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The Ultimate Experience
The Ultimate Experience Battlefield Revelations and the Making of Modern War Culture, 1450–2000 Yuval Noah Harari The Ultimate Experience January 18, 2008 19:52 MAC/TUE Page-i 9780230_536920_01_prexvi Also by Yuval Noah Harari RENAISSANCE MILITARY MEMOIRS: War, History and Identity, 1450–1600 SPECIAL OPERATIONS IN THE AGE OF CHIVALRY, 1100–1550 January 18, 2008 19:52 MAC/TUE Page-ii 9780230_536920_01_prexvi The Ultimate Experience Battlefield Revelations and the Making of Modern War Culture, 1450–2000 Yuval Noah Harari Department of History Hebrew University of Jerusalem January 18, 2008 19:52 MAC/TUE Page-iii 9780230_536920_01_prexvi © Yuval Noah Harari 2008 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N.Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. -
Issue 121 Continues \\~Th Fife .\ Tarry Samp-,On, Wel.T Cojst Editor in Spnill and Drum in Europe, Part 2
PERSONAL • Bus1NESS • TRUST • INVESTMENT SERVICES Offices: Essex, 35 Plains Road. 7o!-2573 • Essex, 9 Main Street, 7o/-&38 Old Saybrook, 15.5 Main Street, 388-3543 • Old Lyme, 101 Halls Road. 434-1646 Member FDIC • Equal Housing Lender www.essexsavings.com 41 EssexFmancialServires Member NA.SD, SIPC Subsidiary of Essex Savings Bank Essex: 176 Westbrook Road (860) 767-4300 • 35 Plains Road (860) 767-2573 Call Toll-Free: 800-900-5972 www.essexfinancialservices.com fNVESTMENTS IN STOCKS. BONDS. MtrT'UAL RJNDS & ANNUITIES: INOT A DEPOSIT INOT FDIC INSURED INOT BANK GUARA,'fl'EED IMAY LOSE VALUE I INOT INSURED BY ANY FEDERAL GOVERNMENT AGENCY I .2 AncientTunes 111t Fifi· rmd Dr11111 l"uc 121 Jul) lXli From the 1 111 Denmark Publt Jied bi Editor The Company of s we're all aware, the 2007 Fifers &Dnmimers 5 muster season is well under http://compan)c1tlifeanddlllm.oii; 111,; Fife n11d tht Dmm A way, fun for all who thrive on Editor: Dan Movbn, Pro Tern in lta(v parades, outdoor music, and fife and Art & ~ign D~ctor. Da,·e Jon~ Advertising Manager: Betty .Moylan drum camaraderie. Please ensure Contributing Editor.Bill .\Wing 7 that there is someone to write up Associate Edi tors: your corps' muster, and that there is Dominkk Cu'-ia, Music Editor Chuck Rik)", Website and Cylx~acc Edimr someone with picrures and captions, .-\m.111dJ Goodheart, Junior XC\1s Editor hoc co submit them co the Ancient ,\I.irk Log.-.don, .\lid,mt Editor Times. Da,c !\ocll, Online Chat Intmicw~ 8 Ed Olsen, .\lo Schoo~. -
National Identity and the British Common Soldier Steven Schwamenfeld
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 "The Foundation of British Strength": National Identity and the British Common Soldier Steven Schwamenfeld Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE ARTS AND SCIENCES “The Foundation of British Strength:” National Identity and the British Common Soldier By Steven Schwamenfeld A Dissertation submitted to the Department of History In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2007 The members of the Committee approve the dissertation of Steven Schwamenfeld defended on Dec. 5, 2006. ___________________ Jonathan Grant Professor Directing Dissertation _____________ Patrick O’Sullivan Outside Committee Member _________________ Michael Cresswell Committee Member ________________ Edward Wynot Committee Member Approved: ___________________ Neil Jumonville, Chair History Department The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables iv Abstract v Introduction 1 I. “Thou likes the Smell of Poother” 13 II. “Our Poor Fellows” 42 III. “Hardened to my Lot” 63 IV. “…to Conciliate the Inhabitants” 92 V. Redcoats and Hessians 112 VI. The Jewel in the Crown of Thorns 135 VII. Soldiers, Settlers, Slaves and Savages 156 VIII. Conclusion 185 Appendix 193 Bibliography 199 Biographical Sketch 209 iii LIST OF -
Published by the Company of Fifers & Drummers, Inc. April 2005 Issue 114 $5.00
• aen Published by The Company of Fifers & Drummers, Inc. April 2005 Issue 114 $5.00 r-------------------------• 1: 'The Company o.fftfers & Drummers : Individual Membership Application I I Please check all appropriate boxes: 0 $20 Individual Membership, U.S. 0 $10 Individual Membership, Junior, US. I 0 $35 Family Membership, U.S. 0 $30 Individual Membership, Canada, International I 0 $1000 Life Membership; for a donation of $1000 or more the company will establish a Life Membership in the name of the donor. (Only ONE donor name per Life I Membership, please!) I o I would like to learn about flexible payment schedule for the $1000 life membership I o I would like to learn about corps discounts for 10 or more individual memberships. 