Punk Legends Still Stayin' Alive

Total Page:16

File Type:pdf, Size:1020Kb

Punk Legends Still Stayin' Alive THE : ORION UCTION ROLLINS RENAISSANCE Henry Rollins comes back to Chico, brings laughter along ~C3 ~ednesday, November 14.2001 SERVING CHICO SINCE 1975 h t t P : J J www.orion-online.n c-t J Let the Dead lie . This past week or so has seen me turn a 180 on the subject of one of my favorite bands. The Dead Kennedys has been a staple of my listening diet for close to eight years. I E!Y decided a few days ago 1 will no longer support the band. The Dead Kennedys made a name for itself in the late '70s with hyperpoliticallyrics and . the signature sound of a wuiling surf guitar gone mad. Like most punk bands worth their salt. the· Kennedys imploded because membcrs were just too extreme to get along forever. ,Hr The breakup in 1986 was the ~ ... death knell of the West Coast hardcore punk scene. For years I've dreamed of seeing DK live. but knew 1 would never be able to owing to the hostility of the members toward one another. Then a couple of weeks ago 1 heard about the DK show at The Brick Works on Saturday. Of course my first reaction was - to become ... well. let's just say very. very excited. Then I dunked my head into cold water and slapped myself around a· little and remembered a key factoid. The Dead Kennedys is never getting back together because last year the rest of the band sued singer Jella Biafra Punk legends still stayin' alive for fraud and won. The rest of the band got its NICOLE JOHNSTON "After the band broke up. he W;IS running our record label and he panties in a bunch when ~iafra S~'A"I' \11 IU""" did us wrong," said East Bay Ray. the lead guitarist. refused to let Levi Strauss & It resulted in a lawsuit between the rest of the Dead Kenneuys Co. use one of DK's most and Biafra. Who's playing: :~""famous songs, "Holiday In-· '. T--- he Dead Kennedys aren't· dead. They're alivc and weU, "The problem was we were being paid less than aU of the other . Daall KlInnllllJD, Hit Dr A 5aml. fll1l1l Cambodia." in a TV ad. The . touring California and coming to Chico. bands. He wasn't handling the record label well." Ray said. lIown band members sued Biafra, The once popular hardcore punk band frOlil the late '70s and In the end. Biafra was found guilty of fraud. He was a big part 01" Wholl: saying they weren't being early '80s has returned to the music sccne for the tirst timc since thc band. but the Dead Kennedys are still popular. Salllnta" HOll, 17 Where: represented well by Biafra and breaking up in 1986. "The people that want to see him just don't come." Ray said. The Brick WDrks the Alternative Tentacles label The band released its tirst live album "Mutiny on the Bay" in The Dead Kennedys now have a new lead singer, Brandon Cruz, Worth the dough?: he manages. They won the right September. The album features unreleased live recordings of the who Ray sllid is doing great. Since breaking up. members Klaus rartmpJ to use the Dead Kennedys name band playing its classic tracks from back in the day. Flouride on bass, D.H. Peligro on drums and Ray have till stayed and all the songs, which Biafra The band had some trouble keeping the rights to its songs after in the music scene. They pltly in other bands and Ray is II produc- wrote many of. former lead singer lello Biafrn became thc caretaker of the band's So the musicians coming to record label. Alternative Tentacles. I'least.! see DEAD ~ (;6 The Brick Works aren't the Dead Kennedys, as far as I'm concerned. They arc the Undead Kenncdys - zombics who should know when to lie down Bookstores offer second chances and die, but keep going for some evil reason I clln't fathom. .. The. Pink Cadillac, The Book~tore Though its name and location arc new. thc store's They aren't doing 6Ulything utmosphere is the same. Heacock said the environment new. just r\!cycling Illllterial give altenlative to sp~U1king-new is user-friendly. Custoincrs mc cncouraged to lounge in from u bygone age and trying to aile of the rocking chairs and browse through books . pluy on the nostalgia of punkers books fronl re~~l chain stores while sipping all complimcntary tea or coffee and uroulld the world. nibbling on cookies. lIike reunion tours as much LINDA OVERI.Y "SO many stores these days ure cold. 