DOCSLIB.ORG

Freitag, 18. Mai 2012: Heute Vor 63/52/50/49/45/44/42/38/28/23/14 Jahren: Dienstag, 18

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Freitag, 18. Mai 2012: Heute Vor 63/52/50/49/45/44/42/38/28/23/14 Jahren: Dienstag, 18 Freitag, 18. Mai 2012: Heute vor 63/52/50/49/45/44/42/38/28/23/14 Jahren: Dienstag, 18. Mai 1948: OLIVIA TRINIDAD ARIAS (spätere OLIVIA HARRISON) in Mexiko geboren. Mittwoch, 18. Mai 1960: LARRY PARNES bucht THE SILVER BEETLES (LENNON, PAUL McCARTNEY, SUTCLIFFE & TOMMY MOORE) für Schottland-Tournee von JOHNNY GENTLE. Freitag, 18. Mai 1962: GEORGE MARTIN lässt Schallplattenvertrag für die BEATLES aufsetzen. Samstag, 18. Mai Juni 1963: Beginn der Tour mit BEATLES & ROY ORBISON durch England; erster Auftritt in Slough. Donnerstag, 18. Mai 1967: BEATLES-Fotosession im Hyde Park (London); u.a. erstmals mit nun bemaltem Rolls Royce von JOHN LENNON. Donnerstag, 18. Mai 1967: THE ROLLING STONES-Aufname We Love You (mit JOHN LENNON und PAUL McCARTNEY in London. Samstag, 18. Mai 1968: APPLE-Meeting mit allen vier BEATLES in London. Montag, 18. Mai 1970: Pressevorführung vom BEATLES-Film LET IT BE in London. Montag, 18. Mai 1970: BEATLES-LP LET IT BE in USA. Freitag, 17. Mai 1974: JOHN LENNON und HARRY NILSSON besuchen HELPING HAND MARATHON in Philadelphia (erster Tag). Samstag, 18. Mai 1974: JOHN LENNON und HARRY NILSSON besuchen HELPING HAND MARATHON in Philadelphia (zweiter Tag). Freitag, 18. Mai 1984: Pressevorführung vom PAUL McCARTNEY-Film GIVE MY REGARDS TO BROAD STREET in Atlanta, USA. Freitag, 18. Mai 1989: PAUL McCARTNEY live in TV-Show MENSCH MEIER, Köln. Montag, 18. Mai 1998: JULIAN LENNON-Album PHOTOGRAPH SMILING in England. Montag, 18. Mai 1998: SEAN LENNON-Album INTO THE SUN in USA. Hallo M.B.M., hallo BEATLES-Fan, nach langer Zeit gibt es mal wieder eine NEUES Interview-Album mit einem der BEATLES; diesmal interessante BBC-Aufnahmen mit PAUL McCARTNEY aus den Jahren 1968 (also noch zu BEATLES-Zeiten) bis 2009. Dienstag, 15. Mai 2012: PAUL McCARTNEY INTERVIEW-DOPPEL-CD IN HIS OWN WORDS . 10,90 € BBC / Audiogo Ltd. ISBN 978 1445 846583, Großbritannien. CD 1: Track 1: 26. März 1968: interview for THE WORLD AT ONE. BBC Radio 4, Großbritannien. Track 2: 24. Februar 1972: interview for WOMAN'S HOUR. BBC Radio 4, Großbritannien. Track 3: 1. Juni 1972: BBC archive interview 1st June, 1972 (part one). Track 4: 1. Juni 1972: BBC archive interview 1st June, 1972 (part two). Track 5: 1. Juni 1972: BBC archive interview 1st June, 1972 (part three). Track 6: 1. Juni 1972: BBC archive interview 1st June, 1972 (part four). Track 7: 11. April 1976: interview for INSIGHT. BBC Radio 1, Großbritannien. Track 8: 23. Dezember 1978: interview for ROCK ON WITH PAUL GAMBACCINI (part one). BBC TV, Großbritannien. Track 9: 23. Dezember 1978: interview for ROCK ON WITH PAUL GAMBACCINI (part two). BBC TV, Großbritannien. Track 10: 23. Dezember 1978: interview for ROCK ON WITH PAUL GAMBACCINI (part three). BBC TV, Großbritannien. Track 11: 18. April 1982: BBC archive interview 18th April, 1982 (part one). Track 12: 18. April 1982: BBC archive interview 18th April, 1982 (part two). Track 13: 18. April 1982: BBC archive interview 18th April, 1982 (part three). Track 14: 28. November 1984: interview for THE WORLD AT ONE (part one). BBC Radio 4, Großbritannien. Track 15: 28. November 1984: interview for THE WORLD AT ONE (part two). BBC Radio 4, Großbritannien. Track 16: 15. Dezember 1985: BBC archive interview 15th December, 1985 (part one). Track 17: 15. Dezember 1985: BBC archive interview 15th December, 1985 (part two). Track 18: 15. Dezember 1985: BBC archive interview 15th December, 1985 (part three). Track 19: 15. Dezember 1985: BBC archive interview 15th December, 1985 (part four). CD 