1957- 1960 Enter the Beatles
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Pop Culture Universe: Icons, Idols, Ideas 6/3/14, 10:09 AM
Pop Culture Universe: Icons, Idols, Ideas 6/3/14, 10:09 AM print page close window The Beatles The most successful group of the 1960s, the Beatles reshaped and reinvigorated rock and roll, arriving in the post- Presley period just when rock music had been tamed. Isolated from the cultural center of London, the Beatles emerged from the unlikely working-class environment of Liverpool, England, an industrial shipping-port city where residents had access to foreign goods such as American rhythm and blues (R&B) and jazz records. With British radio playing few American rock records in the late 1950s, these American imports exposed aspiring musicians John Lennon and Paul McCartney to Little Richard and Fats Domino. Lennon's childhood was marred by exploding Nazi bombs, and an unstable home life. After the divorce of his parents, Lennon was raised by his aunt and uncle, Mimi and George Smith. After hearing Elvis Presley's "Heartbreak Hotel," Lennon pursued a career in music, abandoning the notion of being a sailor like his father. Given an inexpensive guitar by his mother Julia, Lennon suffered another tragedy when she was struck and killed by a bus. The son of a jazz bandleader, McCartney grew up in a stable environment until 1956, when his mother died of cancer. While attending the prestigious Liverpool Institute, McCartney became obsessed with the guitar, finally purchasing one at age 14. A fan of rockabilly, he emulated guitarists like Gene Vincent and Eddie Cochran. The eldest Beatle, Richard Starkey Jr. (later, Ringo Starr), was the son of a baker. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
The Beatles - Wikipedia, La Enciclopedia Libre the Beatles De Wikipedia, La Enciclopedia Libre (Redirigido Desde «Los Beatles»)
08/02/13 The Beatles - Wikipedia, la enciclopedia libre The Beatles De Wikipedia, la enciclopedia libre (Redirigido desde «Los Beatles») The Beatles fue una banda de rock inglesa activa durante la década de 1960, y reconocida como la más The Beatles exitosa comercialmente y críticamente aclamada en la historia de la música popular.1 2 3 4 5 6 Formada en Liverpool, estuvo constituida desde 1962 por John Lennon (guitarra rítmica, vocalista), Paul McCartney (bajo, vocalista), George Harrison (guitarra solista, vocalista) y Ringo Starr (batería, vocalista). Enraizada en el skiffle y el rock and roll de los años cincuenta, la banda trabajó más tarde con distintos géneros musicales, que iban desde las baladas pop hasta el rock psicodélico, incorporando a menudo elementos clásicos, entre otros, de forma innovadora en sus canciones. La naturaleza de su enorme popularidad, que había emergido primeramente con la moda de la «Beatlemanía», se transformó al tiempo que sus composiciones se volvieron más sofisticadas. Llegaron a ser percibidos como la encarnación de los ideales progresistas, extendiendo su influencia en las revoluciones sociales y culturales de la década de 1960. The Beatles en 1964 Arriba: John Lennon, Paul McCartney Con una formación inicial de cinco componentes que Abajo: George Harrison, Ringo Starr incluía a Lennon, McCartney, Harrison, Stuart Sutcliffe (bajo) y Pete Best (batería), la banda construyó su Datos generales reputación en los clubes de Liverpool y Hamburgo Origen Liverpool, Inglaterra, Reino Unido sobre un período de tres años a partir de 1960. Sutcliffe abandonó la formación en 1961, y Best fue Información artística reemplazado por Starr al año siguiente. -
ASTRID KIRCHHERR Und Grafiken Von KLAUS VOORMANN
InfoMail Nr. 857: Fotos von ASTRID KIRCHHERR und Grafiken von KLAUS VOORMANN Hallo M.B.M., hallo BEATLES-Fan, aus aktuellem Anlass bieten wir an: Astrid Kirchherr: Kunstfotos & Artprints 1. 2. 1. Mitte November 1960: ART PRINT (Original-Foto auf hochwertigem kartonierten Bogen) JOHN LENNON in Hamburg, im Hintergrund STUART SUTCLIFFE 75,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 2. Mitte November 1960: ART PRINT (Original-Foto) PAUL McCARTNEY in Hamburg, im Hintergrund STUART SUTCLIFFE 95,00 € Zu dieser Zeit treten die BEATLES zunächst im Top Ten und später im Kaiserkeller auf. Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) Mitte November 1960 auf dem Hamburger „Dom“ (Platz für Kirmes- und Zirkusveranstaltungen). Dieser Kunstdruck ist numeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß 3. 4. 5. 3. November 1960: ART PRINT (Original-Foto) STUART SUTCLIFFE 60,00 € Das Foto machte die Fotografin ASTRID KIRCHHERR (frühere Verlobte von STUART SUTCLIFFE) im November 1960 in Hamburg. Dieser Kunstdruck ist nummeriert und auf 500 Stück limitiert und von KIRCHHERR signiert. Hochformat ca. 60 cm x 80 cm, schwarzweiß HINWEIS: Dieser inzwischen rare Kunstdruck stammt aus der allerersten Serie Ende der 80er Jahre. 4. 1962: ART PRINT (Original-Foto) GEORGE HARRISON PORTRAIT 92,50 € Original-Foto von Astrid Kirchherr signiert, limitiert und nummeriert (nur 500 Stück weltweit) Hochformat ca. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports. -
The Jacaranda Club, Slater Street, Liverpool, United Kingdom
