Théâtres (Xixe Siècle)
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La Dame Aux Camelias' Effect on Society's View of the “Fallen Woman”
The Kabod Volume 2 Issue 2 Spring 2016 Article 7 January 2016 La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman” Christiana Johnson Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/kabod Part of the Dramatic Literature, Criticism and Theory Commons, and the French and Francophone Literature Commons Recommended Citations MLA: Johnson, Christiana "La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman”," The Kabod 2. 2 (2016) Article 7. Liberty University Digital Commons. Web. [xx Month xxxx]. APA: Johnson, Christiana (2016) "La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman”" The Kabod 2( 2 (2016)), Article 7. Retrieved from https://digitalcommons.liberty.edu/kabod/vol2/iss2/7 Turabian: Johnson, Christiana "La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman”" The Kabod 2 , no. 2 2016 (2016) Accessed [Month x, xxxx]. Liberty University Digital Commons. This Individual Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in The Kabod by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. Johnson: La Dame aux Camelias’ and the Fallen Woman Johnson 1 Christiana Johnson Dr. Towles English 305-001 19 November 2015 La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman” Over the course of history, literature has featured the “fallen woman.” Put simply, the “fallen woman” is a woman who has had sexual relations prior to marriage and is thus viewed as beneath a certain moral standard. -
Ninon De Lenclos
NINON DE LENCLOS ET LES PRÉCIEUSES DE LA PLACE ROYALE PAR JEAN-BAPTISTE CAPEFIGUE. PARIS - AMYOT - 1864 I. — Le Marais, la place Royale et la rue Saint-Antoine (1614-1630). II . — Louis XIII. - Sa cour. - Sa maison. - Les Mousquetaires (1604-1630). III . — Les premiers amours du roi Louis XIII (1619-1620). IV . — Les Perles du Marais sous Louis XIII (1614-1630). V. — Mlle de la Fayette. - Le cardinal de Richelieu. - Le grand écuyer Cinq-Mars (1630-1635). VI . — La vie religieuse à Paris.- Les couvents. - Les Carmélites. - Les Visitandines. - Mme Chantal. - Saint Vincent de Paul. Mlle de la Fayette au monastère (1614- 1630). VII . — La société joyeuse et littéraire de Paris sous Louis XIII (1625-1635). VIII . — Dictature du cardinal de Richelieu. - Rapprochement de Louis XIII avec la reine. - Exécution de Cinq-Mars (1639-1642). IX . — Les arts sous Louis XIII. - Rubens. - Poussin. Lesueur. - Callot (1635-1642). X. — La place Royale après la mort du cardinal de Richelieu (1642-1646). XI . — Le Marais. - Le faubourg Saint-Antoine durant la Fronde (1648-1650). XII . — Restauration du pouvoir. - Les premières amours de Louis XIV. - Les filles d'honneur de Madame. - Mlle de la Vallière (1655-1665). XIII . — Décadence de l'esprit frondeur. - Servilité des arts et de la littérature sous Louis XIV (1660-1680). XIV . — Derniers débris de la Fronde et de la place Royale (1665-1669). XV . — Les destinées du Marais et du faubourg Saint- Antoine (1714-1860). Il est un vieux quartier de Paris que nous aimons à visiter comme on salue d'un doux respect, une aïeule bien pimpante, bien attifée avec l'esprit de Mme de Sévigné, le charme de la marquise de Créquy ; ce quartier, c'est le Marais. -
Boston Symphony Orchestra Concert Programs, Season 45,1925-1926