2: Track 1: 12. Mai 1989: BBC archive interview 12th May, 1989 (part one). Track 2: 12. Mai 1989: BBC archive interview 12th May, 1989 (part two). Track 3: 12. Mai 1989: BBC archive interview 12th May, 1989 (part three). Track 4: 12. Mai 1989: BBC archive interview 12th May, 1989 (part four). Track 5: 15. Dezember 1992: BBC archive interview 15th December, 1992. Track 6: 3. Dezember 1999: interview for PARKINSON MEETS PAUL McCARTNEY (part one). BBC TV, Großbritannien. Track 7: 3. Dezember 1999: interview for PARKINSON MEETS PAUL McCARTNEY (part two). BBC TV, Großbritannien. Track 8: 3. Dezember 1999: interview for PARKINSON MEETS PAUL McCARTNEY (part three). BBC TV, Großbritannien. Track 9: 3. Dezember 1999: interview for PARKINSON MEETS PAUL McCARTNEY (part four). BBC TV, Großbritannien. Track 10: 3. Dezember 1999: interview for PARKINSON MEETS PAUL McCARTNEY (part five). BBC TV, Großbritannien. Track 11: 3. Dezember 1999: interview for PARKINSON MEETS PAUL McCARTNEY (part six). BBC TV, Großbritannien. Track 12: 17. September 2005: interview for PAUL McCARTNEY SOLD ON SONG (part one). BBC Radio 2, Großbritannien. Track 13: 17. September 2005: interview for PAUL McCARTNEY SOLD ON SONG (part two). BBC Radio 2, Großbritannien. Track 14: 17. September 2005: interview for PAUL McCARTNEY SOLD ON SONG (part three). BBC Radio 2, Großbritannien. Track 15: 17. September 2005: interview for PAUL McCARTNEY SOLD ON SONG (part four). BBC Radio 2, Großbritannien. Track 16: 30. August 2009: interview for JOHNNY WALKER'S SOUND OF SEVENTIES (part one). BBC Radio 2, Großbritannien. Track 17: 30. August 2009: interview for JOHNNY WALKER'S SOUND OF SEVENTIES (part two). BBC Radio 2, Großbritannien. Track 18: 30. August 2009: interview for JOHNNY WALKER'S SOUND OF SEVENTIES (part three). BBC Radio 2, Großbritannien. Track 19: 30. August 2009: interview for JOHNNY WALKER'S SOUND OF SEVENTIES (part four). BBC Radio 2, Großbritannien. Track 20: 30. August 2009: interview for JOHNNY WALKER'S SOUND OF SEVENTIES (part five). BBC Radio 2, Großbritannien. Track 21: 30. August 2009: interview for JOHNNY WALKER'S SOUND OF SEVENTIES (part six). BBC Radio 2, Großbritannien. Pressetext: This title is presented on 2CDs. In interviews ranging from 1968 to 2009, PAUL McCARTNEY talks about touring the UK with WINGS (which was then a new band); a mid-70s offer to re-form the BEATLES; the early days of the BEATLES, and their final break-up. He also discusses his solo albums; receiving the freedom of the City of Liverpool; Christmas with his family; his love of music, and his career since the break-up of the BEATLES up to 2009. "BBC Archive Voices": shining a light on the icons of our time. "BBC Archive Voices" features interviews with some of the key figures from the fields of entertainment, sport, politics and literature - many of which haven't been heard since their original transmission. This is a unique window into the past and is a chance for us to hear those who contributed to the richness of our cultural heritage. With access to the entire archive of BBC Radio and television, we can now witness some of the most lively, entertaining and informative encounters in BBC broadcasting. Due to the age and nature of this archive material, the sound quality may vary. Das ist eine gute Veröffentlichung, weil - wenn auch nicht auf dem Cover oder der CD - die genauen Daten der Interview bzw. der Sendungen angegeben sind; dies jeweils akustisch zu Beginn der einzelnen Aufnahmen. Das macht einiges möglich: Erstens lässt sich das zeitlich einordnen, was PAUL McCARTNEY erzählt, denn generell ist es so, dass er (wie jeder andere auch) etwas zeitnah oder nach Jahrzehnten berichtet. Zweitens helfen die Daten beim Einordnen von Begebenheiten; soll