April 5, 1990 CURRENT Page 2

Total Page:16

File Type:pdf, Size:1020Kb

April 5, 1990 CURRENT Page 2 I~"""""""""".-""'~"" ~"""· ""~""""".·' ~"""""'~"".'·"""' ....~ " .. I ...' .... In This Issue Old Time Rock n' Roll Revival Campus Reminder Editorials page 3 70s rock star Bob Welch formerly of Fleetwood ' Mac Features , page 5 The Riverwomen's softball and a sUccess in a solo career, team had a rough start, but SGA Elections will be ,SGA Candidates pg 7 talks about MTV, and life after they hqve managed to build April 23 &24. Get out and v O,t!;' Sports page 9 I' moving from the headliner to up a winning record at the the opening act. halfway point in the season, Classifieds page 6 See Sports, page 7 See Features, page 5. - Issue 6631' University of Missouri-'St_ Louis 1990 Profs. To See Where No Man Has Seen Before have a vested interest in the success of the nebula. As gas passes through the lose two years," scientists will gamer for the research go­ the HST Mission. Out of 1,500 sci en- shockwaves it becomes even more One of the advantages of the HST ing on at the UM - SI:. Louis campus. tists worldwide who submitted over 600 super-heated and emits light. This visi­ mission is th e influx of NASA money in­ Schwartz feels that there's a tendency project proposals to NASA for use of the ble lightshow of colliding forces is to the astronomers' coffers, NASA picks to think of UM -St. Louis as a "junior new facility, both Scwartz and James' known as a "Herbig-Haro object." up the tab for most of th e projects' ex­ co llege" and not a university where proposals beat out the stiff competition James' project deals with observing penses, and NASA recently agreed' to legitimate research is taking place. and passed the final muster. the climate on Mars and using the high match funds for the purchase of a work "There are astronomers in Chicago, Only 60 projects landed precious resolution capabilities of HST's cameras station where Schwartz aJ1d James will at Harvard, and Berkeley who didn't get viewing time on the new space to map the planet from all sides, James be able to analyze the data from their their projects on the space shuttl e," says telescope, says that one of the major advantages projects right on campus. Schwartz with pride. "We're hoping that For both men the HST project offers of HST to his work is the advanced view- Another important ramification of this will bring to the attention of the a chance to enhance years of research ingtime the space telescope offers as Schwartz's and James' involvement in state and it's legislators that there is real in their special areas of interest. opposed to limited earth based viewing. the HST project is the recognition the research going on here." For ;lchwartz, who has spent years "It takes Mars two years to go around studying a phenomenon associated with the sun," explained James. "When the the development of young stars known EaJih passes Mars, their orbits are very as "Herbig-Haro objects;', the HST's ad- close to each othe·~. Then Mars is very vanced picture-taking capabilities will large and easily viewed; other times it's give him the chance to more closely behind the sun." observe and measure the objects' uni- "With an earthbound telescope, you EYE IN THE SKY: The Hubble Space Telescope If be deployed by que properties. can only profitably look at Mars for two NASA April 10. Two UM-St. Louis Professors have projects related to it. "The objects aJ-e one of the few visi- or three months, every two years;' ble manifestations of the young star; James said. by K,C. Clarke Once deployed, the $1.5 billion-dollar unless yo u are looking at them in in- But with the Space Telescope, view- reporter telescope will begin to send back to frared;' said Schwartz. "The major goal ing time would be increased by up to Earth high-resolution images of the of our project is to get sharper pictures six months, due to the HST's unique When the Space Shuttle Discovery stars and planets with a clarity that no to compare with our theoretical vantage point in space. lifts off at approximatly 8:47 EDT on earthbound telescope can match. models ." James ex-pressed his delight in the for- Tuesday, April 10 it will carry with it the Back on planet Earth, at least two Young stars are often hidden from . tuitous timing of the HST mission. Mars' hopes and dreams of scientists around people at the University of Missouri-St. view by the nebulous clouds of gas and present position will bring it close to the the world. After years of delays and Louis will be following the mission with dust from which they