0 This is a gift membership from: ------------------------- Name: --------------------------------- Address: --------------------------------- City: -------------------- State: ---- Zip: ----- Tol: --------- Email: ---------- Website: ---------- Corps Affiliation: ---------------------- -------- Instrument: 0 Ftfe O Snare O Bass Drum O Major O Color Guard O Other--------- Corps Membership Application Corps Name: --------------------------- ---- Contact: ------------------------ --------- Address: ---------------------------------- City: -------------------- State: ----Zip: ----- Tol: --------- Email: ---------- Website: ---------- Member Ages: --to --years Hometown: ------------------- Music Style: 0 Colonial O Civil War O TraditionaJ O Other -------------- Instruments: 0 Keyless Fife O Rope Tension -
006-013, Chapter 1
trumpeteers or buglers, were never called bandsmen. They had the military rank, uniform and insignia of a fifer, a drummer, a d trumpeteer or a bugler. d Collectively, they could be called the fifes l l & drums, the trumpets & drums, the drum & bugle corps, the corps of drums, the drum e e corps, or they could be referred to simply as i the drums in regiments of foot or the i trumpets in mounted units. f f Since the 19th century, the United States military has termed these soldier musicians e the “Field Music.” This was to distinguish e them from the non-combatant professional l l musicians of the Band of Music. The Field Music’s primary purpose was t t one of communication and command, t whether on the battlefield, in camp, in t garrison or on the march. To honor the combat importance of the Field Music, or a a drum corps, many armies would place their regimental insignia and battle honors on the b drums, drum banners and sashes of their b drum majors. The roots of martial field music go back to ancient times. The Greeks were known to e have used long, straight trumpets for calling e Chapter 1 commands (Fig. 1) and groups of flute players by Ronald Da Silva when marching into battle. h h The Romans (Fig. 2 -- note the soldier When one sees a field performance by a with cornu or buccina horn) used various t t modern drum and bugle corps, even a unit as metal horns for different commands and military as the United States Marine Drum & duties. -
Military History of Kentucky
THE AMERICAN GUIDE SERIES Military History of Kentucky CHRONOLOGICALLY ARRANGED Written by Workers of the Federal Writers Project of the Works Progress Administration for the State of Kentucky Sponsored by THE MILITARY DEPARTMENT OF KENTUCKY G. LEE McCLAIN, The Adjutant General Anna Virumque Cano - Virgil (I sing of arms and men) ILLUSTRATED Military History of Kentucky FIRST PUBLISHED IN JULY, 1939 WORKS PROGRESS ADMINISTRATION F. C. Harrington, Administrator Florence S. Kerr, Assistant Administrator Henry G. Alsberg, Director of The Federal Writers Project COPYRIGHT 1939 BY THE ADJUTANT GENERAL OF KENTUCKY PRINTED BY THE STATE JOURNAL FRANKFORT, KY. All rights are reserved, including the rights to reproduce this book a parts thereof in any form. ii Military History of Kentucky BRIG. GEN. G. LEE McCLAIN, KY. N. G. The Adjutant General iii Military History of Kentucky MAJOR JOSEPH M. KELLY, KY. N. G. Assistant Adjutant General, U.S. P. and D. O. iv Military History of Kentucky Foreword Frankfort, Kentucky, January 1, 1939. HIS EXCELLENCY, ALBERT BENJAMIN CHANDLER, Governor of Kentucky and Commander-in-Chief, Kentucky National Guard, Frankfort, Kentucky. SIR: I have the pleasure of submitting a report of the National Guard of Kentucky showing its origin, development and progress, chronologically arranged. This report is in the form of a history of the military units of Kentucky. The purpose of this Military History of Kentucky is to present a written record which always will be available to the people of Kentucky relating something of the accomplishments of Kentucky soldiers. It will be observed that from the time the first settlers came to our state, down to the present day, Kentucky soldiers have been ever ready to protect the lives, homes, and property of the citizens of the state with vigor and courage. -
Archaeological and Historical Perspectives on Early Modern Maritime Violence and Warfare