heißen: bei "Datenüberschneidungen" (Unterschiedliches an zwei verschiedenen Orten) weiß man, dass recherchiert werden muss. Abschließend: Da PAUL McCARTNEY ein gut verständliches Englisch spricht (die BBC-Leute sowieso), kann auch jemand den Interviews folgen, der ansatzweise Englisch spricht und versteht. Viele Grüße senden Martin und Stefan vom Beatles Museum, Alter Markt 12, 06108 Halle (Saale) Wir sind erreichbar / You can reach us: per Telefon: 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr per Email: [email protected] /// per Internet: www.BeatlesMuseum.net persönlich/per visit: im Beatles Museum, Alter Markt 12, 06108 Halle (Saale) Angebote freibleibend und so lange der Vorrat reicht. Fehler vorbehalten. .
Load more

Recommended publications
  • The Beatles on Film
    Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964
    [Show full text]
  • THE GARY MOORE DISCOGRAPHY (The GM Bible)
    THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
    [Show full text]
  • Beatles History – Part One: 1956–1964
    BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans.
    [Show full text]
  • The Beatles on Film
    Roland Reiter The Beatles on Film Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 11 The Beatles on Film – Part One: 1964-1965 39 Beatles History – Part Two: 1964-1966. A Contextual Interpretation of The Beatles’ Image Change in 1966 87 The Beatles on Film – Part Two: 1965-1970 93 Beatles History – Part Three: 1970-2008 137 Screening the Past: Film and History 145 Movies about The Beatles 151 Documentaries about The Beatles 181 Spoofs 191 Conclusion: Image, Myth, History, and The Beatles 195 Works Cited 203 The Author/Acknowledgments 211 INTRODUCTION A star’s image generally reflects the ideals of his or her average audi- ence. It enables the fans to identify with their idol on an emotional and/or intellectual level. The potential of identification with a star can be an im- portant factor for his or her commercial success.
    [Show full text]
  • Pdf/Beatles Chronology Timeline
    INDEX 1-CHRONOLOGY TIMELINE - 1926 to 2016. 2-THE BEATLES DISCOGRAPHY. P-66 3-SINGLES. P-68 4-MUSIC VIDEOS & FILMS P-71 5-ALBUMS, (Only Their First Release Dates). P-72 6-ALL BEATLES SONGS, (in Alphabetical Order). P-84 7-REFERENCES and Conclusion. P-98 1 ==================================== 1-CHRONOLOGY TIMELINE OF, Events, Shows, Concerts, Albums & Songs Recorded and Release dates. ==================================== 1926-01-03- George Martin Producer of the Beatles was Born. George Martin died in his sleep on the night of 8 March 2016 at his home inWiltshire, England, at the age of 90. ==================================================================== 1934-09-19- Brian Epstein, The Beatles' manager, was born on Rodney Street, in Liverpool. Epstein died of an overdose of Carbitral, a form of barbiturate or sleeping pill, in his locked bedroom, on 27 August 1967. ==================================================================== 1940-07-07- Richard Starkey was born in family home, 9 Madyrn Street, Dingle, in Liverpool, known as Ringo Starr Drummer of the Beatles. Maried his first wife Maureen Cox in 1965 Starr proposed marriage at the Ad-Lib Club in London, on 20 January 1965. They married at the Caxton Hall Register Office, London, in 1965, and divorced in 1975. Starr met actress Barbara Bach, they were married on 27 April 1981. 1940-10-09- JohnWinston Lennon was born to Julia and Fred Lennon at Oxford Maternity Hospital in Liverpool., known as John Lennon of the Beatles. Lennon and Cynthia Powell (1939– 2015) met in 1957 as fellow students at the Liverpool College of Art. The couple were married on 23 August 1962. Their divorce was settled out of court in November 1968.
