausmann, Yves Klein, F. On, F. Kriwet, Dieter Rot, Daniel Spoerri, E. Williams, a.o.

14469-19133c.tif [#19638] OFF THE WALL. The Newsletter/Journal about Events, Posters & The Arts of Happenings.

Numbers 1-9 (all publ.), The Poster Project Ltd. 1991/1995. First six issues broadsheet, folded twice; last three tabloid, folded once. Each 8pp.-24pp. Color offset. Signed by W. Wilson on the first issue. EUR 2,400.00

Edited by Wes Wilson. The Journal of Rock Art, Poetry and Creative Thought. The first journal devoted to the psychedelic poster artists “The Newsletter Journal for Event Posters and the Arts of Happenings”, later issues subtitled: “The Newsletter/Journal About Events Posters & The Arts of Happenings”): Sopectacular designs. The first journal devoted to the psychedelic poster artists und underground comics. Contributions by Wes Wilson, Eric King, Jacaeber Kastor, Walter Medeiros, Ben Edmonds, John Platt, Dick Wentworth, Paul Getchell, Robert Crumb, and others.

64 John Benjamins Antiquariat B.V. 12172-17372A.tif [#17372] OPEN CITY (PRESS). Weekly Review of the Los Angeles Renaissance. Almost complete collection, comprising a total of 93 issues: - 8 (out of 15 published) are OPEN CITY PRESS appeared in San Francisco - 85 (out of 92 published) appeared in Los Angeles as OPEN CITY. The set includes 78 issues with Bukowski contributions (72 of which are his column, “Notes of a Dirty Old Man”). San Francisco and Los Angeles, 1961-1968. Printed on newsprint. All issues folded at least once, as issued, in generally good condition (normal endemic browning, a few issues with ragged edges, light damage or light dampstaining). Sizes: at first tabloid, printed in b/w with only occasionally colour added, after issue 52,May 1968, the size doubles to 57x44 cm., and most front and last pages are in colour. EUR 8,000.00

A substantial, nearly-complete, run of “Open City,” (at first published as “Open City Press” in San Francisco). Underground weekly noted for its coverage of radical politics, rock music, psychedelic culture and the “Notes of a Dirty Old Man” column by Charles Bukowski, first published here. Editor and founder: John Bryan (whose signature is on 17 copies) with art director Joan Barr, and contributing editors Alex Apostolides, Bob Garcia, Robert Igriega, Bill Margolis, John Wilcock etc. Member of the Underground Press Syndicate. Many issues have spectacular lay-out, artwork and photocompositions. “John Charles Bryan (November 12, 1934 - February 1, 2007), was a journalist who quit the San Francisco Chronicle in 1964 to found the brief-lived San Francisco bohemian tabloid weekly Open City Press, publishing 15 issues from Nov. 18, 1964 to March 17-23, 1965. Open City Press was a local forerunner of the Berkeley Barb, providing coverage of the Free Speech Movement. It was a one-man operation. In the beginning Bryan bought a case of metal monotype and hand-set his own copy, pulling proofs to paste up for cheap offset reproduction.” (cf: Wikipedia).

John Benjamins Antiquariat B.V. 65 Bukowski’s contributions started in antics of an underage girl, in a literary mis-numbered 89]. All (except no. 18) Vol. 1 no 6 with the story “If I could supplement to Open City edited by have Bukowski contributions. Number only be asleep”. After closure of Open Charles Bukowski. The cost of Bryan’s 20, First National Edition. The Pot City Press Bryan relocated to Southern legal defense and a $1000 fine on the Scene. Number 52, May 1968, is the “First California. After a stint working for first charge eventually put the shoestring Anniversary Issue”, with Renaissance, Art Kunkin as managing editor of the operation out of business. Issues present first issue, included, (this copy signed Los Angeles Free Press, he launched in this collection are: “Open City Press.” by John Bryan), with contributions Open City in Los Angeles, starting the [San Francisco, 1964-1965, numbered by Allen Ginsberg, William Burroughs, volume numbering with vol. 2, no. 1 as Volume 1]: The announcement for Charles Bukowski, Lenore Kandel, Anais (May 5-11, 1967). In March 1968 he was issue 1, and Vol. 1 issues 3-7, 10 and Nin, Carol Berge, Anselm Hollow, Bob prosecuted on an obscenity charge for 11(published from November 1964- Kaufman, a.o. Other contributors were printing an image of a nude woman in a Feb.23.1965, out of the total number of (a.o.): Simon Vinkenoog (on Provo), record company advertisement for Leon 15 issues published). Then continued as Phil Proctor, Liza Williams, Derek Taylor, Russell. Six months later, in September “Open City”. [Los Angeles, 1967 - 1968: R. Crumb, Robert Barrows (The Beard). 1968, there was a second obscenity bust Volume 2]: Issues 1-4, 6-20, 23-25, 27, 28, Bill Spater, James Howell, etc. over the short story “Skinny Dynamite” 30-33, 35-43, 45, 47, 49-50, 52-83, 87-91 by Jack Micheline, about the sexual [66 is mis-numbered 65 on cover; 90 is

13693-17315A.tif [#18059] THE ORGAN Numbers 1-9 (all publ.). Berkeley, CA, July 1970- July 1971. Tabloid newspaper format, 34pp each. Offset B&W and color. In good clean condition. EUR 3,000.00 Countercultural journal, edited by Gerard van der Leun, published by Christopher Weills. The contents of this hip paper include interviews with Allen Ginsberg (+ his “Police State Blues”), Jerry Garcia, Melvin Peebles, B.B. King, Jerry Lee Lewis, Divine, and Country Joe; comic strips by S. Clay Wilson and Robert Crumb; artwork by Satty, Greg Irons, and David Singer; camp troupe The Cockettes; communes in Taos, Mexico; Tom Clark; Kenneth Anger; Ed Sanders; “Trash”, “Performance”, “Gimme Shelter” reviewed; Kathmandu; Gary Snyder (“Spel Against Demons”); the rise of the New Right; Scientology; The Process Church; Krishna Consciousness; Synanon; Ayn Rand; John Lennon and Primal Scream; the JFK assassination; H.P. Lovecraft; drug addiction; Robert Anton Wilson and Robert J. Shea on LBJ; William Burroughs and others. Complete runs are scarce,in particular the first issue which had been banned in several US cities, including Los Angeles, Seattle, Chicago, and New York.

66 John Benjamins Antiquariat B.V. 9065-19137A.tif [#19137] (Revue) OU - CINQUIEME SAISON (partly in DE-LUXE edition) A magnificent collection comprising Numbers 1-44 (in 32 physical units, as some were double or triple issues), founded and published by HENRI CHOPIN from 1958 till 1974, plus the concluding number 45 published in Bourges, 1979. This is the most important collection of Concrete and Visual Poetry ever published.

Detailed as follows: - CINQUIEME SAISON: Nos. 1-19. Paris, printemps 1958 - automne 1963. Original illustrated wrappers (only lacking no 5). , 8vo, later sq. 8vo.; fine; complete with the gramophone record belonging to no 14/15. Together with All three Supplements 20 Octobre 1961, 20 Janvier 1962, 3 Mai 1963 (signification de l’art) - OU: Nos. 20-44 (= last published). Sceaux (France), from no 34 Ingatestone (Essex,Great Britain. 1964 - 1974. In the original illustrated and decorated wrappers and portfolios. THE NUMBERS 20/21, 22, 23/24, 25, 26/27, 33, 36/37 are in the DE-LUXE EDITION and no. 34 is one of the lettered edition B-J. - and additional :13 letters and a postcard from Gianni Bertini to Chopin, dating 1974/75/76 concerning their works and collaboration. “ EUR 40,000.00 Cinquième Saison” was at first edited Raymond Syte, after the first 2 numbers it was taken over by Henri Chopin and continued under his editorship. With contributions by Chopin, Syte (under various pseudonyms), Michel Seuphor, Pierre-Albert Birot, Guillevic, Jean Follain, Luc Estang, Saint-Helm, Jacques Spacagna, Bernard Heidsieck, Paul de Vree, Ime Pan, V. Feyder, M. Cahn, Arthur Petronio, etcetera. Artistical contributions by: Bertini, Key Sato, Chavignier, Paul Arma, Hundertwasser etc. - No. 1 (printemps 1958): Directeur: - No. 4 (mars 1959) Henri Chopin - No. 7 (hiver 1959/60): Chopin adds Raymond Syte, with Chopin (Petites becomes the sole responsible editor-in- Arthur Pétronio and Pierre-Albert Birot. Suites). chief. On white paper, untrimmed. - No. 8 (printemps 1960): ‘Poésie ouverte’ . - No. 2 (aout 1958): with Chopin - No. 5 (été 1959): Chopin Piece politique, - No. 9 (été 1960): the number of pages (Vouloir) and Jacques Spacagna (Peu Claude Pelieu, Gaston Puel. (This issue doubles; for lack of money Chopin pressés). now missing) published this and the next issue with - No. 3 (décembre 1958, entitled ‘La - No. 6 (Automne 1959) contains Poème- cooperative support from his authors Poésie Jazzante’) contains Chopin’s first concret ‘La Peur’ pour trois voix et “Au plus près 1”. ‘audio-poème’ (La Pêche). bandes magnétiques.

John Benjamins Antiquariat B.V. 67 - No. 10 (automne 1960): “Au plus près size (19 x 19 cm), cover by Luc Peire settings by Piet Mondrian in 1926); etc. 2”. First issue to contain illustrations & Henri Chopin. Article by Chopin, - No. 19 (été/automne 1963): Cover by (Rousselot, Pierre-Albert Birot, Edmond Lovano and Seuphor: ‘Introduction S. Rodillon. Contributions by Paul de Humeau, Sain Helm, Michel Seuphor, sur les arts nouveaux’. The first number Vree, Jean Arp (unpublished poem Ernest Haumesser). Monogram of to be published with a gramophone ‘Motus Motus’). De nouvelle dimensions Arthur Petronio. record (‘Flutes de sang’ by G. Murail & sonores et visuelles (Hansjorg Gisiger; - No. 11 (printemps 1961): Contains ‘Mélismes’ by M. Delannoy). Tjerk Wicky/Luc Peire: Filme Pêche de Jean-Jacques Lévêque: Labyrinthe. - No. 16 (automne 1962): Cover by Key Nuit; M. Arnould, etc. Monogram of Mythologie personelle. With illustration Sato & H. Chopin, reproducing works of Arthur Petronio, also inside. by Hundertwasser; (Covers of nos. 11-13 various Japanese artist (Numéro franco- Together with: and supplements designed by Ernest japonais). Stamp of Petronio. - Supplément (1) 20 oct. 1961: Poèmes- Haumesser). - No. 17 (hiver 1962-63): Cover by objets. - No. 12 (été 1961): first issue with Chavignier. ‘Numéro d’échange entre la - Supplément (2) 20 janvier 1962: Poésie collaboration by Smadja; nos 11 & 12 Belgique et la France’. WithMonogram objective. Exposition ‘Galerie La Jeune contain first publications of Sol Air. of Artur Petronio Parque, Lyon’ de J.J. Lévêque, G. Guillot, - No. 13 (automne/hiver 1961): Chopin - No. 18 (printemps 1963): Cover by Léo H. Chopin, J. Pérol. ‘Sur-dada 1961’. Luc Peire, composition Breuer. Dessins et textes de Gaston - and the very rare Supplement : graphique. Chaissac; Michel Seuphor: L’éphémère Signification de l’art du xx.es. Mai 1962, est éternel (written and with stage - No. 14/15 (printemps/été 1962): enlarged by Seuphor and Chopin.

From here onward with change of name:

--OU Nos. 20-44. Sceaux/later Ingatestone. 1964-1974, partly in DE-LUXE with many additional supplements, as detailed below, and the No. 45 (last published) which is a reprospective published in Bourges, 1979.

-n°20/21. 1964 : DE-LUXE. Couverture originale de Gianni Bertini. Dim : 27 x 27 cm. 1/10 exempl. de luxe une gravure originale de Guitet (signée) signé par Chopin - Gysin et Heidsieck luxe sur Arches avec une lithographie et un bois de Bertini (signé) dans un sour leur nom au colophon. - l’exempl. originale de Gette et une gravure étui-chemise gris. Contributions de est dédicacé au libraire et éditeur originale de Berni dans un étui toile où Bertini, Guitet, Gysin, Dupuy, Janicot, Jean Petithory par Bertini avec un jeu est inscrit OU au pochoir. Contributions Berthier. Inclu un disque 33 tours : face de mots sur OU. Joint : Bulletin de de Berni, Sharkey, Furnival, Altmann, A : Heisieck Poème-partition et Gysin souscription Houédard, Heidsieck, F. St.-Thibault, I am, Machine-Poem, face B : Gysin - n°22. s.l.n.d. [1964]: DE-LUXE. Chopin, Burka, Morgan, Pelieu, Machine-Poem et Chopin Vibrespace Couverture originale de Paul-Armand Finlay, Haussman. Joint : Bulletin de Audio Poème. De plus : - l’exempl. est Gette. Dim : 27 x 27 cm 1/10 exempl. de sousciption

68 John Benjamins Antiquariat B.V. - n°23/24 . 1965 : DE-LUXE. Couverture - n°32. 1967 6 pages agrafées originale de Kosice. Dim : 27 x publiées à l’occasion de 27 cm 1/10 exempl. de luxe : Etui l’exposition Lumière et contenant l’exempl. + une suite Mouvement, de Dufrêne, contenant un photomontage original Chopin et Wolman au de Kocise et une lithographie Musée d’Art Moderne de signée de Rotella. Contributions la Ville de Paris. Dim : 21 de Man Ray (Rayograph), Bertini, x 27 cm Textes La Guerre Beguier: Empreinte-Photomontage No. 26/27 J-L. Philippe, Rochber Gybduf (lire - deux périodes de Blaine, : ROtella, CHopin, BERtini, GYsin, B. exempl. de luxe dans un étui in 4 oblong Chopin et Muller, Crirythme en six heidsieck, DUFrêne), P.A. Gette, B. sur lequel est collé une empreinte-photo de Dufrêne (correction manuscrite de Heidsieck. Recueil (19 x 19 cm, 16 pp) de Béguier et contenant le n° sur Arches Chopin), La Mégapneumie de Wolman. : contributions de Caniaris, P. Clerc, P. + la suite comprenant une aquatinte de - n°33. 1968 : DE-LUXE. Couverture de Vree, G. Foreau, Janicot, Lattanzi, Roberto Altmann et une sérigraphie originale de Bernard Aubertin. Dim Rotella. Disque 33 tours (25 cm), Face de Furnival. Contributions de Edmund : 19,5 x 19 cm. 36 pages. 1/10 exempl. A : Dufrêne Crirythmes 1958 et 1964, Alleyn, Roberto Altmann, Serge Béguier, de luxe sur Arches avec un dessous Rotella 7 Poèmes phonétiques 1949 à Bertini, Jan Burka, Henri Chopin, d’affiche de Dufrêsne, un collage 1963, Heidsieck Poème-partition “J” 1963, John Furnival, Ilse et Pierre Garnier, d’Heidsieck, un poème graphique face B : Heidsieck Le Quatrième Plan Hirsal Grögereva, Jiri Kolar, Kosice, (dactylopoème) de Chopin, un scotch 1963, Brion Gysin 3 Permutations 1960, Hansjörg Mayer, Rancillac, C. Frederick, de Wolman dans une boite de toile noire. Chopin Audio-poème “l’energie du Reutersward, Rotella, Ben. Disque 45 Contributions tours (17 cm) face A : Raoul Hausmann de Albert Birot Poèmes phonétiques 1918, Face B : La Grande Vie, Bernard Heidsieck Poèmes-partitions 65, Jean Claude Chopin Audio-poèmes 1962 et 1963. Moineau - n°28/29. 1966 : Couverture originale Manifeste illustrée de Henri Chopin. Dim : 27 significations, x 27 cm 1/475 exempl. numérotés. Henri Chopin Contributions de François Dufrêne, Lettre ouverte Spacagna, Julien Blaine, Cozette aux musiciens De Charmoy, Melo e Castro (Objet aphones. Disque poématique, Chopin raconte que 45 tours (17 l’artiste est venu les apporter lui-même cm), face A : pour éviter la censure), Adriano Spatola, B. Heidsieck : Yaacov Agam, Alain Arias-Misson, Fr. Biopsie V 66, Kocise: Original Photomontage No. 23/24 Saint-Thibault, Laura Sheleen, Jean Quel Age Avez- Boudet, F. Dufrêne, Paul de Vree. Disque Vous?, Dufrêne 33 tours (25 cm), face A : Dufrêne 12’35. : Crirythme sommeil” 1965. triptycrirythme 1966 et Paul de Vree 67 Dédié à H. - n°25 . 1965 : DE-LUXE. Couverture veronika 1953, Face B : Paul de Vree Chopin, face B : illustrée (auteur anonyme). Dim : 26 Ogenblik 1948, Kleine Caroli 1963, Gil J. Wolman : x 27 cm 1/10 exempl. de luxe avec une Vertigo Gli 1963, Een Roos a Rose 1964 Mégapneumes lithographie originale de Chopin et et Chopin Sol Air, ballet des espaces 1961. Wolman: Scotch No. 33 une néo-gravure en relief de Krasno - n°30-31. 1967 : Couverture originale dans un étui toile. Ce numéro a été de Ben Vautier. Dim : 27 x 27 cm 1/475 réalisé à l’occasion des Scéances de exempl. numérotés. 9 poèmes + 1 badge Poésies de la Quatrième Bienale de Paris. poétique de Yaacov Agam, 1 dépliant- Contributions de Dufrêne, Ian Hamilton relief-objet de John Furnival (signé et Finlay, Jean-J. Lévêque, Gabriel Paris, daté 1967), 1 dessin d’ Aude Jessemin, Dora Feilane, Chopin, Serge Béguier, 1 graphie de Luc Peire, 2 poèmes Bertini, Fr. Saint-Thibault, Laura Sheleen, futuristes polonais d’Anatol Stern, 1 John Giorno, Brion Gysin, Heidsieck, poème graphique 2 couleurs de Luigi Les Aëlys, P.A. Gette, Alain Jouffroy, Ferro. + joint le bulletin de souscription. Jean-Clarence Lambert, Rodolfo Krasno. Disque 33 tours (25 cm) de Chopin - n°26/27. 1965 : DE-LUXE. Couverture Le corps, 22’ pour Vivre pour vivre originale illustrée de Burka. Dim : 27 x II, 1957, enregistrement exclusivement 27 cm Le homard Cosmographique. 1/10 vocal 1966. Chopin: Dactylopoème original No. 33