are formed, Ac- Earth for the next six months. technical improvements, the hi ghly more than professional curiosity. cording to Schwartz, the young star "We're lucky the launch comes so touted Hubble Space Telescope (HST) Dr. Richard D. Schwartz, a professor emits a supersonic, bi-polar outflow of nicely in phase so that we can get in six A STAR IS BORN: Professor Richard Schwartz hopes the Hubble will finally take orbit 380 miles above of astronomy, and Dr. Philip B. James, heated gas that will create shock waves months of viewing," said James. "If they Space Telescope will allow him to see how stars come into being. the Earth's surface. head of the physics department both when it collides with gas and debris,in had delayed the launch too long we'd (Photo by Michelle McMurray) Underground Shape~ UJL ~ Conduct.Co de Revised Again Senate Appoints by Michelle McMurray was found running loose in the with the OIiginal proposal. sidered int imidation] What I thi nk I'm Current Editor reporter cafeteria. Employees closed the by Kevin Kleine "One of the most constructive things doors to the Undergroui1d and pur­ going to propose we do as students is editor that happened during this process is form a committee of our own ami form by Shawn M, Foppe After several weeks of controver­ sued the rodent amid cheers from a that a number oi p020ple made us aware managing editor sy, the UM-St. Louis Underground crowd of students who witnessed the our own conduct code. I think students The ad hoc committee dealing with of some of the difficulties in the was granted an "A" rating by the event. can very well hand le their own conduct The Senate Student Publications creating a new student conduct code language and the some of the conse­ County Health Department on April The mouse eventually ran down a if we openly discuss it. A real positive Committee has appointed Laura 3. hol e, and the Underground has revised the original document to ad­ Quences of their application," said com­ step would be to get involved in this Berardino as editor of the Current "The staff at the Underground has re-opened. dress some of the concerns students had mittee member David Robertson of the oursell' es. It seems the students I have for the 1990-91 school yeaJ: done everything humanly possible to' But things are changing, says Har­ ex-p ressed. Political Science Department "We have talked to sti ll ha\'e some problems with Berardino, who cUll'ently serves as co rrect deficiencies in the food ser­ ris. "[The alleged food poisoning] • Student Representative to the Board eliminated all the "Hostile Environ­ the code." associate managing edito r, was one vice department," said Food Service was an unfortunate accident;' he ad­ Qf Curators, Paul Matteucci, said that ment" language from this and made it Another point in the code that Mat­ of two finalists for the p')sition, She the revisions have dealt satisfactorially as explicit as we can. Director Chris Harris. mitted, "and we tried to apologize to teucci opposes is the right of the com­ began her career at the CUIit?nl one The Underground came under fire the lady it happened to, We have with all but two of his nine concerns Conduct will no longer be covered plaintant to appeal a ruljng in the and a half years ago as a rep Olter. recently after reports of multiple stayed on top of things since it hap­ under the blanket statement "conduct discipline case, The proposed code She quickly moved up to the posi­ health code violations and an alleg­ pened." which affects a student's suitability as a Underground over the weekend, would allow, for example, a professor to tion of associate features ed itor and ed food poisoning. The salad bar is back, after hav­ member of the academic community." seek the exp ulsion of a student for th en featu res editor. Over the last few weeks, the Coun­ ing been brought up to standard-­ although six months had not pass­ if it passes the University Senate and the ed since its last use . cheating on an exam after the Vice She serves as both Secretary to ty Health Department has cited the down to 50 degrees. senates of the other three campuses in In addition, fifteen employees Chancellor for Student Affairs had the newspaper's organ ization and as cafeteria for violations ranging from The salad bar is kept cool by plac­ the UM System, The code attempts to came in over the weekend to clean already nJled that the punishment shall Organizational Representative to the presence of roaches to mouse ing ice around the crocks of salad cover the many concerns of faculty, droppings in the untensils.