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. SERGE KOUSSEVITZKY, Conductor FORTY-FIFTH SEASON, 1925-1926 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1925, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ARTHUR LYMAN ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN FREDERICK E. LOWELL E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 841 fllotf II 153:38 After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. The new Steinway Hall is one of the handsomest buildings in New York on a street noted for finely designed business structures. As a center of music, it will extend the Steinway tradition to the new generations of music lovers. THE INSTRUMENT OF THE IMMORTALS 842 Forty-fifth Season, 1925-1926 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Hoffmann, J. Gerardi, A. Hamilton, V. Gundersen, R Concert-master Kreinin, B. Eisler, D. Sauvlet, H. Kassman, N. Theodorowicz, J. Cherkassky, P. Pinneld, C. Mayer, P. Siegl, F. Risman, J. Fedorovsky, P. Leveen, P. Mariotti, V. Thillois, F. Gorodetzky, L. Kurth, R. Riedlinger, H. Murray, J. Fiedler, B. Bryant, M. Knudsen, C. Stonestreet, L. Tapley, R. Del Sordo, R. Messina, S. Diamond, S. Erkelens, H. Seiniger, S. Zung, M. Violas. Lefranc, J. Fourei, G. Van Wynbergen, C. -
BOSTON „ F'syaphony
r* BOSTON „ f'SYAPHONY PRSGRKMftE 5? Vs* i CCHarveyCp all Visit Our New Victrola and Edison Departments IT is with pride that we announce the opening of new and larger parlors in which to demonstrate our extensive assortment of Victrolas and Edisons. The C. C. Harvey Company has long served the music lovers of this vicinity. That our service is appreciated, is truly indicated by our ever increasing sales of Victrolas, Edisons and records. This makes these new and larger quarters necessary for the greater con- venience of our patrons. Our prices, personal service and co-opera- tion are responsible for this growth, and we wish to express our gratitude to the many patrons who have contributed to our success. We invite all lovers of good music to visit our new and spacious Victrola and Edison roons, where you may see these instruments and hear your favorite selections amid homelike surroundings. OOHARVEY @ " THE HOME OF HARMONY " 144 BOYLSTON STREET (opposite the Common), BOSTON SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones Ticket Office $ \ in backD bay 14921jloo Branch Exchange ) Administration Offices \ bstoe Sjmiphomj Orel THIRTY-FIFTH SEASON, 1915—1916 Dr. KARL MUCK, Conductor Programme ©if fth< bird WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, OCTOBER 29 AT 2.30 O'CLOCK SATURDAY EVENING, OCTOBER 30 AT 8.00 O'CLOCK COPYRIGHT, 1915, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER it Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway."' Nothing more need be said. -
The Stones of Paris in History and Letters
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES FROM THE LIBRARY OF JIM TULLY GIFT OF MRS. JIM TULLY THE STONES OF PARIS IN HISTORY AND LETTERS M.klaiiK' i.1e Sevii;ne. (I'Vom ihu portriut liy Miuiuinl.) THE STONES OF PARIS IN HISTORY AND LETTERS BY BENJAMIN ELLIS MARTIN AND CHARLOTTE M. MARTIN IN TWO VOLUMES Vol. II ILLUSTRATED NEW YORK CHARLES SCRIBNER'S SONS MDCCCXCIX Copyright, 1899, by CHARLES SCRIBNER'S SONS TROW DPBECTORT PRINTING AND BOOKBINDING COMPANY DC ' ; ,; .i5'5's CONTENTS Page The Southern Bank in the Nineteenth Century . 1 The Paris of Honore de Balzac 51 The Paris of Alexandre Dumas 89 The Paris of Victor Hugo 123 The Making of the Marais 163 The Women of the Marais 213 ^ B LIST OF ILLUSTRATIONS From drawings by John Fiilleylove, Esq. The portraits from photographs by Messrs. Braiin, CWment et Cie. Madame de Sevigne (from the portrait by Mignard) . Frontispiece PAGE Alphonse de Lamartine (from a sketch by David d'Angers, " tin soir chez Hugo") . facing lo Madame Recamier (from the portrait by Gros) . facing 40 The Abbaye-aux-Bois ........ 43 Portal of Chateaubriand's Dwelling in Rue du Bac ... 46 The Court of the Pension Vauquer .... facitig 5 2 Honore de Balzac (from the portrait by Louis Boulanger)y;zf/«^ 64 Les Jardies .......... 70 The Antiquary's Shop, and in the back-ground the house where Voltaire died ....... facing 78 The Pension Vauquer ........ 80 The Commemorative Tablet to Balzac . 84 The Figure of d'Artagnan (from the Dumas Monument by Gustave Dore) ...... facing 90 Alexandre Dumas ...... -
