Fonts in X11R7.6
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Release Notes for X11R6.8.2 the X.Orgfoundation the Xfree86 Project, Inc
Release Notes for X11R6.8.2 The X.OrgFoundation The XFree86 Project, Inc. 9February 2005 Abstract These release notes contains information about features and their status in the X.Org Foundation X11R6.8.2 release. It is based on the XFree86 4.4RC2 RELNOTES docu- ment published by The XFree86™ Project, Inc. Thereare significant updates and dif- ferences in the X.Orgrelease as noted below. 1. Introduction to the X11R6.8.2 Release The release numbering is based on the original MIT X numbering system. X11refers to the ver- sion of the network protocol that the X Window system is based on: Version 11was first released in 1988 and has been stable for 15 years, with only upwardcompatible additions to the coreX protocol, a recordofstability envied in computing. Formal releases of X started with X version 9 from MIT;the first commercial X products werebased on X version 10. The MIT X Consortium and its successors, the X Consortium, the Open Group X Project Team, and the X.OrgGroup released versions X11R3 through X11R6.6, beforethe founding of the X.OrgFoundation. Therewill be futuremaintenance releases in the X11R6.8.x series. However,efforts arewell underway to split the X distribution into its modular components to allow for easier maintenance and independent updates. We expect a transitional period while both X11R6.8 releases arebeing fielded and the modular release completed and deployed while both will be available as different consumers of X technology have different constraints on deployment. Wehave not yet decided how the modular X releases will be numbered. We encourage you to submit bug fixes and enhancements to bugzilla.freedesktop.orgusing the xorgproduct, and discussions on this server take place on <[email protected]>. -
Mysky HD PVR
Open Source Used In MySky HD PVR Cisco Systems, Inc. www.cisco.com Cisco has more than 200 offices worldwide. Addresses, phone numbers, and fax numbers are listed on the Cisco website at www.cisco.com/go/offices. Text Part Number: 78EE117C99-136230001 Open Source Used In MySky HD PVR 1 This document contains licenses and notices for open source software used in this product. With respect to the free/open source software listed in this document, if you have any questions or wish to receive a copy of any source code to which you may be entitled under the applicable free/open source license(s) (such as the GNU Lesser/General Public License), please contact us at [email protected]. In your requests please include the following reference number 78EE117C99-136230001 Contents 1.1 ASN1C 0.9.23 1.1.1 Available under license 1.2 base64.c 1.3 1.2.1 Available under license 1.3 bison 1.875a :1.0.0.0501961 1.3.1 Available under license 1.4 cJSON r40 1.4.1 Available under license 1.5 crc32 1.1.1.1 1.5.1 Available under license 1.6 expat 2.1.0 1.6.1 Available under license 1.7 freeBSD 4.8 :distro-fusion 1.7.1 Available under license 1.8 FREETYPE2 2.4.4 1.8.1 Available under license 1.9 GNU-Regexp 1.1.3 1.9.1 Available under license 1.10 icu 4.4 1.10.1 Available under license 1.11 icu 51.2 :r0 1.11.1 Available under license 1.12 isc-dhcp 4.1-ESV-R4 1.12.1 Available under license 1.13 jpeg 8c 1.13.1 Notifications Open Source Used In MySky HD PVR 2 1.13.2 Available under license 1.14 KazLib 1.20 1.14.1 Available under license 1.15 libcurl -
Problematika České Transkripce Japonštiny a Pravidla Jejího Užívání Nihongo 日本語 社会 Šakai Fudži 富士 Ivona Barešová, Monika Dytrtová Momidži Tókjó もみ じ 東京 Čotto ち ょっ と