Recommended publications
  • The Songs of a Sentimental Bloke (Dodo Press) Free Ebook
    FREETHE SONGS OF A SENTIMENTAL BLOKE (DODO PRESS) EBOOK C J Dennis | 72 pages | 30 Apr 2009 | Dodo Press | 9781409962762 | English | Gloucester, United Kingdom C. J. Dennis - Wikipedia It is one of the most successful Australian musicals of the 20th century. Albert Arlen and Nancy Brown had worked on the musical since Arlen and Brown went to England in to promote the show. This was unsuccessful so they returned to Australia, borrowed some money, and self-produced the musical in an amateur production at Canberra's Albert Hall in March The cast included Edwin Ride and Brown. The show had a one-week run in Canberra, which was so popular that extra seating The Songs of a Sentimental Bloke (Dodo Press) the aisles had to be arranged. Later that year, J. Williamson's produced the musical professionally in Melbourne. The original six-week season at Melbourne's Comedy Theatre from 4 Novemberdirected by John Young, was later extended to five months. Amateur theatre groups in Australia often perform the musical. Neglected Musicals revived the show in a professional, semi-staged The Songs of a Sentimental Bloke (Dodo Press) through at Hayes TheatreSydney in October A decision was taken that the whole thing should be very stylised in form. The Australian Ballet first presented this in in Australia, and subsequently on its tour of the Soviet Union. This production, hosted by The Melbourne Theatre Company, offered its first Auslan interpreted performance on 18 December From Wikipedia, the free encyclopedia. Redirected from The Sentimental Bloke musical. The Sentimental Bloke Original cast album.
    [Show full text]
  • A Band Together. but Who Knew We'd Find As Durable an Application Of
    o R M D EVERY MUSICIAN KNOWS IT’s THE RHYTHM SECTION THAT HOLDS a band together. But who knew we’d find as durable an application of that maxim as the one exemplified by the history of Fleetwood Mac? & Over the last thirty years, Fleetwood Mac has comprised fifteen musicians shuffled through six major lineups, resulting in endless tin- kerings with tone and genre. Yet the two members to survive it all rarely write tunes and never front the recordings. They’re the beat- keepers - drummer Mick Fleetwood and bassist John Me Vie. The fact that a rhythm section could sustain a band through thirty years seems all the more amazing considering the traumatic histories of the band’s shifting array o f stage-front stars. Together, their personal lives have given rock one of its most elaborate and juicy plotlines. (L Religious conversions, spells o f madness, “incestuous” liaisons within the band, drug freak-outs, alleged brainwashings, imperson- Mick ^ stevie ations, everything short of murder have spun Nicks, John McVie, Christine McVie, Lindsey Fleetwood Mac’s legacy into a story worthy of Buckingham (from left) Scheherazade. & Musically the band has endured just as many twists, moving from blues to rockabilly to laid-back California folk rock - finally to bloom into purveyors of some of the most popular and endur- ing music of the Seventies. (L It all began humbly enough. In 1967, the B Y J I M FÄRBER The band in '69: Peter original foursome convened as arch Fame entrant, Santana). If that wasn’t enough, Rose also saw the Green, Fleetwood, Jeremy devotees of the blues, arriving in the band adding nineteen-year-old Danny Kirwan (who’d played in Spencer, Danny Kirwan, second wave of U.K.
