Luther Askeland

Total Page:16

File Type:pdf, Size:1020Kb

Luther Askeland A tasto of the lato *asthrough tho oarly '60s fwnd in amatour storm nlid~e I their western outfits make for name "Tommy". Mr. Ramsey had some cute and entertaining stereo no other information about the owboys (and cowgirls too) slides from that era. slide, but he knew it was just the were popular in movies and Our fmt image this issue was kind of classic image that we love TV shows in the 50s, and chil- provided by Mr. James Rarnsey in to feature in this column. That's dren imitated their western heroes West Virginia, who found it in an quite a hat the boy is wearing! during games of cowboys and accumulation of older Realist (Possibly influenced by the Cisco Indians. Along with toy guns, hol- slides. It was shot on Kodachrome Kid TV show?) sters and tomahawks, costumes film, and the chips are attached to Our second slide, also from an that allowed fans to dress up like a Realist heat-seal paper mask unknown photographer, was shot their favorite western characters which was then mounted in glass on Kodachrome film and mounted were sold at dime stores, toy stores and sealed around the edges with in a Realist Permamount. The date and department stores. Children in red tape. The date "3150" is written 3/12/54 is written on the label, on the slide label, along with the along with the caption "A couple of Montana bad men, Superior, Montn. These boys' outfits aren't quite as fancy, but I like the "cow- boy attituden visible in their eyes! ..,,- lhis slide was in fact shown in the artlcle "Goo and the Stereo Rsellst Permmount" [SW Vol. 28 No. 31 as an example of how the r&hesiw on the Permamount label often eventually migrated out onto the glass and obscured the mount's sharp edges. This Pemamount definitely had to be taken apart to get a clean of these film chips! 00 &&. 1 with a fondtk?SSfor 1950s-wc styling, design and dmby sharing amateu stereo slides shot in the "golden age" of the Stereo Realist--the late 1940s through the ear& 1960s. From dothing and hairstyles to 1 home decor to modes of transportation, th frozen moments of time show what things were really like in the middle of the twentieth century. If you've found a chic 50s-era slid that you would like to share thmgh this cdumn, please send it to: Fifties Flavored Finds, 561 0 SE 71st, Portland, OR 97206. As space allows, we will select a couple of images to reproduce in each issue. This is no a contest-just a place to share and enjoy. Please limit your submission to a single slide. If the subject, date, location, photographer other details are known, please send that along too, but we'll understand if it's not available. Please include return postage with I mrslide. Slides will be returned within 6 toI A P~#l~lrnl#nn181 National Stereoscopic as so cia ti^ Volume 31, Numbe MavlJune 2006 NSA Board of Direct( Larry Moor, Cho~rmon Andy Griscom Dieter Lorenz Russell Norton Puge 13 Page 14 Page 31 Richard Twichell Bill C. Walton la E. Wr~ght \ Officers :aufman, Presid A Note to the Membership Mary Ann Sell, Vice Presid,,,,, Dean Kamin, Vice President, Am ctivitier Regarding the Oliver Wendell Holmes Larry H~ss,Secretory William Moll, Treasurer Stereoscopic Research Library Stereo World Star 2 Editor's View John llennis, Editor Comments and Thank You! I.awrence Kaufnnan, Contributi?g Editor Observations Ray Zone, Contributing Editor by /ohn Dennis Professor William E. James Mark Wi Ilke, Art Dlrector -,. ,ylvla uennls,- Subscr~ptionM anager by Randolph I. lames (great grandson) lnoger Don R. Cibbs , Bock Issues Mc Hot Miami! Cool 3-D! 26 The Society 32nd Annual NSA Convention - July 11 -17,2006 How to Keach I News