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FINAL YHIS Newspaper September 2018
S E P T E M B E R 2 0 1 8 | P A G E 1 THE SHARK TIMES YHIS Student Newspaper The School is Growing! Written by Neo K. (G11) The new school year (2018~2019) has started. There are a lot of new developments that are happening, and I’m excited to My Bachelor's Degree is in Political Science and see the school have grown to 170 students. In this article, I’m History; I also hold a Postgraduate Diploma in going to introduce our school’s new principal, Mr. Samuel Education. As an educator, learning is essential to Goh. He spent the last three years as a high school teacher me, and I went on to pursue my Masters in and Secondary principal at Wuhan Yangtze International Management. School. I am Singaporean by passport but spent a good Questions & Answers with Mr. Goh part of my childhood growing up in New Zealand. Like many of you, I am a third culture kid, and I 1. Please introduce yourself. grew up in a culture which was very different from Mr. Goh: Before introducing myself, I would like to share with my passport country. The various experiences you and our readers that I'm honored and blessed to be here have given me a very global perspective and have at YHIS and to share with you my story. also allowed me to experience education across a variety of settings. My name is Mr. Samuel Goh, and I am the Head Principal for YHIS. I have been an educator for over ten years, and I started More on this on page 5.. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Surviving K-Pop Training by Gary Boyle
Bangkok Post Learning: Test Yourself Test Yourself is where you can improve your reading skills. Whether it’s for tests like University Entrance Exams or IELTS and TOEFL, or even just for fun, these stories help you to read, understand and improve your English. Surviving K-pop training by Gary Boyle Photo by Varuth Hirunyatheb Read the following story by Suwitcha Chaiyong from the Bangkok Post. Then, answer the questions that follow. Kongthap Peak is the only Thai on the Korean show Produce X 101 Idol groups from South Korea like BTS, EXO, Blackpink and Twice seem to come with the whole package -- the talent, the looks and the personality. But before reaching stardom, every one of them went through intense trainings for years. FIGHT FOR SUCCESS Produce X 101 is a popular reality TV programme in South Korea. The show allows viewers to explore how trainees fight their way to become K-pop successes. To qualify as the show's 11 finalists, 101 trainees from several music labels were required to team up to perform as a group, but as individuals they still had to stand out in order to gain votes from Korean viewers. During the show, all trainees were guided by professional singing and dancing coaches who helped enhance their skills. Since 2016, Produce X 101 created four famous temporary pop groups: I.O.I, Wanna One, IZ*ONE and X1. Kongthap Peak, an aspiring actor from Channel 3 and singer from Chandelier Music, was the only Thai trainee who had participated in Produce X 101's latest season, which ended in July. -
B a B Iii Pemaknaan Maskulinitas Dalam
B A B III PEMAKNAAN MASKULINITAS DALAM TAYANGAN WANNA ONE GO IN JEJU Wanna One Go in Jeju merupakan suatu tayangan realitas yang menggambarkan kehidupan Wanna One sebagai seorang artis yang akan mengiklankan produk kecantikan dari brand Innisfree. Tayangan tersebut disiarkan melalui media massa berbasis online, sehingga masyarakat luar Korea pun juga bisa mengakses video tersebut dengan mudah. Media massa berperan sebagai alat penyampaian pesan kepada masyarakat yang mampu membentuk pemaknaan masyarakat. Oleh sebab itu, dalam suatu tayangan biasanya menyimpan suatu makna yang ingin disampaikan kepada masyarakat dan nantinya mampu menjadi suatu hegemoni. Begitu pula dengan Wanna One Go in Jeju yang tentunya juga memiliki pesan yang ingin disampaikan kepada masyarakat. Selain untuk mengiklankan produk Innisfree, tayangan ini juga memberikan pesan tentang maskulinitas laki-laki yang digambarkan oleh member Wanna One. Bab ini mencoba menjelaskan maskulinitas dalam tayangan Wanna One Go in Jeju dengan menggunakan analisis semiotika John Fiske, yaitu melalui level realitas, representasi, dan ideologi. Pada level realitas, teks akan dianalisis seperti penampilan (appearance), kostum (dress), lingkungan, tingkah laku (behavior), cara berbicara (speech), gesture, ekspresi, dan juga suara (Fiske, 1987:4). Setiap scene yang sesuai dengan kategori di atas. Level representasi menganilis hal-hal teknis seperti kamera, pencahayaan, editing, musik, dan suara (Fiske, 1987:4). Terakhir adalah level ideologi yang mencakup hal-hal yang diorganisasikan ke dalam koherensi dan penerimaan sosial oleh kode-kode ideologis seperti individualisme, patriarki, ras, kelas, materialisme, kapitalisme, dan lain-lain. (Fiske, 1987:3). Level ideologi didapatkan melalui hasil analisis pada level realitas dan representasi. Tayangan ini terdiri atas tiga episode dan beberapa scene diantaranya telah dipilih sesuai dengan fokus penelitian. -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
International Code Council 2012 Code Development Cycle
