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Earth-11 Jumpchain Yes, This Is Just for Waifus
Earth-11 Jumpchain Yes, this is just for waifus This is a world of superhumans and aliens, one that may seem very familiar at first. However, this isn’t the normal world of DC Comics. No, this is one of its parallel dimensions, one where everybody is an opposite-gender reflection of their mainline counterparts. It’s largely the same besides that one difference, so the events that happened in the primary universe are likely to have happened here as well. The battle between good and evil continues on as it always does, on Earth, in space, and in other dimensions. Superwoman, Batwoman, Wonder Man, and the rest of the Justice League fight to protect the Earth from both from it’s own internal crime and corruption and from extraterrestrial threats. The Guardians of the Universe head the Green Lantern Corps to police the 3800 sectors of outer space, of which Kylie Rayner is one of the premier members. On New Genesis and Apokolips in the Fourth World, Highmother and Darkseid, the Black Queen vie for power, never quite breaking from their ancient stalemate. You receive 1000 CP to make your place in this world. You can purchase special abilities, equipment, superpowers, and friends to help you out on your adventures. Continuity You can start at any date within your chosen continuity. Golden Age The original timeline, beginning in 1938 with the first adventure of Superwoman. Before long she was joined by Batwoman, Wonder Man, and the Justice Society of America. The JSA is the primary superhero team of this Earth, comprised of the Flash, Green Lantern, Hawkwoman, Dr. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
Superheroes Trivia Quiz Iv
SUPERHEROES TRIVIA QUIZ IV ( www.TriviaChamp.com ) 1> Which superhero carries an indestructible shield? a. The Green Lantern b. Captain America c. Captain Flag d. The Red Tornado 2> Which character is often romantically paired with Batman? a. The Black Canary b. Miss America c. Catwoman d. Hawkgirl 3> Which superhero started out as a petty criminal? a. The Atom b. Spiderman c. The Blue Knight d. Plastic Man 4> Which superhero's alter ego is Raymond Palmer? a. The Atom b. Hawkman c. The Green Arrow d. The Tornado 5> Which superhero is associated with the phrase, "With great power there must also come great responsibility"? a. Spiderman b. Hell Boy c. Batman d. The Hulk 6> Which superhero is nicknamed the "Scarlett Speedster"? a. The Flash b. Speedball c. Stardust d. The Thing 7> Which superhero is dubbed the "Man without Fear"? a. Daredevil b. The Flash c. Wolverine d. Green Lantern 8> Which superhero is the medical doctor for the X-men? a. Storm b. Shadowcat c. Ice Man d. The Beast 9> Who is Batgirl's father (Barbara Gordon)? a. The Mayor b. The Governor c. Batman's Butler d. The Chief of Police 10> Which superhero gains his power from a ring? a. The Green Lantern b. Storm c. Dazzler d. The Hulk 11> Which superhero can manipulate the weather? a. The Tornado b. The Atom c. Strom d. The Thing 12> Which Island does Wonder Woman call home? a. Emerald Island b. Paradise Island c. Amazonia d. Eden Isle 13> Where does the Green Arrow operate? a. -
An Exploration of Comics and Architecture in Post-War Germany and the United States
An Exploration of Comics and Architecture in Post-War Germany and the United States A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Ryan G. O’Neill IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Rembert Hueser, Adviser October 2016 © Ryan Gene O’Neill 2016 Table of Contents List of Figures……………………………………………………………………………………...……….i Prologue……………………………………………………………………………………….....…1 Introduction………………………………………………………………………………………...8 Chapter 1: The Comic Laboratory…………………………………………………...…………………………………….31 Chapter 2: Comics and Visible Time…………………………………………………………………………...…………………..52 Chapter 3: Comic Cities and Comic Empires………………………………...……………………………...……..…………………….80 Chapter 4: In the Shadow of No Archive…………………………………………………………………………..…….…………114 Epilogue: The Painting that Ate Paris………………………………………………………………………………...…………….139 Works Cited…..……………………………………………………………………………..……152 i Figures Prologue Figure 1: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 2: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Figure 3: Image of Vitra Feuerwehrhaus Uncredited. https://www.vitra.com/de-de/campus/architecture/architecture-fire-station Figure 4: Kaczynski, Tom (w)(a). “Skyway Sleepless.” Twin Cities Noir: The Expanded Edition. Ed. Julie Schaper, Steven Horwitz. New York: Akashic Books, 2013. Print. Introduction Figure 1: Goscinny, René (w), Alberto Uderzo (i). Die Trabantenstadt. trans. Gudrun Penndorf. Stuttgart: Ehapa Verlag GmbH, 1974. Pp.28-29. Print. Figure 2: Forum at Pompeii, Vitruvius Vitrubius. The Ten Books on Architecture. trans. Morris Hicky Morgan, Ph.D., LL.D. Illustrations under the direction of Herbert Langford Warren, A.M. pp. 132. Print. Figure 3: Töpffer, Rodolphe. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Archives - Search