    [Show full text]
  • Many Great Plays Have Been Adapted for the Silver Screen
    J e f f e r s o n P e r f o r m i n g A r t s S o c i e t y Presents JEFFERSON PERFORMING ARTS SOCIETY 1118 Clearview Parkway Metairie, Louisiana 70001 Phone: 504 885 2000..Fax: 504 885 [email protected] 1 Table of Contents Teacher notes…………….4 Educational Overview……………………..6 History………………………………..7 – 15 Introduction…………………………..16 – 20 More Background…………………......21 - 49 Lesson Plans 1) “1940 - 1960’s: War Years, Rebuilding the World and a Leisure Boom” pg. 50 - 53 2) “Activities, Projects and Drama Exercises” pgs. 54 - 56 3) “A Hard Day’s Night” pgs. 57 - 64 Standards and Benchmarks: English……………….65 – 67 Standards and Benchmarks: Theatre Arts…………68 - 70 5) “The History of Rock and Roll” pgs. 71 - 73 6) “Bang on a Can: The Science of Music” pg. 74 Standards and Benchmarks: Music………………… 75 - 76 Photo gallery pgs. 77-80 2 Web Resource list …………..81 An early incarnation of the Beatles. Michael Ochs Archives, Venice, Calif. IMAGES RETRIEVED FROM: The Beatles, with George Martin of EMI Records, are presented with a silver disc to mark sales of over a quarter million copies of the 1963 British single release of "Please Please Me." Hulton Getty/Liaison Agency Image Retrieved From: http://search.eb.com/britishinvasion/obrinvs048p1.html http://search.eb.com/britishinvasion/obrinvs045p1.html 3 Teacher notes Welcome to the JPAS production of Yeah, Yeah, Yeah! a concert celebration performed by Pre-Fab 4, Featuring the stars of The Buddy Holly Story. Come together as four lads from across the US rekindle the spirit of yesterday through the music of the world’s most popular band.
    [Show full text]
  • The 5Th Beatle Outline
    THE FIFTH Outline for a Documentary Written by David Johnston “The Beatles are the most famous rock group that has ever existed or ever will exist. They are, in fact, the second-most-famous four- human collective within any context whatsoever (the four Gospel writers are No. 1; Notre Dame’s 1924 “Four Horsemen” backfield rank a distant third). Moreover, the Beatles are the only band whose population is central to their iconography: John, Paul, George and Ringo shall always be the Fab Four. And because that number is so important, pop historians have spent decades trying to decide who deserves classification as Beatle No. 5.” Chuck Klosterman, obituary of Quarryman and “Tenth Beatle” Eric Griffiths in The New York Times Magazine, December 25th, 2005 Many have aspired to it, some have claimed it for themselves, a rare few have had it bestowed upon them, but to date no one person has established an uncontested claim to the title of Fifth Beatle. The Fifth will take up and examine the debate and trace the growth of this unique pop cultural phenomenon. A handful of the Beatles’ fellow travellers hold a legitimate claim to Fifth Beatle status – early members such as bass player/fashion maven Stuart Sutcliffe and drummer Pete Best, manager and Beatlemania impresario Brian Epstein, producer/arranger George Martin and Billy Preston, the only musician to share a writing credit with the band (on “Get Back”) and who was asked by John Lennon to join the band shortly before its breakup. But it doesn’t stop there. Yoko Ono, Linda Eastman, tour managers Neil Aspinall and Mal Evans, Jimmy Nichol (the drummer who replaced Ringo for several weeks on tour in 1964), deejay Murray the K (who coined the term Fifth Beatle), and crazed mentor Tony Sheridan are among the usual suspects.
