Erin Boyd's Resume

Total Page：16

File Type：pdf, Size：1020Kb

aka Erin Gould 5259 Tendilla Ave Erin Boyd Woodland Hills, Ca. 91364 Set Decorator (818) 231-4838 Cell Employment Position Dept. Head Date "Raising The Bar" Set Decorator Production Designer: Bruce Hill 2008 & 2009 TV. Show Producer: Jesse Bocho Season 1 & 2 "Angels and Demons" Buyer Production Designer: Alan Cameron 2008 Feature Film Set Decorator: Robert Gould "Samantha Who" Set Decorator Production Designer: Jaymes Hinkle 2007 Pilot/ First season Creator: Don Todd "Shoot 'Em up" Set Decorator Production Designer: Jaymes Hinkle 2007 Feature Film add. photography Director: Michael Davis "Beer Fest" Set Decorator Production Designer : Jaymes Hinkle 2006 Feature Film Re-shoots Director : Jay Chandrasekhar " Snakes on a Plane" Set Decorator Production Designer : Jaymes Hinkle 2006 Feature Film add. photography Director : David Ellis "Big Day" Set Decorator Production Designer : Jaymes Hinkle 2006 Pilot Director : Josh Goldsmith "Fred Claus" Set Decorator Production Designer: Bruce Hill 2006 Feature Film Add. Photography Director: David Dobkin " What Love Is" Set Decorator Production Designer : James Hinkle 2005 Feature Film Director: Mars Callahan " In the Land of Women" Set Decorator Production Designer : Bruce Hill 2005 Feature Film re-shoots Director : Jon Kasden " Bar Stars " Set Decorator Production Designer : Bruce Hill 2005 Feature Film Director : Michael Pietrzak "Poseidon" Lead Buyer Set Decorator : Robert Gould 2005 Feature Film Production Designer : William Sandell " Rebound " Lead Buyer Set Decorator : Robert Gould 2004 Feature Film Production Designer : Jaymes Hinkle "Sky High" Lead Buyer Set Decorator : Robert Gould 2004 Feature Film Production Designer : Bruce Hill " The O.C. " Lead buyer Set Decorator : Robert Gould 2003 Pilot Production Designer : Jaymes Hinkle "Cellular" Lead Buyer Set Decorator : Robert Gould 2003 Feature Film Production Designer : Jaymes Hinkle "Master and Commander" Lead Buyer Set Decorator : Robert Gould 2002 Feature Film Production Designer: William Sandell "Dr. Dolittle 2 " Buyer Set Decorator : Robert Gould 2001 Feature Film Production Designer : William Sandell "U-571" Buyer Set Decorator : Robert Gould 1999 Feature Film Production Designer : William Skinner.

Copy Link

Recommended publications

Newsletter / Autumn 2019
NEWSLETTER / AUTUMN 2019 Welcome from our Chairman Adam O'Neill Welcome to the Autumn newsletter... Busy times at BFDG HQ with the management team, supported by the committee, working flat out on bringing you the new the bigger and better BFDG Awards 2019. Lots of work is going on behind the scenes, and members will be able to take part in the first vote from all the entries at the beginning of November. Although the BFDG Awards are an important event with the opportunity to promote and celebrate our members and their work The Guild is much more than just the Awards. There is a steady flow of new members joining us all the time, we have established links with the BECTU Art Department committee (of which I am a member) to discuss the rate card and the IR35/Schedule D liability issue, which will impact us all from April 2020, we continue to run regular events which are open to all members, there will be another Q&A coming up in November, and we are consulting with other Guilds regarding the future direction of the Joint Guild Screenings. Further afield, we are a member of ARTSCENICO and are keeping in touch regarding their recent discussions on sustainability and furthering links to the other European Guilds. Regarding the BFDG committee:- Anyone can become a member of the committee, it is open to all grades, all ages, genders, shade of hair colour, shoe size, etc. A recent point I made regarding this may have been misunderstood, so I would like to clarify: The younger committee members are the future, and are therefore very important, but I don’t want more senior members to feel they are not welcome to contribute, that would be wrong as well.