    [Show full text]
  • Full Article
    20 rock the rabbit12 TH E FLEETWOOD MAC BY ANTHONY BOZZA ROCK ROYALTY MICK FLEETWOOD LOOKS baCK AT ONE OF THE GREATEST YET MOST DYSFUNCTIONAL baNDS IN MUSIC HISTORY AND FIGURES OUT WHAT COMES NEXT Stretching 48 miles long and 26 across, Maui, the second-largest of the Hawaiian islands, is a tropical paradise full of dreamy beaches and lush landscapes, the most atypical of which is arranged over 18 acres at 4,000 feet above sea level. Near the top of a winding one-lane road cut into a ruddy hillside, a shady driveway dips beneath a canopy of trees to reveal a spread that—minus the citrus groves—looks more like an English country home than a tropical retreat. Clouds that seem but an arm’s length away cast moody shadows over the homestead, giving the sense that this place is half a world from the sun- lit valley below. Lovely bushes of pink and blue flowers abuzz with bees line the roundabout that lies before the front door. Beyond it, stretching into the trees, a long, manicured lawn awaits a garden party or a game of croquet. Off to one PHOTOGRAPHY BY MATTHIAS CLAMER nude female angel playing a harp, a pack of blues musicians, an ax and a headless torso— “IN THE PAST I’D Not and more nude women—plus a portrait of HAVE taKEN NO foR AN Fleetwood in the midst of it all, draped in a ANSweR. I’D HAVE PER- patterned scarf and wearing a white shirt. SUaded SteVie to do There is, naturally, a blue rose in there too.
    [Show full text]
  • 1 1 Public Hearing 2 Proposed Administrative Rules 3 For
    1 1 PUBLIC HEARING 2 PROPOSED ADMINISTRATIVE RULES 3 FOR HYDRAULIC FRACTURING 4 5 6 7 8 Before: Robert Welch, Hearing Officer 9 10 11 PUBLIC HEARING 12 Holiday Inn 13 1301 Avenue of Mid-America 14 Effingham, Illinois 15 6:30 p.m. 16 17 18 Barbara A. Glover: CSR #084-001223 19 20 21 Area Wide Reporting and Videoconferencing 22 301 W. White Street 23 Champaign, Illinois 61820 24 (217) 356-5119 2 1 Panel Members: 2 3 Nick San Diego: IDNR Office of Legal Counsel 4 Robert Mool: IDNR Office of Legal Counsel 5 Ron Sullivan: IDNR Office of Oil and Gas 6 Resource Management 7 Mitchell Cohen: IDNR Director of the Office of 8 Oil and Gas Resources Management 9 Brendan Dailey: IDNR Legislative Counsel 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 3 1 I N D E X 2 3 Michael Quandt......................... 13 4 Richard Deibel......................... 15 5 Nancy Hediger.......................... 16 6 Bob Yancey............................. 18 7 Girwana Baker.......................... 19, 91 8 Gene Krahl............................. 22 9 Tyler Rotche........................... 26 10 Kay Ahaus.............................. 29 11 Dillon Amlin........................... 33, 105 12 Stan Bratman........................... 38 13 Erin Carman-Sweeney.................... 41, 94 14 Dominic Giafagleone.................... 46 15 Elmer Fugman........................... 48, 98 16 Joyce Blumenshine...................... 50 17 Kelvin Ho.............................. 54, 99 18 Mike Ewing............................. 59 19 Gianna Chacon.......................... 60 20 Joseph Knotts.......................... 63 21 JoAnn Conrad........................... 65, 93 22 Angel Sides............................ 69 23 Dan Niebrugge.......................... 73 24 Thomas Graballski...................... 74 4 1 Mary Swanson........................... 75 2 Vito Mastrangelo....................... 78 3 Jessica Fujan.......................... 81 4 Georgia de la Garza...................
