DOCSLIB.ORG

Production Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Production Guide Production Guide Spring 2003 STATE OF CONNECTICUT This is a copy of the State of Connecticut Film, Video & Media Office on-line Production Guide available at CTfilm.com. The information is considered reliable but the accuracy of every detail is not guaranteed. Please visit the Connecticut Film Office website for regular updates and other information and services, or call the Connecticut Film Office at 860-571-7130 or 800-392-2122. Connecticut Film, Video & Media Office • 805 Brook Street, Bldg. 4, Rocky Hill, CT 06067 Phone: 860-571-7130 • Fax: 860-721-7088 • www.CTfilm.com • [email protected] The CT Film Office is part of the Connecticut Department of Economic and Community Development Production Guide: Guide Sections & Categories This Production Guide contains information about the individuals, companies and services that will help your work in Connecticut be successful. The guide is divided into ten sections; within each section are detailed categories which you can view. Since the Production Guide is updated several times a year, we encourage you to visit our website, CTfilm.com, for even more up-to-date category information. Guide Sections 1. General Information 6. Transportation 2. Production Crew 7. Support Services 3. Production & Post Production Companies 8. Talent 4. Equipment Rentals & Sales 9. Index 5. Art Department 10. Locations Categories 1. General Information Greetings from the Film Office Director State Filming Information Tax Exemptions Location Permit Regional Film Support Offices State Map Getting Here & Around 2. Production Crew Assistant Camera Production Supervisor Assistant Directors Projectionists Audio Assistants Pyrotechnics Audio Studio Engineers Research Camera Operators Rigger Directors Script Supervisors/Continuity Directors of Photography Scuba Divers Editors Sound Mixers - ENG Gaffers/Electricians Sound Recordists/Mixers Grips/Key Grips Special Effects, Makeup Hair Special Effects, Mechanical Lighting Designers Special Effects, Personnel Lighting Directors Special Effects, Pyrotechnical Line Producer Steadicam Operators Location Managers Still Photographers Location Scouts Storyboard Artists Location Services Teleprompter Operators Make-Up Translators/Interpreters Photo Stylists Unions/Guilds Producers Utility Production Assistants Video Assist Production Coordinators Video Engineers Production Managers Videographers 3. Production & Post Production Companies Animation Multimedia/CD-ROM Broadcast Music Composers Business Television Music/Sound Effects Libraries Commercial Production PAL/SECAM Services Computer Graphics Photo Labs Corporate Television Production Post-Production Companies Distance Learning Production Companies Documentary Production Production Services Duplication Recording Studios ENG Camera Packages/Crews Satellite Uplinks Film-To-Tape Transfer Stock Footage/Images Independent Filmmaker Streaming Video Interactive Media Production Video Compression Mobile Video Units Web Design Multi-Camera Field Packages Writers/Scriptwriters 4. Equipment Rentals & Sales Crane/Dolly/Jib Rentals Equipment Rentals/Sales Generator Operators/Rentals Lighting/Grip Equipment Walkie Talkies 5. Art Department Art Department Personnel Props – Picture Cars Carpenters/Construction Scenic Artist Graphic Design Set Construction Miniatures & Models Set Decorators Production Designers Set Design Props Shop Craft Props Department Personnel Wardrobe 6. Transportation Auto Rentals, Picture Cars Motor Homes 7. Support Services Accommodations Legal Services Accounting Medical Catering Messenger Services Consultants Photography Studio Craft Services Public Relations Crewing/Payroll Services Security Services Education Sound Stages Festivals, Film and Media Special Events Coordinators Food Stylists Trade Associations Internet Services 8. Talent Animals & Handlers Casting Extras Casting Talent Agencies Voiceover Talent 9. Index Index 10. Locations Locations Production Guide Section 1 General Information Greetings from the Film Office Director State Filming Information Tax Exemptions Location Permit Regional Film Support Offices State Map Getting Here & Around Connecticut Film, Video & Media Office 805 Brook Street, Building 4 Rocky Hill, CT 06067-3405 860-571-7130, 800-392-2122 Fax 860-721-7088 www.CTfilm.com [email protected] Spring 2003 Greetings! Thank you for your interest in Connecticut. This Production Guide contains information about the individuals, companies and services that will help your work in Connecticut be successful. The Production Guide is updated four times a year and is available in CD-ROM as well. For even more up-to-date information, you can visit our website, CTfilm.com. Connecticut has a talented crew base with experience in a wide range of productions. In addition to the people and services in Connecticut, our proximity to the New York City and Boston production centers insures you will have the depth of resources needed to meet your needs. The Connecticut Film Office, a division of the state’s Department of Economic and Community Development, works with regional and local groups around the state to help you find locations, accommodations and other services as quickly as possible. The film and media industry enjoys good support at the Governor’s Office and within the various state agencies. Throughout Connecticut, you will find people showing a genuine effort to work with filmmakers and get to “Yes!” as quickly as possible. Whether you are considering the state as a location, looking for a crew, of in need of close support on your project, the Connecticut Film, Video & Media Office is