[Show full text]
Art Department Rate Card 2020
A r t D e p a r t m e n t Art Department Rate Card 2020 This structure is proposed as a guideline and will vary on the number of hours / days working per week, the amount of experience / time held at that position, the size of the project and where it is based. The rates do not include any allowances; the table below indicates which can apply to which grade, in regard to what is required to complete that particular job. When interviewed discuss and negotiate allowancesR one by one, and request your deal memo to be sent before you start the job. Guideline rates shown in GPB and based on a 5 day week in greater london area and include holiday pay. Ratesa have an annual increase of 2.5% from 1 st January. p i u t e Major Motion Picture / Medium Feature / q Small Feature / TV drama Type and size of production n Major International TV Medium International TV e o t r h s e e p i et r l u e a a l i i p Film Budget w 30M + 8.5M to 30M < 8.5M c b t m f e r C o o a o p TV Band c m c s s BAND 3 BAND 2 BAND 1 a From To (+) From To (+) From To (+) Supervising Art Director r £ 2,750 £ 3,500 £ 2,400 £ 2,800 £ 1,700 £ 2,200 Senior Art Director d £ 2,450 £ 2,800 £ 1,950 £ 2,600 £ 1,450 £ 1,900 Art Director 2 £ 2,000 £ 2,500 £ 1,800 £ 2,400 £ 1,200 £ 1,600 Stand-by Art Director 0 £ 1,800 £ 2,300 £ 1,600 £ 2,100 £ 1,100 £ 1,450 Assistant Art Director 2 £ 1,500 £ 2,000 £ 1,400 £ 1,900 £ 950 £ 1,200 Senior Draughtsperson / Set Designer 0 £ 1,450 £ 1,900 £ 1,250 £ 1,650 £ 1,100 £ 1,300 Draughtsperson / Set Designer £ 1,200 £ 1,600 £ 1,100 £ 1,350 £ 875 £ 1,200
[Show full text]
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos.
[Show full text]
Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television
International Specialised Skills Institute Inc Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television Julie Belle Skills Victoria/ISS Institute TAFE Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc. APRIL 2010 © International Specialised Skills Institute ISS Institute Suite 101 685 Burke Road Camberwell Vic AUSTRALIA 3124 Telephone 03 9882 0055 Facsimile 03 9882 9866 Email [email protected] Web www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne. ISS Institute 101/685 Burke Road Camberwell 3124 AUSTRALIA April 2010 Also extract published on www.issinstitute.org.au © Copyright ISS Institute 2010 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary In film and television production, the art department operates, under the leadership of the production designer or art director, to create and manipulate the overall ‘look, feel and mood’ of the production. The appearance of sets and locations transports audiences into the world of the story, and is an essential element in making a production convincing and evocative.
[Show full text]
The Production of Tv Commercials and Stills Photography in Cape Town
THE PRODUCTION OF TV COMMERCIALS AND STILLS PHOTOGRAPHY IN CAPE TOWN An overview of the impacts and constraints of the commercial production sector on the Cape Town economy. Martin Cuff, August 4th 2011 Commercial Producers Association SAASP P O Box 413005 PO Box 51649 Craighall Waterfront 2024 8002 Tel: 27 11 673 6809 Tel: 27 21 447 1075 Cell: 27 82 683 0575 Cel: 27 82 403 3661 Fax: 27 86 674 8321 Fax: 27 86 656 9656 E‐mail: [email protected] E‐mail: [email protected] Web: www.Cpasa.tv Web: www.saasp.Co.za DisClaimer: This doCument was assembled from various publiCations and websites between 2005 and 2011. It is intended for general researCh purposes only. Whilst every effort was made to ensure the information herein was CorreCt at time of Compilation, we make no warranties of any kind regarding the Completeness, aCCuraCy, reliability or suitability of the information. Any relianCe you plaCe on suCh is at your own risk, and we will not be liable for any loss or damage whatsoever arising out of, or in ConneCtion with the use of this information. The following doCuments were used as referenCe materials for this doCument: • DACST Cultural Industries Growth Strategy (1998) • Department of Trade & Industry SeCtor Development Strategy for Film and Television (June 2005); • Western Cape ProvinCial Government MiCro EConomiC Development Strategy (MEDS) Report for the Film SeCtor (April 2005) • CommerCial ProduCers AssoCiation Industry Survey (2005 ‐ 2011) • South AfriCan AssoCiation of Stills ProduCers Annual Survey (2005/6, 2009‐11) • Cape Film Commission StrategiC EConomiC Analysis (2006) • Gauteng Film Commission EConomiC review (2007) • The Durban & KZN Film Industry Review (2008) • Eastern Cape Development Corporation Film SeCtor Review (2009) THE PRODUCTION OF TV COMMERCIALS AND STILLS PHOTOGRAPHY IN CAPE TOWN SUMMARY: • Stills and TV Commercials make up 57.7% of the the turnover of production in the Western Cape • The combined value of Stills & TV Commercial Production in the province is R1.53 billion.