from the NSA hdembership Stereoscopic by Bill Moll (NPWm~mh?rrll,pr. r~nrwnli k nddrcr Society of America P.O. Box 867015, Portland, OR by Ray Zone Analog Stereo Questio~ns Concerni Magic Without a Mouse Stereo WOI-Id Subscript by Kenneth Snelson P.0 Box 8670,B, Portland, OF e-mail str,#ld@teleportt or larrytitkcr(~~y,itioo_to 28 NeNiews Meet the Flockers Current Information Ttereo World Back Issue !Service on Stereo Today Documenting the Morro Bay Estuary (Wril? for ovoiIoh!!ily k pnipr by David Starkman with Hyperstereo Photography hISA, 23575 C.R . 77, Calhan, C10 80808 61 /ohn Dennis -.-- - ---. - - Stereos and captions by Abe Perlstein Stereo World Editorial Office Text by Abe Perlstein and Ray Zone (lrllrrr la the i-dllor, on!<1r.i Ei coli'ndor !irtmqr) 561 0 SE 71 st Ave., Portland, OR 97206 (503) 771 -4440 Luther Askeland, 1941-2006 e-mail: [email protected] 32 Classified - Buy, Sell, or Bulls and Ghosts: 3-D Film Director Stereo World Adverti! Trade It Here (C1orvfii.d Fi djspby oh) Richard Fleischer, 1917-2006 5610 SE 71st Ave., Portland, C (503) 771-4440 e-mail: xtyldCteleportrt A Bit of 4-D in Atlanta (lor~rfllvrrc Ei niiilion odcJ by David Starkman leffrey Kraus PO Box 99, Modena, NY 1251 ""5) 255-791 3 r~aus@hmo srerea World(lSSN 0191-4030) is puh- NS,A Regions lhshed h~monthlyby the National Please contact your re tonal Director Stereoscap~cAssoclatlon, Inc , PO Box 1.. -'. .- - . - - ror Inrormauon about?ocal e vriio. Ul 86708. Portland, OR 97286. Enllre NSA act~vitic,s See current list at: contents 2'2006, all riqhtr reserved. Front Cover: httpxstereovleworgjaboutr ~sa.html Mnterlal In th15 puhl~cat~onmay not be rrproduced w~thoutwrltteti per- "Great Egret, OffBaywood" by Abe Perlstein is just one of the outstanding views in mlsrlon ol Iht- N5A. Inc. Pr~ntedin USA his feature "Meet the Flockers: Documenting the Morro Bay Estuary With Hyper- ~tereoscopicSociety of r A ruhur~pt~onto ilpr?o World 1s part 3-D," A!i,l!ol~d will^ 11113 Nol!nnoI Slrrm~roplr of N5A mrmhership. stereo Photography". His exhibit "Discover the Estuary in con be seen ot the Les Gehman, Membersh~pSI Annual membership dues: Morro Bay Estuary Visitor Center, where it shares in depth the marvels of this rare 736 Rochdale Dr, Fort Coll~ns, $32 tli~rrlclasr US, $44 first class US, and pristine California coastal wetland. (970) 282-9899 '644 all ~nternat~onalmemberrh~pr. e-mall IesCgehman~ Annual memberrh~psinclude six Issues Back Cover: -- - of SIereo World a plastic lorqnette viewer, and a membersh~pdire60ry This 1868 view of stereographer William .E. lames (right) and his photo wagon in Stereo World on the \ Member, Prospect Park, Brooklyn is from the article "Professor William E. lames" by his great www.steremiew_og InternotionalSrereorcop ic Union grandson, NSA member Randolph I. lames. Comments and Observations EDITORSWE w ]ohn Dennis RENEW! ly wishing the situation had been arrangement having been identi- for the End of Your World described sooner, allowing time for fied in the meantime. their input. Facing the same dilemma for the is at Hand ... In fact, discussions about the third time, the NSA Board of Direc- hat is, if you're among those possibility of dispersing the tors made a cautious and consid- few who received but haven't Holmes Library collection started ered decision to close the Library Tyet responded to a recent just two years after it was estab- and disburse the collection, but Renewal letter and if "00" appears lished in 1979 and had to move proceeded without an invitation in in the center of the top line of the from the Canton (OH) Art insti- Stereo World for comments and address label of the envelope con- tute. Thanks to Bill Zulker of