John Benjamins Antiquariat B.V. 69 67, La Mémoire, Chopin : Audio-poème Charmoy, Chopin. Disque 33 tours 67, le Ventre de Bertini. Joint : Bulletin (25 cm), face A : da Silva Audio-poem de souscription 1971, William Burroughs Valentine - n°34/35. 1969 : Edition 1/10. Couverture Day Reading 1965, face B : Brion Gysin originale cartonnée rouge estampée à Poems 1960-62, Heidsieck Passe- froid de Gisiger. Dim : 27 x 27 cm 1/10 Partout no 4 1970, Chopin Le soleil est exempl numérotés de B à J dans un étui mécanique. La couverture est un peu de toile rouge avec en plus une gravure défraichie. estampée à froid de Gisiger signée, - n°42/43/44. 1974 : Couverture originale l’offset de Balch-Burroughs-Gysin- de Axel Knipschild. Dim : 27 x 27 cm Sommerville signé par Chopin et mis à 1/10 exempl. de luxe avec un collage part l’offset de Balch-Burroughs-Gysin- de Maccheroni (Sens interdits) et la Sommerville et le poster de Degottex, suite de Tom Phillips sur beau papier tous les posters sont sur papier de luxe. signée et numérotée + objet en bois sur Contributions de Balch, Burroughs, Anna Lockwood: lequel est inscrit OU n°42/43/44 signé Gysin, Chopin, Bob Cobbing, P.A. Gette Chapeau sonore No. 36/37 par Chopin le tout dans un étui de (affiche 68 Le mur - the wall, sur papier toile rouge. Contributions M. Corfou, fort), Degottex (affiche en sérigraphie Il Hausmann, Novak, Stefan Themerson, T. Phillips, M. Janco, A. Lora-Totino, faut du noir pour sortir du rouge), Hugh A. Hutchins, A. Lockwood, Tom Phillips, Chopin, N. Zurbrugg, Jo Verbrugghen, Davies,Gomez de Liano, M. Seuphor. Paul Neuhuys, Moineau, Matusow, R. Henri Maccheron(affiche signée), R. Disque 33 tours (25 cm), face A: Dufrêne Hausmann, Paul de Vree, H. Chopin, Aaron et l’Association. Le fac-similé Haut-satur 1967, face B : Bob Cobbing Michel Seuphor, Brigitte Chopin (fille de la lettre de Roussel annoncé au Marvo movie natter 1968, Spontaneous d’Henri). Disque 33 tours (25 cm), face A colophon n’est jamais paru dans aucun Appealinair Contemprate Apollinaire : Ladislas Novak La stucture phonétique des tirages. Disque 33 tours (25 cm), face 1968, Chopin : Mes bronches 1966. de la langue tchèque 1969, Hugh Davies A : W. Burroughs Reading 1965, Ake Exempl. dédicacé et signé par Chopin. Shozyg 1 & 2, , face B : Sten Hanson Hodell Numro Ba Besch, 1970, face B : Joint : Bulletin de souscription Don’t hesitate do it, do it right now - Amirkhanian Each ‘LL 1971, Novak Two - n°36/37. 1970 : DE-LUXE. Couverture The glorious desertion 1969, Chopin poems 1958-62, Rimbaud Le Vrai Sonnet originale en plastique rouge de Les grenouilles d’Aristophane 1967, des Voyelles, Chopin Les mandibules Gianni Bertini Dim : 27 x 27 cm 1/10 Heidsieck Ravaillac, tu connais ? 1969. du “Déjeuner sur l’herbe” 1971. Exempl. dédicacé au libraire et éditeur Jean exempl. de luxe avec une sculpture - n°38/39. 1971: Couverture originale de Petithory. Joint : 5 sérigraphies de magnétique de Alice Hutchins et un Henri Chopin. Dim : 27 x 27 cm chapeau sonore de Anna Lockwood différentes tailles de Tom Phillips 1/10 exempl. de luxe comprenant une conservé dans une boite de toile rouge signées et dédicacées à Henri Chopin. sérigraphie de Marcelle Cahn et une avec une fenêtre laissant apparaitre de Marcel Janco (ici manquante) le un sein de la couverture sculpture tout dans une boite noire avec un bois de G. Bertini. De plus, les posters de marqué review en rouge. Neuhuys, Moineau et Chopin sont sur papier de luxe. Contributions de Raoul Contributions de Chopin (Affiche en sérigraphie sur un texte de Burroughs + Affiche en sérigraphie sur un texte de Phases), Cahn, Cozette de Charmoy, Jean Degottex (Affiche en sérigraphie Feu la culture), Gisiger, Raoul Hausmann, Marcel Janco, Marcel Mariën, Richard Orton. Disque 33 tours (25 cm), face A, Chopin : le rire est debout 1969, B.E. Johnson : (Among) II, 1970. Face B, Hanson : Railroad poem et Révolution 1970, J. Bekaert : The day after 1969. - n°40/41. 1972 : Couverture originale de plastique noire de Hansjörg Gisiger (Portrait d’Ernest). Dim : 27 x 27 cm 1/475 exempl. numérotés. Alice Hutchins: Contributions de Lacasse, Gerz, Sculpture magnétique No. 36/37 Hutchins, Themerson, Norguet, C. de Tom Philips: sérigraphie No. 42/43/44

70 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 71 9128-13277.tif [#15094] PANDERMA. Revue de la fin du monde. Nos. 1-13 (all publ.). Basel, 1958-1977. Original pictorial wrappers, 4to & sq. 4to (front-cover no. 6 with browning on the right half). Otherwise all good or fine; the Hundertwasser in mint condition. With photographs, inserts and IMPORTANT ADDITIONAL MATERIALS: original graphic supplements, posters, programs, invitations etc., as detailed below. EUR 8,000.00 Edited by Carl Laszlo. Complete sets are rare due to the large intervals between publication dates.

- No. 1: 1957 - No. 7/8 incl. serigraphies by Vasarely, Müller-Brittnau and a - No. 2: 1958. lino-cut by Köth.

- No. 3: “Hommage au Dalaï-Lama, incl. a large original 3-colour lithograph (28 x 117 - No. 9: “Götterdämmerung”. incl. cm) by Hundertwasser: lino-cuts by Van Dyken and Lalo(small closed tear at the lower “Die Flucht des Dalai Lama”, colour end). lithograph, inscribed in the stone, dated Hundertwasser 1959, one of ca. 1.800 prints, cut in the middle and stuck together on the back, long version, 27,5 x 117,5 cm, stamp on the back, laid folded in the magazine Panderma 3. Revue de la fin de l’homme, - No. 10/11: devoted to work of Basel 1959, Mint condition. Grützke and Marcello Morandini, incl. a serigraphy by Morandini & - No. 4: 1961 an off-set print by Grützke (light - No. 5-6: Special issues on Schroeder- wear to top) Both signed Sonnenstern and Vasarely incl. each a serigraph by the artist;

- No. 12: Special issue ‘Freedom for Timothy Leary’, incl. 2 photolithos by Gritzner and Bartha

72 John Benjamins Antiquariat B.V. - No. 13: Special Issue “Eva • 3 signed serigraphies, unidentified as to belonging to which of Wipf ”. Contribs. incl. the issues; Arp, Man Ray, Cocteau, • 1 large folding poster b/w, with text (1954) and image by Vasarely Hausmann, Picabia, and • Publicity leaflets for Numbers 1, 2, 5 and the special issue for the many other important Dalai-Lama, Hundertwasser names in modern art. • 4 printed Manifests by Laszlo (Manifest gegen den ADDED: Avantgardismus; • 4 posters for Performances (Basler Surrealistengruppe, Gespenster; Linke 30.Jan.1957, Albansaal; Ionesco/6 Einakter von C. Laszlo, Nazis gegen 12.Juni 1957, Komödie Basel; Théatre Fauteuil; März/ Zionismus; Bevor April, Alleyn etc.; Théatre Fauteuil, 29. April, Chansons Neo-Dada war, war Christian Sarrel; Dada da) • 8 invitations to (or programs of) Exhibitions and Manifestations (Festival de la Fin du Monde; Theatre Fauteuil,Musik des Mittelalters etc.; Ionesco, Cocteau, Laszlo; Des Geometers Hochzeit; etc.) • facsimile of letter to Lehmanns Verlag,

• 13.3.1966.

[#16849] PARACHUTE. Art contemporain/Contemporary Art. Nos. 1-125 (all published sofar, publication suspended). Montreal,1975 - January 2007. Original pictorial wrappers. Plus Duane Michels special issue. (No.55 frontcover and first pages waterdamaged, No. 3, 11 and 16 in xerox-copies). EUR 3,500.00

Parachute was founded by René Blouin and Chantal Pontbriand, who met at Véhicule, one of the first artist-run centres in Canada, (together with A Space and the Western Front) and the Research Group in Arts Administration. It became one of the leading journals on contemporary and modern art dealing with architecture, artists books, curating, music, painting, photography, artists projects, sculpture, theatre, video. Contribtions (in French and English) by: George Bogardi, Chantal Darcy, France Morin, Roland Poulin, Marc Dachy, Philip Fry, Robert Racine, Andrew Forster, Marine Meilleur, a.o.

John Benjamins Antiquariat B.V. 73 13721-17636.tif [#18073] PERMANENT FOOD (Maurizio Cattelan) Complete set of all 15 numbers published: Nos. 1-15 (all publ.). Milano, Dijon, Les Presses Du Reel. 1996-2007. (Issue 13 was not published). All in the SPECIAL LIMITED edition of 50 copies for the complete set, each number signed, often inscribed, and numbered (6 issues limited to 50 copies, 7 issues limited to 70 copies and 2 issues limited to 95/100 copies). The cord tying the 2 issues of no 10 together is not present, otherwise the set in very fine condition. EUR 30,000.00

A full set IN THE SPECIAL LIMITED EDITION of the Moral Maze at Le Consortium in Dijon, with Pierre Huyghe famous “cannibale” periodical, edited/published by Maurizio and Dominique Gonzalez-Foerster. Contributors include CATTELAN and Paolo Manfrin, with Dominique Gonzales- Vanessa Beecroft, Angela Bulloch, Claude Closky, Anne Foerster. Fully described in “In Numbers(Aarons/Roth)”, Frémy, Liam Gillick, Carsten Höller, Maurizio Nannucci, where all the front-covers are reproduced. ... “Drawing its Philippe Parreno, Wolfgang Tilmans, a.o. for the first substance from images conscripted from an international number, and many anonymous contribution and images stockpile of other magazines, P.F. has been generally devoid taken from the international glossy press. Aarons warns that of explanation, except for a short declaration in which P.F. listed contributors in his bibliography should be approched characterizes itself as ‘a second generation magazine with with skepticism, as identities may be concealed behind a free copyright’. As a whole the magazine works on the pseudonyms or misspellings (e.g. Batman, Roobin Hood, principle that to put together two images makes the meaning Superman,Mata Hari). The first few issues were published of those images completely different”. Brought together in with financial support from Le Consortium. Gonzalez- each issue is a thoroughly bewildering,shocking, amusing Foerster departed after number one, and was replaced by and grotesque selection of images culled from anywhere, Paola Manfrin, and McCann Erickson as artistic director. everywhere, and nowhere. The project began in 1996 as an outgrowth of Cattelan’s participation in he group exhibition See extensively Aarons/Roth, In Numbers p.306-311)

No. 1 - [August 1996]. 95 copies, with No. 2 - [March 1996]. 100 numbered No. 3 - [October 1996]. 50 the printing blue-toned throughout, copies, orange-toned throughout, numbered copies, green-toned, with numbered on inside rear cover together and with “Diffidate delle Imitazioni” “EXTRAFOOD” inscribed on first page. with a little red heart. inscribed on inside back cover.

No. 4 - [1996]. 48 numbered copies, No. 5 - [1997]. 50 numbered copies, with No. 6 - [1998]. 50 numbered copies, with the yellow printed off-register and the cyan printed off-register and “PF” with the cover and some pages “PERMANENT YELLOW” inscribed on inscribed on the final page. printed in colour, the rest pale green. inside back cover. “PERMANENT FOOD” inscribed on final page (the ‘O’s of the word Food are replaced with hearts).

74 John Benjamins Antiquariat B.V. No. 7 - [1998]. 50 numbered copies, with No. 8 - [2000-1]. 50 numbered copies, No. 9 - [2003]. 70 numbered copies, with the pale green off-register, and “1 2 3 4 5 with three holes punched through the all the pages remaining uncut, and a 6 7” inscribed on inside back cover. entire issue, and with “What Would peace sign and heart inscribed on the Jesus Say?” inscribed on the final page. penultimate page.

No. 10 - [2003]. 70 copies published in Supplement to Vogue Italia - [2003] - No. 11 - [2004]. 70 numbered copies, two complimentary, partially printed extra number. 70 numbered copies, with the entire magazine cut in two volumes tied together with cord (cord with the magazine sewn shut with pink horizontally across the middle, and the missing). “Food Stuff All You Can Ingest thread along the fore-edge, and with a halves then pasted together. Inscribed $1.50” inscribed on one cover. small swastika inscribed on rear cover. with “11” within a star on front cover, numbered on rear cover.