'Hurry up. givu us the next sentimental music STili'!' \X'IlITIiIl me your money und get out... • Heucock said. "That'~ Slip, but what the Undend not what we wallted. If you've got time to kill, you clln Kelltledys is doing is u-ying to A nice cscllpe from the day-to-day school grind aUli pick up a book and reud it. If you don't linish it, you call milk the fond memories of its the ollcn predictable Chico bur scene cun be to curl up put a bookmurker in it and put it buck." origilllli funs und tense the with a good book. The Pink Cadillac also olTers books on tupe. card~ younger fnns who hu'Vc never The Pink Cadillac. which opened its doors at 340 and Magnet Poetry sets. Most new books that aren't in scen DK live into shows. Salem St. two weeks IIgo. ol'fers a selection of approx­ the store can be ordered and received within a few days, Al some point I hope the imlltcly 25,000 new lIud riearly ucw books thut mnge in he said. Undeud Kennedys renIize thtlt price from 75 cents to $150. While the store docs not buy books, he said cus­ lelIa Biufru mllde the blind into Owncd by Del Heacock und Phyllis Williams, the tomers can bring in paperback books und get 25 percent the punk powerhouse thnt it store hus sc'Vcral types of books including mystery, or the cOVer price ill store credit toward the purchllse of wus, lIud the resl of the group classics, sclf-help, short stories aull horror. IIny used book, Hardback credit percentages ·vllry. lind u should stop ruping the deud Heacock lind Williul11s owned U bookstore named 25-cenl service fcc is charged for each book purchllsed horse tlml used to be u Pre-owned Books and Pink ClIdillacs in Cheslcl' for with store credit. respcctublc bund. seven yellrs, Aftet· clldUl'ing many harsh wiutel's, the Heacock saill he was a professor of psychology fOl' Tlto Orlell/IIRAII LAMIIERT pair was rcady 1'01' II change. They decided tn relocate to . nine years ut the University of Utah and Boise Stllte Br{/(Ilmuburt c(m btl rcmc/Juti (/t: One of Tho Pink Cadillac's owners l Phyllis Wllilams i Chico, und reopen the business liS simply The Pink -------------------­ [email protected] passes time away with a magazine on a rainy day, Cadillac, Hellcock said. Plells(J see ROOKS'" (;4 VIDEO" RIlIlDS Witherspoon and . iI cast of major-movie actors Including TRACKS • Hero Is another sound· LINKS " For all you clliidronof the '80s, tllO Thundorcats Luko Wlison, Mallhow Davis and . track from composer John Williams, homopago offers ondless Ilours of curiosity, Exploro tho cartoon Victor Garber star In "Legally Blonde," responsible for soundtracks from tile sid a of tllO Web site and road the biographies of Llon~O, a g!rl-power comedy about 11 California "Indiana Jones" Illovhis, most of tho "etar Panthra, Wora and the wholo furry gang, sorority girl who defies the stereotype, Wars" movies, "Saving Private Ryan", http://lhundmats.vpoa.com Elle Woodo (Wlthorspoon) chllse·s her "Jurassic Park" and otl1ors, With chimes, boyfriend to Harvard Law, where she a string section and Q tinny brass section climbs tho ranks to catch up to him, to add occnslonal suspense, "Harry Pottor and the Sorcorer's Stono" Is slow, rolaxod .'," and probably good tolall asloep to, i, • .....,.;;:".,;;,,~~~.-.....0..1 ~ I!!!i ..~. '\:- " .. ,,I' 'p' - '.' I .
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Gas Refused at Car Washes
    Friday, February 22, 1974 fly Spartan Daily Serving San Jose State University Since 1934 as ch of ge Gas refused at car washes es By Susan Hathaway been flooded with consumer complaints price rules," exists because the energy ficials are powerless to enforce the ed One recent morning an SJSU about gasoline sellersTuesday office "doesn't have the people to en- federal rules. a graduate student drove into a car wash- morning alone he received over 100 force the rules." The answer, according to Horger, is iid service station to buy gasoline and was such calls. Horger added that the car wash- an amendment of the federal laws told he would have to have his car Horger stated his office has received service stations often stay open longer giving more enforcing power to states, washed before he could get any gas. reports indicating that there are five than normal service stations, thus they counties and cities. This happened on an extremely rainy local car washes which have get the business of gas-desperate Meanwhile, the car washes which day. established the policy of insisting drivers who have to fill up, little have been taking advantage of the fuel According to Robert Horger, director customers must pay for a car wash realizing an obligatory car wash awaits crisis continue to "exploit" the con- of the County Department of Weights, before buying gas. Among them are the them too. sumer, Horger said. Measures and Consumer Affairs, this is Beaver car washes, Lozano car wash And the standard policy is no wash, in violation of federal regulations which and others, he said.