[Show full text]
SETDECOR Online
SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com 1166ttthh AAnnnnuuaall AArrtt DDiirreeccttoorrss GGuuiilldd AAwwaarrddss NNoommiinnaattiioonnss Congratulations to the entire team for each film & television show honored! The SDSA particularly acknowledges the set decorator’s contributions for these outstanding productions and invites you to read our coverage at www.setdecor.com. NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2011: PERIOD FILM THE ARTIST Production Designer: Laurence Bennett Set Decorator: ROBERT GOULD HUGO Production Designer: Dante Ferretti Set Decorator: FRANCESCA LO SCHIAVO SDSA THE HELP Production Designer: Mark Ricker Set Decorator: RENA DE ANGELO SDSA ANONYMOUS Production Designer: Sebastian Krawinkel Set Decorator: SIMON-JULIEN BOUCHERIE TINKER TAYLOR SOLDIER SPY Production Designer: Maria Djurkovic Set Decorator: TATIANA MACDONALD (more) 1 of 8 SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com FANTASY FILM HARRY POTTER AND THE DEATHLY HALLOWS PART 2 Production Designer: Stuart Craig Set Decorator: STEPHENIE MCMILLAN CAPTAIN AMERICA: THE FIRST AVENGER Production Designer: Rick Heinrichs Set Decorator: JOHN BUSH THE ADVENTURES OF TINTIN: THE SECRET OF THE UNICORN Art Director: Kim Sinclair ANIMATED…NO SET DEC PIRATES OF THE CARIBBEAN: ON STRANGER TIDES Production Designer: John Myhre Set Decorator: GORDON SIM SDSA COWBOYS & ALIENS Production Designer: Scott Chambliss Set Decorator: KAREN MANTHEY SDSA CONTEMPORARY FILM THE GIRL WITH THE DRAGON TATTOO Production Designer: Donald Graham Burt Set Decorator: K.C. FOX SDSA THE DESCENDANTS Production Designer: Jane Anne Stewart Set Decorator: MATT CALLAHAN (more) 2 of 8 SSEETTDDEECCOORR OOnnlliinnee www.setdecor.com EXTREMELY LOUD & INCREDIBLY CLOSE Production Designer: K.K. Barrett Set Decorator: GEORGE DE TITTA, JR. SDSA DRIVE Production Designer: Beth Mickle Set Decorator: LISA K.
[Show full text]
Glossary of Filmmaker Terms
Above the Line Clapboard Generally the portion of a film's budget that covers A small black or white board with a hinged stick on the costs associated with major creative talent: the top that displays identifying information for each shot stars, the director, the producer(s) and the writer(s). in the movie. Assists with organizing shots during (See also Below the Line) editing process; the clap of the stick allows easier Art Director synchronization of sound and video within each shot. The crew member responsible for the design, look Construction Coordinator and feel of a film's set. Includes props, furniture, sets, Also known as the construction manager, this person etc. Reports to the production designer. supervises and manages the physical construction of Assistant Director (A.D.) sets and reports to the art director and production Carries out the director’s instructions and runs the set. designer. The first A.D. is responsible for preparing the Dailies production schedule and script breakdown, making The rough shots viewed immediately after shooting sure shooting stays on schedule and on budget. The each day by the director, along with the second A.D. is responsible for distributing information cinematographer or editor. Used to help ensure and cast notifications, keeping track of hours worked proper coverage and the quality of the shots gathered. by cast and crew, management of extras, signing Director actors in and out and preparing call sheets. The The person in charge of the overall cinematic vision of second A.D. is also in charge of the production the film and the performance of the actors.