(No. 12) No. B - [2004]. Issue 12 was No. 14 - [2005]. 70 numbered copies, No. 15 - [2007]. 70 numbered copies, designated “issue B”. 70 numbered with the covers inverted, and with with a large hole drilled through the copies, with an orange spine and “New!” “Permanent Food” handwritten across centre of the entire issue, and with the stamp pasted to front cover. the top of the front cover. issue number hand-drawn around the hole.

John Benjamins Antiquariat B.V. 75 9249-14793B.tif [#19708] PHASES Complete collection, partly in DE-LUXE: Série 1: Nos. 1-11 (all). Paris, janvier 1954-mai 1967. Original illustrated wrappers roy. 8vo. Continued as: Série 2: Nos. 1-5 (all and last publ.). Paris, mai 1969-nov. 1975. Original illustrated wrappers; 4to. 15 issues of which 3 boxed (no 5/6 is a double-issue) and 6 of the issues are in the DE-LUXE edition EUR 10,000.00

The Groupe PHASES united artists and writers who considered themselves the continuation of the Surrealists and Cobra. Directed by Edouard Jaguer Texts by Scutenaire, Dotremont, Jaguer, Pansaers, Tarnaud, Tapié, Duprey, Giguère, Pastoureau, Aleschinsky, Guerasim Luca, Bryen, Dangelo, R. Hausmann, Gustafson, J.J. Lebel, J.C. Lambert, Jouffroy, Lacomblez, Viseaux, J. Pierre, G. Legrand, Brunius, Chavée, L. Carrington, Mayoux, Cortazar, Thiercelin, Meloux, Langlois, P. d’Arschot, Smejkal, K. Seligmann, L. Novak, Dupuy, A. Roussel, B. Atmani, C. Bernard, P. Joostens, Metton Roquefort, Cruzeiro-Seixas, M. Henry, Guillon, B. Jund, G. Ducornet, I. Serpan, P. Kral, M. Bullock. Illustrations by KO. Götz, C. Boumeister, Corneille, M. Ernst, Dangelo, Gillet, R. Haussmann, G. Bertini, P. Aleschinsky, A. Poujet, C. Bryen, Scanavino, P.A. Gette, J.C. Langlois, C. Viseux, R. Giguère, G. Leegrand, J. Lacomblez, J.H. Silva, Z. Marowski, H. Ginet, A. Dax, H.M. Petersen, G. Posada, J. Zimmermann, L. Novak, R. Martini, W. Lam, J.P. Vielfaure, E. Baj, F. Musika, Man Ray, U. Mariani, Pozzati, R. Frezin, C. Dotremont, C. van Breedam, W. Freddie, P. Bassard, F. Chiro, J.L. Glass, G. Gallizioli, C. Révilla, G. Ducornet, G. Vuillamy, P. Collage, R. Margonari, W. Appelbaum, Kraguly, Rikki, L. Zeller, J. Perahim, R. Lima, C. Sarthou, F. Rosemont.

Première série : • N°1 : Janvier 1954. Couv. illustré d’un dessin de la tribu Iba - Bois original de R. Martini - Hors-texte de K.O. Götz - Lithos de W. Lam et de J.P. - Hors-texte de Christine Boumeister manquant mais Vielfaure remplacé par un hors-texte de Jaguer 1/20 exemplaires du tirage de tête signés et numérotés par • N°2 : Mars 1955. Couv. de Max Ernst. Jaguer et daté 65 comprenant: Publié à l’occasion de l’exposition Phases de l’Art - Eau-forte collage signée de contemporain à la galerie R. Creuze à Paris. Enrico Baj • N°3 : Nov. 1956. Couv. de Raoul Hausmann. - Litho signée de Wilfredo • N°4 : Catalogue de l’exposition Phases au Stedelijk Museum Lam d’Amsterdam du 10 mai au 10 juin 1957 - Litho signée de Jean-Pierre Vielfaure • N°5/6 : Janv. 1960. Couv. de Camille Bryen (trace de marque - Bois signé de Remo Martini d’étiquette) 2 pages détachées en fin de • N°7 : Mai 1961. Couv. de K.O. Götz volume. - litho originale de Giguère • N°11 : Mai 1967. Couv. de Bin - litho originale d’Aleschinsky Kondo • N°8 : Janv. 1963. Couv. de Jacques Lacomblez - Découpage de Wilfredo Lam - Litho originale de J.H. Silva - Litho-collage de Enrico Baj - Litho originale de Corneille - Litho de Frantisek Muzika - Xylographie de Z. Marowski 1/20 exemplaires du tirage de tête signés et numérotés par Jaguer comprenant : • N°9 : Avril 1964. Couv. de Jean Langlois - Rayogramme original signé au crayon de Man Ray avec le - 2 Gravures originales de Guadalupe Posada cachet de son atelier au dos • N°10 : Sept. 1965. Couv. de L. Novak - Découpage signé de Wilfredo Lam - Litho signée d’Enrico Baj - 3 lithos signées de Musika et datées 67

76 John Benjamins Antiquariat B.V. Seconde série : • N°1 : Mai 1969. Couv. de Umberto Mariani 1/20 exempl. du tirage de tête signés par Jaguer comprenant: - Litho signée de Karl-Otto Gotz - Litho signée de Pozzati - Sérigraphie réhaussée de Roger Frézin : annoncée dans le colophon mais ne figure pas à l’exemplaire. - Collage de Paul Joostens (p. 79) : non annoncé dans le colophon • N°2 : Mai 1970. Couv. de Roger Frézin - Litho d’Umberto Mariani - Linogravure de Camiel Van Breedam sur toile de jute - Découpage de Ladislav Novak 1/30 exemplaires de tête signés par Jaguer comprenant : - Litho de Wilhem Freddie signée et datée 69 - Eau-forte de Pierre Bassard signée - Découpage original signé par Novak - Lino de Van Breedam signée et datée 1970 - Shirographie rehaussée à la main de Flavio Shiro signée et datée 70 - Litho de Mariani signée et datée 70 • N°3 : Nov. 1971. Couv. de Flavio Chiro - Chirographie de Jean-Luc Gass - Chirographie de Giuseppe Gallizioli - Chirographie de Juan-Carlos Langlois Rousseurs sur la 4ème de couverture • N°4 : Dec. 1973. Couv. de Carlos Revilla - Chirographie de Guy Ducornet - Chirographie de Gérard Vuillamy : manquante Exemplaire n°1 signé par Jaguer ne comprenant pas les oeuvres indiquées au colophon mais celles indiquées pour les 30 exemplaires de luxe excepté la litho de Gérard Vuillamy manquante : - Chirographie de Guy Ducornet signée - Sérigraphie de Philippe Collage signée - Sérigraphie de Renzo Margonari signée • N°5 : Nov. 1975. Couv. d’Enrico Baj - 4 Chirographies de Apellbaum, Kraguly, Rikki et Ducornet, Zeller Exemplaire n°1 signé par Jaguer un peu hétéroclite. Il reprend les oeuvres indiquées pour un des 30 exemplaires numérotés à savoir : - Litho en couleurs de Jules Perahim signée - Litho en couleurs de Rik Lima : manquante - Eau-forte de Rikki signée et datée 75 - Eau-forte de Claude Sarthou signée et datée 75 - Empreinte de W. Appellbaum signée et datée 74 - Jeu complet des 4 planches de timbres de S. Wald et L. Zeller - Chirographie de Rikki et Ducornet : manquante Seules 3 oeuvres sur 7 indiquées pour le n°1 sont présentes : - Collage original sur carton de Ludwig Zeller - Dessin original sur carton de Claude Sarthou - Jeu de dominos réalisé par Rikki et Guy Ducornet - Dessin original de Roure signé : en plus

John Benjamins Antiquariat B.V. 77 13042-15925B.tif [#15925] PRESENÇA. Fôlha de arte e critica. Series 1: Ano 1-11 (comprising nos. 1-53/54, all publ.) continued as: Series 2: Ano 12 (comprising nos.1-2, all publ.). Coimbra, Presença, 10 March 1927 - February 1940. First Series: Large folio (38.3 x 29.5 cm.); Second Series: (24 x 19 cm.). Bound in three grey full-cloth bindings with lettering in black on spine and front. The numbers of the first series in self covers; the two numbers of the second series in original printed wrappers. Slight soiling to covers and light browning to some leaves, but overall this set is in excellent condition. Printed on different types of luxury paper of varying colour, in black and white with occasionally colour added. EUR 22,000.00 Complete run of the most important periodical for Portuguese Modernism, succcessor to Orpheu. Directed by José Régio, João Gaspar Simões and Branquinho da Fonseca (lateron replaced by Casais Monteiro). With innovative avant-garde typography and page-make-up. Published works by the leading figures in Portuguese literature, including Mário Sá-Carneiro, Fernando Pessoa, José Régio, Casais Monteiro, João Gaspar Simões, António de Sousa, Saul Dias, Branquinho da Fonseca, Almada Negreiros, Raul Leal, Alberto de Serpa, Irene Lisboa, José Régio and Miguel Torga. It introduced Gide and Proust to Portuguese readers and started serious critical essays on cinema and contemporary music. It focused on the art of Cubists, Futurists, Primitivists and Expressionists. Graphic contributions by Almada Negreiros, Júlio, Mário Elói, Dórdio Gomes, João Carlos, Sara Afonso, Arlindo Vicente, Paulo, Ventura Porfírio and Bernardo Marques. (Cf.: Pires, Dicionário das revistas literárias do séc. XX, pp. 244-8; Dicionario da Imprensa periodica lit. Portuguesa do seculo XX); Revistas literárias do século XX em Portugal, pp. 382–437) .

78 John Benjamins Antiquariat B.V. 9428-19682.tif [#19682] PRO. Blätter für neue Literatur (later: Ein schriftlicher Vorgang); later: Jahrbuch für Mitteilungssysteme).

Heft 1-27 (all publ.). Bochum, Düsseldorf, Bulkowski, March 1966-1977. Unbd., original issues printed on various coloured stock , size 30 x 21 cm, later for numbers 13-20 changing to 21 x 15 cm. printed as Photocopies, Letterpress, Offset, Original works (collage etc). with all decorated original wrappers and supplements preserved, stapled in the spine or archival binders. Set in mint condition; illustrated. EUR 4,500.00

Complete set of this important example Anarchie und Humor (Provo), No. 8 Texts of the Hippies; No. of the anarchist and leftist “mini- 6 Beat-Beat with texts of the Beats; No. 10 Ideal Werbetext; presses” of the sixties. Strong ties with No. 11/12 with orig. Plastic coloured artwork of Thomas Leftist movements worldwide, of Bayrle; No. 18 inspired on the Situationists; No 20 in orig. which Bulkowski acted as the German brown envelope. Numbers 13-21 on quarto size photocopied language spokesman and reporter. So and combined together with original documents. They are there are issues on the Dutch Provos and interesting for content, typography and lay-out. Contributors similar movements in Flanders: No.5 include: Thomas Bayrle (Original color silkscreens on plastic foils), Horst Bingel, Paul Schallück, G. Zwerenz, Max v.d. Grün, N. Born, P. Faecke, D. Hoffmann, G. Kunert, K. Marti, Simon Vinkenoog (Provo), Peter Chotjewitz, G. Guben, Reimar Lenz, Dietrich Albrecht (Fluxus), Hans-Peter Alvermann,Claus Boehmler, Rolf-Dieter Brinkmann, Stig Brogger, Stanley Brouwn, Henning Christiansen (Fluxus), Hans Peter Feldmann, Robert Filliou, Jochen Gerz, Ludwig Gosewitz (Fluxus), ans Imhoff , H. Kaminski, Tuli Kupferberg, F. Mayroecker + E. Jandl , Franz Mon, Maurizio Nannucci, A.R. Penck, J. Ploog, Chris Reinecke (LIDL), Ralf-Reiner Rygulla, Wolfg. Schmidt, Tomas Schmit (Fluxus), Klaus Staeck / Eric Thygesen, Miroljub Todorovic, Vangelis Tsakiridis, Iannis Xenakis and numerous others.

John Benjamins Antiquariat B.V. 79 14678-19631A.tif [#19631] PROFIL. Kunstmagazin Nummer 1 - 10 (all publ., of which 6 numbers in De-Luxe edition). Düsseldorf. Profil und Galerie Kunst im Salon. 1978 - 1983. Orig. pictorial wrappers. 21 x 15 cm. In very good condition, except for some occasion light toning and some browning on the spines. In this set 6 numbers are from the de-luxe, numbered 37/50 (the regular edition was 500 copies). The de-luxe numbers contain original signed graphics (as detailed below, all measuring approx. 20x15 cm or smaller). Al together there are 26 added originals, all signed by the artists and numbered 37/50. The set is composed as follows:

Numbers 1 and 2 (regular editions) Number 3 Number 7 (de luxe 37/50) with 2 originals: Christoph (although not a numbered de-luxe edition) contains Ingenhoven(Siebdruck), Tomas Schmitt on inside cover 3 an original signed pencil-drawing (Künstlerbuch). by Klaus Rinke. Number 8 (de luxe 37/50) with 6 originals: Heinz Number 4 (de-luxe 37/50) with 3 signed originals: Scharbert (Radierung), Tatsuo Tsuda (Übermalte Halina Jaworski (Polaroid), Mario Reis (Radierung in Materialcollage), Bernard Bazile (Foto), Wolfgang Pergamintüte), Yoshio Shirakawa (Stempel und Text Döring (mit Wachskreide kolorierter Offsetdruck auf in Wachskreide auf Abrissblatt); (Frontcover has a few transparentem Pergamin), Hildegard Schöneck spots in the right upper part). (Zeichnung, Buntstift), Erwin Heerich (Offsetdruck). Number 5 (de-luxe 37/50) with 5 signed originals: Number 9 (de luxe 37/50) with 6 originals: Rüdiger Franco Campana (Radierung), Otto Piene (mit Kramer (Radierung), Helmut Sundhaußen Filzstift ummalter Offsetdruck, 59/80), Klaus (Siebdruck), Hella Lütgen (kolorierter Offsetdruck), Ritterbusch (Kolorierter Offsetdruck), Keiji Uematsu Johannes Erdmann (Radierung), Paul Wienand (Blesitiftzeichnung und Offset), Van den Valentyn (Aquarell), Wolfgang Stickel (kolorierter Offsetdruck). (Text). Number 10 (regular edition). With contributions by Number 6 (de luxe 37/50) with 3 signed originals: W. Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz E. Herbst (Linolschnitt), Barbara Petri (Kolorierter Schwegler, Erika Kiffl. Offsetdruck), Johannes Lenhart (Materialcollage).

EUR 2,500.00

Edited by Hans Georg Ruckes, editorial board Fr.Becker, W.Döring, Harald K.Hülsmanb. Helga Meister,Stephan v.Wiese, With contributions by Joseph Beuys, Theo Lambertin, Günther Uecker, Fritz Schwegler, Erika Kiffl., Dubbick, Hülsmann, Piene, Uematsu, Petri, Ingenhofen, Döring, Kratzer, Lambertin, Winkler, Thiede, Klaus Rinke, Nishikawa, Overdiek, Peetzinka, Pesch and others. Number 4 is special: Kunstpomade. Haar- Scharf (Kunst im Salon).

