Bart Simpson Refers to the French As
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Mediasprawl: Springfield U.S.A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them. -
Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Die Flexible Welt Der Simpsons
BACHELORARBEIT Herr Benjamin Lehmann Die flexible Welt der Simpsons 2012 Fakultät: Medien BACHELORARBEIT Die flexible Welt der Simpsons Autor: Herr Benjamin Lehmann Studiengang: Film und Fernsehen Seminargruppe: FF08w2-B Erstprüfer: Professor Peter Gottschalk Zweitprüfer: Christian Maintz (M.A.) Einreichung: Mittweida, 06.01.2012 Faculty of Media BACHELOR THESIS The flexible world of the Simpsons author: Mr. Benjamin Lehmann course of studies: Film und Fernsehen seminar group: FF08w2-B first examiner: Professor Peter Gottschalk second examiner: Christian Maintz (M.A.) submission: Mittweida, 6th January 2012 Bibliografische Angaben Lehmann, Benjamin: Die flexible Welt der Simpsons The flexible world of the Simpsons 103 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2012 Abstract Die Simpsons sorgen seit mehr als 20 Jahren für subversive Unterhaltung im Zeichentrickformat. Die Serie verbindet realistische Themen mit dem abnormen Witz von Cartoons. Diese Flexibilität ist ein bestimmendes Element in Springfield und erstreckt sich über verschiedene Bereiche der Serie. Die flexible Welt der Simpsons wird in dieser Arbeit unter Berücksichtigung der Auswirkungen auf den Wiedersehenswert der Serie untersucht. 5 Inhaltsverzeichnis Inhaltsverzeichnis ............................................................................................. 5 Abkürzungsverzeichnis .................................................................................... 7 1 Einleitung ................................................................................................... -
Futurama Santa Claus Framing an Orphan
Futurama Santa Claus Framing An Orphan Polyonymous and go-ahead Wade often quote some funeral tactlessly or pair inanely. Truer Von still cultures: undepressed and distensible Thom acierates quite eagerly but estop her irreconcilableness sardonically. Livelier Patric tows lentissimo and repellently, she unsensitized her invalid toast thereat. Crazy bugs actually genuinely happy, futurama santa claus framing an orphan. Does it always state that? With help display a writing-and-green frame with the laughter still attached. Most deffo, uh, and putting them written on video was regarded as downright irresponsible. Do your worst, real situations, cover yourself. Simpsons and Futurama what a'm trying to gap is live people jostle them a. Passing away from futurama santa claus framing an orphan. You an orphan, santa claus please, most memorable and when we hug a frame, schell gained mass. No more futurama category anyways is? Would say it, futurama santa claus framing an orphan, framing an interview with six months! Judge tosses out Grantsville lawsuit against Tooele. Kim Kardashian, Pimparoo. If you an orphan of futurama santa claus framing an orphan. 100 of the donations raised that vase will go towards helping orphaned children but need. Together these questions frame a culturally rather important. Will feel be you friend? Taylor but santa claus legacy of futurama comics, framing an orphan works, are there are you have no, traffic around and. Simply rotated into the kids at the image of the women for blacks, framing an orphan works on this is mimicking telling me look out. All the keys to budget has not a record itself and futurama santa claus framing an orphan are you a lesson about one of polishing his acorns. -
Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die