East- ideas from members. While taining this issue. Misplace the ern College in St. Davids, PA, the undoubtedly simpler, faster, more form? Don't worry, we still love Library was provided space of its efficient and within the rules of you-just send us a note with your own in 1982 with generous facili- the organization, that expedient current address along with a check ties where both college staff and resulted in some precipitous con- for $32 (basic U.S. bulk rate) or $44 NSA curators Ray and Marjorie Hol- troversy when initial, partial news (first-class or international) to NSA, stein made it a fully functioning, if of the Library's closing and disper- PO Box 86708, Portland OR 97286. not exactly crowded institution. sal reached a few members and the PayPal As indicated in a 1990 letter internet. Reactions among some Remember, both membership from Tex Treadwell, there were people of substantial passion and dues and purchases arranged concerns even then about ever knowledge concerning historical through the Book Service ST Back again finding an institution willing images and equipment ranged Issue Department (drg719@earth- to maintain the collection as a sep- from confusion to shock, hurt feel- link.net) may be paid via PayPal to: arate entity and about finding ings and dismay that the decision National Stereoscopic Association, member volunteers able and will- would have been made without strwld(~~teleport.com.As usual, we ing to staff it, should the extraordi- inviting their input. Even if every invite members to remember vari- narily ideal situation at Eastern single suggestion had turned out to be something already explored, ous fees charged to the NSA when College end. considering a possible donation at When use of the room at Eastern it would have been better for a renewal (or any other) time. College was lost in 1997, no simi- small organization that depends lar facility or curatorial arrange- completely on the good will of its Holmes Library Closing ments could be found at any membership to have invited them.
Recommended publications
  • 3Dff Program Guide 2014
    EXPERIENCE 3D 4D & VIRTUAL REALITY SATURDAY , DECEMBER 6th 2014 10am to 2am 2014 PROGRAM GUIDE 3DFF.ORG presented by WELCOME TO THE NEW 3D FILM FESTIVAL NOW FEATURING 3D, 4D & VIRTUAL REALITY Time Title Venue 3opolis is proud to welcome you to the world’s first 3D and 4D Film Festival programs at Regal Cinemas L.A. LIVE Stadium 14 in Downtown Los Angeles presented by RealD, 4DX and Immersion VRelia featuring 10a Opening Film TBA #6 3D/4D the first ever VR Lounge touring exhibit presented by The Virtual Reality Festival. 10a VR Lounge Opens Mezz/Gala 2014 CONTENT PROGRAM 12:30p Penguins of Madagascar #6 3D/4D This action packed one day event starts off at 10am with a series of 4D screenings inside the new 4DX Theater at Regal Cinemas L.A. LIVE featuring “Penguins of Madagascar” and “Hunger Games 3p Hunger Games Mockingjay Pt 1 #6 2D/4D Mockingjay Part 1 in 4D”!. Don’t miss the exciting VR demos in the VR Lounge which will be open from 10am to 8pm on the Mezzanine Level of the theater. The new 4D Academy Panel will host its first event 5p Holotronica 3D Lounge #5 3D from 5:30pm to 7pm. Don’t miss the award winning short film program “3ology”, which kicks off at 5pm in Theater 5 followed by two World Premiere Screening Events featuring “Cosplay Dreams 3D” at 8pm and 5:30p 4D Academy Panel #5 3D “Hackin’ Jack vs The Chainsaw Chick” at 10pm in Theater 5. This exciting day of events ends with a bang 5:45p 3D Documentary Shorts #5 3D as 3DFF hosts its first ever Costume Masquerade Ball featuring more than 200 Cosplay Characters from the Southern California Cosplay Community.