    [Show full text]
  • Early Beatles History: 1940-1964 Birth of the Beatles
    MOVIES ABOUT THE BEATLES Early Beatles History: 1940-1964 Birth of The Beatles In 1978, Elvis – The Movie premiered on American television. The pro- duction was a dramatization of Elvis Presley’s life, featuring Kurt Rus- sell as Elvis. His unexpected death the year before had revived the public interest in ‘The King,’ and countless biographies invaded the market. The movie spawned several fictional and/or biographical films about po- pular culture icons, such as Buddy Holly (The Buddy Holly Story, 1978) and The Beatles (Birth of The Beatles, 1979). In the 1980s and 1990s, only a handful of pop biographies were successful at the box office, i. e. Luis Valdez’ La Bamba (1987) about Richie Valens, Oliver Stone’s The Doors (1991) and Iain Softley’s Backbeat (1993). More recently, Holly- wood has produced a string of highly successful TV and cinema biogra- phies of musical heroes. The most notable films and series are The Rat Pack (1998) about the lives and times of Frank Sinatra, Dean Martin, and Sammy Davis Jr., Ray (2004) about Ray Charles, Stoned (2005) about The Rolling Stones’ Brian Jones, and – again – Elvis (2005). Starting with Birth of The Beatles, The Beatles’ history has been dramatized in various forms for television as well as for the cinema. While The Beat- les’ early group history has been dealt with in Birth of The Beatles (1979), Backbeat (1993), and In His Life: The John Lennon Story (2000), John Lennon’s private life was explored in John and Yoko: A Love Story (1985) and The Hours and Times (1991).
    [Show full text]
  • Review: the Beatles Anthology [Original Version Published In
    Review: The Beatles Anthology [Original version published in German in the Badische Zeitung, 4 November 2000] For more than thirty-five years, the Beatles have credited their musical success to the long hours they spent playing in Hamburg, before they were discovered by Brian Epstein and then the rest of the world. Now it’s the official story: The Beatles Anthology (367 pp. Chronicle Books $60), the group’s collective ‘autobiography’ published October 5th, describes how their musical apprenticeship served on the Reeperbahn produced the sound that defined the 1960s and, arguably, popular music ever since. Told through the words of surviving band members Paul McCartney, George Harrison, and Ringo Starr, supplemented by extensive culling of old interviews with John Lennon, the history of the band is recounted from its beginnings as the Quarrymen in 1957 to the final acrimonious breakup in 1970. Like the television series and CD-sets to which it is a companion, Anthology is meant to be a picture of their life as a band from the inside—what it was like “in the eye of the hurricane,” as McCartney puts it. To hear the Beatles tell it, the seven-hour sets in Hamburg under pressure to “make a show” and bring in customers transformed their music, so much so that when they returned to England after their first stint in Hamburg, the world had its first taste of Beatlemania. Billed as “The Beatles—Direct from Hamburg!”, when they began playing in the Litherland Town Hall in Liverpool (27 December 1960), for the first time the crowd spontaneously rushed the stage in the frenzy that would become familiar in the succeeding years.