    [Show full text]
  • Trouser Press
    ARTIST TITLE SECTION ISSUE Dick Wagner incl (guitarists) 35 Richard Wagner Hit and Run 35 Wah! Nah Poo the Art of Bluff 69 Green Circles 84, 88 Wah! Heat Green Circles 61 John Waite Ignition Hit and Run 77 Waitresses article 73 incl 41 Fax n Rumours 90 Wasn’t Tomorrow Wonderful? 72 Bruiseology 87 America Underground 30 Rick Wakeman article 20 Rhapsodies Hit and Run 42 1984 Hit and Run 66 T. Bone Walker Singing the Blues 1 Scott Walker Fire Escape in the Sky Hit and Run 69 Walker Brothers Nite Flights 34 Wall Green Circles 48 Larry Wallis Green Circles 26 See also Pink Fairies Wall of Voodoo article 81, 87 Dark Continent Hit and Run 69 Call of the West Hit and Run 80 Green Circles 60 Joe Walsh incl (guitarists) 35 The Best of Joe Walsh Hit and Run 35 There Goes the Neighborhood Hit and Run 65 Steve Walsh Schemer-Dreamer Hit and Run 48 Wang Chung Points on the Curve Hit and Run 96 Ward 8 America Underground 96 Steve Warley Steve Warley Hit and Run 81 Warm Jets Green Circles 48 Paul Warren and the One of the Kids Hit and Run 55 Explorers Warsaw Pakt Fax n Rumours 26 Jeff Waryan Figures 94 Washington DC scene America Underground 26, 42, 80, 84, 95 :30 Over DC (Limp) America Underground 39 Was (Not Was) Was (Not Was) 68 Born to Laugh at Tornadoes 94 Green Circles 73 Water Pistols Green Circles 19 Muddy Waters / Howlin’ Wolf Muddy and the Wolf 82 Geraint Watkins Geraint Watkins and the Dominators 43 Green Circles 57 Kit Watkins Frames of Mind Hit and Run 85 Gerald Watkiss Purgatory and Paradise Hit and Run 32 Ben Watt and Robert Wyatt Green
    [Show full text]
  • Sizzling 70'S Printable List
    Sizzling 70’s Printable List SHE'S IN LOVE WITH YOU SUZI QUATRO BEST OF MY LOVE EAGLES WHERE YOU LEAD BARBARA STREISAND SAY YOU LOVE ME FLEETWOOD MAC SHINING STAR EARTH WIND & FIRE MIND GAMES JOHN LENNON LOVE'S THEME LOVE UNLIMITED GIRLS ON THE AVENUE RICHARD CLAPTON SOFT DELIGHTS NEW DREAM CRACKLIN' ROSIE NEIL DIAMOND AIN'T GONNA BUMP NO MORE (WITH NO BIG FAT WOMAN) JOE TEX BECAUSE I LOVE YOU MASTER'S APPRENTICES RIDE A WHITE SWAN T REX PRECIOUS LOVE BOB WELCH PRELUDE/ANGRY YOUNG MAN BILLY JOEL STAYIN' ALIVE BEE GEES EVERYBODY PLAYS THE FOOL MAIN INGREDIENT ROCK AND ROLL ALL NITE KISS NA NA HEY HEY KISS HIM GOODBYE STEAM GOODBYE STRANGER SUPERTRAMP NEVER CAN SAY GOODBYE GLORIA GAYNOR GOODBYE TO LOVE CARPENTERS BABY IT'S YOU PROMISES (YOU GOTTA WALK) DON'T LOOK BACK PETER TOSH SATURDAY NIGHT BAY CITY ROLLERS SATURDAY NIGHTS ALRIGHT FOR FIGHTING ELTON JOHN ANOTHER SATURDAY NIGHT CAT STEVENS DANCIN' (ON A SATURDAY NIGHT) BARRY BLUE TUMBLING DICE ROLLING STONES SHAKE YOUR BOOTY K.C. & SUNSHINE BAND COZ I LUV YOU SLADE BANKS OF THE OHIO OLIVIA NEWTON-JOHN MORE THAN A FEELING BOSTON FEELING ALRIGHT JOE COCKER GOOD FEELIN MAX MERRITT PEACEFUL EASY FEELING EAGLES HELLO ITS ME TODD RUNDGREN EBONY EYES BOB WELCH STAR SONG MARTY RHONE EGO (IS NOT A DIRTY WORD) SKYHOOKS ON THE COVER OF THE ROLLING STONE DR HOOK I HEAR YOU KNOCKING DAVE EDMUNDS EVERLASTING LOVE ANDY GIBB LET'S PRETEND RASPBERRIES WHO'LL STOP THE RAIN CREEDENCE CLEARWATER REVIVAL BICYCLE RACE QUEEN YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH (HOT SU MEAT LOAF CAPTAIN ZERO MIXTURES SWEET
    [Show full text]
  • Bob Welch & Avenue