“This Is Our Home: The Jacaranda Club 1958-2018” The Jacaranda Club, Slater Street, Liverpool, United Kingdom. Friday 24th - Sunday 26th August,! 2018.! “[The Beatles] were a photographer’s dream, ! ! they were my dream” - Astrid Kirchherr.! “There is a popular notion that the photographer is by nature a voyeur. ! The last one invited to the party. But I’m not crashing; this is my party. ! ! This is my family, my history” - Nan Goldin.! A new exhibition to celebrate the 60th anniversary of Liverpool’s iconic Jacaranda Club opens Friday 24! August during a celebratory weekend of events. “This is Our Home”: The Jacaranda Club 1958-2018 is! an exhibition of photographs, advertisements, posters, and ephemera relating to the past and present! !history of the iconic Slater Street club, curated by Marlie Centawer, and runs 24-26 August 2018.! As one of the first coffee bars in post-war Britain, The Jacaranda Club - affectionately known as “The Jac”! - was opened by Allan Williams in 1958, featuring a record shop upstairs and live music in its basement.! One of these groups was The Silver Beetles, featuring art students John Lennon and Stuart Sutcliffe, who! !Williams employed to paint the walls and a mural in the basement.! “This is Our Home”: The Jacaranda Club 1958-2018 features artefacts and ephemera from the Jac’s legacy and history; then and now. The exhibition is curated by Liverpool-based Marlie Centawer, a writer, musician and photographer, as well as an adjunct lecturer with the Centre for Studies in Arts and Culture !at Brock University, Canada <http://www.marliecentawer.com> ! Much of the exhibition has been donated from original attendees, some loaned from galleries and collectors, and other images extracted from Beatle books and documentaries, including members-only cards used for entry to the club in the 1960s, advertisements in local Liverpool music newspapers, and !images of the venues’ interiors and layouts over the years. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Los Beatles De Liverpool a Hamburgo
CATHARUM Revista de Ciencias Sociales y Humanidades del Instituto de Estudios Hispánicos de Canarias · nº14, 2015 Los Beatles De Liverpool a Hamburgo Adrian McGrath Esta presentación es la historia del nacimiento de los Beatles dentro del contexto de un viaje de Liverpool a Hamburgo: desde sus comienzos humildes en el Liverpool de la segunda guerra mundial hasta su visita a Hamburgo en agosto de 1960, la primera de las cinco que hicieron a la ciudad alemana. Cuatro meses después de su última visita a Hamburgo en diciembre de 1962, tres miembros del grupo, Paul McCartney, George Harrison y Ringo Starr, aterrizaron en el aeropuerto de Los Rodeos en Tenerife para pasar, casi desapercibidos, sus últimas vacaciones tranquilas antes de hacerse famosos. Los Beatles en Tenerife. Ringo, George y Paul Quisiera destacar los momentos clave ocurridos durante este viaje además de los per- sonajes que desempeñaron un papel importante durante esta etapa fundamental en las vidas de los Beatles. «Cuatro chicos que sacudieron al mundo». Estas palabras aparecen en una estatua dedi- cada a los Beatles en Mathew Street enfrente del mítico Cavern Club. A la hora de pensar en los Beatles la mayoría de la gente recuerda sólo a estos cuatro chicos: John Lennon, Paul McCartney, George Harrison y Ringo Starr. A menudo los fans preguntan quién fue el quinto Beatle. Se barajan los nombres de George Martin, Brian Epstein, Klaus Voormann, Billy Preston…, pero durante esta etapa de la vida del grupo ya había habido no sólo un quinto, Stuart Sutcliffe (bajista original), sino también un sexto Beatle: Pete Best 13 CATHARUM Revista de Ciencias Sociales y Humanidades del Instituto de Estudios Hispánicos de Canarias · nº14, 2015 Los Beatles, con Pete Best. -
John Lennon's Biography
John Lennon’s Biography John Lennon was a very talented writer. He was asked to write a biography for Merseybeat, a fortnightly magazine about rock ‘n’ roll owned by editor, Bill Harry. It was an essential read for fans of the Liverpool music scene and The Beatles appeared numerous times in its pages. John wrote the following biography: Once upon a time there were three little boys called John, George and Paul, by name christened. They decided to get together because they were the getting together type. When they were together they wondered what for after all, what for? So all of a sudden they grew guitars and fashioned a noise. Funnily enough, no one was interested, least of all the three little men. So-o-o-o on discovering a fourth little even littler man called Stuart Sutcliffe running about them they said, quite ‘Sonny get a bass guitar and you will be alright’ and he did – but he wasn’t alright because he couldn’t play it. So they sat on him with comfort ’til he could play. Still there was no beat, and a kindly old man said, quote ‘Thou hast not drums!’ We had no drums! they coffed. So a series of drums came and went and came. Suddenly, in Scotland, touring with Johnny Gentle, the group (called the Beatles called) discovered they had not a very nice sound – because they had no amplifiers. They got some. Many people ask what are Beatles? Why Beatles? Ugh, Beatles, how did the name arrive? So we will tell you.