80 John Benjamins Antiquariat B.V. 19287-19534A.tif [#19534] PURPLE PROSE Nos. 1-13 (Rare complete , forming Volume 1, all published before the publication split up into various other series). Paris, automne 1992-1998. Original pictorial wrappers. EUR 2,500.00

In 1992, Elein Fleiss and Olivier Zahm started the magazine Purple Prose as a reaction against the superficial glamour of the 1980’s; much as a part of the global counterculture at the time, inspired by magazines like Interview, Ray Gun, Nova, and Helmut Newton’s Illustrated, but with the aesthetics of what usually is referred to as anti- fashion”. There were 13 issues published, which consitute “volume 1”, and are offered here. Based on their personal interests and views Purple was, made much in the same spirit of the fanzine. The magazine quickly became associated with the “realism” of the new fashion photography of the 1990’s, with names like Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti.Several other “Purple” magazines were published as offspring. Directrice de la Rédaction: Elein Fleiss .Contributors: A. Zittel, R. Bogwa, J. Avgikos, M. Kippenberger, (Courrier, mail from Vienna), P. Van Caeckenbergh (interview with Lieven Van Den Abeele), V. Glabel, J.-L.Vilmouth, D. Lerner, J. Koethe (Interview), J.-C. Menu, Havhivi Edgard Heep of Birds, P. Bouchitey, D. Robbins, Kitten, F. Roche, D. Blair, H. Bond, J. Decter, Inian Summer, (The Elephant Siam , interviews Jean-Luc Vilmouth) , D. Oletsijczuk, D. Jasiak, P. Flessig, Z. Veilhan and J. Rian. Texts in French and English Offered here is: Purple Prose volume 1 complete: 1, automne 1992- 2, hiver 1993, -3, été 1993, -4, automne 1993, - 5, hiver 1994, - 6, été 199- 7, automne1994- 8, hiver 1995- 9, été 1995-10, winter 1996-11, summer 1996 - 12, summer 1997 -13, winter 1998.

John Benjamins Antiquariat B.V. 81 13370-17963a.tif [#17963] PUSS Nos. 1-24 (all published), [Stockholm], Solna, Williamssons offset, respektive Sala, Ågren & Holmbergs boktr. AB. January 1968 - (October?) 1973. 29x21,5 cm, last 3 issues tabloid size. Printed in black and red; stapled in the spine. Added: [Prenumerationserbjudande]. (Solna?, ca 1968?, a 4 page coloured prospectus; and: Puss International (16 pages, not dated), probably a zero-number, ca. 1968. EUR 4,000.00 Complete set of this subversive satirical Swedish underground monthly. Edited by Lars Hillersberg (cartoonist), Karin Frostenson Johan de Geer (photographer, filmmaker), Ulf Rahmberg, Lena Svedberg, Arne Svensso, Chister Themptander and others. Issues varying in size from 16 to 28 pages/ issue. The attacks are both on international and internal political issues, targeting the US presidents, sexual liberation, etc.

ADDED:13953-17896.tif Puss album. Vett & villing, sex & spekulation, bluff & båg. Det bästa ur årg. 68-74. Cavefors [1974]. 29,5×21 cm. (128) pages, orig. Pictorial wrapper. Spine with light damage, otherwise very good. Selection of “the best”from PUSS from 1968-1974. a subversive artist periodical, edited by Lars Hillersberg, Carl Johan De Geer, Lena Svedberg and Ulf Rahmberg (published between 1968-1973, 24 issues)

12059-18728B.tif [#18728] RADAR. Die Zeitschrift zwischen Basel und New York.

Nos. 1-5/6 (all publ.). Basel, Edition C.L.A.G., 1982-1988. Size (h/w): 29,6 x 20,9 cm. With an original silverprint, copyrighted with a stamp on verso in each issue: Original blindstamped metallic wrappers, near mint condition. EUR 4,500.00 Edited by Carl Laszlo, René Matti and Michael Heitmann. With contributions by Allen Ginsberg, William S. Burroughs, Les Levine, Manon, Taylor Mead, Peter Orlovsky, Andy Warhol, Robert Mapplethorpe a.o. In each issue an original silverprint, copyrighted with a stamp on verso: - No. 1 portrait of William S. Burroughs by Robert Mapplethorpe; - No. 2 photograph by Manon; - No. 3 portrait of Taylor Mead, 1971 by Gerard Malanga; Texts in German, Malanga’s writings are in English. The photo of Taylor Mead by Malanga inserted. Covering Malanga’s extended works, his diary from 60’s, poetry, portraits, nudes to voyeuristic photos, also incl. the Burroughs interview by Malanga - No. 4 portrait of William S. Burroughs by Victor Bockris; - No. 5/6 Eric H. Olson: Fotokomposition, 1985 in the Olson’s Photokomposition (8 pages,partly colour)

82 John Benjamins Antiquariat B.V. 13592-17922a.tif [#18473] RAKET. Numbers 1-15 with supplements and posters (all published, with presursor and additions). Rotterdam, 1979-1983. - WITH: Precursor: Marcel Megawatt Blad - ADDED: De Avonturen van Red Rat (a continuation in the form of cartoon strips). All in generally good condition, some ragged edges, or light staining. - ADDED: Jubileum edition - K.K. Dubio en de Rondos - Ze zijn er weer ...Kom nou toch jongens, Facisme bestaat allang niet meer. Hitler is al jaren dood - Rotterdam, Raket, 1982 - 305 pp. - paper wrappers - 21 x 30 cm. With added poster “Toen en nu”(rare). - ADDED: unnumbered, undated number,30 pages,stamped kk.dubio. (An additional number (16?): Geis. 1 (?) together with - Geis gaat op Reis, 32 pages + wrappers. Details of the issues below. EUR 5,000.00

Dutch Anarchist-PUNK periodical, started as newsbulletin Folded in eight. No 6 in cooperation with Kaasee. Featuring: for the Rotterdam New Wave Groups, merely one sheet Rondo’s ( “I don’t like the Rastaman”), Toiletz, ZeroZero, recto/verso. It soon grows out to a full-fledged periodical Bunkers, Bunk Music. Donut Music, Filth, Stealer, Kobus for Rotterdam Punk, and for Punk in The Netherlands. At van Lankeren, Suburban Punk,attention broadens to Punk first printed (mimeographed) on grey paper in black, soon outside Rotterdam (Amsterdam, Galerie Anus), Zaandam with photographic illustrations,sometimes with colours (sick productions, Gernevieve Van Hooghaut Jonghe, The in screenprint / stencil / spray technique added. Edited Hague (Ketchup), Haarlem (World War Rockers), Ash-Tray, by (Kunst Kollektief) Dubio, and De Rondos, Geis, Aram, Jezus and the Gospelfuckers, Tändstickorshocks, RodeWig, Chris de Wit, Teddy Boymans. With the rare precursor/ Squats, Jules Deelder, coöperation with Kaasee (Gordelweg 117 poster: Marcel Megawatt Blad Magazine. Raket, Rotterdam. Rotterdam). 1979. 41.9 x 58.5 Cm. Folds out to a two-sided printed poster. Details of the set:

- No. 1. 1979, April. One sheet. 62x46,5 cm. middlefold, otherwise in very good (Folded to 31,5x 23,5). condition). - No. 2, 1979. May. One sheet 62x46,5 cm -No. 8: 1980. January. Together with the (folded to 31,5x23,5) Poster b/w. 60x54 cm., folded twice. And - No. 3. 1979. Juni. One sheet 62x46,5 cm. with Bijlage: Marcel Megawat, 10 pp, (Folded to 31,5x 23,5) stapled; - No. 4. 1979. September. 29,5x21 cm. -No. 9: Februari 1980 with Bijlage 20 pages, on grey paper, sidestapled. “Rotterdam Graffiti” 1. Together with the poster (black on - No. 10. 1980 Maart. 29,5x21 cm. yellow paper, depicting a human figure “Jubileum Raket” 70 pages + 1 loose sheet. as target for shooting lessons;this Partly in colour.Plus: BijlageRotterdam copy has apparently been used for that Graffiti Deel 2. 30 pages. Partly in colour. purpose as there are numerous bullet Plus: Poster printed in red. 43x30,5 cm. holes. (Het Bibelebonsche Rijk). Together with pages sidestapled together with the original kraft mailing envelope, with - No. 5. 1979 Oktober. 34 pages, Supplement: Rock against Religion illustration in black; a bit damaged sidestapled. Together with poster (RAR Organ des Zentralkomitees) 60x41,5, folded twice; pin-holes in the 36 pages, sidestapled. POSTER: Rock - No. 11. April/Mei 1980. 29,5x21cm. four corners. against Religion. In samenwerking 76 pages, sidestapled; +Bijlage 22 - No. 6. 1980. Januari (sic!). 29,5x21 cm. 54 met Kaasee. 41x46,5 cm, folded twice. pages, with Orange Cover, “Verhaal pages sidestapled , with the poster and Photomontage of Nazi-soldiers, Priest, in romanvorm: Trix = The Pix” with Shell supplemented). Businessman, falling church-buildings. caricature of Princess Beatrix in the nude, with piggy policemen.; - No. 7. 1979 December. 29,5x21cm.46 (Some brown spotting over over

John Benjamins Antiquariat B.V. 83 Eindexamenskritpie SKA”, “graffiti Den Haag” Printed on a poster, front red/white and blue, with - No. 12. Juni 1980. 29,5x21 cm 100 pages, + Yellow Hammer and Sickle; Reverse side prints Supplement,28 pages (Waarlijk helpe ons God the texts of Rondos Songs. Folded to 8,5x28,5 cm. - almachtig) (Coronation of Beatrix issue) + 2 “Een beetje vent wordt geen agent”(if you are only posters (42 x 29 cm each. “Schuldig aan”and a bit of a man you do not become policeman), 40 “Gefallen für Deutschland”). Together with the pages, sidestapled. Not dated; signed Aram. kraft mailing envelope (a bit damaged) and with - Supplement Poster “De Westerse Beschaming, the puzzle and the flexidisk deel 9”, Avonturen van Red Rat Addition 4: - No. 13. September 1980. 29,5x21 cm. With kraft JUBILEUM-EDITION. Uitgave en copyright envelope. 108 pages. (on backpage: “Bericht van Raket, Rotterdam, 1982. oblong, 305 pages het Verkiezingsfront”). Includes the postcard/ + 5 advertising pages; glued in the spine. photograph “Pearls for the swines”, and the poster Frontwrapper (probably)missing. - Vandaag of and Dossier Morgen. Destroy Fascism. 14 pages. - No. 14. November 1980 (VerzetsRaket). 112 pages - Poster “Which side will you be on”, Fight back; + Supplements: Jeugdcultuur & Punk&Verzet. White Power 50 pages, sidestapled (the added badge is not - TOGETHER WITH: DE AVONTUREN VAN present) + Supplement: De Avonturen van Red Red Rat. Deel 1/2, deel 3/4, deel 5/6, deel 7/8, deel Rat. Deel éen. 36 pages, sidestapled; + supplement: 9/10 (complete as published by Uitgeverij “lont”, Over platen maken en hun verspreiding. 24 original opictorial wrappers; 1981-1983. Added: pages, sidestapled; + supplement: The selling of Deel 11/12. Revival, published by De Papieren Limburg. 16 pages, sidestapled. (On the final page Tijger. 2009. announcement: No Hope stops). Together with - Thus altogether a magnificent collection, Rare. A kraft mailing envelope, rather damaged. very complete offering. ADDED” Unnumbered and undated pamphlets and loose publications: - “The Rondos Song Texts”.

9538-17087b.tif [#17087] RASSEGNA. Problemi di architettura dell’ambiente. Nos. 1- 50. (Comprising Anno 1-14). Bologna: Editirice Cipia Srl, 1979- 1992. Quarto; original wrappers, some with light dust soilage, altogether a very good set. EUR 4,000.00 Large collection of this Important italian architectural and design quarterly, edited by Vittorio Gregotti. Number 50 is the general index to the previous ones. Each issue on a theme a.o.:

‘I clienti de Le Corbusier’; And many others. Articles usually with ‘Giuseppe Terragni 1904/43’; English, French & German summaries. A list of titles of the individual issues ‘Vehicles 1909/47’; will be sent on demand. ‘il campo della grafica italiana’; “II disegno del mobile razionale in Italia 1928-1948”, ‘Architecture in the Avant-Garde Magazines’; ‘Photographs of Architecture’; ‘Venice: City of the Modern’; ‘Materials of Design’.

84 John Benjamins Antiquariat B.V. 9552-19483A.tif [#19483] R AW. The graphix magazine of postponed suicides (becoming: The graphic magazine for damned intellectuals; The graphic aspirin for war fever; The torn again graphix magazine; etc.).

(Vol. 1) Nos. 1-8 and Vol. 2 no 1-3 (all published, together 11 issues, complete set ). New York, 1980-1986, 1989-1991. Folio, unbound in the original full colour pictorial wrappers. (Vol. 2 nos1-3 smaller size 15,5 x 22,5 cm., Penguin Books). Together with: READ YOURSELF RAW. Pages From the Rare 3 Issues of the Comics Magazine for Damned Intellectuals ! New York, Pantheon Books, 1987, 360x270mm, 88p., original coloured pictorial wrappers. This copy SIGNED with a special dedication by Art Spiegelman and a SIGNED DRAWING in black ink: “For Bill Black beard w. thanks for your ongoing help to RAW and for your obsessions ! w. best wishes Art Spiegelman” [(William Elsworth Blackbeard (1926-2011), better known as Bill Blackbeard was a noted American specialist in cartoon books]. All in excellent condition. EUR 4,500.00

The famous ferocious large-folio comics journal, founded and edited by Art Spiegelman and F. Mouly, with magnificent colourful covers and depressing comic strips by Art Spiegelman and others. Included are enclosures with the first appearances of ‘Maus, A Survivor’s Tale’. the first four chapters of Maus in their original formats bound into issues 2-5. Number 4 contains a vinyl flexi- disc entitled “Reagan Speaks for Himself”. All in excellent condition. Other contributors were: Gary Panter, Sue Coe, Fr. Mouly, Bill Griffith, Jacques Tardi, Mark Beyer, Charles Burns, Joost Swarte, Mariscal, Jerry Moriarty, Ever Meulen, Cathy Millet, Lynne Tillman, Scott Gillis, Mark Newgarden, Francoise Mouly, Winsor Mc Cay, a.o. Number 7 has a tear scross the wrapper as part of the design. The compilation of the first 3 issues contains contributions of Tardi, Mariscal, Bruno Richard, Kiki Picasso, Winsor McCay, Gary Panter, J. Swarte, Mark Beyer, Ch. Burns, Ever Meulen, entre autres. Complete with the two inserts: «Two- fisted Painters Action Adventures» (1980 Art Spiegelman), «City of Terror» - Trading Cards (1980 Marc Beyer).