    bob welch & avenue m austin, 13 mar 1990 by lewis shiner venue M had been on tour for two weeks when they pulled in to Austin Ain an eight-seater van and a Ryder truck full of equipment. They’d been traveling two solid days since their last job in Colorado. Touring with an unsigned band means you don’t have a label or a sponsor paying your way. It means you everything you eat and every motel room you sleep in and every tank of gas gets paid for out of your own pocket. It’s a tough way to make a living, and when you’re Bob Welch, with more than twenty years behind you as a professional musician, veteran not only of Paris and a half-dozen solo albums, but also of Fleetwood Mac, one of the most popular bands in history, you have to be asking yourself why. The answer is simply that this is the band he wants to play with. And for those who only know Welch through his ballads (“Sentimental Lady,” “Future Games”) the nature of this band might come as a bit of a surprise. Avenue M is an exponent of the current hard rock/metal sound that Van Halen and Aerosmith have brought into the mainstream of pop music. They play power chords and blistering solos and lay down a hard and polished groove. Over it all floats Welch’s haunting voice, one of the most perfect in rock and roll. The rest of the group consists of four guys in their twenties, recruited by Welch and his wife (now also his road manager), Wendy, from various Phoenix bands.
    [Show full text]
  • Feature Interview
    A Lindsey Buckingham Newsletter Special to this Issue – April 21, 2001 What’s New Feature Interview Feature Album Review Feature Performance Review Featured Song Fun & Games ¯ Lindsey Buckingham’s album is still tentatively scheduled for release on Reprise, June 26, 2001. R ¯ VH1’s Behind the Music special is set to air U July 1, 2001. ¯ He may perform some warm up shows in M June in the Los Angeles area. ¯ Mick Fleetwood, Stevie Nicks and Lindsey O Buckingham are planning to start the next Fleetwood Mac album this fall. Mick and R Stevie report that Lindsey has already started working on the songs. S ¯ The Rockline website (http://www.drchuck.net/ rockline/) lists Lindsey & Mick as potential future guests. *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~* Listening Forward In this section, one of Lindsey’s more recent songs to whet the appetite for what’s to come. Steal Your Heart Away (Lindsey Buckingham, 1997) All alone we go on Day after day All alone we suffer Oh, steal your heart away It’s the same old thing In the same old way All alone we suffer So come on Oh, steal your away Let’s go Let’s run away And the light goes creepin’ If that’s all there is Down, down, down Oh, steal your heart away While we were sleepin’ Suddenly we hit the ground The light goes creepin’ Down, down, down While we were sleepin’ Suddenly we hit the ground Oh, steal your heart away So come on (Mmmm, lonely suffer) Let’s go Steal your heart away Let’s run away (Mmmm, lonely suffer) If that’s all there is Steal your heart away Steal your heart away (Mmmm, lonely suffer) Steal your heart away (Mmmm, lonely suffer) Steal your heart away 2 Recording, Engineering and Production August 1992 LINDSEY BUCKINGHAM by Dan Levitin As the arranger/producer behind Fleetwood Mac from 1975 - 1988, Lindsey Buckingham is largely responsible for that group’s superstardom and megasuccess on the five studio albums, Fleetwood Mac, Rumours, Tusk, Mirage and Tango In The Night.