ON WAR ON BOARD Archaeological and historical perspectives on early modern maritime violence and warfare Edited by Johan Rönnby ON WAR ON BOARD Archaeological and historical perspectives on early modern maritime violence and warfare Edited by Johan Rönnby Södertörns högskola Södertörns högskola Biblioteket SE-141 89 Huddinge www.sh.se/publications © Authors Licensed under a Creative Commons Attribution 3.0 Unported License All images are subject to individual licensing Cover image: Skirmish between Amsterdam and English warships, 20 April 1605, detail of a painting, by Hendrick Cornelisz Vroom (1566–1640), 1614 (A.0002) The National Maritime Museum, Amsterdam Het Scheepvaartmuseum, Amsterdam (HSM) Cover: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2019 Södertörn Archaeological Studies 15 ISSN 1652-2559 Södertörn Academic Studies 78 ISSN 1650-433X ISBN 978-91-88663-86-3 (print) ISBN 978-91-88663-87-0 (digital) Contents Introduction JOHAN RÖNNBY 7 The Performance of a Naval Hero Admirals in the Nordic Seven Years’ War 1563–1570 KEKKE STADIN 19 Symbols of Power – Attributes of Rank on Warships in the 17th Century PATRIK HÖGLUND 39 Notions of Fear in a 17th Century Navy ANNASARA HAMMAR 51 Heroes, Cowards and Their Shipwrecks – Thoughts on the Maritime Archaeology of the Scanian War (1675–1679) NIKLAS ERIKSSON 73 An Introduction to Hand-to-Hand Combat at Sea – General Characteristics and Shipborne Technologies from c. 1210 BCE to 1600 CE ROLF FABRICIUS WARMING 99 Understanding the Gundeck Experience -
Official Catalogue of the Royal United Service Museum, Whitehall
m "* * V V V A Ex Ubris \ : C. K. OGDENiDEN 1 j THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES OFFICIAL CATALOGUE OF THE Royal United Service Museum, WHITEHALL, S.W. COMPILED BY Lieut.-Colonel Sir ARTHUR LEETHAM, F.S.A. (Curator). FOURTH EDITION. Printed for the Council of THE ROYAL UNITED SERVICE INSTITUTION by J. J. KELIHER & Co., LIMITED, Craven House, Kingsway, and Marshalsea Works, Southwark. 1914 PRICE ONE SHILLING. to Ufa PREFACE.131* In the Compilation of this Catalogue I have endeavoured to provide, in as concise a form as possible, a book which will be of general historical interest to the many thousands of Visitors who annually come to see the Museum. Having regard to the nature of the Museum (especially the vast field of Naval and Military History which it covers), the limited space, and the consequent necessity of having at times to' remove certain objects in order to exhibit others, it was found quite impos- sible to classify the numerous exhibits under groups or collections : but the index, which has been added, is of an exhaustive nature and will assist the Visitor in readily finding the objects of special interest. I would point out that the value of a work of this kind lies in its accuracy, and should any mistakes have crept into its pages in the course of compilation and printing, I hope they will be pointed out to me, that they may be rectified in future editions. In the first edition of this Catalogue I was greatly indebted to the assistance which I received from Mr. -
Issue 103 SS.00 40TH ANNIVERSARY
Published by The Company ofFifers & Drummers, Inc. Summer 2001 Vol. 27 No.l Issue 103 SS.00 40TH ANNIVERSARY HanJcrafteJ Cooperman rope lerMion f ie!J drurn1. Fulldervice drum dhop for repair, r&Jtoration, par&,anJ duppUM. T HE C OOPERi\llAN C OMPANY A <1eco11d-ge1uration family 6uc1uu4J commilteiJ lo traoilionnf cm/t.mznn,1hip and tiuwvative Je.,ign &,1e.:1: I11iJwtrial Park, P.O. &.i: 276, Ce11ter6r"ok1 CT 06409-0276 USA Tel: 860-767-1779 Fa..i:: 860-767-70/7 Email: [email protected] On the We6: 11•u•w.cooperma11.co111 2 Ancienffimes The Drum From the 1 :--o. 1o3- Sunm>tf 2001 l'ublt1hrJ bv 3 Publisher/Editor The Co_mpany of Fifers fsDrummers This is.sue of the Ancient Times features "The 4 Drum" -some makers, some players, some Editor: Bob Lynch. cnw. [email protected] The Fife and Drum in the teachers and some history. As a boy 1 was fas Senior Editor: Robin N1rnuti, Netherlands muil: RN1muu'aprodifl> .nn cinated by the sounds of the drum. There was nothing more thrilling than the rhythmic drum Assoc:ia~ E.diton: T Mllt}· Smipion, Wt1t ~ Aoocutc F..htor beats in the pit of my stomach when a drum line of a S!l"\·r :--."ICIIUCZ, CiJmd.r marching band ~ by. What the drum was then, it is EJ Obm, Mo Sd,oo,, ObmmttS 6 for me today -a fascinating instrument with a long history George i.Awrence Stone Art a Desig,, Director: 0.1\'r )Oll<S in many ancient and modem civilization around the world. -
FIELD MUSIC of the CIVIL WAR Including Extracts From, the 1861