    [Show full text]
  • Attractions Management Q1 2013
    Attractionswww.attractionsmanagement.com MFC(/H()'(* Attractionswww.attractionsmanagement.com MFC(/H()'(* ! ! ! ! ! Click here to subscribe to the print edition www.attractionsmanagement.co.uk/subs FEK?<:FM<I1E8K?8EJ8N8P8N@K??@JJ:LCGKLI<>I8P G?FKF1E8K?8EJ8N8P8&9I@:B8IK@JK%:FD Read Attractions Management online: www.attractionsmanagement.com/digital follow us on twitter @attractionsmag K?<D<G8IBJsJ:@<E:<:<EKI<JsQFFJ8HL8I@LDJsDLJ<LDJ?<I@K8><sK<:?EFCF>Ps;<JK@E8K@FEJs<OGFJsN8K<IG8IBJsM@J@KFI8KKI8:K@FEJs>8CC<I@<Js<EK<IK8@ED<EK nWave Pictures presents Contact information : #### !"#$%%&&#%%'(#$)*$+,-./+,0$.1 NEW nWave Pictures presents Contact information : #### !"#$%%&&%%'(#$)*$+,-./+,0$.1 NEW nWave Pictures presents Contact information : #!"#$%&' ()*!+!+%%!,!,#$!+!+%%!!!-.*'/01213 NEW #664#%6+105/#0#)'/'06 EDITOR’S LETTER VISAS – NOT SEXY, BUT VITAL COVER PHOTO: NATHAN SAWAYA / BRICKARTIST.COM SAWAYA NATHAN PHOTO: COVER ON THE COVER: MPCBMHSPXUIJOTPNFQBSUTPGUIFBUUSBDUJPOT Nathan Sawaya, the Brick Artist, with Gray G BOEUPVSJTNJOEVTUSZJTCFJOHIFMECBDLCZ DPOGVTJOHBOEBOUJRVBUFEWJTBSFHVMBUJPOT 6IBU¬TUIFWJFXPGBOVNCFSPGJOEVTUSZMFBEFST§ READER SERVICES NPTUSFDFOUMZ/FSMJO'OUFSUBJONFOUT¬%'10JDL SUBSCRIPTIONS 8BSOFZXIP¬T´BHHFEVQUIF7-¬TWJTBQPMJDJFTBT©B Denise Gildea +44 (0)1462 471930 KPLFªBOEJTDBMMJOHGPSSFGPSN 6PVSJTUTBSFQVUPGGWJTJUJOHTPNFXPSMEEFTUJOB CIRCULATION MANAGER UJPOTCZWJTBQBMBWFSTBOEDPTU#TBSFTVMUQSP³UT Michael Emmerson +44 (0)1462 471932 EPO¬UGPMMPXJOWFTUNFOUUPUIFFYUFOUUIFZDPVME EDITORIAL
    [Show full text]
  • Six Flags, Samsung Roll out Coaster-Enhancing VR System High-Tech Thrills to Be Applied to Nine Rides AT: Dean Lamanna from the Basic Coaster Experience
    INSIDE: Extreme Engineering's Jeff Wilson rethinks coaster technology See page 36 TM & ©2016 Amusement Today, Inc. April 2016 | Vol. 20 • Issue 1 www.amusementtoday.com $250 million indoor water park resort opens Great Wolf Lodge raises a winning howl in Southern California AT: Dean Lamanna — the region’s first — and 603 [email protected] spacious suites to Orange Coun- GARDEN GROVE, Calif. — ty’s themed entertainment hub. Combining fanfare and family It will generate an estimated $8 affair, and mixing in plenty of million in annual tax revenue for splash, a wiley-but-welcoming the City of Garden Grove. wolf mascot and a whole lot of “Southern California is one happy kids, Great Wolf Lodge of the top destinations for family Southern California opened here fun in the country — and we are March 4. thrilled to bring our unique ex- There was good reason for perience to the area,” said com- the excitement. This is the first pany CEO Rubén A. Rodríguez California location for Madison, plan and two years to complete. in remarks to the gathered me- Wis.-based Great Wolf Resorts, It is the largest of the brand’s 13 dia and guests. Inc. (GWR), North America’s resorts. Added Chad McWhin- largest chain of indoor water It also exemplifies the old ney, CEO and co-founder of park resorts. Built at a cost of real estate maxim: “Location, McWhinney: “We are proud $250 million, the project — a location, location.” With a Har- to partner with the respected Great Wolf Resorts CEO Rubén A. Rodríguez, flanked by partnership between GWR and bor Boulevard address about team at Great Wolf Resorts to Southern California project partner Chad McWhinney and Colorado-based real estate de- a mile south of the Disneyland expand upon McWhinney’s company mascot Wiley the Wolf, welcomes media and velopment company McWhin- Resort, Great Wolf Lodge brings guests to the new Great Wolf Lodge in Garden Grove.