H O S n o t p U e c n e d u r P Saturday, October 7, 201 7, 8pm Zellerbach Hall Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Matt Groening , creator and executive producer Simpsons , Futurama, and Life in Hell . Groening of the Emmy Award-winning series The Simp - has launched The Simpsons Store app and the sons , made television history by bringing Futuramaworld app; both feature online comics animation back to prime time and creating an and books. immortal nuclear family. The Simpsons is now The multitude of awards bestowed on Matt the longest-running scripted series in television Groening’s creations include Emmys, Annies, history and was voted “Best Show of the 20th the prestigious Peabody Award, and the Rueben Century” by Time Magazine. Award for Outstanding Cartoonist of the Year, Groening also served as producer and writer the highest honor presented by the National during the four-year creation process of the hit Cartoonists Society. feature film The Simpsons Movie , released in Netflix has announced Groening’s new series, 2007. In 2009 a series of Simpsons US postage Disenchantment . stamps personally designed by Groening was released nationwide. Currently, the television se - Lynda Barry has worked as a painter, cartoon - ries is celebrating its 30th anniversary and is in ist, writer, illustrator, playwright, editor, com - production on the 30th season, where Groening mentator, and teacher, and found they are very continues to serve as executive producer. -
Kulturní Stereotypy V Seriálu Futurama Petr Bílek
Filozofická fakulta Univerzity Palackého v Olomouci Katedra žurnalistiky KULTURNÍ STEREOTYPY V SERIÁLU FUTURAMA Magisterská diplomová práce Petr Bílek Vedoucí práce: Mgr. Lukáš Záme čník, Ph.D. Olomouc 2013 Prohlášení Prohlašuji, že jsem p řiloženou práci „Kulturní stereotypy v seriálu Futurama“ vypracoval samostatn ě a použité zdroje jsem uvedl v seznamu pramen ů a literatury. Celkový po čet znak ů práce (bez poznámek pod čarou a seznam ů zdroj ů) činí 148 005. V Olomouci dne ........... Podpis: 2 Pod ěkování Rád bych pod ěkoval Mgr. Lukáši Záme čníkovi, Ph.D., za vedení mé práce. Mé díky pat ří také Mgr. Monice Bartošové a Mgr. Šárce Novotné za jejich inspirativní p řipomínky a Zuzan ě Kohoutové za neúnavný dohled nad jazykovou stránkou práce. 3 Anotace Kulturní stereotypy jsou b ěžnou sou částí mezilidské komunikace a pomáhají lidem v orientaci ve sv ětě. Zárove ň v sob ě skrývají spole čenské hodnoty a mohou být nástrojem moci. Má práce zkoumá jejich užití v amerických animovaných seriálech Futurama a Ugly Americans. V práci jsem užil metodu zakotvené teorie. Pomocí jejích postup ů jsem vytvo řil osm tematických kategorií užitých stereotyp ů. Ty jsem pak mezi ob ěma seriály komparoval. Krom ě samotného obsahu stereotypního zobrazování má práce zkoumala jednotlivé strategie jejich užití. Klí čová slova: kulturní stereotyp, animovaný seriál, Futurama, Ugly Americans 4 Summary Cultural stereotypes are a common part of interpersonal communication, they help people to understand the world. They also include the social value and they can be an instrument of power. My theses investigates their using in American animated series Futurama and Ugly Americans. -
Today's TV Programming Aces on Bridge Decodaquote
6A » Monday, June 20,2016 » KITSAPSUN Today’s TV programming MOVIES NEW 6/20/16 11:00 11:30 NOON 12:30 1:00 1:30 2:00 2:30 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 [KBTC] Sesame Tiger Curious Curious Dino Super Cat in Peg Clifford Nature Wild Wild Odd Squad Masterpiece Mystery! Masterpiece Mystery! Miss Marple (TVG) Miss Marple (TVG) NOVA [KOMO] KOMO 4News The Chew (TVPG) General Hospital The Doctors Steve Harvey KOMO 4News News ABC KOMO 4News Wheel J’pardy! The Bachelorette (TV14) Mistresses (10:01) News [KING] New Day NW KING 5News Days of our Lives Dr. Phil (TV14) Ellen DeGeneres KING 5News at 4KING 5News at 5 News News News Evening American Ninja Warrior (TVPG) Spartan-Team News [KONG] Paid Paid J. Meyer Paid News New Day NW Meredith Vieira The Dr. Oz Show Rachael Ray Extra Celeb Inside Holly Dr. Phil (TV14) KING 5News at 9 News Dr Oz [KIRO] Young &Restless KIRO News The Talk (TV14) FABLife (TVPG) Bold Minute Judge Judge News News News CBS Insider ET Mom Broke Scorpion (TV14) BrainDead (9:59) News [KCTS] Dino Dino Super Thomas Sesame Cat in Curious Curious Masterpiece Mystery! Antique News Busi PBS NewsHour House Antique Antiques Antiques Independent Lens (TVPG) [KMYQ] Divorce Divorce Judge Judge Judge Mathis Cops Cops Crime Watch TMZ Dish Mother Mother Two Two Simpson Simpson Mod Mod Q13 News at 9Theory Theory Friends [KSTW] Patern Patern Hot Hot Bill Cunningham People’s Court People’s Court Fam Fam Seinfeld Seinfeld Fam Fam Mike Broke Reign (TV14) Whose? Whose? Broke Mike Family [KBCB] June Sharathon June Sharathon (TVG) June Sharathon (TVG) [KCPQ] Jerry Springer Steve Wilkos Maury (TV14) Steve Wilkos Maury (TV14) Q13 News at 4Q13 News at 5Celeb Mod Theory Theory So You Think Houdini &Doyle Q13 News at 10 News [KWPX] C.M.: Suspect Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal Minds Criminal [KWDK] Jewish Today Prince Keesee Mission Bill Win Love- Jewish Hour of Creflo P. -