here to help. Regards, Guy Ortoleva Executive Director Connecticut Film, Video & Media Office 805 Brook Street, Building 4 Rocky Hill, CT 06067-3405 860-571-7130, 800-392-2122 Fax 860-721-7088 www.CTfilm.com [email protected] The Connecticut Film, Video & Media Office, a part of the Department of Economic and Community Development, provides statewide services to instate and visiting film and media professionals. The Connecticut Film, Video & Media Office Connecticut The Location: works with regional and local support groups to build • Experienced crew base a ‘film-friendly’ state. • State of the art production and post-production • Markets areas in the state that have potential as facilities production locations or sites where production centers may build, and • Conveniently located a short drive from New York City and Boston • Promotes the growth and expansion of the indigenous production - related industries. Entertainment and Media Production in Connecticut • Staff includes Guy Ortoleva, an entertainment attorney with 20 years prior experience as a director • Over 1,000 companies, more than and cameraman, Mark Dixon, with 15 years 18,000 paid employees and annual sales over $1 experience as a location scout and location manager billion (based on US Census data) on features, and Judy Schultz with 11 years • Growth potential through national and experience in production and locations. international sales of goods and services Connecticut has: Recent Productions In Connecticut • Diverse locations - short driving times • Mr. Deeds, Columbia Pictures • On-line Production Guide at CTfilm.com • Judging Amy, CBS Television • Regional and local film support services • Tough Enough, MTV / WWF series • Gilmore Girls, WB Network • Low or no-cost fees at many locations • Amistad, Dreamworks • Tax Exemptions: • Sopranos, HBO Network - No Sales and Use tax on many production- related products and services • Dozens of international shows filmed here - Five-year Property Tax exemption on • Hundreds of television commercials qualifying production equipment • Thousands of documentaries, animated, • Business incentives: educational, distance learning and business - Entertainment and Enterprise zones television projects - State and local programs Connecticut Producers • Film Festivals, Seminars and Workshops • ESPN • Martha Stewart Living Connecticut The Place To Be: • Four full seasons • World Wrestling Entertainment • Sonalysts Studios • Nature’s best in woodlands, seascapes, ponds, waterfalls, rocky cliffs and meadows • Stage 18 • Group W Network Services • Diversity in architecture from historic colonial homes to modern skylines, gritty cities and • Palace Digital sultry suburbs Connecticut Film, Video and Media Services The Connecticut General Assembly established in 1995 a dual system of serving the film and media production industry in this state. The Connecticut Film, Video & Media Office performs the day-to-day activities and coordinates the many services available to promote the development of a viable film, video and media production industry. The Film Office is a part of the Connecticut Department of Economic and Community Development and is located in Rocky Hill. The toll-free number for the Connecticut Film Office is 800-392-2122. The Connecticut Film Commission is a volunteer group of industry professionals that advise the Film Office and make recommendations on how to improve services to the State’s film, video and media industry. To reach the Connecticut Film Commission, call Doug McAward, Chairman of the Film Commission at 203-775-5105. CONNECTICUT FILM COMMISSION MEMBERS Doug McAward, Chair Lisa Nkonoki McAward Productions Celebrity Connections, LLC James F. Abromaitis Glenn Orkin Commissioner, Department of Economic Motion, Inc. and Community Development Michael Price Nina Adams Chairperson, State Commission On Film Fest New Haven The Arts Frank Borres Larry Rifkin American View Productions Connecticut Public
Load more

Recommended publications
  • Newsletter / Autumn 2019
    NEWSLETTER / AUTUMN 2019 Welcome from our Chairman Adam O'Neill Welcome to the Autumn newsletter... Busy times at BFDG HQ with the management team, supported by the committee, working flat out on bringing you the new the bigger and better BFDG Awards 2019. Lots of work is going on behind the scenes, and members will be able to take part in the first vote from all the entries at the beginning of November. Although the BFDG Awards are an important event with the opportunity to promote and celebrate our members and their work The Guild is much more than just the Awards. There is a steady flow of new members joining us all the time, we have established links with the BECTU Art Department committee (of which I am a member) to discuss the rate card and the IR35/Schedule D liability issue, which will impact us all from April 2020, we continue to run regular events which are open to all members, there will be another Q&A coming up in November, and we are consulting with other Guilds regarding the future direction of the Joint Guild Screenings. Further afield, we are a member of ARTSCENICO and are keeping in touch regarding their recent discussions on sustainability and furthering links to the other European Guilds. Regarding the BFDG committee:- Anyone can become a member of the committee, it is open to all grades, all ages, genders, shade of hair colour, shoe size, etc. A recent point I made regarding this may have been misunderstood, so I would like to clarify: The younger committee members are the future, and are therefore very important, but I don’t want more senior members to feel they are not welcome to contribute, that would be wrong as well.