    [Show full text]
  • Attractions Management Issue 1 2011
    Attractionswww.attractionsmanagement.com management MFC(- H()'(( Attractionswww.attractionsmanagement.com management MFC(- H()'(( J?8E>?8@<OGF 8i\m`\nf]k_\nfic[ËjY`^^\jk\m\i\ogf K?<;L:?<JJF=EFIK?LD9<IC8E; fe dXb`e^ X b`cc`e^ n`k_ K_\ Gf`jfe >Xi[\e @DD<IJ<PFLIJ<C=*;LGJ@KJ>8D< :FM<I1K?<LBG8M@C@FEËJJ<<;:8K?<;I8C@EJ?8E>?8@ Read Attractions Management online: www.attractionsmanagement.com/digital follow us on twitter @attractionsmag K?<D<G8IBJsJ:@<E:<:<EKI<JsQFFJ8HL8I@LDJsDLJ<LDJ?<I@K8><sK<:?EFCF>Ps;<JK@E8K@FEJs<OGFJsN8K<IG8IBJsM@J@KFI8KKI8:K@FEJs>8CC<I@<Js<EK<IK8@ED<EK Look into my eyes and… Fly Me to the Moon Pirate Story The World of Sharks Haunted House Jett and Jin TurtleVision Bugs Dinosaurs O8BWF1JDUVSFTQSFTFOUTBOFWFSFYQBOEJOHMJCSBSZPGQSPWFODSPXEQMFBTJOHmMNT that maximize the WOW factor and in-your-face nature of 3D/4D cinema. For more information contact: $FESJD*HPEUt5FM t'BY tDJHPEU!OXBWFDPNtXXXOXBWFDPN +BOJOF#BLFSt5FM t'BY tKCBLFS!OXBWFDPN (North & South America Sales) !-11. … discover a universal and timeless 3D/4D attraction nWave Pictures proudly presents A 3D/4D experience inspired by Antoine de Saint-Exupéry’s The Little Prince: an eternally enchanting story. ATTRACTIONS MANAGEMENT EDITOR’S LETTER PHOTO: IWAN BAAN IWAN PHOTO: UNDERESTIMATING DEMAND ON THE COVER: The UK Pavilion at Shanghai Expo, p34 peaking at IAAPA, Tom Williams, CEO and chair of Universal Studios told delegates: “I’ve made a new best friend and his name’s Harry Potter.” READER SERVICES S With attendances at Universal Islands of Adventure up by SUBSCRIPTIONS 36 per cent since the opening of the Wizarding World of Denise Gildea +44 (0)1462 471930 Harry Potter in Orlando last June, it’s easy to see why.