    [Show full text]
  • April's Fools
    APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Struggle. Self-Determination Socialism
    STRUGGLE. SELF-DETERMINATION SOCIALISM [roTEM 2S$3 R ffiffi i,ffi 9/11 0ne Year later: "And We're Not Going Back!" Full-Spectrum Entropy: The thoughts of a NYC Paramedic 5 I m mig ra nt Wo rke rs Re bu ild Special 0perations in by James Creedon M ove me nt fo r Le g a lizati on 12 a Special Period 2A by Bill Gallegos by Stan Goff Gampus Workers in Knoxville, TN Stand Up Colombian Defend Jose Maria Sison! "With the Union We Can Play Trade Unionists: As the US Targets An Unending Slaughter a Part in lur 1wn Destiny" 7 15 the Philippines 24 tett by Chad Negendank by Cro:b) by Doug Wordell Building a Union from Scratch: An lnteruiew with The Struggle to 0rganize Comandante Raril Reyes' : U nive rsity H o use ke e pe rs ol the FARC : . 18 in North Carolina 10 by Chip Smith SPEGIAT $=GTIOIU ffiffiwffiffiw ffiffiwffi Max Elbaum's EDITORIAL LOGOMOTTOTU Revolution ln the Air As We Face a New War, "Remember To Let's Not Forget the Kick lt Over" 40 The Fire Last Time: Lessons of the Old Wars by Scott MX Turner A New Geseration Reads BAGK IIU THE I'AY Bevolation in the Air PRISOIUER OF 42 by Christopher Day The Chicano Moratorium rHE ISSUE by Dennis O'Neil Jos6 Solis Jordan and GULTURE ?s State Repression Today leessegp,1gq4tpflMa.qigry, .".,: : 38 The Switch (a short story) 40 by Khalil Has$ah by Michelle Foy by Terry Bisson They Wanted to Serve The ?eople; Chicanos asd the Fight against EDITOR TRANSLATION SUBSCRIPTION INFO Natioml 0pptession in the Eric Odell iohn A.
    [Show full text]
  • The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk from Dead Kennedys to Green Day
    GIMME SOMETHING BETTER : THE PROFOUND, PROGRESSIVE, AND OCCASIONALLY POINTLESS HISTORY OF BAY AREA PUNK FROM DEAD KENNEDYS TO GREEN DAY Author: Jack Boulware Number of Pages: 512 pages Published Date: 04 Feb 2010 Publisher: Penguin Books Ltd Publication Country: London, United Kingdom Language: English ISBN: 9780143113805 DOWNLOAD: GIMME SOMETHING BETTER : THE PROFOUND, PROGRESSIVE, AND OCCASIONALLY POINTLESS HISTORY OF BAY AREA PUNK FROM DEAD KENNEDYS TO GREEN DAY Gimme Something Better : The Profound, Progressive, and Occasionally Pointless History of Bay Area Punk from Dead Kennedys to Green Day PDF Book " The Good Life in the Scientific Revolution: Descartes, Pascal, Leibniz and the Cultivation of VirtueThis book provides an up-to-date account of blind children's developing communicative abilities with particular emphasis on social cognition and language acquisition from infancy to early school age. With a tiny house you will learn how to live large and truly appreciate the things you have and not allow the things you don​t need to control you. Beyond Freedom - Talks with Sri Nisargadatta MaharajAn irresistible look within the mind and behind the hit TV drama, HouseWhile House is a smart medical drama and Gregory House faces countless ethical quandaries as a doctor, what makes the show unique is that it's much more deeply rooted in psychology than in medicine. The collection is in the familiar AC Black songbook format with sturdy wire-o binding to keep the book open at the song you're singing. Readers of this book - be they arts managers, politicians, board members, city planners, foundation executives, or philanthropists - will find that book provides valuable perspective and insight about building cultural facilities, and that reading it will serve to make building projects go more smoothly in the future.
