Remembering the Rhinestone Cowboy
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Press Contacts
Press Contacts: Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Berkshire Theatre Group Presents Grammy Award-Winner Jimmy Webb: The Glen Campbell Years Highlighting some of the 100-plus recordings from the Webb/Campbell songbook Pittsfield, MA– Berkshire Theatre Group (BTG) presents Grammy Award-winner Jimmy Webb: The Glen Campbell Years, highlighting some of the 100-plus recordings from the Webb/Campbell songbook at The Colonial Theatre on Saturday, March 18 at 8pm. Tickets to Jimmy Webb: The Glen Campbell Years are $25, $35 and $45. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444, or online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. Songwriter Jimmy Webb has had chart-topping hits in a unique range of genres over the last 50 years, from country to pop to disco, with songs including “Worst That Could Happen,” “The Highway Man,” “Up, Up and Away” and “MacArthur Park.” But, perhaps the most enduring partnership out of all those memorable songs, is his musical brotherhood with Glen Campbell. Jimmy Webb: The Glen Campbell Years highlights some of the 100-plus recordings from the Webb/Campbell songbook, pulling the audience in with hits such as “Honey Come Back,” “By the Time I Get to Phoenix,” “Wichita Lineman,” “Galveston” and more! Jimmy Webb, who has shared the stage with legends such as Billy Joel, Vince Gill, Willie Nelson, Jackson Browne, was the youngest man ever inducted into the National Songwriters’ Hall of Fame, and is the current Chairman. -
Alshire Records Discography
Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M. -
OMNI MAGAZINE Jesse Jones Industries 499 East Erie | Avenue Philadelphia, Pa, 19134
EW PERILS OF LIFE INZER WHEN GALAXIES COLLIDE LISTENING FOR ALIENS . onnrui VOL. 9 NO. 11 AUGUST 1987 EDITOR IN CHIEF & DESIGN DIRECTOR: BOB GUCCIONE PRESIDENT: KATHY KEETON EDITOR: PATRICE ADCROFT GRAPHICS DIRECTOR: FRANK DEVINO EDITOR AT LARGE. DICK TERESI MANAGING EDITOR: STEVE FOX ART DIRECTOR: DWAYNE FLINCHUM Philosophy for the Next Yevgeny Yevtushenko Century Camp Omni COMMUNICATIONS Correspondence Stewart Brand Perils in Zero G A-cestis Oberg Death by Stress? Gary Hanauer When Galaxies Collide Steve Nadis Listening for Aliens, etc. WATCH THIS SPACE Soarng into Ellen Ruppel Shell Antarctica's Ozone Hole Harvey Jacobs BODY DOUBLES Protein Miracle Drugs Jeffrey Kiuger Pictorial: Simulated Hypersonic Space Planes CLAUDE SHANNON Interview: Father of the Anthony Liversidge Electronic Information Age Pat Cadigan OMNI ALPHABESTIARY Pictorial: The Ultimate Alphabet ANTIMATTER Adolescent UFO Fantasies, etc. Surrogate Condors Cherri Senders Talking Machines and Other Tools for the Twenty- first Century Reader Originals Humor; Postnuclear Culture Terry Runte i. i i c Irler . and Canada -'ublicalion.; . OMNI il :B'-'014G-S7r j. s publishes monthly in the Lifted Stales by Onn Salt City-based artist Lake ! oestaoe M:d at New York. NY, and al adcitiona mailing o' icea POSTMAS1 ER: Send Ll Steven Hunt composed ddurewcha:irjos^O'ri:-iMaaazi-o.i ys:Oi:ic^Bo/30-'>a-lan.lA5159^-4256.Voumc9 Nun, er'l : [ . .;..... 430-0-00 OM\ii ;i i ..,.. this photographic illustration cv Omni Pun-ica:ions irterralicral Ltd. Al ngt,!s reserved lei. (212. a p' \r the '"> Can, i bi:;-'-iQi--, n'e-"a'ionsl Ltd. Printed in the USA by Wereoi'mRarda Corp and distributed U to depict the contrasts West Caldwell, NJ tcmlcna possesions, arc the '.vo-ld (except the U.K.) by Curtis CrcUalior Company. -
Edition 2017