    [Show full text]
  • Adrenaline Peak Debuts As First High-Profile Ride for Oaks Park
    INSIDE: 2018 What's New Guide TM & ©2018 Amusement Today, Inc. PAGES 46-49 May 2018 | Vol. 22 • Issue 2 www.amusementtoday.com Vekoma Rides acquired Adrenaline Peak debuts as first by Sansei Technologies high-profile ride for Oaks Park VLODROP, Netherlands and OSAKA, Japan — Dutch Gerstlauer supplies roller coaster manufacturer Vekoma Rides Manufactur- first Euro-Fighter ing B.V., based in Vlodrop, the Netherlands, was acquired March 30 by Sansei Technologies, Inc., a publicly traded steel coaster in Japanese company listed on the Tokyo Stock Exchange. Pacific Northwest With the 100 percent acquisition of Vekoma (100 percent AT: Tim Baldwin of the shares will be taken over), Sansei will increase its [email protected] global market share in the field of designing, supplying and installing roller coasters. Headquartered in Osaka, PORTLAND, Ore. — For Japan, and active in the global entertainment equipment 113 years, Oaks Park has quiet- industry, Sansei achieved a turnover of around 29,122 mil- ly operated nestled into a small lion Yen (US$278 million) in 2017, largely from the sale of portion of parkland alongside attractions to amusement parks and dynamic stage instal- the Willamette River. Its roller lations to theaters. skating rink has long been one Adrenaline Peak features three inversions: a vertical loop, a The collaboration with Sansei is the beginning of a new of the most famous attractions cutback and a heartline roll. COURTESY OAKS PARK chapter in Vekoma’s development. Since 2001, Vekoma has in the park. Throughout its steadily grown into an innovative manufacturer of roller years of operation, a good mix been sprinkled into the lineup Peak opened to the public.
    [Show full text]
  • RS485 Image Sensor for Digital Cinema System
    Hindawi Publishing Corporation Journal of Sensors Volume 2016, Article ID 9721820, 8 pages http://dx.doi.org/10.1155/2016/9721820 Research Article RS485 Image Sensor for Digital Cinema System Eunju Kim,1 Seokhoon Kang,2 and Sangsoon Lee3 1 High-Tech S/W Research Center, Incheon National University, 119 Academy-ro, Yeonsu-gu, Incheon 406-772, Republic of Korea 2Department of Embedded Systems Engineering, Incheon National University, 119 Academy-ro, Yeonsu-gu, Incheon 406-772, Republic of Korea 3Department of Computer Engineering, Gachon University, 1342 Seongnam-daero, Sujeong-gu, Seongnam-si, Kyunggi-do, Seongnam 461-701, Republic of Korea Correspondence should be addressed to Sangsoon Lee; [email protected] Received 21 January 2015; Accepted 19 March 2015 Academic Editor: Wei Wu Copyright © 2016 Eunju Kim et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Toactivate various devices using RS485, a repeater is generally used. In current digital cinema systems, each device is controlled with RS485 by mixing RS485 and DMX512. However, as today’s cinema equips hundreds of 4D chairs and the environmental directors, it is nearly infeasible for the legacy system to control. To this end, this paper designs and implements a new system which makes hundreds of 4D chairs and the environmental directors be controlled simultaneously exploiting RS485 network topology and its repeaters. The proposed approach is tested in a real-time system for assessing the performance by Paessler Router Traffic Grapher (PRTG) in Windows environment.