John Benjamins Antiquariat B.V. 85 12941-18428.tif [#18428] REAKTION Volumes 1-7 (all publ.).Verlaggalerie Leaman, Düsseldorf, 1975-1983. Original pictorial vinyl ringbinders, containing only original artworks by avant-garde artists of the Gallery, and also many Fluxus related artists. All are looseleaves arranged between dividers with the names of the artists. A few SIGNED in pen or pencil, see below. Contains works on paper, card, photographs or other materials (e.g. broken mirrors pieces, plastic objects, dried leaves, collages,photocopies etc, 32x26 cm. Some of the plastic binders a bit soiled by offsetting xerox-toner, internally very good and clean (except for incidental very light foxing due to paper quality). - At the end of volume 1, pasted onto the inside back cover, is a white sheet of paper (25,5x8,5 cm), with SIGNATURES in pen or pencil, of Uecker, Rainer Ruthenbeck, Megert, Mölzer, Thomkins, Michael Gibbs, Ulises Carrion, with a stamp 19/100. - Volume 3 in a special edition with an extra frontispiece photograph by alex kayser - zak & kingbee, SIGNED IN FELT by each participating artist (Schleber, Schwegler, Gudmunsson, Kayser, Heerich, Spoerri, Nannucci, Hagenberg). The set from an edition of 500 copies, later 1000. EUR 13,000.00 The complete set of these assemblages of visual poetry, objects, photographs, collages, mixed-media. Some SIGNED IN PEN OR PENCIL BY THE ARTISTS ( see below)

- Vol. 1. (1975). Photographically unnumbered sheets with contributions illustrated inside cover with names of by Alexander Schleber, Fritz Schwegler, the artists: 44 leaves (unnumbered) of S. Gudmundsson, Alex Kayser, Erwin artworks by: Michael Gibbs, Leo Erb, Heerich, Daniel Spoerri, Maurizio Reiner Ruthenbeck, Christian Megert, Nannucci, Helfried Hagenberg. Ulyses Carrion, Milan Mölzer, Günther - Vol. 4 (1978). Edited by Milan Mölzer Uecker. His contribution consists of 3 and Stephan Missmahl. Titlepage byAlex sheets of burlap and photofoil, SIGNED Kayser, 64 unnumbered sheets with in pencil. Added an envelope with some contributions by Reinhard Omir, Ulrich small trimmed sheets of paper, 11x22 cm, Erben, Axel Heibel, Jean-Pierre Bertrand, unopened, but artist not identified. On Paul van Dijk, Francois Morellet, the inside back cover a white sheet of Hermann De Vries, Claudio Parmiggiani. paper with the SIGNATURES of Uecker, An unidentified unsigned drawing on Rainer Ruthenbeck, Megert, Mölzer, the colophon-page. Thomkins, Michael Gibbs, Ulises - Vol. 5 (1980).Edited by Milan Carrion Mölzer. Title page byiFranklin - Vol. 2 (1976). Edited by Milan Mölzer. Berger, 64 unnumbered sheets with Title page by Arnulf Rainer. 46 sheets contributions by Christian Boltanski, of varying sizes and materials, plus a Emmett Williams, Jan Voss, Robert plastic bag containing a dried wax-like Filliou, John Armleder, Takako Saito, substance. Contributors Francisco Pino, Jaqueline Monnier, Irma Blank, Hreinn Adolf Luther, Norbert Kricke, George Fridfinsson, Zofia Kulik & Przemys Brecht, Hubertus Gojowczyk, Alan Kwiek. Czarnowski, Stephan Kukowski, Vera - Vol. 6 (1981). Edited by Milan Mölzer. Röhm, Rolf Bendgens, Geza Perneczky, Title page by Vera Rohem & Dieter Arnulf Rainer. Rohs, 59 unnumbered sheets with - Vol. 3 (1977). Edited by Milan contributions byi Nam June Paik Mölzer. Titlepage by Alex Kayser. 54 (SIGNED IN PEN BY THE ARTIST),

86 John Benjamins Antiquariat B.V. Alison Knowles, Trevor Winkfield, Bob Cobbing, Luciano Ori, Michael Druks, Ian Hamilton Finlay, Bill Griffiths, Gerhard Rühm (one sheet with ADDED TEXT (“inzwischen verbessert”) and SIGNATURE by the artist. - Vol. 7 (1983). Edited by Milan Mölzer. Title page by Gary Hincks, 56 unnumbered sheets with contributions by John Furnival, Sausan Hiller, Dick Higgins, Setve Wheatley, Rüri, Gilbert & George, Jean-Luc Vilmouth, Jeff Nuttal, Agnes Denes, Arrigo Lora Totino. (See: Gwen Allen - Artists’ Magazines. An alternative space for art, p . 290).

9552-19483A.tif [#19565] RIPPER (SOUTH BAY RIPPER). RIPPER fanzine. Numbers 1-8 (all publ.). San Jose, Ca. 1980 - 1982. All eight issues including the impossible-to-find debut issue published as South Bay Ripper. Some foxing/spotting to cover of No. 1. EUR 1,800.00

Complete run of this short-lived and highly influential Bay Area punk magazine. Editor/publisher: Tim Tonooka, Contributors,art and photos: Camille Iguana, Thom Lukas, Kat, Scarlot Aroma, Kyn Rousseau, Andrew English, Janet Planet, Kevin Animal, Patty Anderson, Earnest Endeavors, Ruick Rabble, Phil Tiger, Tim Tonooka, John Crawford, and others. - Unter Tones, Kerry Loewen, Peter Bloom, Saucers, Black Flag, DOA Spectators, Social Untrets, The Undead, Maximum Rock’n Roll, The Fix, Bad Brains, etc.

John Benjamins Antiquariat B.V. 87 13066-18025.tif [#19690] RUBBER ( STEMPELPAATS - Amsterdam)

Edited by Aart van Barnevelt, exclusive stamp art and mail projects magazine. A monthly bulletin about the use of rubberstamps in the arts.Wants to document the use of stamps in the plastic art internationally as broad as possible. Published by Stempelplaats, which was a mail art gallery in the shop of Posthumus Rubber Stamp Makers in the St. Luciënsteeg in Amsterdam. Produced for small circulation abd distribution in the shop. Each with short text about the works of the exhibiting artists, a number of original prints of the stamps the artists used in their work and some reproductions of works. Published by STEMPELPLAATS Amsterdam 1978-1981: complete collection of the Four Volumes of the periodical RUBBER and with ALL (except 4) Printed INVITATIONS to the Openings of the Stempelplaats exhibitions (which accompanied the numbers of Rubber for the individual artists). In addition the collection contains 32 rare EPHEMERAL items related to Stempelplaats and the Exhibitions which were separate and not covered in Rubber.

EUR 10,000.00

Volume 1 1978 • nr.6 Ulises Carrion, • nr.1 Cozette de Charmoy, january Rubberstamps, Theory and Praxis, 78 with invitation and stencilled june 78, no invitation prospectus

• nr.12 Franz Immoos, dec 78 with 2 invitations Rubber

Volume 2 1979 • nr.2 Robert Jacks, • nr.7 Dik Walraven, july • nr.1 Davi Det Hompson, jan 79 february 78 with invitation and 78, no invitation with invitation & stencil with info stencilled prospectus • nr.8 Elsa Stansfield/Madelon on vol 2 • nr.3 Barton Lidice Benes, march Hooykaas, VOID, august 78 with • nr.2 Karimbada, Paulo Brusky, 78 with invitation invitation (in glassine cover Leonard Frank Duch e.a. Brasil adressed to Judith Hoffberg issue, febr 79, no invitation. • nr.4 Pawel Petasz, april 78 with Umbrella Associates) invitation and stencilled plan for • nr.3 FluxpostKit 7, march 79 with vol. 1 • nr.9 Ray di Palma, sept 78 with invitation invitatio • nr.5 Marie C. Combs, may 1978 • nr.4 Claudio Goulart, april 79 with invitation • nr.10 J.H.Kocman, oct 78 with with invitation invitation • nr.5 Diter Rot, may 79 with • nr.11 Ana Banana/Bill Gaglione, invitation november 78 with invitation

88 John Benjamins Antiquariat B.V. Volume 4 1981 • Nr 1 jan- april 1981, 4 projects, in the original stamped Manilla mailing envelope: • Robin Crozier, Table project - Brieven/Letters, Timmers, Vossen, • nr.12 R.D.Schroeck/Eduard Bal, Smit, Oosterbos - Claudio dec 79 with invitation Goulart, Daily Art - Zero Zero, Schrijvers Stempelen (wrong text, • nr.6 Bart Boumans, Volume 3 1980 that exhibition opens 14 maart june 79 with invitation 1980, instead of 1981) and Volume • nr.7 DR post, George Brett/ • nr.1/2/3 book: Stempelkunst in 4 (without any numbering): - Henryk Bzdok, july 79 with Nederland, jan-march 80 together Rubber Stamp Publications II, invitation with POSTER Exhibition 1981 (being an Addition to Vol. 3 “Stempelkunst in Nederland 12 no 4/6 - Inviting at Home, vol.4, • nr.8 Ulises Carrion, mailart jan-4 april 1980” (inserted) August 1981, edited by Pim project, aug 79, no invitation • nr.4 (no number), april 1980, PJ Wiersinga, production Rodolpho/ • nr.9 Ken Friedmann, sept 79 with Spettstösser (with invitation) Rolf Weijburg (2 mail projects; invitation poster folded twice) • nr.4-6 book: Rubber stamp • nr.10 R.Saunders, okt 79 with publications, apr-june 80 with invitation invitation “ Gestempelde • nr.11 Raul Marroquin, nov 79 with publicaties” inserted in book invitation • nr.7-9 book: Six mail art projects, july-sep 80 • nr.10-12 book: Stamp actions / Stempelakties, oct-dec 80 (With a Card from/by Endre Tot) Rubber

ALL (except 4) ISSUES OF RUBBER ACCOMPANIED BY THE CORRESPONDING ILLUSTRATED INVITATIONS, which are very rare. THE COLLECTION INCLUDES ADDITIONALLY 34 RARE EPHEMERAL ITEMS:

= 1976 - Jon Held, stampwork 1976, dec 76, colour = 1979 - Flyer/stencil for last 2 nrs Rubber Vol 2, picture, handstamped, addressed to Volkskrant announcement 3 - Written Projects, febr 79 (card) - Hetty Huisman, aanlopen tot niets, maart 79 = 1977 - Niet-stempels: work by Geza Perneczky, Tony (waarschijnlijk 79) (card) - Common Press, sept-oct vd Burg, Frans de Jong, John Armleder, Michael Gibbs, 79 (card, promotional) - Edouard Bal, december 79 Sosno, juni 77 (folded A4) - Miroslav Klivar, sept 1977 (card) (los) - Willy Scholte, okt 77 (los) - Wendela Gevers Deynoot, nov 77 (los) = 1980 - Stempels uit Perzië, jan 80 (card) - Poster Zes Kunstprojecten, (1980 - Stempelakties, booklet with 7 = 1978 - White envelope with multiple colour stamps, cards 18 oktober-20 december 1980 - Lucia del Sasso, 5 -27 jan 1978, and planned content vol. 1 - Dadaland Food for thought, nov 80 (card) - Stempels in kranten Stampbook (flyer, los) - Ana Banana, Stamp Out en tijdschriften, mei 80 (card) - ‘Vervallen’, Aart van Stamps (card) - Rubber stamp designs ( 5 juli-31 aug) Barneveld to Pim Wieringa, dec 80 (card) - Bart Invitation card - Stencil about Stempelplaats Boumans ‘Strafwerk en ander werk’, maart 1980 (card) publcations - Regina Silveira, Topografia, oct 78 (flyer)

John Benjamins Antiquariat B.V. 89 - Freak Festival, letter invitation to participate, 2 sheets Added: - Announcement flyer on grey paper, 4to, A4 with stamps and drawing, probably dec 1980 folded cne, “Futurist Sound” Bill Caglione, Anna Banana: In Other Books ad So, on Friday 29th of = 1981 - 4 projects, jan-april 81, in boekvorm (5 cards) September 1978; with Progrma, printed and portraits - Papiers d’Affaires, 31 jan 81 (card) - Marius Quee, of both artists. - Handwritten message by Aart (van 23-29 feb 81 (card) - Een Correspondentieprojekt , Barnevelt to “Jan”) “hier het eerste nummer van 8-14 maart 81 (card) - Poster Rubber Stamp Graphics/ rubber tweede jaargang. Hopelijk steun je ons ook dit Stempelgrafiek, Fria Elfen, Leavenworth Jackson, jaar weer “. On: Handstamped card by Robert Jacks. Raymond Titus, mei 81 (folded twice, with stamp and red ink) - Minka Mali, aug 80 (flyer, folded) - Rolf Weijburg, aug-sept 81 (flyer, folded) - Adriaan Loos ‘Lustkunst’, sept 81(flyer folded).

90 John Benjamins Antiquariat B.V. John Benjamins Antiquariat B.V. 91 10149-18695b.tif [#18695] S.M.S. Bi-monthly portfolio. New York: The Letter Edged in Black Press, 1968. A set of Volume 1-6, in six 6 portfolios (all-issued) containing 73 artist’s multiples, each housed in artist designed envelope, with each portfolio housed inside original cardboard mailing folder printed with the press address. Edited by William Copley. See: Gwen Allen, Artists’ Magazines, p297 Note: Set is complete including the rare original reel to reel tapes by Terry Riley and La Monte Young and the Yoko Ono piece contains the original broken ceramic pieces. EUR 6,000.00 Six folders of 73 loose multiples and printed matter; each in artist designed envelope. Each envelope is housed inside original cardboard mailing folder printed with the press address. The contents are in very good to excellent shape, also the folders in fine condition, and the mailing folders in excellent condition (only small stain on outside of no2). Because many of the objects are printed pieces of paper of odd sizes that are often folded to fit into the folded artist designed envelope, some “condition problems” naturally occur. Often objects sit next to other odd materials, so some creasing, wrinkling, impressions, etc. were unavoidable. List of contents on demand.

13470-16920.tif [#17686] SCRAP. New York’s outrageous good fortune. Nos. 1-8, (all published). December 9, 1960 - June 14, 1962. Unbound, as issued; endemic browning, but altogether in good condition. (No. 1 is 4 pp. on off-white paper, 35.5 x 28.1 cm; nos. 2-8 are 8 pp. each on pale gray paper with page size 30.5 x 22.9 cm, folded in quarters from sheets about 61 x 46 cm). In each issue a few illustrations. Added is a printed brown paper (mailing) envelope for the whole set that could well be the only one still extant. (The envelope lacks its flap and was opened roughly on one side with consequent tears and creases repaired with tape). EUR 4,000.00

Edited by Anita Ventura (critic and painter, designer of posters for Leo Castelli Gallery) and Sidney Geist (sculptor). (also as: the New York Sunday supplement, subtitle varies). Featuring and illustrating work of Brancusi, Matsumi Kamemitsu, Resnik Reinhardt, Mark Rothko, Cajori, Tom Doyle, Yves Klein, Milton Resnick, Arshile Gorky, Franz Kline, etc. No. 2 has excerpts from a WBAI interview with the editors, “Scrap’s First Tape” [a pun on Samuel Beckett’s great monologue “Krapp’s Last Tape”]. In no. 3 Paul Brach writes on Rauschenberg, and Jasper Johns reviews the printed version of Duchamp’s The

92 John Benjamins Antiquariat B.V. Bride Stripped Bare by Her Bachelors, Even. No. 4 contains Sidney Geist, A Critique of Criticism, “moodily dare”: IFP, and the essay written at the occasion of the Rothko Exhibition curated by Peter Selz (Museum of Modern Art). No. 7 includes a supplement on pink paper ‘Pandemonium’. No. 8 features two reviews of Harold Rosenberg’s Arshile Gorky: the Man, the Time, the Idea.

12064-18766a.tif [#18766] SEMINA (Berman, Wallace) - No. 2. Booklet (21,5 x 14 cm) with light-brown cardboard covers and 28 pages of light-brown stock. Wallace Berman / Stone Brothers Printing, 1957. Slim octavo; brown sheets, with variously-sized hand-printed papers tipped-in, saddle-stapled into cardboard covers with printed photograph sheet applied to front wrapper (photograph in good condition except for some small closed tears on the left side). [28pp]; illus. Light wear along spine fold and extremities, faint stress creasing at right edge of rear wrapper, occasional light offsetting from applied papers onto each other, with author’s statement lacking from rear panel, but supplied in fine facsimile. Poems and illustrations of varying sizes glued onto the pages. Photograph on the cover by Charles Brittin (this inscribed in handwriting on the inside backcover). Kept in a full-clothbox with perspex window in the front. EUR 8,000.00

Rare issue of the most fundamental and groundbreaking periodical in American art and literature of the post-war period, in particular Beat and Underground. It was published as an assemblage and distributed by the visual artist Wallace Berman (1926-1976). Its circulation never exceeded a few hundred copies, it was not for sale but sent to an inner circle of writers and artists which Berman considered his friends and the reflection of his personal identity. ‘Semina was a cult magazine’ (Robert Duncan); “the magazine depicts the emerging subculture’s aesthetics and its values” (Rebecca Solnit). It was thus at the same time an early example of ‘mail-art’. Berman himself contributed under the pseudonym Pantale Xantos.