    [Show full text]
  • Für Sonntag, 21
    InfoMail 18.05.15: deutsches Heft DISCOGRAPHIEN mit BEATLES-Platten aus Deutschland /// MANY YEARS AGO InfoMail Montag, 18. Mai 2015 Hallo M.B.M.! Hallo BEATLES-Fan! Deutsches Heft mit Diskografie: BEATLES-Platten aus Deutschland Weitere Info und/oder bestellen: Einfach Abbildung anklicken ca. März 2015: deutsches Heft GOOD TIMES EDITION DISCOGRAPHIEN VOL. 3. 9,80 € Good Times/NikMa Verlag, Deutschland. Heft; Hochformat 30,0 cm x 23,0 cm; 100 Seiten (davon 8,5 Seiten mit BEATLES); sehr viele Abbildungen; deutschsprachig. mit BEATLES- Veröffentlichungen in Deutschland. Inhalt: Inhaltsverzeichnis; Editorial; Impressum; Hör Zu; GoodTimes-Shop; T. Rex; Rattles; Birth Control; Nazareth; Smokie; Albert Hammond; Gong; Beatles; Blind Faith; Kenny; Pretty Things. Pressetext: Schon seit Jahren erfreuen sich viele GoodTimes-Leser an einem Markenzeichen, das unser Magazin von vielen vergleichbaren Heften abhebt und Zusatzinformationen liefert: dem Abdruck ausführlicher Discographien begleitend zu den Storys über lang aktive Bands. Immer wieder erhalten wir Briefe, Mails oder Anrufe, in denen Leserinnen und Leser ganz gezielt nach eben diesen Discographien fragen. Erstmals fassen wir Discographien in einem eigenen Sonderheft zusammen, um einen komprimierten Überblick über das Schaffen von Acts aus diversen Phasen der Rock- und Pop-Historie zu bieten. Das Hauptaugenmerk liegt dabei auf Veröffentlichungen in Deutschland sowie im Heimatland der jeweiligen Protagonisten, darüber hinaus auf weitere wichtige weltweite Releases. Bei Best-Of-Platten liegt der Schwerpunkt auf Vinylveröffentlichungen. Teilweise haben wir auch die Single- und Album-Überblicke mit der Auflistung von Video- und DVD-Werken ergänzt. Mit Discographien zu: T.Rex, Birth Control, Nazareth, Rattles, Gong, Smokie, BEATLES (Deutschland bis 1983), Pretty Things, Blind Faith, Kenny, Albert Hammond, HörZu (Label) Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel und Rainer Bestellungen auch telefonisch möglich: Di.
    [Show full text]
  • Beatles As Musicians: the Quarry Men Through Rubber Soul
    THE BEATLES AS MUSICIANS This page intentionally left blank THE BEATLES AS MUSICIANS 1The Quarry Men through Rubber Soul WALTER EVERETT 1 2001 1 Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 2001 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Everett, Walter, 1954– The Beatles as musicians : the Quarry Men through Rubber soul / Walter Everett. p. cm. Includes bibliographical references and index. ISBN 0-19-514104-0; ISBN 0-19-514105-9 (pbk.) 1. Beatles. 2. Rock music—1951–1960 —Analysis, appreciation. 3. Rock music—1961–1970 —Analysis, appreciation. MT146 .E95 2001 782.42166'092'2— dc21 2001021263 135798642 Printed in the United States of America on acid-free paper For Barbara, John, and Tim This page intentionally left blank PREFACE What constitutes the sounds of a Beatles record, how did they get there, and what makes them so interesting to listen to? These are the ques- tions that get to the heart of the Beatles as musicians, and are therefore the mo- tivation for this book and its companion volume, The Beatles as Musicians: Re- volver through the Anthology.
    [Show full text]
  • From a 2Z the History Of
    FROM A 2 Z THE HISTORY OF 3 PART SERIES 1 HOUR SHOWS From A2Z The History of The Beatles 1 DISCLAIMER: Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). FROM A 2 Z THE HISTORY OF CONTENTS 5 Concept 6|17 Episodes - One, Two and Three 18 Producer | Director 19 Executive Producers 20|21 Perks & Benefits 22 Equity 4 From A2Z The History of The Beatles CONCEPT he concept behind the 3 part 60 min documentary series, TA2Z The History of The BEATLES, is to give the viewer a detailed timeline behind the history and story of when and what happened in the life of The Beatles from the conception of the band when they were the Quarrymen, then the Silver Beatles to the final days. With interviews with people that knew them well as they begin in the back streets of Liverpool on July 6th, 1957, to their first tour of Hamburg, Germany. Followed by their tours of America, Australia, Japan, and the rest of the World. For the first time, this documentary series will detail information never seen before.
    [Show full text]