    [Show full text]
  • Los Angeles Times: Cameras to Keep Watch in Hollywood
    Los Angeles Times: Cameras to Keep Watch in Hollywood http://www.latimes.com/news/yahoo/la-me-watching28oct28,1,87494.story Cameras to Keep Watch in Hollywood By Jessica Garrison Times Staff Writer October 28, 2004 In a new step for crime fighting in Los Angeles, the Police Department plans to start installing surveillance cameras on city streets, beginning with Hollywood Boulevard. Five video cameras will train their electronic eyes on one of the world's most famous — and infamous — streets as early as January. And if all goes according to plan, there eventually will be 64 cameras on Hollywood, Santa Monica and Sunset boulevards and Western Avenue. The Hollywood-area cameras are the beginning what some city officials hope will be a wave of virtual law enforcement that will help the understaffed LAPD investigate and deter crime from the San Fernando Valley to South Los Angeles. Although the City Council and the Police Department have not yet devised a comprehensive approach, at least two council members have found money to begin installing cameras in their districts. On Wednesday, Councilman Eric Garcetti introduced a motion calling on the city to accept a donation to pay for the Hollywood cameras. The city is embarking on the effort with little public debate over which streets and neighborhoods warrant cameras, how the LAPD will find the personnel to watch the cameras, and how the city will ensure that the sophisticated devices are not used to peer into the homes of residents. Los Angeles already has some cameras observing public places, including MacArthur Park and selected graffiti hot spots, but these would be the first police-monitored cameras on city streets.
    [Show full text]
  • AP1 Companies Affiliates
    AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS
    [Show full text]
  • ZQNBA Nuslc I Vbllshing
    0 ZQNBA NUslc I vBLlsHING XOMBA ENTERPRISES INC, (ASCAP) 'l37"139 WEST 28TH STREET) NEW YORK, NY 10001 EOMBA SONGS INC (BMI) TELEPHONE: 21 2"727-001 6 FAX: 21 2-229-0822 Testimony Of PAUL KATZ Senior Vice President Of Business Affairs ZOMBA MUSIC PUBLISHING ZOMBA RECORDING CORPORATION New York, New York Before the Copyright Arbitration Royalty Panel Washington, D.C. April 2001 +%DON OFFICEI XOMBA HOUSE) 'I 65 'I 67 HIGH ROAD) WILLESDEN) LONDON NW 10 250) ENGLAND) TELEPHONE: (44) 1814594899) FAX; (44) 181451-3900 EUROPEAN OFFICE: XOMBA MUSIC HOLDINGS 8 V.) HOEFLOO 24) 1251 EB LAREN (N H )) HOLLAND) TELEPHONE (3'I) 3553 'l 6314) FAX (31) 3553 16785 LOS ANGELES OFFICE: 9000 SUNSET BOULEVARD) SUITE 300) LOS ANGELES) CA 90069) TELEPHONE (310) 247"8300) FAX: (310) 247 8366 NASHVILLE OFFICEI 914-916 19TH AVENUE SOUTH, NASHVILLE) TN 37212, TELEPHONEI (615) 321-4850, Fax: (615) 321&616 A ZOMBA COMPANY TABLE OF CONTENTS Pave Background Discussion .. 1. Acquiring the Song.. 3 2. Pitching the Song 4 3. Administering the Song . 5 4. Licensing the Song. 6 5. Collecting and Distributing Royalties . 7 Table 1 U.S. Music Publishing Income — 1998 BACKGROUND I am the Senior Vice President of Business Affairs for Zomba Enterprises Inc. ("Zomba Music Publishing"), which owns and operates a music publishing company, and Zomba Recording Corporation ("Zomba Records"), which owns and operates an independent record company. Both Zomba Music Publishing and Zomba Records are part of the Zomba group of companies, which is privately-owned. Among the singer/songwriters represented by Zomba Music Publishing are Macy Gray, Links Park, R.