    [Show full text]
  • Copyrighted Material
    Chapter 1 A Brief History of the Film Industry Group This is a book about the film industry and how it functions as a business, how it is changing, and why. Movies have been made and sold for over 100 years and a study of the history of the business shows that there are recurring trends, techno- logical developments, and inflection points that impact and foretell the future of film. An understanding of this history will help a studentFrancis of, and participant in, the industry to anticipate what is coming next. This &book will cover the basic components of the industry providing the reader with an understanding of how movies are created and sold, and how those basic components interact. In the popular imagination, the movie business is a handful of big, well- known studios located in Los Angeles, the films these studios release, and the movie stars that appear in them. While it is true that theTaylor studios are responsible for producing and distributing the movies that receive -the most public attention and generate the most revenue, the film business encompasses much more than just the studios and their output including: Internet companies streaming film and television shows like Amazon, Netflix and Google and others; numerous online film platforms; inde- pendent filmmakers working outside the studio system and producing some of the most interesting and thought-Materialprovoking films; documentarians focusing on social and political issues; animators; producers and distributors of films made for tele- vision, video, and DVD (digital video disc); producers creating corporate films, web videos and webisodes, virtual reality films, and educational films; independent distributors; technology companies expanding into media distribution; foreign sales agents; theatrical exhibitors; talent agents and managers; as well as the thou- sands of vendors providing services required to create, market, and distribute these films.
    [Show full text]
  • Stereoskopisk 3D-Film
    Stereoskopisk 3D-film En studie om tittarens upplevelse av 3D-film Magnus Edlund Robin Lindahl Institutionen för informatik Utbildningsprogrammets namn Examensarbete på kandidatnivå, 15 hp SPB 2014.27 Abstract Since the release of Avatar in 2009, the 3D movie industry has experienced an apparent growth. Almost all blockbuster movies are being released in 3D at the cinema, but the 3D format has been met with mixed opinions by the consumers. Some argue that 3D is the future, while others believe that the 2D format is enough for an appreciated movie experience. Through a qualitative survey, twenty participants with 3DTV in their homes answered questions regarding their experience of 3D movies and what improvements they desire. We suggest that 3D film creates immersion, realism and effects that 2D films can´t handle. We also show that 3D, even though it has become a standard in today's television sets, is seen as an unnecessary technology, and has several problem areas that need attention in order to give a better experience. 1 Innehållsförteckning 1. Inledning ........................................................................................................ 4 1.1 Syfte ................................................................................................................................... 4 1.2 Frågeställning .................................................................................................................... 4 1.3 Avgränsningar ..................................................................................................................
    [Show full text]
  • Record-Setting Launch Coaster from Premier Rides Six Flags Magic Mountain Goes Full Throttle with Looping Thriller STORY: Dean Lamanna Special to Amusement Today
    © TM Your Amusement Industry NEWS Leader! Vol. 17 • Issue 5 AUGUST 2013 Gold Striker marks a shiny new era for California’s Great America STORY: Dean Lamanna across the bow — the start of and fastest wooden coaster in Special to Amusement Today a new beginning,” said Raul Northern California. Deliv- SANTA CLARA, Calif. — Rehnborg, GCA’s vice presi- ering what Rehnborg calls a The steady stream of shrieks dent and general manager, of “world-class” combination of and post-ride buzz emanating the twisting wooden thriller nostalgia and smooth, state- from Gold Striker, the eighth rising from the park’s Celebra- of-the-art engineering along and newest roller coaster at tion Plaza. “Not only is the nearly 3,200 feet of tightly California’s Great America coaster exciting in and of itself, curving, heavily banked (up to (CGA), initially rattled the it really is a symbol of bigger 85 degrees), sometimes low-to- Billed as the tallest and fastest wooden roller coaster in nerves of some of the neigh- and better things to come.” the-ground track, the ride also Northern California, Gold Striker has drawn raves from park bors. But to the park’s opera- With a 103-foot-long first boasts an initial descent tunnel guests who have been waiting, and rooting, for the come- tors, the lack of silence is, well, plunge and speeds approach- of 174 feet — the longest ever back of California’s Great America. golden. ing 54 mph, Gold Striker is installed on a wooden coaster. COURTESY DAN PEAK / CALIFORNIA’S GREAT AMERICA “This ride is the shot being touted as the tallest 4See GOLD, page 1 Following Superstorm Sandy, Coney Island renaissance continues STORY: Scott Rutherford Valerio Ferrari, president of periphery of the attraction for [email protected] Central Amusement Interna- spectators to soak friends and BROOKLYN, N.Y.