FIELD MUSIC OF THE CIVIL WAR Including extracts from, The 1861 Revised Regulations, Enactments of Congress, And Customs of Service. By David Poulin. INDEX MILITARY MUSIC Regimental Bands Page 4 Folk Musicians Page 6 Field Musicians Page 6 FIELD MUSIC Page 8 Camp Calls Page 9 Field Signals Page 9 Parade Music Page 10 INSTRUMENTS Page 10 Fifes Page 10 Drums Page 11 Bugles Page 12 ORGANIZATION AND DUTIES Page 13 Organization Page 13 The Drum Major Page 14 Musician ranks Page 14 Posting Page 15 Daily Schedule Page 16 Fatigue Duty Page 17 Guard Duty Page 17 Guard Mount Page 18 Honors to V.I.P.'s Page 19 Funeral Honors Page 19 Inspections of the Troops Page 20 Retreat, Dress Parade, and Reviews Page 20 Marches Page 22 Disciplinary Actions Page 22 Recruiting Service Page 22 Uniforms Page 23 Music Manuals Page 24 BIBLIOGRAPHICAL SOURCES: In attempting to study the subject of field music during the Civil War. I realized how poorly and scatterly-documented this experience is. Obviously the experience was so commonplace that virtually no one, even the musician's themselves, give us very much insight. This book is not an original work but is a compendium of many and varied sources which all relate to music during this period; nor is it a complete discussion on any one aspect of this topic. There is much more detail if anyone wants to look for it. I also would like to warn young readers that the amount of mis- information on the Civil War is amazing. For instance, there is one particular picture, I've seen in different books, captioned as showing three different types of troopers. -
A History of U.S. Army Bands
A HISTORY OF U.S. ARMY BANDS Subcourse Number MU0010 EDITION D US Army Element, School of Music 1420 Gator Blvd, Norfolk, VA 23521-5170 3 Credit Hours Edition Date: October 2005 SUBCOURSE OVERVIEW This subcourse is designed to teach the history of Army Bands. It provides an overview of the history, mission, and functions of bands in America and Europe. Many American historic events have occurred with the support of a military musical unit. There are no prerequisites for this subcourse. This subcourse reflects the latest doctrine which was current at the time it was prepared. In your own work situation, always refer to the latest publications. The words "he", "him", "his", and "men", when used in this publication, represent both the masculine and feminine genders. TERMINAL LEARNING OBJECTIVE: ACTION: You will be able to identify important events throughout the history of military bands. CONDITION: Given the material presented in this subcourse STANDARD: To demonstrate proficiency of this task, you must achieve a minimum of 70% on the subcourse examination. TABLE OF CONTENTS Page Section………………………………………………………………………….. i Subcourse Overview…………………………………………………………. iii Administrative Instructions…………………………………………………. iii Grading and Certification Instructions…………………………………….. iii Lesson 1: Military Music in Europe……………………………………….. 1 Practice Exercise………………………………………………….. 7 Answer Key and Feedback……………………………………….. 9 Lesson 2: Military Music in America……………………………………… 11 Practice Exercise…………………………………………………… 45 Answer Key and Feedback. ………………………………………. 49 Examination…………………………………………………………………. E-1 Appendix: List of Publications…………………………………………….. A-1 Student Inquiry Sheet ADMINISTRATIVE INSTRUCTIONS 1. Number of lessons in this book: Two. 2. Materials you need in addition to this booklet are a number two pencil, the ACCP examination response sheet and preaddressed envelope you received with this subcourse. -
The Fife an Ulster Musical Tradition
The Fife An Ulster musical tradition The Fife AW 2.indd 1 20/12/11 11:39:22 2 The Fife Visit any village or townland in mid Antrim on a pleasant summer’s evening and it’s quite possible that your ears will reverberate to the sound of the Lambeg drum, Ulster’s unique percussion instrument. However, move a little closer and you may also hear the shrill, lilting tones of the Lambeg’s preferred instrument of accompaniment, the fife. This simplest form of flute is the perfect partner to the Lambeg, as its high pitched melodies can be heard above the tremendous volume of the goat-skinned drum. Although the Lambeg drum remains popular all across Ulster, the fifing tradition has survived mainly in Co. Antrim, particularly around Ballymena and its satellite villages. However, photographs and paintings of Orange parades from the early 1900’s clearly show the fife being played with the Lambeg drum in places such as Belfast and Portadown, as painted by celebrated Ulster artists William Conor and John Lavery respectively. The fife is a simple flute-like instrument -a single hollow tube corked at one end with an embouchure (mouth-hole), six finger holes and is usually made of hardwood. This simplicity of design has ensured that the fife has not changed much in hundreds of years, unlike the flute which has evolved into many different forms using different keys, pads and mechanisms. As the fife has remained constant, so has its repertoire. Today, the Ulster fife is mainly used to play hornpipes and jigs suited to accompanying the distinct rhythms of the Lambeg drum.