John Benjamins Antiquariat B.V. 93 Contains: “The bead game” by Hermann Hesse, “Patience” by Carroll, a poem by David Meltzer, a poem by Marion Grogan, Paul Eluard, “Poem for Alice” by Jack Anderson, a poem by “The Sylph” by Paul Valery, “Excerpt from work in progress:” Mike McClure, a drawing by Jean Cocteau, a poem by Zack by Cameron, “His road” by Rabindranath Tagore, “Art is love Walsh, “Incompatible” by Eric Cashen, a poem and, two is God” by Wallace Berman, “handset with miscellaneous photographs by Wallace Berman, “Its Living Now” by J.B. available type & papers”. Pasted onto back cover is a facsimile May, “Tomb Of A Cursed Poet” by Charles Baudelaire, “Does (replacing the missing original) of the manifesto, dated Los a ghost have thighs” by Judson Crews, “Poem” by John Reed, Angeles, Dec. 1957, by Wallace Berman on his arrest and a photograph by Walter Hopps, “From “Cain’s Book” 1957” by conviction and the confiscation of Semina no. 1 because Alexander Trocchi, “Mine” by Charles Bukowski, a poem by it “displayed lewd matter” in an exhibition at the Ferus Art Peder Carr, a drawing by J. Altoon (signed on verso), “Circus” Gallery. “I will continue to print Semina from locations other by Marcia Jacobs, a poem by Lynn Trocchi, “Incident” by Idell than this city of degenerate angels. “ T. Romero, a photo-composition (“night and day”) by Lewis

12064-19472A.tif [#19472] SEMINA (Berman, Wallace) - No. 6. “The Clown: A Poem” by David Meltzer. 335 copies printed. 14 un -numbered sheets,14,5x12 cm, handprinted in black and red on off-white stock, loose in interior pocket, inside white photostock front and back cover, Cover photo(s): Wallace Berman (5 round b/w photo-fragments). Larkspur,Calif.1960. Cover in good condition, very small stain in right margin, small bump in right bottom corner and lower spine lightly loosening, split of ab. 3 cm. On back cover in red: Art is Love is God. Inside front cover a stamp in purple of the American flag. EUR 8,000.00

Complete copy of the sixth issue of Berman’s iconic assemblage zine, dedicated entirely to David Meltzer’s 13-part poem “The Clown.” Berman illustrated the title leaf and designed the photographic collage on the cover of the portfolio, featuring four images of his Larkspur landlady and Sausalito gallery owner Phyllis surrounding an image of the Semina Gallery. This copy has distinguished provenance, coming from Berman’s inner circle, the estate of his close friend and fellow artist Ben Talbert, who died of an accidental overdose sometime in 1974. One can occasionally (meaning, maybe every 3-4 years) turn up a copy of any issue of Semina, but you almost never encounter issues owned by people within Berman’s circle, which most of the time, is where a good many of the few issues produced ended up.

94 John Benjamins Antiquariat B.V. 10115-10813.tif [#19665] SIGNALS. Newsbulletin of the Centre for Advanced Creative Study. Nos. 1-11 (of 11 published, without no 10 only). London, August 1964 - Jan- Feb 1966. Newpaper-size, printed on glossy paper; illustrations & photographs. As usual this magazine was folded for mailing and has always some wear on the folds. (Condition of the set is overall good, taken into account that No. 1 is very slightly dampstained with light waving; No. 2 and No. 3/4 with some wear and minimal loss of image over the folding, Nos. 6, 8, 9 with light wear over the folds; No. 9 has tiny black stain on upper margin; No. 11 some wear over the folds). EUR 2,000.00 Director: Paul Keeler, editor: David Medalla. Newsbulletin, varying in content form 12-24 pp., reporting on exhibitions and featuring artists. No. 1 was published as Signalz, inspired on the exhibit of kinetic structures by Takis in the Centre. Subsequent exhibits are: Festival of Modern Art from Latin America, Camargo One-Man Exhibition. A total of 11 nos. was published. No. 3/4 is devoted to Takis; No. 5 to Camargo; No. 6 to Marcello Salvadori; No. 7 Lygia Clark at Signals; No. 8 is Soundings Two; Naum Gabo; No.9 devoted to Carlos Cruz-Diez; No. 10 devoted to Jsus Rafael Soto (this numberis missing); No.11 is the special Alejandro Otero (Venezuela) issue, publ. as vol. 2 no 1, Jan/March 1966. The periodical also promoted the work of the Zero group out of Germany.

10147-18867a.tif [#18867] SMEGMA. The magazine Nos. 1 (October 1978) through 4 (1981) (all published). New York: Smegmania Productions, Iglust Productions, etc., 1978 - 1981. A complete set in four issues, (No. 1: 28 pages incl green cover; No. 2: 24 pages incl. cover in blue and red; No. 3: 28 pages incl. green wrappers, plus additions “Hot Dog, You Bet!” 45 rpm flexi-disc”, an unpeeled set of “Smegma: the Magazine” stickers and paper Insert Hot Dog with Cavellini sticker; No 4: 24 pages, b/w cover wirth 2 additional paper inserts “Page torn from the Bible” and “Moot Point”). Accompanied by a complete set of supplemental Smegma-related print productions including: - A Supple Mint, nos. 1 (1978) through 3 (1980); - Smegma Calendars for 1979, 1980, 1981, and 1982;

John Benjamins Antiquariat B.V. 95 - Eleven (11) Smegma flyers produced by Lust and Igloo between 1978 and 1981 to advertise forthcoming issues of the magazine; - An extra dis-bound copy of the Smegmatronics “Hot Dog, You Bet!” 45 rpm flexi-disc and additional unpeeled set of “Smegma: the Magazine” stickers (both also present as called for in issue no. 3 of the magazine). Various sizes, 12 mo. to tall 4to. Near fine. Self wrappers, stapled. Three calendars ring-bound. Related print ephemera in fine condition. Most probably the complete set of all published. EUR 4,000.00

Neo-dada underground music and art Mint, nos. 1 (1978) through 3 (1980): [8; magazine ; as well as an - extra dis- magazine published by Smegmanagers: 12; 14 pages; 21,5x17,5 cm; photocopied bound copy of the Smegatronics “Hot Torridzone Igloo (Alexander Hirka), with colour added by hand] ; - Smegma Dog, You Bet!” 45 rpm flexi-disc and Scarlatina Lust, Contributors were Jim Calendars for 1979, 1980, 1981, and additional unpeeled set of “Smegma: the Howley, John Potter, Lester Burg, Spaz 1982 ; [24 pages, 21,5x17,5 cm; 13 pages, Magazine” stickers (both also present as Turner, Joan Scholvin, Tuli Kupferberg, 35,5x21,5cm; 13 pages, 35.5x21,5cm; 13 called for in issue no. 3 of the magazine). Buster Cleveland, Bart Plantenga, pages,12x10 cm]. The Calender pages - Contributors were Jim Howley, John Tod Jorgensen, disloKate Klammer, each month done by other one of the Potter, Lester Burg, Spaz Turner, Joan E.F.HiggingsIII, Joanne Mayhew- contributors, with sheets of different Scholvin, Tuli Kupferberg, Buster Young. One of the first montage-style colour per month. held together by Cleveland, Bart Plantenga, Tod punkzines. Includes some original metal rings to allow to turn the monthly Jorgensen, disloKate Klammer, E.F. drawings by Tuli Kupferberg (of the pages (last page of 1980 detached from HiggingsIII, Joanne Mayhew-Young, a.o Fugs) etc., with collage and mail-art. The one ring, but otherwise intact). - eleven Rare. NOT in “In Numbers” and not in set is accompanied by a complete set (11) Smegma flyers produced by Lust “A l l e n”. of supplemental Smegma-related print and Igloo between 1978 and 1981 to productions consisting of: - A Supple advertise forthcoming issues of the

10303-11017.TIF [#11017] SPEKTRUM. Vierteljahresschrift für Dichtung und Graphik (also: Vierteljahresschrift für Originalgraphik und Dichtung). Nos. 1-133 (=all publ.). Zürich, 1958-1992. Folio; original loose issues; nos 1-94 kept in 10 plain blck portfolios. Rare complete set. EUR 3,500.00 Ed. by S. Knebel & F. Rellstab; contains hundreds of original graphics by all the leading artists. Woodcuts a.o. by Faesi, Liemann, Vennekamp, Waldschmidt, Staeck, I. Reiner, Rössing, Fuchs, Rohse, Meckel, Grieshaber, and artists-issues no. 25 (Grieshaber, 8 woodcuts), 48 (Hansen-Bahia (12 woodcuts); 51 (Durer, with 7 woodcuts by Grieshaber); 58 (Griechenland, with 7 woodcuts by Grieshaber). Contribs. by Artmann, Bachmann, Celan, Eich, Dürrenmatt, Enzensberger, Walse, Kaschnitz, Bobrowski, Fuchs, Grass, Kunert, a.o.

96 John Benjamins Antiquariat B.V. [#19691] STEMPELPLAATS (Amsterdam) See entry RUBBER in this catalog.

14598-19481A.tif [#19481] SUBURBAN RELAPSE Numbers 1-13 (all publ.). Miami, FL. August 1981 - 1985. All issues 28x21,5 cm. (b/w), nos 2-5 in reduced size 21,5x18 cm. (b/w,wrappers coloured paper). Complete run of all 13 issues of this elusive Florida fanzine. The early issues, particularly issue #1, are elusive. EUR 2,800.00 Punk rag published by Barry Soltz (a/k/a Boz) covering the South Florida early punk scene on into hardcore and eventually national acts and filmmakers. Powered by SmugMug. Editor: Boz, contributors: Olivier, Wendle Holiday, Cathy Sheekey, Craig Snyder (also cover photo and Logos), Stillano, Adam Klein. Orig price sticker to no.8. “One of the longest-running punk zines to come out of Miami. Contents include interviews, reviews of local restaurants, shows, and albums.”

14260-18544A.tif [#18690] TAKE IT ! Nos. 1-6 (all publ.). punk fanzine, Boston, 1981 - 1982 All six original issues of this short-lived, Boston-based punk mag! With one small exception (issue #1 has a 3” closed tear on the back cover), all issues have been stored in polypropylene sleeve and are in excellent condition complete with flexis. EUR 1,000.00 Set composed as follows: No.1: Psychedelic Furs, Slits, Snakefinger and Brian Brain plus a Trademarks flexi. No.2: Pete Shelly, NRBQ plus a Creamers/Moving Parts flexi. No.3: Willie “Loco” Alexander, Mission of Burma, Individuals, Eddie & the Hot Rods plus a Yellow/Renaldo & The Loaf flexi. No.4: 1/2 Japanese, Lyres, John Cale, Armand Schaubroeck, Richard Meltzer and Ira Kaplan plus a Mutants/Half Japanese flexi. No.5: Dead Kennedys with Flipper/Angry Samoans/DK’s flexi. No.6: Flesh Eaters with Tex & The Horseheads/Meat Puppets/Flesh Eaters flexi.

John Benjamins Antiquariat B.V. 97 13286-16486A.tif [#19662] TECHNE (Tèchne) Vol. 1-10 (consisting of 7 physical volumes: 1, 2, 3/4, 5/6, 7/8, 9/10). Each volume is an assembling of loose contributions by various artists ,stapled twice in the left margin, with overlaying edges (ca. 34x25,4 cm.). Condition of this set is exceptionally good to excellent.

EUR 8,000.00

- Vol. 1: ottobre 1969. Antologia a cura di Eugenio - Vol. 5/6: Antologia a cura di Eugenio Miccini, 1970. Miccini,1969. Black front cover with the banderol Yellow front cover, back cover printed in blue. With stapled on; (condition near fine). contribution Arcelli loosely laid in. Added: - Vol. 2: dicembre 1969. Antologia a cura di Eugenio programma ‘Arte per Arte’, maggio/giugno 1970. Miccini, 1969. Redazione: Pier Luigi Tazzi, Egidio (condition: excellent) Mucci, Gianni Broi. Red front cover, with the - Vol. 7/8: Antologia a cura di Eugenio Miccini, 1970. banderol; blank back cover. (condition excellent) Redazione: Pier Luigi Tazzi, Egidio Mucci, Gianni - Vol. 3/4: Antologia a cura di Eugenio Miccini, 1970. Broi, Giusi Coppini. Grey front cover, back cover Green front cover (detached from staples, with very printed in grey. With folded large size poster small loss of paper), with the banderol printed, back (“Montepulciano cripta del Gesu.etc”). And 4 other cover blank; Loose insert: large poster-size,folded 4 inserts (loose). (condition: back cover loosening from times: “Giuseppe Manigrosso,Techne 13 febbraio, the staples, otherwise excellent) Firenze, (a clean intact copyn with only some toning - Vol. 9/10: giugnio 1972. Antologia a cura di Eugenio over the folds)”; and a signed contribution by De Miccini, 1970. Violet front cover and blank back cover Vree; (condition very good) (pasted around stapled pages). (Condition excellent)

TECHNÉ,an assembling published in Florence, was handmade from artists submissions (like “Geiger” which was published in Torino) , but with notably more political engagement. It was edited by Eugenio Miccini. Each number comprises ab. 60 sheets contributed by various artists and poets such as: Adriano Spatola, Sarenco, Bussotti, Gianni Bertini, Bernard Aubertin, Betto, Jean-François Bory, Giovanni Broi, John Cage, Luciano Caruso, Lino Centi, Gilo Dorfles, Josef M.FigueresWalter Fusi, Isgrò, Fabbio Mauri, Eugenio Miccini, Giovan Battista Nazzaro, Michele Perfetti, Oberto, Poggiali, Gabri Rossi, Renato Spagnoli, Giuseppe Chiari, Timm Ulrichs, Franco Vaccari, André Vandegeerd, Pierre Vandrepote, etc.

There were 3 more volumes published (11/13, 14/16, 17/19), not offered here, in smaller size, and entirely printed (not containing loose contributions). These later volumes are offset printed,, sewn in card wrappers (22x16cm) and of less interest.

98 John Benjamins Antiquariat B.V. 10592-19695A.tif [#19695] TRANS/FORMATION. Arts, Communication, Environment; A World Review. Vol. 1 no 1-3 (all published). New York: Wittenborn, Schulz, 1950-52. Original wrappers (covers slightly rubbed with light shaving of the colour). But altogether a very good set. EUR 700.00

Edited by Harry Holtzman. Early attempt at bridging the gap Nagy, John Cage (Feldman,Boulez,Wolff) , Willem de between art and science this publication includes contributors Kooning, Piet Mondrian, Nicolas Calas,Alberto Giacometti, in many fields: S.I. Hayakawa, Alfred H. Barr Jr., Buckminster Benjamin Péret. Each issue contains one of Ad Reinhardt’s Fuller, Le Corbusier, Nicolas Calas, Bernard Rudofsky, Gyorgy “comics” commenting on the art scene (Museum Landscape; Kepes, Werner Heisenberg, Albert Einstein, Sibyl Moholy- Museum Racig Form; Art od Life of Art)

14614-19515A.tif [#19515] TERMINAL. Philadelphia’s New Music Magazine. Nos. 1-19 (all publ.) Philadelphia, PA. 1980 - 1985. 31x23 cm for nos. 1-7, then nos. 8-15 enlarging to 39x29 cm., later issues epanding to tabloids 43x 29. B/w printing, with colour red added starting no 15.) At first 20 pp/issue, expanding to 40 pp issue. Numerous photographs. Flexi-disks added to Nos. 15 and 18. The complete set, rare. Some occasional wear to newsprint issues but all complete including both flexi-discs EUR 4,200.00

Legendary Philadelphia Punk Magazine. Publisher: Steven Fritz, editor (s): Jason Keeh, Julian Kernes, Carol Schutzbank, Sandra Davis, Sanra Garcia., production mgr. Julian Kernes, Contributors: Dave Brookman (also Photography), Frank Chemielewski, Sean Dunnill, Ernie, Griffin a.o.’photography Judy Rosario, Helen Schwartz, Lisa Cortez, Ricky Ercoli, Lisa Haun, Debbi Holcombem Susan Carson, Gary Chun, Wayne Cozzilino, Les Flint, and others. No. 16/17 double Black Flag; No. 7 Punkfest.