    [Show full text]
  • Art Department Rate Card 2020
    A r t D e p a r t m e n t Art Department Rate Card 2020 This structure is proposed as a guideline and will vary on the number of hours / days working per week, the amount of experience / time held at that position, the size of the project and where it is based. The rates do not include any allowances; the table below indicates which can apply to which grade, in regard to what is required to complete that particular job. When interviewed discuss and negotiate allowancesR one by one, and request your deal memo to be sent before you start the job. Guideline rates shown in GPB and based on a 5 day week in greater london area and include holiday pay. Ratesa have an annual increase of 2.5% from 1 st January. p i u t e Major Motion Picture / Medium Feature / q Small Feature / TV drama Type and size of production n Major International TV Medium International TV e o t r h s e e p i et r l u e a a l i i p Film Budget w 30M + 8.5M to 30M < 8.5M c b t m f e r C o o a o p TV Band c m c s s BAND 3 BAND 2 BAND 1 a From To (+) From To (+) From To (+) Supervising Art Director r £ 2,750 £ 3,500 £ 2,400 £ 2,800 £ 1,700 £ 2,200 Senior Art Director d £ 2,450 £ 2,800 £ 1,950 £ 2,600 £ 1,450 £ 1,900 Art Director 2 £ 2,000 £ 2,500 £ 1,800 £ 2,400 £ 1,200 £ 1,600 Stand-by Art Director 0 £ 1,800 £ 2,300 £ 1,600 £ 2,100 £ 1,100 £ 1,450 Assistant Art Director 2 £ 1,500 £ 2,000 £ 1,400 £ 1,900 £ 950 £ 1,200 Senior Draughtsperson / Set Designer 0 £ 1,450 £ 1,900 £ 1,250 £ 1,650 £ 1,100 £ 1,300 Draughtsperson / Set Designer £ 1,200 £ 1,600 £ 1,100 £ 1,350 £ 875 £ 1,200
    [Show full text]
  • South Africa's Official Selection for the Foreign Film Oscars 2006
    Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos.
    [Show full text]
  • Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television
    International Specialised Skills Institute Inc Techniques and Practical Skills in Scenery, Set Dressing and Decorating for Live-Action Film and Television Julie Belle Skills Victoria/ISS Institute TAFE Fellowship Fellowship funded by Skills Victoria, Department of Innovation, Industry and Regional Development, Victorian Government ISS Institute Inc. APRIL 2010 © International Specialised Skills Institute ISS Institute Suite 101 685 Burke Road Camberwell Vic AUSTRALIA 3124 Telephone 03 9882 0055 Facsimile 03 9882 9866 Email [email protected] Web www.issinstitute.org.au Published by International Specialised Skills Institute, Melbourne. ISS Institute 101/685 Burke Road Camberwell 3124 AUSTRALIA April 2010 Also extract published on www.issinstitute.org.au © Copyright ISS Institute 2010 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Whilst this report has been accepted by ISS Institute, ISS Institute cannot provide expert peer review of the report, and except as may be required by law no responsibility can be accepted by ISS Institute for the content of the report, or omissions, typographical, print or photographic errors, or inaccuracies that may occur after publication or otherwise. ISS Institute do not accept responsibility for the consequences of any action taken or omitted to be taken by any person as a consequence of anything contained in, or omitted from, this report. Executive Summary In film and television production, the art department operates, under the leadership of the production designer or art director, to create and manipulate the overall ‘look, feel and mood’ of the production. The appearance of sets and locations transports audiences into the world of the story, and is an essential element in making a production convincing and evocative.
    [Show full text]
  • Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository RUNAWAY FILM PRODUCTION: A CRITICAL HISTORY OF HOLLYWOOD’S OUTSOURCING DISCOURSE BY CAMILLE K. YALE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Professor James W. Hay Professor Steven G. Jones, University of Illinois at Chicago Professor Cameron R. McCarthy ABSTRACT Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets.
    [Show full text]
  • List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
    List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter .
    [Show full text]
  • Gospel Heritage ’05 Conference Drawing a Who’S Who to Atlanta
    FOR IMMEDIATE RELEASE Contact: Sabrina D. Guice Guice Media Communications (678) 565-7539 (EDT) [email protected] Gospel Heritage ’05 Conference Drawing A Who’s Who To Atlanta Kirk Franklin, Andrae Crouch, Donnie McClurkinHezekiah Walker, Vanessa Bell Armstrong, Fred Hammond to headline Black History Month’s largest national Gospel celebration. January 10, 2005, Atlanta, Ga. – The founder and publisher of Gospel Today magazine, Teresa Hairston, will host the Gospel Heritage Foundation’s annual Praise & Worship Conference in the city of Atlanta February 10-12, 2005. Some of the world’s most renowned musicians, singers and praise and worship leaders will all converge on the city for three power packed days. Participating in the conference will be Grammy, Stellar and Dove award winning artists. In attendance will be Kirk Franklin, Andrae Crouch, Donnie McClurkin, Daryl Coley, Hezekiah Walker, Vanessa Bell Armstrong, Fred Hammond and a host of other gospel music pioneers. Conference seminars, workshops, banquets and events will be held at two locations in Atlanta – Word of Faith Worship Center in Austell and the Airport Renaissance Hotel. Historically, this will be the fourth year the conference will be held. Making it even more special this year is the McDonald’s® Corporation hosting of the Youth Division. Highlights will include the Youth/Choir competition to be held at the Renaissance Hotel on Saturday, February 12th at 2:30 p.m. Prizes for the competition will be cash scholarships totaling $10,000. As an incentive to the community, Ms. Hairston has opened all of the conferences evening sessions to the public free of charge.
    [Show full text]
  • 2021 LIMITED ACCESS STATE NUMBERED HIGHWAYS As of December 31, 2020
    2021 LIMITED ACCESS STATE NUMBERED HIGHWAYS As of December 31, 2020 CONNECTICUT DEPARTMENT OF Transportation BUREAU OF POLICY AND PLANNING Office of Roadway Information Systems Roadway INVENTORY SECTION INTRODUCTION Each year, the Roadway Inventory Section within the Office of Roadway Information Systems produces this document entitled "Limited Access - State Numbered Highways," which lists all the limited access state highways in Connecticut. Limited access highways are defined as those that the Commissioner, with the advice and consent of the Governor and the Attorney General, designates as limited access highways to allow access only at highway intersections or designated points. This is provided by Section 13b-27 of the Connecticut General Statutes. This document is distributed within the Department of Transportation and the Division Office of the Federal Highway Administration for information and use. The primary purpose to produce this document is to provide a certified copy to the Office of the State Traffic Administration (OSTA). The OSTA utilizes this annual listing to comply with Section 14-298 of the Connecticut General Statutes. This statute, among other directives, requires the OSTA to publish annually a list of limited access highways. In compliance with this statute, each year the OSTA publishes the listing on the Department of Transportation’s website (http://www.ct.gov/dot/osta). The following is a complete listing of all state numbered limited access highways in Connecticut and includes copies of Connecticut General Statute Section 13b-27 (Limited Access Highways) and Section 14-298 (Office of the State Traffic Administration). It should be noted that only those highways having a State Route Number, State Road Number, Interstate Route Number or United States Route Number are listed.
    [Show full text]
  • Sampling of Careers Within the Performing Arts
    Sampling of Careers within the Performing Arts Performing in categories/places/stages including, but not limited to: Broadway Dance Companies International Theatre Short Films Children’s Theatre Documentaries Music Videos Television Commercials Festivals Off-Broadway Touring Companies Community Theatre Film Opera Web Series Cruise Ships Independent Films Regional Theatre West End London Performing arts jobs* including, but not limited to: Actor (27-2011) Dance Academy Owner (27-2032) Mascot (27-2090) Script Writer (27-3043) Announcer/Host (27-2010) Dance Instructor (25-1121) Model (27-2090) Set Designer (27-1027) Art Director (27-1011) Dancer (27-2031) Music Arranger (27-2041) Singer Songwriter (27-2042) Artistic Director (27-1011) Dialect Coach (25-1121) Music Coach (27-2041) Sound Editor (27-4010) Arts Educator (25-1121) Director (27-2012) Music Director (27-2041) Stage Manager (27-2010) Arts Manager (11-9190) Director’s Assistant (27-2090) Music Producer (27-2012) Talent Agent (27-2012) Ballet (27-2031) Drama Coach (25-1121) Music Teacher (25-1121) Casting Agent (27-2012) Drama Critic (27-3040) Musical Composer (27-2041) Technical Director (27-4010) Casting Director (27-2012) Drama Teacher (25-1121) Musical Theatre Musician (27-2042) Technical Writer (27-3042) Choir Director (27-2040) Event Manager (27-3030) Non-profit Administrator (43-9199) Theatre Company Owner (27-2032) Choir Singer (27-2042) Executive Assistant (43-6011) Opera Singer (27-2042) Tour Guide (39-7011) Choreographer (27-2032) Fashion Model (27-2090) Playwright (27-3043)
    [Show full text]