    [Show full text]
  • Fleetwood Mac; Rumours a Review by Jake Daisley
    Fleetwood Mac; Rumours A review by Jake Daisley Introduction There is no truer testament to making the best of out the worst situation than Fleetwood Mac’s Rumours. Born out of internal conflict, affairs, divorce and a cocaine addiction, Rumours went on to be the seventh bestselling studio album of all time and according to Mick Fleetwood, the drummer and founder of Fleetwood Mac, "the most important album we ever made". About the Band Lindsey Buckingham: lead guitarist and vocalist. Born October 3rd, 1949 in Palo Alto, California. Lindsey dropped out of competitive swimming to pursue a career in music. Lindsey and his then-girlfriend Stevie Nicks recorded an album titled Buckingham Nicks in 1973. Mick Fleetwood heard the song "Frozen Love" from the Buckingham Nicks album. Impressed, he asked Buckingham to join Fleetwood Mac and replace Bob Welch, the former lead guitarist for Fleetwood Mac. Lindsey told Mick that he and Stevie Nicks were a team and that he didn't want to work without her. Mick Fleetwood agreed and hired both of them without an audition. Stevie Nicks: vocalist, recognized as the "Reigning Queen of Rock and Roll". Born May 26th, 1948 in Phoenix, Arizona. Stevie’s grandfather taught Nicks to sing duets with him by the time she was four years old. She first met Lindsey Buckingham, during her senior year of high school, she saw him playing “California Dreamin’” at a party, and joined him in singing harmony. Stevie and Lindsey opened for Jimi Hendrix and Janis Joplin, it was those two artists who inspired her own stage intensity and performance.
    [Show full text]
  • Fleetwood Mac's Frühe Jahre in Zwei
    im Auftrag: medien Agentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] FLEETWOOD MAC‘S FRÜHE JAHRE IN ZWEI NEUEN BOXSETS BELEUCHTET 8-CD Set Fleetwood Mac 1969-1974 enthält remasterte Versionen von sieben Studioalben und ein unveröffentlichtes Konzert von 1974 4-LP Fleetwood Mac 1973-1974 Sammlung enthält Penguin , Mystery To Me, und Heroes Are Hard To Find sowie ein Konzert von 1974 und eine 7”-Single Limitierte Edition auf farbigem Vinyl jetzt exklusiv über Rhino.com vorbestellen Alle drei Sets erscheinen am 4. September Nachdem Mick Fleetwood, Peter Green, John McVie und Jeremy Spencer 1967 Fleetwood Mac ins Leben riefen, fanden sie schnell ein Publikum, das ihren britisch gefärbten Blues begeistert aufnahm. In den darauffolgenden sieben Jahren unterschrieb die Band bei Reprise Records, veröffentlichte sieben Studioalben und viele zeitlose Tracks, die sich bis heute größter Beliebtheit erfreuen. Fleetwood Macs Aufstieg zum Ruhm steht im Mittelpunkt von zwei kommenden Rhino-Veröffentlichungen, die sich auf die Deep-Blues-Wurzeln der Band konzentrieren. Die erste Veröffentlichung ist ein 8-CD Boxset, das remasterte Versionen aller sieben Studioalben enthält, die die Band zwischen 1969 und 1974 aufnahm, dazu kommen diverse Bonustracks und ein unveröffentlichtes Konzert, das 1974 nur wenige Monate vor dem Eintritt von Lindsey Buckingham und Stevie Nicks in die Band aufgezeichnet wurde. Das Set deckt ein fünfjähriges Zeitfenster ab, das mehrere unterschiedliche Bandbesetzungen umfasst, von den Gründungsmitgliedern Fleetwood, Green, McVie und Spencer bis zu späteren Neuzugängen wie Danny Kirwan, Christine McVie, Dave Walker, Bob Welch und Bob Weston. Die Sammlung enthält sieben Studioalben: Then Play On (1969), Kiln House (1970), Future Games (1971), Bare Trees (1972), Penguin (1973), Mystery To Me (1973) und Heroes Are Hard To Find (1974).