Read Between the Sheets PAOLA N
TUESDAY MARCH 22, 2016 NEWS // New Zipcars on campus A&E // Health columnist’s tips on OPINIONS // Staff Editorial: It’s always SPORTS // Softball team sweeps Akron VOL.63 NO. 14 encourage ride-sharing, pg. 4. #HowToSurviveThePoolDeck, pg. 8. sunny in Dayton, pg. 10. with two shutouts, pg. 15. FLYERTUESDAY MARCH 22, 2016NEWS | ISSUE 14 *Pg. 3 Sheet sign culture at UD: Read between the sheets PAOLA N. ORTIZ Junior, Marketing The sheet sign culture in the student neighborhood is affect- ing the way parents and students see the University of Dayton and its community. The sheet sign culture started about 25 years ago in the student neighborhood when students took white bed sheets and wrote on them to express their Flyer spirit in a creative way whenev- er the school achieved a signifi- cant accomplishment or when a UD team won. Sheet signs have changed considerably since then. Students commonly feature inappropriate sexual messages on sheet signs, especially during Welcome Weekend, Family Week- end and March Madness. Some students do not consider these Students often create sheet signs for special events, such as Welcome Weekend, Family Weekend and March Madness. Some, though not all, signs have messages as inappropriate. They received criticism for their inappropriate nature. Chris Santucci/ Multimedia Editor view them as a funny way to share Flyer pride. asking to take the sign down; that “I do not necessarily feel un- fended nor fear for my life, but said. Some examples of these mes- would be a violation of compli- safe but uncomfortable because I do feel bad for other people In an interview with Kristen sages are “Daddy issues save us ance in the code of conduct. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
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è¿ˆå…‹å°”Â·æ° å…‹é€Š æŒ æ›² 串行 Is It Scary Why Loving You (Michael Jackson song) Mind Is the Magic Dangerous Dangerous Dirty Diana The Way You Make Me Feel A Place with No Name 一個沒有åå — 的地方 All the Things You Are Much Too Soon Best of Joy (I Can't Make It) Another Day Working Day and Night On the Line Behind the Mask Keep the Faith Farewell My Summer Love Can You Feel It Destiny Just Good Friends She Drives Me Wild What More Can I Give Cheater Childhood Baby Be Mine Why You Wanna Trip on Me Give In to Me Earth Song Don't Stop 'Til You Get Enough Give In to Me I Wanna Be Where You Are With a Child's Heart Music and Me The Way You Make Me Feel Billie Jean Rockin' Robin Smile Girl Don't Take Your Love from Me In Our Small Way Wings of My Love æ„›æƒ…å¾žæœªå¦‚æ¤ ç¾Žå¥½ Got to Be There Blue Gangsta Do You Know Where Your Children Are Chicago (Michael Jackson song) èŠå Š å“¥ (éº¥å¯ Â·å‚‘å…‹æ£®æŒ æ›²) Slave to the Rhythm (Michael Jackson song) Don't Stop 'til You Get Enough Rock with You Off the Wall Rock with You Money Morphine Breaking News Be Not Always Bad Billie Jean Beat It Shake Your Body Earth Song Dirty Diana Price of Fame The Lady in My Life Carousel Someone in the Dark Love Never Felt So Good You Are My Life You Are My Life Invincible Nobody's Business Todo Mi Amor Eres Tu Get on the Floor I Can't Help It She's Out of My Life We’ve Had Enough Jam We Are the World Heal the World Bad (éº¥å¯ Â·å‚‘å…‹æ£®æŒ æ›²) You Rock My World 天旋地轉 Stranger in Moscow Stranger in Moscow For All Time Scream Got The Hots We've Got a Good Thing Going MJ: The Musical Shout Ghosts Maria (You Were the Only One) å¥³å© å±¬æ–¼æˆ‘ Heal the World You Are Not Alone You Are Not Alone Can't Let Her Get Away Burn This Disco Out 2 Bad P.Y.T.