Émile Zola, Novelist and Reformer
/ V7'6 CORNELL UNIVERSITY LIBRARY THE Joseph Whitmore Barry dramatic library THE GIFT or TWO FRIENDS OF Cornell University 1934 A DATE DUE PR1NTEDIN U.S. Cornell University Library The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924088660588 EMILE ZOLA Photo by Cautin & Bcrger Emile Zola in his last days £MILE ZOLA NOVELIST AND REFORMER AN ACCOUNT OF HIS LIFE & WORK BY ERNEST ALFRED VIZETELLY ILLUSTRATED BY PORTRAITS, VIEWS, 6f FAC-SIMILES JOHN LANE: THE BODLEY HEAD LONDON £3" NEW YORK • MDCCCCIV Copyright, 1904. By JOHN LANE 1 ^ THE UNIVERSITY PRESS CAMBRIDGE, MASS. , O. S. A. TO HIS MEMORY " If, upon your side, you have the testimony of your conscience, and, against you, that of the multitude, take comfort, rest assured that time will do justice.'^ — Diderot PREFACE This book is an attempt to chronicle the chief incidents in the life of the late Emile Zola, and to set out the various aims he had in view at different periods of a career which was one of the most strenuous the modern world has known. Virtually all his work is enumerated in the following pages, which, though some are given to argument and criticism, will be found crowded with facts. The result may not be very artistic, but it has been partially my object to show what a tremendous worker Zola was, how incessantly, how stubbornly, he practised the gospel which he preached. An attempt has been made also to show the growth of humani- tarian and reforming passions in his heart and mind, passions which became so powerful at last that the " novelist " in Zola seemed as nothing. -
Madame De Maintenon
MADAME DE MAINTENON By ARsfiN E HO ' SSA'E I S S ' E D B ' M O S S A N T A L L O , V N C O . T HE ' O ' T H OF MAD AME DE MAIN T EN O N l l n The age of Louis ' I ' . is sti l the most bri lia t page in the history of France . Voltaire, were he alive, would say so now as he did a hundred years ago ; for a great age is not one made up merely of noble actions and heroic conquests, but one which gives birth simultaneously to great captains and great philosophers, to great poets and to great artists . People will always speak of the age of Pericles and the age of Augustus, of the age of Leo X. and the age of Louis ' I ' . They will never speak of the age of Napoleon, because under Napoleon’s sway there was but one man worthy of bronze and granite in the eyes of that proud and haughty muse called history ; that man was Napoleon himself. I prefer the court of Louis ' I ' . to the sun of Austerlitz . At the court of Louis ' I ' . I see a glorious Olympus in all its ’ integrity ; Turenne and Conde, Malebranche and ll Pasal, Corncei e and Moliere, Poussin and Lesueur, e Mansard and Perrault. I have not named all th gods in this list ; for instance, there are Puget, La Fontaine, Racine, and Sully. As for the demi gods of this golden age of genius, they are not to be counted. -
Univerzita Karlova V Praze Pedagogická Fakulta Katedra Francouzského Jazyka a Literatury