INTERNATIONAL CODE COUNCIL 2012 CODE DEVELOPMENT CYCLE 2012 REPORT OF THE PUBLIC HEARING ON THE 2012 EDITIONS OF THE INTERNATIONAL BUILDING CODE® INTERNATIONAL FUEL GAS CODE® INTERNATIONAL MECHANICAL CODE® INTERNATIONAL PLUMBING CODE® INTERNATIONAL PRIVATE SEWAGE DISPOSAL CODE® HELD IN DALLAS, TEXAS APRIL 29TH – MAY 6TH PUBLIC COMMENT DEADLINES: AUGUST 1ST, 2012 First Printing Publication Date: June 2012 Copyright © 2012 By International Code Council, Inc. ALL RIGHTS RESERVED. This 2012/2013 Code Development Cycle Report of the Public Hearing on the 2012 Editions of the International Codes is a copyrighted work owned by the International Code Council, Inc. Without advanced written permission from the copyright owner, no part of this book may be reproduced, distributed, or transmitted in any form or by any means, including, without limitations, electronic, optical or mechanical means (by way of example and not limitation, photocopying, or recording by or in an information storage retrieval system). For information on permission to copy material exceeding fair use, please contact: Publications, 4051 West Flossmoor Road, Country Club Hills, IL 60478 (Phone 1-888-422-7233). Trademarks: “International Code Council,” the “International Code Council” logo are trademarks of the International Code Council, Inc. PRINTED IN THE U.S.A. TABLE OF CONTENTS Page Introduction .................................................................................................. i Public Comment Office Location ................................................................. -
Bab I Pendahuluan
BAB I PENDAHULUAN 1.1 Gambaran Umum Subjek Penelitian 1.1.1 Series Produce 101 Produce 101 adalah acara survival dari Korea Selatan yang ditayangkan pada stasiun TV Mnet merupakan proyek berskala besar di mana masyarakat "menghasilkan" sebuah grup dengan cara memilih anggotanya dari 101 peserta yang merupakan trainee dari puluhan perusahaan hiburan Korea Selatan dan para trainee tersebut tidak hanya berasal dari Korea Selatan tetapi juga dari Jepang, China, Taiwan, hingga Thailand. Gambar 1.1 Poster Series Produce 101 Sumber: Allkpop.com diakses pada 04/09/2019 pukul 20.20 WIB Trainee yang berkompetisi untuk debut dalam satu grup ini akan melewati beberapa tahapan seleksi dan disetiap tahapan seleksi tersebut akan ada beberapa peserta yang tereleminasi. Nantinya penampilan para peserta disetiap tahapan seleksi akan disaksikan oleh produser nasional (penonton) yang akan menentukan trainee terbaik pilihan mereka dengan memberikan vote, baik secara langsung saat 1 penampilan evaluasi ataupun melalui sms atau online setelah episode ditayangkan di TV, hal ini juga membantu terbentuknya basis penggemar yang kuat sebelum mereka resmi debut. Grup jebolan Produce 101 dijuluki “National Group” karena hanya warga Korea Selatan saja yang bisa mengikuti voting untuk para peserta di acara ini, dan warga Korea Selatan yang memberikan voting disebut “National Producer”. Berikut adalah tahapan seleksi yang akan dijalani oleh para trainee Series Produce 101: 1. Individual Test Level Pada test ini, para trainee akan tampil per-agensi, kemudian para pelatih dan MC akan berdiskusi dan membagi para trainee menjadi beberapa kelas sesuai kemampuan mereka saat tampil. 2. Group Battle Para trainee akan dibagi menjadi beberapa grup dengan anggota 5-7 orang, kemudian mereka akan menampilkan lagu dari grup-grup K-Pop terkenal, nantinya tiap 2 grup akan menampilkan lagu yang sama (battle) dan ada voting on-scene oleh penonton yang hadir untuk menentukan grup mana yang lebih baik saat menampilkan lagu tersebut. -
Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial Dan Ilmu Politik Universitas Sumatera Utara
KONSTRUKSI CITRA GRUP IDOLA JEPANG AKB48 DALAM PROGRAM ACARA TELEVISI PRODUCE 48 (Analisis Framing Robert Entman Mengenai Citra Grup Idola Jepang AKB48 pada Program Acara Televisi Korea Selatan Produce 48 oleh MNET) SKRIPSI ALDO ARINATA NAINGGOLAN 150904068 Public Relations PROGRAM STUDI ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2019 Universitas Sumatera Utara KONSTRUKSI CITRA GRUP IDOLA JEPANG AKB48 DALAM PROGRAM ACARA TELEVISI PRODUCE 48 (Analisis Framing Robert Entman Mengenai Citra Grup Idola Jepang AKB48 pada Program Acara Televisi Korea Selatan Produce 48 oleh MNET) SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana Program Strata-1 pada Program Studi Ilmu Komunikasi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Sumatera Utara ALDO ARINATA NAINGGOLAN 150904068 Public Relations PROGRAM STUDI ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara LEMBAR PERSETUJUAN Skripsi ini ditujukan untuk dipertahankan oleh: Nama : Aldo Arinata Nainggolan NIM : 150904068 Judul Skripsi : “Konstruksi Citra Grup Idola Jepang AKB48 dalam Program Acara Televisi Produce 48 (Analisis Framing Robert Entman Mengenai Citra Grup Idola Jepang AKB48 pada Program Acara Televisi Korea Selatan Produce 48 oleh Mnet)” Dosen Pembimbing Ketua Departemen Munzaiman Masril S.Sos., M.I.Kom Dra. Dewi Kurniawati, M.Si., Ph.D NIP. 198011072006042002 NIP. 196505241989032001 Dekan FISIP USU Dr. Muryanto Amin S.Sos, M.Si NIP. 19740930 2005011002