YEAR-END EDITION 2017 HHHHH # OVERALL LABEL TOP 40 LABEL RHYTHM LABEL REPUBLIC RECORDS HHHHH 2017 2016 2015 2014 GLOBAL HEADQUARTERS REPUBLIC RECORDS 1755 BROADWAY, NEW YORK CITY 10019 REPUBLIC #1 FOR 4TH STRAIGHT YEAR Atlantic (#7 to #2), Interscope (#5 to #3), Capitol Doubles Share Republic continues its #1 run as the overall label leader in Mediabase chart share for a fourth consecutive year. The 2017 chart year is based on the time period from November 13, 2016 through November 11, 2017. In a very unique year, superstar artists began to collaborate with each other thus sharing chart spins and label share for individual songs. As a result, it brought some of 2017’s most notable hits including: • “Stay” by Zedd & Alessia Cara (Def Jam-Interscope) • “It Ain’t Me” by Kygo x Selena Gomez (Ultra/RCA-Interscope) • “Unforgettable” by French Montana f/Swae Lee (Eardrum/BB/Interscope-Epic) • “I Don’t Wanna Live Forever” by ZAYN & Taylor Swift (UStudios/BMR/RCA-Republic) • “Bad Things” by MGK x Camila Cabello (Bad Boy/Epic-Interscope) • “Let Me Love You” by DJ Snake f/Justin Bieber (Def Jam-Interscope) • “I’m The One” by DJ Khaled f/Justin Bieber, Quavo, Chance The Rapper & Lil Wayne (WTB/Def Jam-Epic) All of these songs were major hits and many crossed multiple formats in 2017. Of the 10 Mediabase formats that comprise overall rankings, Republic garnered the #1 spot at two formats: Top 40 and Rhythmic, was #2 at Hot AC, and #4 at AC. Republic had a total overall chart share of 15.6%, a 23.0% Top 40 chart share, and an 18.3% Rhythmic chart share. -
Songwriter Mike O'reilly
Interviews with: Melissa Sherman Lynn Russwurm Mike O’Reilly, Are You A Bluegrass Songwriter? Volume 8 Issue 3 July 2014 www.bluegrasscanada.ca TABLE OF CONTENTS BMAC EXECUTIVE President’s Message 1 President Denis 705-776-7754 Chadbourn Editor’s Message 2 Vice Dave Porter 613-721-0535 Canadian Songwriters/US Bands 3 President Interview with Lynn Russworm 13 Secretary Leann Music on the East Coast by Jerry Murphy 16 Chadbourn Ode To Bill Monroe 17 Treasurer Rolly Aucoin 905-635-1818 Open Mike 18 Interview with Mike O’Reilly 19 Interview with Melissa Sherman 21 Songwriting Rant 24 Music “Biz” by Gary Hubbard 25 DIRECTORS Political Correctness Rant - Bob Cherry 26 R.I.P. John Renne 27 Elaine Bouchard (MOBS) Organizational Member Listing 29 Gord Devries 519-668-0418 Advertising Rates 30 Murray Hale 705-472-2217 Mike Kirley 519-613-4975 Sue Malcom 604-215-276 Wilson Moore 902-667-9629 Jerry Murphy 902-883-7189 Advertising Manager: BMAC has an immediate requirement for a volunteer to help us to contact and present advertising op- portunities to potential clients. The job would entail approximately 5 hours per month and would consist of compiling a list of potential clients from among the bluegrass community, such as event-producers, bluegrass businesses, music stores, radio stations, bluegrass bands, music manufacturers and other interested parties. You would then set up a systematic and organized methodology for making contact and presenting the BMAC program. Please contact Mike Kirley or Gord Devries if you are interested in becoming part of the team. PRESIDENT’S MESSAGE Call us or visit our website Martha white brand is due to the www.bluegrassmusic.ca. -
Issue 566 Spring Blooms for Country Spring Diary Results Blossomed with Dozens of Country Stations at the Top of Their Markets
September 5, 2017, Issue 566 Spring Blooms For Country Spring Diary results blossomed with dozens of Country stations at the top of their markets. We asked several of these ratings win- ners what ingredients went into their secret sauce for spring. WXBQ/Johnson City, TN: PD Bill Hagy begins, “I had to look it up. It is 92 books in-a-row at No. 1 – a point of pride [over] a lot of years and attention to details.” Hagy notes every daypart and demo stays stable year-in and year-out except for the 18-34 cell he describes as “more of a yoyo.” He adds, “That demo came back very strong this Spring, more than a 10-point jump to 32 shares.” The annual spring NASCAR race landed at the beginning of the book and “generates a lot of enthusiasm” in the market. Numbers have remained strong in mornings for host Steve Stroud since Mark Andrews Dragon Around: MCA’s Sam Hunt and friends at the University of Alabama Birmingham. Pictured (l-r) are Country Aircheck’s Bill Hagy left in October. “We’ve talked to a number Paul Williams, Hunt, ESPN’s Marty Smith and Red Light’s of applicants but haven’t found the right Chuck Swaney. partner,” says Hagy, who spends one day a week at the station – usually a 10- to 12-hour marathon – since his “retirement” after 50 years at the helm (CAT 3/4/15). Sam Hunt Goes Long KCLR/Columbia, MO: A heritage airstaff MCA’s Sam Hunt returned to the University of Alabama that has “made an emotional connection with Birmingham, where he played quarterback, to celebrate the re- the audience” is one of the keys for Zimmer’s launch of the school’s football program after a two-year hiatus. -