John Benjamins Antiquariat B.V. 99 12784-15455C.tif [#16249] UNICORNIO (Bicórnio, Tricórnio,Tetracórnio, Pentacórnio). Antologia de inéditos de autores portugueses contemporâneos, organizada por José–Augusto França.

Numbers 1-5 (each with changing title, subsequently: Unicórnio, Bicórnio, Tricórnio, Tetracórnio, Pentacórnio). Lisbon, Imprensa Libânio da Silva, May 1951- December 1956. Bound in blue morocco (binding signed Victor Santos), raised bands and gilt lettering on spine and front, top rouged, other edges untrimmed. (26 x 20 cm.). The very nice original illustrated front and back-wrappers of all issues bound in. Illustrations (lino- and woodcuts) in the text, 3 illustrations tipped into text and 9 hors-textes. The first number is duplicated with an untrimmed (lightly foxed) separate number containing the 3 hors-textes which were not included in the bound volume. This set belonged to Luiz Pacheco (Lisbon, 1925-), and has several annotations by him. “Unicornio” includes extensive annotations with blue pencil, including a few designs in his hand. “Tetracórnio” is one of 30 copies on special paper, signed and numbered in blue ink “Nº 29 J–A França” in bottom margin of verso of title page. The bound volume is offered TOGETHER WITH additional de-luxe copies off numbers 2 and 3. Each issue 19 x 24 cm in illustrated covers, untrimmed and both in excellent condition as follows:

No. 2: Bicornio, Lisboa, Abril 1952; Apparently one of the de-luxe edition limited to 30 copies. The cover is a jute-over-stiff cardboard wrapper, ornated on the front by a handmade silkscreened copy of an original painting by Fernando Lemos and illustrated by 3 hors-textes by Antonio Pedro and linocuts by Fernando Azevedo. No.3: Tricornio. Lisboa, 15 Nov. 1952; Cover is ornated by a handmade silkscreened copy of an original painting by Roberto de Araujo, 3 hors-textes by Almada Negreiros and vignettes by Fernando Lemos. The 3 hors-texts in number 1 are “Nu”, fotografia de fernando Lemos; a drawing by F. Azevedo and a drawing by Vespeira. EUR 4,500.00

This journal, directed and edited by José-Augusto França, collaborators included modernists and postmodernists from aimed at offering an anthology of Portuguese avant-garde, the generation of Presença, as well as neo-realists, together and had close ties to Surrealism. Complete sets are very with surrealists. Contributors included: Adolfo Casais rare. (No. 1: 64 pp, and 3 plates; No. 2: 64 pp.and 3 plates; Monteiro, António Pedro, José Augusto França, Fernando No. 3: 64 pp. and 3 plates; No. 4: 72 pp.and 3 illustrations Azevedo, Jorge de Sena (among his several pieces is one on tipped into text; No. 5: 70 pp.) This periodical was privately D.H. Lawrence, with a translation of the poem “Democracy”), printed in an unjustified edition of probably not more than Eduardo Lourenço, Alexandre O’Neill, and José Blanc de 200 copies, in order to escape the attention of the censors as Portugal. There are also contributions by Sophia de Mello it included much material that would displease the Salazar Breyner Andresen, António Sérgio, Delfim Santos, José regime. The aim of the editor was to unite prose, poetry and Régio, Vitorino Nemésio, Almada Negreiros, Hernâni Cidade, essayistic work of all avant-garde directions. The journal thus Joel Serrão, Miguel Torga, Fernando Pessoa (a previously became a true anthology of Portuguese avant-gardes and its unpublished essay in Tricórnio, “O Orpheu e a literatura

100 John Benjamins Antiquariat B.V. portuguesa”), David Mourão–Ferreira, Eugénio 3, which have extremely stunning silkscreened de Andrade, Fernando Namora, Ferreira de Castro, designs, as described above), Vespeira, also João Pedro de Andrade, José Osório de Oliveira, vignettes, woodcuts and linocuts by Almada Luiz Francisco Rebello, Mário Dionísio, Tomás Negreiros, Fernando Lemos, António Pedro, Ribas, Urbano Tavares Rodrigues, Ruy Cinatti, Roberto de Araujo, a.o. [Provenance: The Tomás Kim, Fernando Lemos, Oscar Lopes, Alberto bohemian critic, polemicist, writer of fiction de Lacerda, and others. In the fifth number França and publisher Luiz Pacheco, collaborated in A wrote a final note announcing the termination of afixação proibida, the first Portuguese surrealist the review, saying that it had failed due to excessive manifesto. See Ana da Silva in Machado, ambition and lack of contributors. Artistically Dicionário de literatura portuguesa; Jorge this review is significant with covers by Fernando Colaço in Biblos, III, 1338–40; and Dicionário Azevedo, Fernando Lemos (in particular nos. 2 and cronologico de autores portugueses, V, 42.]

13605-17147A.tif [#17147] UPPERCASE Nos. 1-5 (all publ.). Whitefriars Press Ltd. London. 1958-1961. 8vo. Original printed wrappers; slight rubbing and staining to covers and creasing to spines (bottom of spine of no.2 damaged, and front cover beginning to split at hinge of no. 3). Altogether a good set. EUR 2,000.00 Journal of the graphic arts, edited by Theo Crosby, featuring the work of the artists of the Independent Group.

- No. 1: 1958. Eduardo Paolozzi, Notes - No. 3. 1960. Architectural design of (A working procedure in Trade- from a lecture at the Institute of Alison and Peter Smithson; folding-out mark Desigbn); Reproductions of Contemporary Arts, 1958. Also a tabs.; photography of Nigel Henderson. Roger Mayne’s photographic series contrib. by David Piper and features on - No. 4. 1960. Featuring William Turnbull, of Southam Street in London. The John McHale & Magda Cordell. painter sculptor. Also Patricl George. editor Theo Crosby was architect at the studio of Pentagram, technical editor - No. 2: 1959. Featuring Edward Wright - No. 5. 1961. Analysis of the work of Architectural Design magazine and (issue designed with his collaboration); of Tomas Maldonado (Visual editor of Architectural Review Richard Hamilton (on Duchap Green signs in operative and persuasive Box); Richard Matthews (on Kurt communication)and the Hochschule Schwitters). fur Gestaltung at Ulm, Walter Müller

John Benjamins Antiquariat B.V. 101 14167-19003j.tif [#19633] UTOPIA. Tweemaandelijks tijdschrift voor wetenschappelijk amusement (Utopia. Bi-monthly for scientific entertainment),

A unique ensemble: COMPLETE SET. Numbers 1-10. 1975-1978 1975 - 1977. Together with the 2 Thematic supplements (all published). Variously produced issues in different formats and paper. Complete sets are quite rare because of the small edition of the first issues, TOGETHER WITH: The original DESIGNS for the issues 1, 3, 5, 6 and the special issue on J.M. JUJOL, together on ±55 lvs., mostly w. mounted letterpress articles, illustrations and original drawings. (Note:- Mounted letterpress articles partly loose(ning). = With numerous manuscript directions for the printer in blank margins. The original drawings comprise two comics and a drawing by CHIEL (VAN DER STELT) (“Mr. Fluxus comments...”, “Fluxus heeft druk werk”, “Utopia gaat gewoon door!”, pen and felt-tip pen, 1x dated “’76”), an anonymous drawing “Maarten Pedroli’s Tofplof automaat” and various designs of the frog that was used for the frontwrapper of Utopia 5. EUR 3,500.00 Redactie / edited by: Hans Oldewarris, Hans Kamphuis, Jan Pesman, Peter de Winter. Variously produced issues in various formats and paper. An important and very remarkable periodical on innovative and creative design.

- Nr. 1. “Various articles with supplement: 1977. Edition of 1500 copies. Druk Twigt Guitar with electronics” Oktober 1975. B.V. Gouda. In transparent plastic Edition: 300 tube. (5 sheets of 30x90 cm,printed on - Nr. 2. Stefan Schlesinger and Van one side in blue, rolled into the tube; Houten, 3-d.postcards, supplement “Een later these were cut again and stapled I.Q. kleurentelevisie” . Various articles. together). On the cover a bathing cap designed by - Nr. 8. Schrijfmachines / Typewriters. architect H. Th. Wijdeveld in the 1920s. Met bijdragen van / with contributions Samenstelling / compiled by Rein March 1976. Edition: 300 by W.F. Hermans, Rudy Kousbroek, Piet Saariste, Dolf Dobbelaar, Joris molenaar, Paul de Vroom. bouwplaat / Cardbord - Nr. 3. Prijsvraag voor een restaurant in Grijs. Complete with the Samples of model: Kees Christiaanse. Limited Peshawar, Pakistan. Op de omslag het Carbon-paper (inside) and Correction- ed. in cardboard box. 500 copies. winnende ontwerp van Jan Benthem foil. November 1976 - Utopia - special 2. / Competition for a restaurant in - Nr. 9. Televisie / Television. (With DWL-brochure met voorstel tot het Peshawar, Pakistan. On the cover the complete script of Utopia TV-program vestigen van een werkgemeenschap winning entry by Jan Benthem. May on the future developments of television. in het watertorencomplex op het 1976. Edition: 500 - Nr. 10. (also numbered as Jrg. 3 ( voormalige Drinkwaterleidingterrein - Nr. 4. From the archives of Hergé and september1978 American Paperback in Rotterdam /DWL-brochure with the Speer, Joe Colombo, Cthulhu-mythology. Cover Art. Met bijdragen van / with proposal to set up a working community September 1976. With the cigarette- contributions by Hans Oldewarris, Mark in the watertowercomplex in Rotterdam. paperbook attached. Edfion: 500 Schaffer, Piet Schreuders, Ed Schilders, Samenstelling / Compiled by Hans - Nr. 5. Superimposed plates. January 1977. Thomas L. Bonn, Huib Opstal. Edition: Oldewarris, Peter de Winter, Victor dition: 750 2000 ex. Mani, Hans Werlemann. (This volume - Nr. 6. Dutch pavilions at World TOGETHER WITH: very rare as it was only given to the Exhibitions, The car as ornament. - Utopia - special. (1) Speciale town council members at that time in - Nr. 7. Water towers and solar energy. uitgave Architekt JUJOL 1879 – 1949 Rotterdam. Just 150 copies)

102 John Benjamins Antiquariat B.V. 12992-15860A.TIF [#15860] IL VERRI. Rivista di letteratura diretta da Luciano Anceschi. (Series 1:) Anno 1-5 (complete in 26 numbers). Milano, Rusconi e Paolazzi Editori, 1956-1961. Continued as: (Series 2:) Nos. 1-40 (all publ.). Milano, Feltrinelli, 1962-1972. Continued as: (Series 3-9: ) Together 64 numbers (all and last published). Milano, edizioni del Verri; Mucchi editore. Marzo 1973 - settembre/ dicembre 1995. All in the original pictorial wrappers, in perfect state of conservation. With Autograph dedication by Anceschi to Eugenio Montale on the inside cover of Number 1. EUR 4,000.00 Complete collection of this famous art and literary periodical founded in Milano by Luciano Anceshi (who died in 1995, after which the publication came to an end). Named after the café “verri”in Milano where young intellectuals like Nanni Balestrini, Antonio Porta,

Giuseppe Pontiggia, Eduardo Sanguinetti, Elio Pagliarani, the “Gruppo 63” (which was created after the conference in Alfredo Giusliani and others gathered. It became the organ Palermo in 1963). An exceptional complete ensemble of all the of the ‘neoavantgardia’ of the sixties, and the exponent of various stages of this publication.

12464-15394.tif [#18018] VERS UNIVERS. Tijdschrift voor spatialisme (Later: Tijdschrift voor evolutieve poëzie). Nos. 1-6 (all publ.). Ed. F. Vanderlinde, Rotterdam, 1966-1967. Orig. wrappers (slight wear on the spines). EUR 4,000.00

Ed. by Frans Vanderlinde, journal for “evolutive poetry”, of no. 3 “Pour le souffle humain”, Subtitle of no. 4 “Pour le concrete poetry etc.),roneotyped ,with orig. art supplements soufle créateur”. Contribs. include: Hansjörg Mayer, H. Clavin, and graphics; illustrated covers designed by L. Peire, Jan H. Damen, P. Garnier, M. Seuphor, Paul de Vree, Ivo Vroom, Snoeck (silkscreens). Also numbered as Year 6 nos. 2-3 and Marcel Maele, Herman de Vries, Molitor, Ian Hamilton Finlay, Year 7 nos. 4 & 6, since the editor continued the numbering of Arthur Petronio, Frans Vanderline a.o. the periodical “Kentering” (which he left after Year 5). Subtitle

John Benjamins Antiquariat B.V. 103 14649-19590.tif [#19590] Simon VINKENOOG. Collage by Ira Cohen Collage with b/w photograph by Ira Cohen of a masked Simon Vinkenoog pasted on a fragment of an Amsterdam city-map and piece of cardboard. Signed and dated (August 1977) by Ira Cohen. 22:15 cm. TOGETHER WITH a complete set of INS AND OUTS. A Magazine of Awareness. Nos. 1-4/5 (all publ.). Amsterdam, June 1978 - July 1980. Original pictorial wrappers; illustrations & photographs. EUR 2,200.00

The photograph was used as header-image for Vinkenoogs’ column ‘Magic Amsterdam’ in ‘Ins and Outs. A Magazine of Awareness’ (1978-1980). Journal of the “Magic Amsterdam” ‘avant-garde’, edited by Edward Woods, with assistance of, and guest-editorships by Ira Cohen, Mel Clay, Neeli Cherkovski, Hans Plomp, William Levy, a.o. Articles & photographs by Steef Davidson (on the Nieuwmarkt: Subway Culture in Amsterdam), Mel Clay (The Myth of the Male Orgasm. Window Shopping in Amsterdam Red Light District), Hans Plomp, Rachel Pollack, Ira Cohen, Simon Vinkenoog (on Magic Amsterdam). Marijke Mooy,, Steve Weiss, Jessie Gordon, Bruce Carpenter & Charlz Baba, Rachel

Pollack, Magic Mike Taylor, Bert Schierbeek, Tajiri, Marpa, a.o.

6397-6871b.tif [#6871] WET. The Magazine of Gourmet Bathing and Beyond. Vol. 1 (no 5) - Vol. 6 (no 4, last published). (also numbered as Nos. 5-34, and no more published after that). Venice, Cal., Feb./March 1977 - Nov./Dec. 1981. 4to (enlarging to folio from nos. 16-25), unbound, in the original pictorial wrappers, numerous illustrations and photographs. EUR 4,500.00

A rare set of 29 issues (only no 17 is lacking) of this amazing California lifestyle magazine. Edited by Leonard Koren, the central topic was WATER and the art and delights of bathing: amazing colourful covers, abundant photographic illustrations and numerous advertisements made of this periodical a unique trendy/glossy/ erotic publication: “Gourmet Bathing is a means for enjoying the world...It’s a parody of all other enthusiasms...Then again, Gourmet Bathing is the willingness to be silly.” (Charlie Haas). Always around the central topic ‘gourmet bathing’ the content is of a highly varied nature, with features and contributions on and by: Mud Mama. Interview with Rabyn Blake; Athena Tacha (The process of Aging & several other contribs.); Jack Nicholson; Ed Ruscha;Jane Gaskill (Bathroom Bondage); Bob & Bob; Henry Miller (On turning eighty); Priscilala Presley; Mick Jagger;Anthony Friedkin; Brian Hagiwara; Cheryl Lester; Linda Burnham; Timothy Leary; Candice Berger; Leonard Cohen; Iggy Pop; William Burroughs; Captain Beefheart; Brian Eno; Dennis Cooper (John Kennedy jr. Poems); David Hockney; Elvis Costello, etc.etc.; fine set of this highly desirable magazine, of which without doubt not many survived.