    [Show full text]
  • CAPITOL Records RELEASING 11 LPS on SEPTEMBER 12TH
    Capitol Records/Publicity Deparlmenl 1750 North Vine Street, Hollywood, Ca!iiernia s0028 (213) 462-6252 FOR I},IT4EDTATE REI.EASE lrloft'"tL i\ili;lilnilail^ cAPrroL REcoRDs nEirasrwc t|jiEUJN; 11 Lps or.r sEprEl{BER r2rr HOLLYWOOD, September, L977 - Capitol Records, Inc., will release eleven new albums on Sept. L2, announces Jim l4azza, CRf Vice Presideat, rYarketing. The albums are Bill Cosby's Disco Bil1, Gentle Giant's The Miss j.ng Piece, Merle Haggard's A l^iorking llan Can't Get ]trowhere To- day , Linda Harg:rove's Impressions, Klaatu's @., Mel McDaniel's Gentle To Your Se11sg:s, The Bob Meighan Band's Me'hun, Juice liewton & Silver Spur's Come To 1{e, Jannes Talley's Ain't f t Sornethin' , Uni-' corn's One More Tomorrow and Bob tnTelchrs French Kiss. Welch's album marks his debut as a solo artist. He was a men- ber of Fleetwood Mac for five albums and had his own group, Paris, for two albums on Capitol. He's now managed by llick Fleetwood. Management. The solo album was mostly produced by Capitol's John Carter although Fleetwood Mac's Christine llcVie and. Lindsel' Bucking- ham produced a remake of the classic "sentimental laCy" (which Welch originally wrote and sang on the l,lac's Bare Trees album) . Capitolrs releases are also highlighted b1z the second album from Klaatu, the seif-designated "mvstery qroup" ("we want our music to stand. on its orvn merits"). Their debut self-titled albunr brought comparisons with the world.'s top acts and soId.
    [Show full text]
  • PETTY, Tom, and the Heartbreakers 1980S: #25 / 1990S: #25 / All-Time: #79 Born on 10/20/1950 in Gainesville, Florida
    G DEBUT PEAK WKS O ARTIST L DATE POS CHR D Album Title Label & Number PETTY, Tom, And The Heartbreakers 1980s: #25 / 1990s: #25 / All-Time: #79 Born on 10/20/1950 in Gainesville, Florida. Died of a heart attack on 10/2/2017 (age 66). Rock singer/songwriter/guitarist. Formed The Heartbreakers in Los Angeles, California: Mike Campbell (guitar; born on 2/1/1950), Benmont Tench (keyboards; born on 9/7/1953), Ron Blair (bass; born on 9/16/1948) and Stan Lynch (drums; born on 5/21/1955). Howie Epstein (born on 7/21/1955; died of a drug overdose on 2/23/2003, age 47) replaced Blair in 1982; Blair returned in 2002, replacing Epstein. Steve Ferrone replaced Lynch in 1995. Scott Thurston (of The Motels) joined as tour guitarist in 1991 and eventually became a permanent member of the band. Petty appeared in the movies FM, Made In Heaven and The Postman and also voiced the character of Elroy “Lucky” Kleinschmidt on the animated TV series King Of The Hill. Member of the Traveling Wilburys. Tom Petty & The Heartbreakers were the subject of the 2007 documentary film Runnin’ Down A Dream, directed by Peter Bogdanovich. One of America’s favorite rock bands of the past five decades; they had wrapped up a 40th Anniversary concert tour shortly before Petty’s sudden death. Also see Mudcrutch. AWARDS: R&R Hall of Fame: 2002 Billboard Century: 2005 9/24/77+ 55 42 G 1 Tom Petty & The Heartbreakers................................................................................................................................. Shelter 52006 6/10/78 23 24 G 2 You’re Gonna Get It! ..................................................................................................................................................
    [Show full text]