Glen Campbell's Songs Soar As His Mind Fades
DECEMBER 2013/JANUARY 2014 BY SUSANNAH GORA Glen Campbell’s Songs Soar as His Mind Fades As Alzheimer’s disease takes its toll, the famed singer’s spirit stays strong. The music video for "Hey Little One" shows an older man strumming his guitar and singing a low, slow ballad. His voice has weathered with age, but we'd know it anywhere: it's the voice of "Wichita Lineman" and "Rhinestone Cowboy," a voice that has won five Grammys, sold 45 million records, and blended country music with pop before it was cool. It's the voice of Glen Campbell. Hearing him tell his stories in song has always been a powerful experience—maybe more so now, because Campbell has Alzheimer's disease (AD). NBC/NBCU Photo Bank/Getty Images In the video (for a track from Campbell's latest album, See You There), we also see Campbell's wife of more than 30 years, Kim. She holds her husband's hand as they look out at the ocean and the horizon together. It's a poignant reminder that AD changes the lives not only of those who have the illness, but also of those who love them. A Widespread Disease Campbell is one of 5 million Americans with AD, defined by the National Institutes of Health as "an irreversible, progressive brain disease that slowly destroys memory, thinking skills, and the ability to carry out simple tasks of daily living." (See "Alzheimer's Disease: The Basics" below.) AD begins with memory loss because the disease "starts in brain areas important for memory, such as the hippocampus," explains Janet Jankowiak, M.D., a geriatric neurologist and member of the American Academy of Neurology (AAN). -
Lennie Petze Profile
LENNIE PETZE A SENIOR LEVEL, RECORD COMPANY EXECUTIVE WITH OVER 50 YEARS EXPERIENCE IN THE MUSIC INDUSTRY. SPECIALIZING IN THE ARTIST & REPERTOIRE FIELD WITH OVER 100 GOLD, PLATINUM AND MULTI-PLATINUM AWARDS FOR RECORDING ARTISTS SIGNED AND RECORDS PRODUCED WITH SALES OF OVER 150 MILLION UNITS. SOLELY RESPONSIBLE FOR THE DISCOVERY OF CYNDI LAUPER AND BOSTON. The Early Years: It's a Friday night in early 1957. Fourteen year old Lennie Petze was excited to be at what was his first high school dance, "A Record Hop." A Disc Jockey was playing the hit 45's of the day. The sound was loud and bouncing off the wooden walls in the Weymouth Massachusetts High School gymnasium. A new sound of guitars, drums, pumping bass and vocals bred energy for all the teenagers anxious to dance, to a sound created by "Rock and Roll" The DJ replayed "Party Doll" by Buddy Knox five times in three hours! He also played "Poor Butterfly" by Charlie Gracie, "Roll Over Beethoven" by Chuck Berry, "Eddie My Love" by The Teen Queens and "I'm Sticking With You" by Jimmy Bowen. Lennie had heard all these songs on Boston radio, but this environment added another dimension of excitement. One that left him longing to create that environment for himself and become a bigger part of it. It was this experience that lead to experimenting with the formation of bands. Teens from the suburbs of Boston, Massachusetts; Weymouth, Quincy and Braintree that called themselves "The Rhythm Rockers", "The Rainbows"", and The Reveleers" kicking off a hugely successful music career lasting over 50 years. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Format Check