Univerzita Karlova v Praze Pedagogická fakulta Katedra francouzského jazyka a literatury Bakalářská práce LES QUARTIERS ET LES ENDROITS PARISIENS AU COURS DES SIECLES: MARAIS Vedoucí bakalářské práce: PhDr. Eva Kalfiřtová Autor bakalářské práce: Zuzana Škopová Obor studia: specializace v pedagogice: anglický jazyk – francouzský jazyk Rok dokončení práce: 2014 Prohlášení: Prohlašuji, že bakalářskou práci s názvem Les quartiers et les endroits parisiens au cours des siècles: Marais jsem vypracovala samostatně. Dále také, že práce nebyla využita k získání jiného, nebo stejného titulu. Použitou literaturu a podkladové materiály uvádím v přiloženém seznamu literatury. V Praze dne 3. 12. 2014 2 Poděkování: Ráda bych zde poděkovala vedoucí své bakalářské práce PhDr. Evě Kalfiřtové i všem, kteří mě podporovali. 3 Anotace Název bakalářské práce: Pařížské čtvrti a místa v průběhu staletí: Marais Klíčová slova: Paříž, čtvrť, Marais, století, ulice, palác, muzeum, osobnost Abstrakt: Bakalářská práce se zabývá jednou z nejstarších pařížských čtvrtí, jejíž jméno je Marais. Cílem práce je objasnit kulturně-historická specifika čtvrti, která ji odlišují od ostatních částí Paříže. Práce je rozdělena na tři hlavní kapitoly, ve kterých se postupně snaží osvětlit vznik a vývoj Marais, geografické členění a vymezení této městské části a jejích nejvýznamnějších historických památek, mnohdy korespondujících s kulturním dědictvím Francie, a následně vlivy, utvářejícími charakter Marais v minulosti i v době současné. Zvláštní důraz je zde kladen na přední osobnosti spojené se čtvrtí, sdružující se především kolem samotného centra čtvrti, náměstí place des Vosges, a na komunitu Židů, jejíž přítomnost v Marais je dána historickým vývojem. 4 Annotation Title of the thesis: Districts and places of Paris in the course of history: the Marais Keywords: Paris, district, Marais, century, street, palace, museum, personality Abstract: The bachelor’s thesis is occupied with one of the eldest Parisien districts, titled the Marais. -
A History of French Literature from Chanson De Geste to Cinema
A History of French Literature From Chanson de geste to Cinema DAVID COWARD HH A History of French Literature For Olive A History of French Literature From Chanson de geste to Cinema DAVID COWARD © 2002, 2004 by David Coward 350 Main Street, Malden, MA 02148-5020, USA 108 Cowley Road, Oxford OX4 1JF, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of David Coward to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2002 First published in paperback 2004 by Blackwell Publishing Ltd Library of Congress Cataloging-in-Publication Data Coward, David. A history of French literature / David Coward. p. cm. Includes bibliographical references and index. ISBN 0–631–16758–7 (hardback); ISBN 1–4051–1736–2 (paperback) 1. French literature—History and criticism. I. Title. PQ103.C67 2002 840.9—dc21 2001004353 A catalogue record for this title is available from the British Library. 1 Set in 10/13 /2pt Meridian by Graphicraft Ltd, Hong Kong Printed and bound in the United Kingdom by TJ International Ltd, Padstow, Cornwall For further information on Blackwell Publishing, visit our website: http://www.blackwellpublishing.com Contents -
Boston Symphony Orchestra Concert Programs, Season 48,1928-1929
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Eack Bay 1492 B©St©3H INC. SERGE KOUSSEVITZKY, Conductor FORTY-EIGHTH SEASON. 1928-1929 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1929, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA. Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1533 TEIN THE INSTRUMENT OF THE IMMORTALS "RUSSIAN MASS," by Sergei Rachmaninoff, paintedfor the STEINWAY COLLECTION by Rockwell Kent Even to those who have no expert The extraordinary durability of knowledge of pianos, it is apparent the Steinway is the true index of its that some good reason must exist economy. For 30, 40, and even 50 for the universal prestige of the years or more it will serve you well. Steinway. Calculated on the basis of cost-per- The answer is simplicity itself, year, the Steinway is the most eco- The Steinway is the leading piano nomical piano you can own. among musicians everywhere be- And you need never buy another cause it is by far the best piano piano • • • made and has been for more than — A new Steinway piano can be seventy-five years! bought from Artists of this rank demand a $875 up sonority and brilliance of tone, a Any Steinway piano may be purchased with degree of sensitivity which lie be- a cash deposit of 10%, and the balance will yond the range of the ordinary be extended over a period of two years. -