104 John Benjamins Antiquariat B.V. 6370-15624.tif [#15844] WALLPAPER Nos. 1-5/6. New Paltz,NY / London. September-December 1974 -June 1976. Folio; original wrappers, made from heavy wallpaper, different for each number. (Ltd. ed. of 200 copies, resp. 260 copies ). Cover of no 4 lightly shaven,spine of no 1 with small defect and faint library stamp, otherwise in excellent condition. EUR 1,800.00

Rare (near) set: Artistic & literary quarterly, published co- operativerly by the contributings editors. First number compiled by Anthony Howell and Fiona Templeton, contibuting editors: Richard Bernas, Susan Bonvin, David Coxhead, Andrew Eden, Susan Hiller, Anthony Howell, Anthony McCall, Richard Quarrell, Bill Shephard, Amikam Toren, Susan Hiller, Anthony Howell, Anthony McCall, Richard Quarrell, Bill Shepherd, Amikam Toren, and John Welch. a.o. A variety of contributions e.g. Fiona Templeton; Lynne Tillman; Susan Hiller (“More excerpts from ‘Dream Mapping’ “); Carolee Schneemann (“Recent Work”); Carla Liss; John Sharkey; Anthony Howell (“Depression Poem”); Allen Fisher; Paul Buck; Annabel Nicolson; Daniel Dahl; Susan Bonvin; Harley Gabel (musical scores); Anthony McCall; and David Coxhead. As far as our information goes there was only a 7th number published. The ISSN is 0307-5834.

12158-14449.tif [#16430] THE WORMWOOD REVIEW Nos. 1 - 144 (complete). Storrs & Stockton: Wormwood Review Press, 1959 -1999. (also numbered as Vol 1, No 1 - Vol 37, Nos 1&2). Size (h/w): 23 x 15 cm. Original illustrated wrappers. 137 issues total (there were some double numbers and the first two numbers are in the original first edition). EUR 6,000.00 The complete set of this beat magazine, edited by Alexander Taylor and Marvin Malone. This publication provided an important early showcase for Bukowski, and many of these issues have Bukowski appearances or separate booklets by Bukowski bound in. Also many other notable contributors, Gregory Corso, Ian Hamilton Finlay, d.a.levy, Billy Collins a.o. Art editors: Robert de Voe, A. Sypher (=Malone).

John Benjamins Antiquariat B.V. 105 13189-16224.tif [#16873] YARDBIRD. Magazine (Zeitschrift für Jazz und Anderes. Hrsg. Galerie Seide) YARDBIRD. Nos. 1-6. Hannover 1959-1961 (all under this title). In the original wrappers. Continued as: DER EGOIST. Nos. 7-17 (all publ.), Frankfurt, n.d. (1965?)-1970. In the original stiff wrappers. Continued as: DER NEUE EGOIST. Nos. 1-2 (all publ.). Frankfurt/ Hannover, (n.d., 1975-1976). In gold-coloured orig. wrappers. Most issues, except No.17, in the edition with the graphic supplement, see detail below. The whole set in good condition for this fragile publication. All ca. 32,5 x 23,5 cm. EUR 5,000.00

An art and art promotional publication of Galerie Seide. by Jef Verheyen - No. 12. September 1967. 3.Jahrgang Heft Published almost single-handedly by the Gallerist Seide 2. Hommage à Albert Schulze Vellinghausen. With orig. (resulting in numerous errors and anomalies in the serigraphy by Raimund Girke - No.13. Nov. 1967. Hommage numbering). Early issues handmade, lateron larger editions. à Lucio Fontana. Hrsg. Adam Seide. 7 pages in stiff boards. Full set of these publications ,printed and produced under “Weiße Manifest” von L. Fontana with portrait; Contributions Seides supervision, mimeographed and printed in offset, at by Heinz Mack, Herman Goepfert, Wieland Schmied, Kurt first in Hannover. After his move to Frankfurt the journal Leonhard, Otto Piene, - No. 14. 1968 (1.Quartal, 4.Jahrgang, was produced in a larger, more commercial edition. The should be 9 th year). 46 pages in illustrated card wrappers. last issue (17) published by Melzer Verlag, but immediately With Graphic supplement by Christian Megert. Devoted to after publication was discontinued. We are not certain that art in Switzerland. Contribs.: J.A.Thwaites,Tuli Kupferberg, the art supplement to this number was ever published. The Peter Handke.Willoughby Sharp, etc. - No. 15.1968 (2.Quartal first series (Yardbird) with orig. artwork on the covers and 1968). 50 pages in illustrated card wrappers. With Lithography supplements (Zinklithografien) by Igael Tumarkin, Carl by Herman de Vries. Issue devoted to Art in The Netherlands, Buchheister, Günter Drehbusch, Helmut Scholz (loose in no. 4, contr.many important dutch authors in translation, Provo signed), Raimund Girke (2 of 3 in no 5.) Arnulf Rainer (in no. documentation, etc - No. 16. (1.Heft 10.Jahrgang). 30 pages in 6, signed), Hermann Goepfert, Robert Michel. Thomas Bayrle, illustrated card wrappers. Mostly dedicated to Thomas Bayrle. etc. Articles on contemporary art and artists, also on Jazz With Lithography by Bayrle. - No. 17. (Heft 1/1970,11.Jahgang). (Peter Kasten). 64 pages in illustrated card wrappers. Mostly dedicated to Werner Schreib (but the graphic supplement by him not The successor “Der Egoist” later “Neue Egoist” was printed present ,if published). The first commercially publishedissue in offset, and bound in white stiff card wrappers with an (by Melzer Verlag), at the same time the last till continuation illustration - No. 7. 1965. 44 pp, in typographic wrappers. incl. as - Neue Egoist No. 1 with signed lithograph by Leiv Warren several illustrated pages. With signed lithography (56/200) by Donnan - Neue Egoist No. 2 withsigned lithograph by Raimund Girke. Contribs. By Werner Schreib, HJ Precht, Peter Thomas Bayrle. Iden, J.A.Thwaites, etc. - No. 8. n.d. (1966). 32 + XX pages, in illustrated stiff wrappers. With graphic supplement by Ygael Tumarkin also monograph 8 on Tumarkin - No. 9 , 1966. 22 + XX pages. With graphic supplement by Hermann Goepfert (by Produktionsgruppe X Nummer 23/500 der I. Auflage, signed and with stamp on verso). - No. 10. n.d. (1967). 50 page in illustrated stiff wrappers. With montage by Robert Michel & Ella Bergmann. Egozentrisches Manifest by Timm Ulrichs. - - No. 11. März 1967. 3.Jahrgang Heft 1. With a serigraphy

106 John Benjamins Antiquariat B.V. 6480-6956.TIF ZEITSCHRIFT FUER ALLES / REVIEW FOR EVERYTHING / TíMARIT FYRIR ALLT [#6956] Numbers 1-10A & 10B (= Beiheft), all publ. Stuttgart/Mols (Switzerland)/ Basel, edition hansjörg mayer, Dieter Roth Verlag, 1975-1987. Paperbound, pictorial wrappers. EUR 2,500.00

Founded and edited by DIETER ROTH; the review “...will not only accept & print everything but will accept & print everything by everybody”. Limited edition of 500 for the complete set. The issues are profusely illustrated and contain examples of concrete and visual poetry. Contribs. by Dieter Roth, J. Furnival, D.S. Houédard, K.B. Schäuffelen, F. Achleitner, H. Cibulka, D. Steiger, H. Eisendle, K. Renner, G. Brus, K. Riha, K. Bayer, B. Mattheus a.o. Covers designed by Uwe Lohrer. Number of pages varies strongly from 32 to 330 pages for the first 7 numbers and increases to 590 to 1252 pp. for the numbers 8-10. References: Archiv Sohm, p. 70, 156.

John Benjamins Antiquariat B.V. 107 Addenda:

[#19713] CABARET VOLTAIRE Numbers 1-5 (all). San Diego, CA 1977-1978. Black and white offset and rubber stamp printing. Wrappers. Staple bound. Very good condition. 11 x 14 cm. EUR 3,000.00 Edited by Steve Hitchcock. Most important Neo-dada magazine of the USA with thematic issues. Each issue is fully illustrated in Xerox with ORIGINAL CONTRIBUTIONS by: Ray Johnson (What was Alfred Hitchcock doing the year that the Baroness von Loringhoven shaved her head ?” + Motico “Alfred Hitchcock” and Don van Vliet (Cpt. Beefheart), A.M. Fine, Monte Cazazza, Ken Friedman, Patti Smith, Ken Friedman, Ulisses Carrion, R. Kostelanetz, Richard C., A. M. Fine, Eduard Bal, Dick Higgins, Endre Tot, J.H.Kocman, Al Ackeman, A. Banana, J.M. Bennett, P. Below, P. Bruscky, H. Bzdock, Ulisses Carrion, Cavellini, B.Cleveland, COUM (G. P’Orridge), Robin Crozier, L.F. Duch, C. Francke (SPUDZ), Gaglione, Mike Gibbs, E.F. Higgins, L.Jackson, Miroslav Klivar, Clemente Padin, M. Perfetti, P. Petasz, R. Rehfeldt, Al Souza, Staeck, Miro Todorovic, Dick Trace-It (Rich. Hambleton), E.A. Vigo, H. Zabala, Unhandeljara-Lisboa, Gifreu, Mike Crane, Lon Spiegelman, Theewen, Molett, Guil. Deisler, Kostelanetz, Hitler Fan Club, G. Schraenen, Robert Filliou, Mike Dyar, J.v. Geluwe, Rhoda Mappo, R. Metzer, Throbbing Gristle, Ko de Jonge, S. Hitchcock, Scott Helmes, Aaron Flores, Irene Dogmatic et al. Condition is very good / fine. Staples are a bit rusty. Very scarce as a set. together

[No. 1]. (San Diego), BLUE STAR EDITION 1977 14 x 11 No. 4. NEW MUSIC INTERNATIONALE EDITION. Ed. by cm, stapled, xeroxes of Original Contributions. appr. 80 pp. S. Hitchcock (San Diego), (Spring) 1978 14 x 11 cm, stapled, / Made in a limited Edition of 500. Numbered 59/500. (No xeroxes of Appr. 80 pp. Made in a limited Edition of 250. Apologies) Numbered 86/250 No. 2, Fall 1977. MISTAKES & ERRATA. Ed. by S. Hitchcock No. 5, Fall 1978. DECADENCE. Ed. by S. Hitchcock (San (San Diego), (Fall) 1977 14 x 11 cm, stapled, xeroxes of Appr. 80 Diego), (Fall) 1978 14 x 11 cm, stapled, xeroxes of Appr. 80 pp. pp. Made in a limited Edition of 250. Numbered 45/250. Made in a limited Edition of 250. Numbered # 28/250 No. 3, Spring 1978. THE DRAWING COMPLETION TEST. Ed. by S. Hitchcock (San Diego), (Spring) 1978 14 x 11 cm, stapled, xeroxes of Appr. 80 pp. Made in a limited Edition of 250. Numbered 86/250. Unpaginated [102 pages]

108 John Benjamins Antiquariat B.V. 14390-18851.tif [#18851] CABARET VOLTAIRE SLUGGIN’ FER JESUS [San Francisco]: Rough Trade. [1981] . Poster; 43x32,5. b/w, printed on recto only. Spectacular poster promoting this EP, issued originally in Belgium. Designated “Trade One 12” but it’s really 121. EUR 300.00

7149-7722P.tif [#7722] FORTUNE Complete years Vol. 1 no 1, 1930 thru December1950. Chicago, Time Inc., 1930-1950, with Index 1930/37. Bound in library boards or cloth (WITH ORIGINAL PICTORIAL WRAPPERS PRESERVED) frequently with library stamp, but overall in good condition. An excellent set, rare. EUR 6,000.00 Complete set THRU 1950, INCLUDING THE IMPORTANT EARLY YEARS of this famous “magazine for the business-world and corporate America”. Elaborately produced and lavishly illustrated with photographs (black and white & colour, fine colour printing) of wellknown photographers (Margaret Bourke-White, Ralph Steiner, Arthur Gerlach, Ansel Adams, Erich Salomon, Bernard Hoffman, Berenice Abbott, etc. WALKER EVANS wrote and photographed for Fortune starting in 1934 (from 1945-1965 as staff-photographer and photo-editor). Of particular importance are also the beautifully illustrated covers, for which the magazine is famous (designs by Diego Rivero, Ant.Petrucelli, Herbert Bayer, Matthew Leibowitz, Paolo Garretto, Fernand Leger, etc.). The many advertisement- pages (all included in the set) give an important survey of the developments in graphic & advertising design. Illustrated articles give an overview of half a century’s technical and industrial progress (Cars, aviation, steel, computers, business & finance, travel,traffic, film). Also attention to the visual arts (in 1941 no 6.Grosz, Dali, Chagall, Ernst, Tanguy, Masson etc.) and also contemporary American art. This set, fully collated and with very minor defects (detail on request) is ex-library, but in very good condition. If desired the set can be extended till the year 1990.

John Benjamins Antiquariat B.V. 109 9169-15452A.tif [#15452] LA PART DU SABLE. (Cahier de littérature appliquée, Art et Liberté)) (No. 1). Le Caire, n.d. (15 février 1947). 4to; original pictorial wrappers; illustrated. (No. 2). Le Caire, avril 1950, Original wrappers (17 x 24,5 cm); (Cahier de Littérature appliquée, 68 pp). [Destribats, 502] Together with: - Encore l’inconnu. Avril 1959. Le Caire (Imprimerie Alaa Eddine el Chiaty). 20 pages + illustrated wrappers (16,5 x 23,5 cm) with hors-texte (folding out) lithograph by Samy Ali. Numerous illustrations and photographs. Texts in French and in Arabic. - Hommage à Georges Henein. Dernier Cahier de littérature appliquée. La Part du Sabe, Le Caire, Juillet 1974. 130 pp and photograph; original wrappers. EUR 3,500.00 “Textes poétiques et critiques, achévé d’imprimer au Caire le 15 février 1947”, edited by the movement ‘Art et Liberté’, directed by Georges Henein and Ramses Younane: periodical of the Surrealist Group in Egypt, with illustrations by Fouad Kamel, Samir Rafi, Hassan el Telmisani, Ramsès Younane; literary contribs. by Henein, Jabès, Luca, Lundkvist, Henri Michaux, Henri Pastoureau, etc. No. 2 Rédaction: Charles Lucet, Edmond Jabès, Yves Regnbier, Georges Henein, Jean Grenier, with texts by Ikbal e, Alaily, Roger Arnaldez, Yves Bonnefoy, René Char, Henri Michaux, etc. -Encore línconnu witrh frontipiece hgoto by Chafik Chammas. Texts (in French and Arabic) and illustrations ( many photographs) Sonia Younane, Khadiga Riaz, Ramses Younane, Georges Henein, Roland Vogel, Hamdi Khamis, Alexandre Hornstein,Kouad Kamel, Mounir Hafez, George Andrews (in English), Esther Ménaché, Hassan Hassan, Philippe dÁrschot, Serge Vandercam.

110 John Benjamins Antiquariat B.V. 10478-11159.tif [#12369] LE TÉMOIN. Dir.: Paul Iribe. Nos. 1-69 (all publ.). Paris, 10 déc. 1933 - 30 juin 1935. Very good set. Folio, bound in 2 vols. Contemp.cloth with title-shields (except no. 48-56, which are tabloïd-size, folded in four, contained in a folder at the end volume 2). Very good clean set, only slightly trimmed. EUR 3,500.00 Artistically high-ranking, vigorous satirical weekly, 16 pp. per issue, with illustrations by Paul Iribe, Chas. Laborde, J. Villemont, Sennep, Vertès, P. Laurier, a.o. Acting against upcoming Fascism. All issues have on the front and back page a satirical drawing by Iribe in “tri-colour”, many of which have become quite famous. Iribe was close to the couturier Coco Chanel, and used her face to depict French “Marianne” in many of the images.

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