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE ROCKS WISH GRANTERS A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Screenwriting By Daniel Bardwil May 2017 Copyright by Daniel Bardwil 2017 ii The graduate project of Daniel Bardwil is approved: ___________________________________________ _____________________ Professor Eric Edson Date ___________________________________________ _____________________ Professor Dianah Wynter Date ___________________________________________ _____________________ Professor Scott Sturgeon, Chair Date California State University, Northridge iii TABLE OF CONTENTS Copyright Page ii Signature Page iii Abstract v The Rocks 1 Wish Granters 41 ABSTRACT THE ROCKS WISH GRANTERS By Daniel Bardwil Master of Fine Arts in Screenwriting After the death of his father, a recent college grad settles for a job at a private resort and must learn to cope with the 1% and survive the hospitality life while holding on to his passion for filmmaking. After getting in trouble with the law, the douchey and entitled son of the world's most famous philanthropist duo must prove his worth when he's sentenced to work with a foundation that grants the wishes of dying children. v THE ROCKS COLD OPEN FADE IN: EXT. LOS ANGELES, CA - THE HOLLYWOOD SIGN - DAY We’ve all seen it before. An iconic, big-lettered beacon for dreamers, which stands among the lush Hollywood Hills. EXT. GARGANTUAN PICTURES - DAY A HUGE GROTESQUE MONSTER, made completely out of fiberglass, clings to the side of this sleek and modern-looking two-story building. On the roof, steel beams hold up a big sign that reads: “Gargantuan Pictures”. INT. GARGANTUAN PICTURES - LOBBY - DAY The walls are plastered with BIG BUDGET MOVIE POSTERS that you’ve never heard of: “Thugs Vs. -
Know Personally, Live Passionately 1St Edition Free Download
FREE THE CALL; KNOW PERSONALLY, LIVE PASSIONATELY 1ST EDITION PDF Ben Gutierrez | 9781600364815 | | | | | | First Edition Books The The Call; Know Personally could have evaporated after releasing just those two titles and would have been revered as pop maestros; both compositions are not what one would expect from exiles of the New Christy Minstrels. This album puts it into perspective with the seven Top 40 hits the group accrued between andas well as "Love Woman," "Momma's Waiting," and the Mac Davis title "I Believe in Music," which Gallery hit with and which was covered by many others, including Helen Reddy. It's not chronological, and opening up Live Passionately 1st edition "Ruby, Don't Take Your Love to Town" as Rogers does with his solo greatest hits package, Ten Years of Gold is probably more of a personal decision. The sizzling guitars on the neo-hard rock "Just Dropped In" are relegated to the middle of the disc, though a Mick Jagger would have opened the album up with his "always hit 'em hard at first" mindset. But regardless of the tracking, the First Edition truly is a band that racked up an impressive array of hits which do not get their fair share of play on classic rock stations, some major oldies stations also neglecting what is an Live Passionately 1st edition body of work. Kenny Rogers ' career and fame in country and pop music eradicated the value of this group on the live circuit, something many of its contemporaries embraced. Sad to say, a reunion of the First Edition would not get the response it deserves,as those who want to hear this material do so when Kenny Rogers comes to town. -
“Amarillo by Morning” the Life and Songs of Terry Stafford 1
In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City. On Billboard magazine’s April 4, 1964, Hot 100 2 list, the “Fab Four” held the top five positions. 28 One notch down at Number 6 was “Suspicion,” 29 by a virtually unknown singer from Amarillo, Texas, named Terry Stafford. The following week “Suspicion” – a song that sounded suspiciously like Elvis Presley using an alias – moved up to Number 3, wedged in between the Beatles’ “Twist and Shout” and “She Loves You.”3 The saga of how a Texas boy met the British Invasion head-on, achieving almost overnight success and a Top-10 hit, is one of triumph and “Amarillo By Morning” disappointment, a reminder of the vagaries The Life and Songs of Terry Stafford 1 that are a fact of life when pursuing a career in Joe W. Specht music. It is also the story of Stafford’s continuing development as a gifted songwriter, a fact too often overlooked when assessing his career. Terry Stafford publicity photo circa 1964. Courtesy Joe W. Specht. In the early months of 1964, on their inaugural tour of North America, the Beatles seemed to be everywhere: appearing on The Ed Sullivan Show, making the front cover of Newsweek, and playing for fanatical crowds at sold out concerts in Washington, D.C. and New York City.