    [Show full text]
  • Sporting the Glass Jaw: Views on Women in Sports
    Original paper UDC 17:796–055.2(045) doi: 10.21464/sp34204 Received: 14 November 2018 Ana Maskalan Institute for Social Research in Zagreb, Frankopanska ulica 22, HR–10000 Zagreb [email protected] Sporting the Glass Jaw: Views on Women in Sports Abstract Sport is still understood as a traditional bastion of masculinity that exalts physical qualities such as strength and speed, and psychological traits such as aggression and perseverance, deeming women’s participation undesirable and unnecessary. Nevertheless, women for dec- ades, in strict separation from men or within so-called “women’s sports”, were achieving results worthy of the attention of even the fiercest sceptics. Because of its nature founded in physicality, sport is still relatively seldom the area of political struggle for gender equality, although female athletes have occasionally done more for positive outcomes of that struggle than is acknowledged. In this paper, I discuss the ambivalent nature of sport contributing, on the one hand, to the essentialisation of genders in their differences and the petrification of power relations between them, and containing, on the other, indications of destruction or at least of corruption of the traditional, hierarchically established gender norms. The paper consists of four parts. In the first introductory part, I explain the reasons for concentrating my discussion on formalised competitive sports and approaches I am using. While empha- sising the biopolitical aspects of the subject, I start my analysis with the description of a proclaimed guiding principles of contemporary sports contained in the spirit of Olympism. In the second part, I discuss the ontology of sport contained in the ideas of the founder of the modern Olympic Games Baron Pierre de Coubertin and the consequential factors influencing women ‘s participation in sports.
    [Show full text]
  • Punk Preludes
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it.
    [Show full text]
  • Ticket & Entry Terms & Conditions
    LIVE NATION (MUSIC) UK LTD – TICKET & ENTRY TERMS & CONDITIONS - Download Festival (“Event”) GENERAL- 1. These terms and conditions (“T&Cs”) incorporate, and should be read together with, any vendors’ and/or agents’ terms or regulations, which you can obtain from the point of purchase from the official ticket agent. Your possession of this ticket constitutes your acceptance of these T&Cs. 2. Artists and billed attractions may be subject to change. 3. No trading or promotional activities are allowed within the venue without the prior consent of Live Nation (Music) UK Ltd (“LN”). 4. Goods using unauthorised Event logos and unauthorised professional recording equipment must be surrendered to staff. 5. Do not buy tickets or goods from unlawful street traders/touts. There is no guarantee of tickets’ validity for entry unless purchased from official ticket agents for the Event. 6. You give your express consent to your actual/simulated likeness to be included for no fee within any audio or visual recording to be used in any media for any purpose at any time. This includes CCTV and/or filming by the police or security staff which may be carried out for the security of customers and/or the prevention of crime. 7. No unauthorised vehicles will be allowed on site. 8. Food and drink will be available for purchase at the Event. A Challenge 21 policy will be in place for all alcohol sales on site. 9. You must comply with any and all instructions given to you by us and/or Event staff and stewards. 10. These T&Cs are governed by English Law and any dispute arising out of or in connection with these T&Cs shall be subject to the exclusive jurisdiction of the English courts.
    [Show full text]
  • Dead Kennedys and the Yippie-Punk Continuum I Michael Stewart Foley
    Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i Michael Stewart Foley To cite this version: Michael Stewart Foley. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i. Sonic Politics: Music and Social Movements in the Americas, 2019, 1138389390. hal-01999010 HAL Id: hal-01999010 https://hal.univ-grenoble-alpes.fr/hal-01999010 Submitted on 30 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuumi MICHAEL STEWART FOLEY By the time Dead Kennedys released their first LP, Fresh Fruit for Rotting Vegetables, in 1980, the band had established itself as the leading American political punk band, hailing from a city that seemed to specialize in political art. In many ways, the band and its music represented the culmination of nearly three years of subcultural political struggle on a host of issues facing not only young people in San Francisco but American youth everywhere – enough that, to this day, many of the city’s punk veterans refer to their experience in the “movement.” Political historians of the United States in the 1970s and 1980s have mostly ignored punk, but this essay examines Dead Kennedys’ early career as a way to illuminate the political experience of one segment of American youth in the late 1970s.
    [Show full text]
  • Razorcake Issue #25 As A
    ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract.
    [Show full text]
  • America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
    our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry).
    [Show full text]