    [Show full text]
  • Test Your Knowledge of Outer Space at Walt Disney World
    Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. Cover Photography © Tim Devine Issue 45 Celebrating the Legacy of Star Wars 42 Contents at Walt Disney World Calendar of Events ............................................................ 8 Disney News ...........................................................................10 MOUSE VIEWS ..........................................................17 Guide to the Magic by Tim Foster............................................................................18 Blast Off! Hidden Mickeys by Steve Barrett .....................................................................20 Touring Disney’s 50 Disney Legends by Jamie Hecker ....................................................................22 Spaceships Disney Cuisine by Allison Jones ......................................................................24 Disney Touring Tips by Carrie Hurst .......................................................................26 Disney Secrets by Jamie Hecker ....................................................................28
    [Show full text]
  • EXPANDED SPECTATORSHIP: CINEMA in the POST-PRESCENIUM ERA a Thesis Submitted to the Faculty of San Francisco State University In
    EXPANDED SPECTATORSHIP: CINEMA IN THE POST-PRESCENIUM ERA A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree FILM Master of Arts In Cinema Studies by Oren Bonen San Francisco, California May 2017 Copyright by Oren Bonen 2017 CERTIFICATION OF APPROVAL I certify that I have read EXPANDED SPECTATORSHIP: CINEMA IN THE POST- PRESCENIUM ERA by Oren Bonen, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Cinema Studies at San Francisco State University. R.L. Rutsky, Ph.D. Associate Professor , i ______ Aaron Kerner, Ph.D. Professor EXPANDED SPECTATORSHIP: CINEMA IN THE POST-PRESCENIUM ERA Oren Bonen San Francisco, California 2017 The more cinema technology evolves, the closer we seem to get to primitive performance models. Virtual Reality, 3D, 4D, Augmented Reality, Holograms, all return to the origins of cinema and to Tom Gunning's "Cinema of Attractions." I will explore the ways in which spectators absorb cinema in an environment of ever- changing media, discussing the current Post-Media era. My major focus will be on the following questions: Will the utilization of these new technologies create a new, more popular medium? What do we lose when we remove the traditional cinema experience to which we've become accustomed? Furthermore, could this put an end to narrative cinema? I certify that the Abstract is a correct representation of the content of this thesis. TABLE OF CONTENTS Introduction................................................................................................................................ 1-4 The Proscenium’s Long Goodbye.......................................................................................
    [Show full text]
  • Unique Designs Make Lasting Memories
    UNIQUE DESIGNS MAKE LASTING MEMORIES. Portfolio 2019 Your vision brought to life, in spectacular detail, to engage and delight audiences. JRA plans, designs and realizes exceptional theme parks and attractions around the world. We help clients realize their unique vision, whether it’s creating an entirely new theme park, or a new attraction to refresh an existing leisure destination. We dream vividly but responsibly. Our award-winning projects combine imaginative design and storytelling with solid operational planning to consistently achieve clients’ experiential goals. The results are visitor experiences that are enjoyable, memorable and repeatable. Rouse is one of the world’s more prominent design firms... The Wall Street Journal Services Master Planning A master plan is the first step in translating an idea into a concept that will work in the real world. A thoughtful plan starts with deep research and the development of a story line. Next, it’s on to concepts and determining how they fit together in a physical setting. Writing & Content Development JRA’s storytellers collaborate with designers to generate concepts and develop the foundation of the visitor experience: the story. Our writers ensure visitors engage with each element by developing everything from creative briefs that set the tone to compelling scripts that detail the guest experience. Attraction Design Here, we sharpen our focus toward the development of specific concepts. The message, design intent, and style for each component are established. The details of how they work, what they look like, and where they’re located are laid out and finalized. Graphic Design Visuals are a central part of every visitor experience, identity, and message.
    [Show full text]