Boston Symphony Orchestra Concert Programs, Season 40,1920
CARNEGIE HALL . NEW YORK Thursday Evening, November 4, at 8.15 Saturday Afternoon, November 6, at 2.30 ' 7 ^ /mw W^ BOSTON %mi SYAPHONY ORCHESTRA INCORPORATED FORTIETH SEASON 1920-1921 prsgrhaae § '! 1 1 — —— — — —— —— AND THE Saltan The wonderful, rich tone of the Baldwin Piano is the very conception of beauty. Levitzfc. It has that refined quality, that warm and luscious tone which resembles the human voice in its individual appeal. A Ida. The Baldwin Piano has no peer in faithfully voicing an artist's spirit. Brown. I have an inspiring companion in my Baldwin Piano. La Forge. The beautiful tone of the Baldwin Piano merits its popularity. A mato. Using a Baldwin, we rest assured that we have an instrument which will meet every requirement. Fanning. The Baldwin Piano is a most wonderful help and support. Nielsen. I consider the Baldwin the Stradivarius of the few really great pianos of the world. De Pachmann. A tone that blends so well with my voice. Sembrich. CINCINNATI CHICAGO ST. LOUIS 142 W. Fourth Street 323 S. Wabash Ave. 1111 Olive Street NEW YORK DENVER SAN FRANCISCO 665 Fifth Avenue 1636 California Street 310 Sutter Street INDIANAPOLIS LOUISVILLE DALLAS 18 N Penn'a Street 521 S. Fourth Avenue 1911 Elm Street Sold exclusively by JOHN WANAMAKER PIANO SALONS, Broadway and 9th Street, New York CARNEGIE HALL - - - NEW YORK Thirty-fifth Season in New York FORTIETH SEASON, 1920-1921 INCORPORATED PIERRE MONTEUX, Conductor THURSDAY EVENING, NOVEMBER 4, at 8.15 AND THE SATURDAY AFTERNOON, NOVEMBER 6, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1920, BY BOSTON SYMPHONY ORCHESTRA, INCORPORATED THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. -
Le Quatrain; Son Rôle Dans L'histoire Et Dans Les Lettres a La Ville Et Au Théatre
LE (jlATlUl^ SON HOLK DANS L'HISTOIRE ET DANS LES LETTRES MONTPELLIER, IMPEIMERIE GRAS. FELIX DEVEL LE QUATRAIN SON ROLE DANS L'HISTOIRE ET DANS LES LETTRES A LA VILLE ET AU THEATliE A traver* l'hlmtoSiv Peti4« Guerre. — l/AeadémS« fi^llôlel de Rambouillet. ^- I^e Roi Voltaire ; l.a Cour lie EiUué«îlle I^ea AbbéM. — E.eM Actrice» Caput luortnnm MIIMIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIlillllllUllllllllllllllllllllllilllllli PARIS E. DENTU, ÉDITEUR LIBRAIRE DE LA SOCIÉTÉ DES GENS DE LETTRES PALAIS-ROYAL, 13 ET 17, GALEUIK D'ORLÉANS M DCCC LXXI . Sextius, philosophe pythagoricien, a dit: « Il vaut mieux jeter au hasard une pierre qu'une parole,. » Sextius vivait dans la retraite et ne pouvait prévoir le bonheur ineffable que nous éprouverions à parler du pro- chain. La médisance fait le fond de toute conversation chez les nations civilisées ; le monde corrom'pt le cœur, mais il perfectionne l'esprit: encore quelques jours etl'épigramme sera toute notre littérature Est-il donc vrai que la raison et le progrès intellectuel ne sont qu'une dépravation de l'instinct? Peut-être. Le dernier mot de la poésie est ironie. A la base de l'édifice élevé par l'esprit humain, et qui monte en se dégradant, nous voyons la poésie lyrique, le poëme épique : au sommet, l'épigramme. La pyramide se termine par une pointe. Toute société naissante n'existe, ne grandit que par la foi. Elle ne discute point; elle croit, elle admire, elle s'en- VI thousiasme. Son œuvre à peine ébauchée ne peut l'é- bloLiir; ses regards ne se portent pas encore sur elle- même.