Current Auctions Navigation All Archives - Search Category: ALL Archive: BIDDING CLOSED! Over 150 Silver Age Comic Books by DC, Marvel, Gold Key, Dell, More! North (167 records) Lima, OH - WEDNESDAY, November 25th, 2020 Begins closing at 6:30pm at 2 items per minute Item Description Price ITEM Description 500 1966 DC Batman #183 Aug. "Holy Emergency" 10.00 501 1966 DC Batman #186 Nov. "The Jokers Original Robberies" 13.00 502 1966 DC Batman #188 Dec. "The Ten Best Dressed Corpses in Gotham City" 7.50 503 1966 DC Batman #190 Mar. "The Penguin and his Weapon-Umbrella Army against Batman and Robin" 10.00 504 1967 DC Batman #192 June. "The Crystal Ball that Betrayed Batman" 4.50 505 1967 DC Batman #195 Sept. "The Spark-Spangled See-Through Man" 4.50 506 1967 DC Batman #197 Dec. "Catwoman sets her Claws for Batman" 37.00 507 1967 DC Batman #193 Aug. 80pg Giant G37 "6 Suspense Filled Thrillers" 8.00 508 1967 DC Batman #198 Feb. 80pg Giant G43 "Remember? This is the Moment that Changed My Life!" 8.50 509 1967 Marvel Comics Group Fantastic Four #69 Dec. "By Ben Betrayed!" 6.50 510 1967 Marvel Comics Group Fantastic Four #66 Dec. "What Lurks Behind the Beehive?" 41.50 511 1967 Marvel Comics Group The Mighty Thor #143 Aug. "Balder the Brave!" 6.50 512 1967 Marvel Comics Group The Mighty Thor #144 Sept. "This Battleground Earth!" 5.50 513 1967 Marvel Comics Group The Mighty Thor #146 Nov. "...If the Thunder Be Gone!" 5.50 514 1969 Marvel Comics Group The Mighty Thor #166 July. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
“Justice League Detroit”!
THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J. -
Exploring Ghost Worlds: a Review of the Daniel Clowes Reader
Johnston, P 2013 Exploring Ghost Worlds: A Review of The Daniel Clowes THE COMICS GRID Reader. The Comics Grid: Journal of Comics Scholarship, 3(1): 7, pp. 1-5, Journal of comics scholarship DOI: http://dx.doi.org/10.5334/cg.ag REVIEW Exploring Ghost Worlds: A Review of The Daniel Clowes Reader The Daniel Clowes Reader, Ken Parille, Softcover: 360 pages, Colour and black & white, Fantagraphics, 2013, ISBN: 9781606995891 Paddy Johnston* Daniel Clowes is undoubtedly one of the most influen- tial and prolific cartoonists working today, with a career spanning many decades. The Daniel Clowes Reader (Parille 2013) comes at the perfect time – when interest in Clowes from scholars and critics is at a high, but in which he is still perhaps given less critical attention than his peers Chris Ware, Art Spiegelman, and Marjane Satrapi, all of whom are cited twice as often as Clowes despite his large canon of significant works in comics. With recent books being published on Chris Ware by The University Press of Mississippi and the forthcoming Art Spiegelman collec- tion from Drawn and Quarterly, more significant focused, monographic books are emerging in comics and comics criticism, and The Daniel Clowes Reader is a more than wel- come addition to this emergence. Rather than providing an exhaustive chronological ret- rospective, as it would be tempting to do with such a vol- ume, the book is organised into three sections based on distinct areas of discussion which provide thematic arcs: section one explores Girls and Adolescence, focusing on Clowes’ landmark graphic novel Ghost World; section two explores Boys and Post-Adolescence using some of Clowes’ short stories from Eightball; and section three explores the broader and more fluid areas of Comics, Artists and Audiences, including Clowes’ illustrated manifesto, “Mod- ern Cartoonist,” which originally accompanied Eightball #18 as an attached pamphlet in 1997. -
Thanks for Coming. I'm Glenn Geher, the Director of Evolutionary Studies
Hi, everyone. [BACKGROUND] Thanks for coming. I'm Glenn Geher, the Director of Evolutionary Studies. I am thrilled to be introducing Dr. Victoria Ingalls today, who is the first official speaker in the 2011 EvoS Seminar Series. I made a brief little PowerPoint myself because I was so excited about the introduction. Dr. Ingalls' talk is going to be focusing on her evolutionary analysis of children's fantasy literature. What's fantastic about her research, in my mind, it's Evolutionary Studies Program at its best. A trained biologist with a PhD in Zoology from the University of Massachusetts. She has done extensive research on various species, largely on a variety of bird species. Because of her deep understanding of evolution and biological principles, has recently branched out to study human behavior as well. She does it in a way that is true to the animal behavior and evolutionist origins in her background. So she will hare that with us today. The work that she has done recently has integrated literary studies, psychology, and evolutionary biology in a really interesting and seamless way to provide significant insights into who we are. When I was reading her article earlier this week, I got so excited because I found myself quite educated by the process. One of the core things we believe about the evolutionary studies program is that evolutionary theory and its applications are highly relevant to everyday life. People often think that's not the case, which is a concern regarding evolution education. When I was reading her stuff, I thought to myself, my goodness, it is highly relevant because she's talking about sex differences, male-female differences in the creation of heroes in literature.