[Show full text]
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP
Pact BECTU Feature Film Agreement Grade Ladder PAY GROUP 12 Armourer 1 All Runners Board Operator Boom Operator 2 Art Dept Junior Chargehand Props Camera Trainee Electrician Costume Trainee Post Prod. Supervisor Directors Assistant Production Buyer Electrical Trainee / junior Rigging Electrician Jnr Costume Asst Senior Make-up Artist Make-up Traineee SFX Technician Producers Assistant Stand-by Art Director Production Secretary Props Trainee / junior 13 1st Asst. Editor Script Supervisor's Assistant Art Director Sound Trainee / junior Convergence Puller DIT 3 2nd Assistant Editor 3rd Assistant Director 14 ?Crane Technician? Accounts Assistant/cashier Grip Art Dept Co-ordinator Location Manager Art Dept Assistant Prop Master Asst Production Co-ordinator Costume Assistant 15 Costume Supervisor Junior Make-up & Hair Best Boy Electrician Location Assistant Best Boy Grip Rigging Gaffer 4 Data Wrangler Make Up Supervisor Video Playback Operator Scenic Artist Script Supervisor 5 Assistant Art Director Sculptor Costume Dresser Set Decorator Costume Maker Stereographer AC Nurse Post Production Co--ordinator 16 Focus Puller Sound Asst (3rd man) Production Accountant Unit Manager Stills Photographer 6 Assistant SFX technician 17 Dubbing Editor Asst. Location Manager Researcher 18 1st Assistant Director Camera Operator 7 2nd Assistant Accountant Costume Designer Clapper Loader Gaffer Draughtsperson Hair & Make Up Chief/Designer Key Grip 8 Assistant Costume Designer Production Manager Dressing Props Prosthetic Make Up Designer Graphic Artist Senior SFX Technician Sound Recordist 9 Illustrator Supervising Art Director Stand By Construction Stand By Costume 19 Individual Negotiation => Stand By Props Casting Director Storyboard Artist Director Director of Photography 10 Make Up Artist Editor Production Co-Ordinator Line Producer / UPM Production Designer 11 1st Assistant Accountant SFX Supervisor 2nd Assistant Director Senior Video Playback Operator Storeman/Asst Prop Master .
[Show full text]
DOCUMENT RESUME CE 056 758 Central Florida Film Production Technology Training Program. Curriculum. Universal Studios Florida, O
DOCUMENT RESUME ED 326 663 CE 056 758 TITLE Central Florida Film Production Technology Training Program. Curriculum. INSTITUTION Universal Studios Florida, Orlando.; Valencia Community Coll., Orlando, Fla. SPONS AGENCY Office of Vocational and Adult Education (ED), Washington, DC. PUB DATE 90 CONTRACT V199A90113 NOTE 182p.; For a related final report, see CE 056 759. PUB TYPE Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus PoQtage. DESCRIPTORS Associate Degrees, Career Choice; *College Programs; Community Colleges; Cooperative Programs; Course Content; Curriculun; *Entry Workers; Film Industry; Film Production; *Film Production Specialists; Films; Institutional Cooperation; *Job Skills; *Occupational Information; On the Job Training; Photographic Equipment; *School TAisiness Relationship; Technical Education; Two Year Colleges IDENTIFIERS *Valencia Community College FL ABSTRACT The Central Florida Film Production Technology Training program provided training to prepare 134 persons for employment in the motion picture industry. Students were trained in stagecraft, sound, set construction, camera/editing, and post production. The project also developed a curriculum model that could be used for establishing an Associate in Science degree in film production technology, unique in the country. The project was conducted by a partnership of Universal Studios Florida and Valencia Community College. The course combined hands-on classroom instruction with participation in the production of a feature-length film. Curriculum development involved seminars with working professionals in the five subject areas, using the Developing a Curriculum (DACUM) process. This curriculum guide for the 15-week course outlines the course and provides information on film production careers. It is organized in three parts. Part 1 includes brief job summaries ofmany technical positions within the film industry.
[Show full text]
Collective Agreement Film
Collective Agreement Film between Alliance québécoise des techniciens de l’image et du son and Association québécoise de la production médiatique From October 5, 2015 to September 30, 2018 Table of Contents Chapter 1 Purpose and Scope of Application ................................................................................1 1.1 Purpose .................................................................................................................................................... 1 1.2 Scope of Application ................................................................................................................................ 1 1.3 Producers Bound ..................................................................................................................................... 1 1.4 Employees Not Covered .......................................................................................................................... 1 1.5 Trainees and Apprentices Not Covered ................................................................................................... 1 1.6 Foreign Resident ...................................................................................................................................... 1 1.7 Quebec Resident ...................................................................................................................................... 2 1.8 Application to Live Performance Recordings ........................................................................................... 2 1.9
[Show full text]
FILM 5 Budget Example
TFC Production Budget-DETAIL Title: My FILM 5 Movie Budget Dated: 22-Aug-18 Series: Medium/Format: Prodco: Length: 5 mins Location/Studio: Halifax 01.00 STORY RIGHTS/ACQUISITIONS Acct Description CASH 01.01 Story Rights/Acquisitions (0) 01.95 Other (0) TOTAL STORY 01.00 (0) RIGHTS/ACQUISITIONS 02.00 SCENARIO Acct Description # # Units Unit Rate/Amt CASH 02.01 Writer(s) 1 1 --- 0.00 (0) 02.05 Consultant(s) 1 1 --- 0.00 (0) 02.15 Storyboard 1 1 --- 0.00 (0) 02.20 Script Editor(s) 1 1 --- 0.00 (0) 02.25 Research 1 1 --- 0.00 (0) 02.27 Clearances/Searches 1 1 --- 0.00 (0) 02.30 Secretary 1 1 --- 0.00 (0) 02.35 Script Reproduction 1 1 --- 0.00 (0) 02.60 Travel Expenses 1 1 --- 0.00 (0) 02.65 Living Expenses 1 1 --- 0.00 (0) 02.90 Fringe Benefits 0.00 % 0 (0) 02.95 Other 1 1 --- 0.00 (0) 02.00 TOTAL SCENARIO (0) 03.00 DEVELOPMENT COSTS Acct Description CASH 03.01 Preliminary Breakdown/Budget (0) 03.05 Consultant Expenses (0) 03.25 Office Expenses (0) 03.50 Survey/Scouting (0) 03.60 Travel Expenses (0) 03.65 Living Expenses (0) 03.70 Promotion (0) TFC0208-0612 Page 1 of TFC Production Budget-DETAIL 03.95 Other (0) 03.00 TOTAL DEVELOPMENT COSTS (0) 04.00 PRODUCER Acct Description # # Units Unit Rate/Amt CASH 04.01 Executive Producer(s) 1 1 --- 0.00 (0) 04.05 Producer(s) 1 1 --- 0.00 (0) 04.07 Line Producer(s) / Supervising Prod.(s) 1 1 --- 0.00 (0) 04.10 Co-Producer(s) 1 1 --- 0.00 (0) 04.15 Associate Producer(s) 1 1 --- 0.00 (0) 04.25 Producer's Assistant 1 1 --- 0.00 (0) 04.60 Travel Expenses 1 1 --- 0.00 (0) 04.65 Living Expenses 1 1 --- 0.00
[Show full text]
Katie Sharrock
katie sharrock art direction: interior design: set decoration E: [email protected] W: www.katiesharrock.com IMDb: http://www.imdb.com/name/nm0789332/ Booking Agent: top technicians management PH: 02 99581611 E: [email protected] 2003 - 2007 Advanced Diploma of Interior Design ( 3 year full time course) Design Centre Enmore - Sydney , Australia 1992 - 1993 Certificate of Graphic Design ( 2 year full time course) School of Visual Arts - Sydney , Australia AWARDS ADG - Excellence in Production Design - Mad Max Fury Road ( Fantasy) 2016 APDG - Best Production Design - Mad Max Fury Road 2016 FFCC - Nominated - Best Art Direction/Production Design - Mad Max Fury Road 2016 AACTA - Nominated - Best Production Design Feature Film - Upgrade 2018 APDG - Winner - Best Set Decoration Feature Film - Upgrade - 2018 APDG- WINNER - Best Set Decoration Feature Film - Ladies in Black - 2019 FEATURE FILMS 2019 THE INVISIBLE MAN ( Goalpost/Blumhouse/Universal) Set Decorator Prod Des: Alex Holmes Director: Leigh Whannell 2018 MULAN -( Disney) Assistant Set Decorator - CHINA Prod Des: Grant Major Director: Nikki Caro 2017 LADIES IN BLACK Set Decorator Prod Des: Felicity Abbott . Director: Bruce Beresford 2016 - 2017 UPGRADE ( previously titled : STEM ) Set Decorator Prod Des: Felicity Abbott . Director: Leigh Whannell Goalpost/Blumhouse/Universal 2015 - 2016 ALIEN : COVENANT Assistant Set Decorator Prod Des: Chris Seagers Dir: Ridley Scott 2014 TRUTH Props Master Prod Des: Fiona Crombie / Director: James Vanderbilt 2014 - 13 THE FAENA SAXONY
[Show full text]