チェ コ語 翼 čekogo cubasa šin’jó 信用 Problematika české transkripce japonštiny a pravidla jejího užívání nihongo 日本語 社会 šakai Fudži 富士 Ivona Barešová, Monika Dytrtová momidži Tókjó もみ じ 東京 čotto ち ょっ と PROBLEMATIKA ČESKÉ TRANSKRIPCE JAPONŠTINY A PRAVIDLA JEJÍHO UŽÍVÁNÍ Ivona Barešová Monika Dytrtová Spolupracovala: Bc. Mária Ševčíková Oponenti: prof. Zdeňka Švarcová, Dr. Mgr. Jiří Matela, M.A. Tento výzkum byl umožněn díky účelové podpoře na specifi cký vysokoškolský výzkum udělené roku 2013 Univerzitě Palackého v Olomouci Ministerstvem školství, mládeže a tělovýchovy ČR (FF_2013_044). Neoprávněné užití tohoto díla je porušením autorských práv a může zakládat občanskoprávní, správněprávní, popř. trestněprávní odpovědnost. 1. vydání © Ivona Barešová, Monika Dytrtová, 2014 © Univerzita Palackého v Olomouci, 2014 ISBN 978-80-244-4017-0 Ediční poznámka V publikaci je pro přepis japonských slov užito české transkripce, s výjimkou jejich výskytu v anglic kém textu, kde se objevuje původní transkripce anglická. Japonská jména jsou uváděna v pořadí jméno – příjmení, s výjimkou jejich uvedení v bibliogra- fi ckých citacích, kde se jejich pořadí řídí citační normou. Pokud není uvedeno jinak, autorkami překladů citací a parafrází jsou autorky této práce. V textu jsou použity následující grafi cké prostředky. Fonologický zápis je uveden standardně v šikmých závorkách // a fonetický v hranatých []. Fonetické symboly dle IPA jsou použity v rámci kapi toly 5. V případě, že není nutné zaznamenávat jemné zvukové nuance dané hlásky nebo že není kladen důraz na zvukové rozdíly mezi jed- notlivými hláskami, je jinde v textu, kde je to možné, z důvodu usnadnění porozumění užito namísto těchto specifi ckých fonetických symbolů písmen české abecedy, např. -
Hiragana Chart
ひらがな Hiragana Chart W R Y M H N T S K VOWEL ん わ ら や ま は な た さ か あ A り み ひ に ち し き い I る ゆ む ふ ぬ つ す く う U れ め へ ね て せ け え E を ろ よ も ほ の と そ こ お O © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. www.TimeForJapanese.com. 1 Beginning Japanese 名前: ________________________ 1-1 Hiragana Activity Book 日付: ___月 ___日 一、 Practice: あいうえお かきくけこ がぎぐげご O E U I A お え う い あ あ お え う い あ お う あ え い あ お え う い お う い あ お え あ KO KE KU KI KA こ け く き か か こ け く き か こ け く く き か か こ き き か こ こ け か け く く き き こ け か © 2010 Michael L. Kluemper et al. Beginning Japanese, Tuttle Publishing, an imprint of Periplus Editions (HK) Ltd. All rights reserved. www.TimeForJapanese.com. 2 GO GE GU GI GA ご げ ぐ ぎ が が ご げ ぐ ぎ が ご ご げ ぐ ぐ ぎ ぎ が が ご げ ぎ が ご ご げ が げ ぐ ぐ ぎ ぎ ご げ が 二、 Fill in each blank with the correct HIRAGANA. SE N SE I KI A RA NA MA E 1. -
Handy Katakana Workbook.Pdf
First Edition HANDY KATAKANA WORKBOOK An Introduction to Japanese Writing: KANA THIS IS A SUPPLEMENT FOR BEGINNING LEVEL JAPANESE LANGUAGE INSTRUCTION. \ FrF!' '---~---- , - Y. M. Shimazu, Ed.D. -----~---- TABLE OF CONTENTS Page Introduction vi ACKNOWLEDGEMENlS vii STUDYSHEET#l 1 A,I,U,E, 0, KA,I<I, KU,KE, KO, GA,GI,GU,GE,GO, N WORKSHEET #1 2 PRACTICE: A, I,U, E, 0, KA,KI, KU,KE, KO, GA,GI,GU, GE,GO, N WORKSHEET #2 3 MORE PRACTICE: A, I, U, E,0, KA,KI,KU, KE, KO, GA,GI,GU,GE,GO, N WORKSHEET #~3 4 ADDmONAL PRACTICE: A,I,U, E,0, KA,KI, KU,KE, KO, GA,GI,GU,GE,GO, N STUDYSHEET #2 5 SA,SHI,SU,SE, SO, ZA,JI,ZU,ZE,ZO, TA, CHI, TSU, TE,TO, DA, DE,DO WORI<SHEEI' #4 6 PRACTICE: SA,SHI,SU,SE, SO, ZA,II, ZU,ZE,ZO, TA, CHI, 'lSU,TE,TO, OA, DE,DO WORI<SHEEI' #5 7 MORE PRACTICE: SA,SHI,SU,SE,SO, ZA,II, ZU,ZE, W, TA, CHI, TSU, TE,TO, DA, DE,DO WORKSHEET #6 8 ADDmONAL PRACI'ICE: SA,SHI,SU,SE, SO, ZA,JI, ZU,ZE,ZO, TA, CHI,TSU,TE,TO, DA, DE,DO STUDYSHEET #3 9 NA,NI, NU,NE,NO, HA, HI,FU,HE, HO, BA, BI,BU,BE,BO, PA, PI,PU,PE,PO WORKSHEET #7 10 PRACTICE: NA,NI, NU, NE,NO, HA, HI,FU,HE,HO, BA,BI, BU,BE, BO, PA, PI,PU,PE,PO WORKSHEET #8 11 MORE PRACTICE: NA,NI, NU,NE,NO, HA,HI, FU,HE, HO, BA,BI,BU,BE, BO, PA,PI,PU,PE,PO WORKSHEET #9 12 ADDmONAL PRACTICE: NA,NI, NU, NE,NO, HA, HI, FU,HE, HO, BA,BI,3U, BE, BO, PA, PI,PU,PE,PO STUDYSHEET #4 13 MA, MI,MU, ME, MO, YA, W, YO WORKSHEET#10 14 PRACTICE: MA,MI, MU,ME, MO, YA, W, YO WORKSHEET #11 15 MORE PRACTICE: MA, MI,MU,ME,MO, YA, W, YO WORKSHEET #12 16 ADDmONAL PRACTICE: MA,MI,MU, ME, MO, YA, W, YO STUDYSHEET #5 17 -
Galio Uma, Maƙerin Azurfa Maƙeri (M): Ni Ina Da Shekara Yanzu…
LANGUAGE PROGRAM, 232 BAY STATE ROAD, BOSTON, MA 02215 [email protected] www.bu.edu/Africa/alp 617.353.3673 Interview 2: Galio Uma, Maƙerin Azurfa Maƙeri (M): Ni ina da shekara yanzu…, ina da vers …alal misali vers mille neuf cent quatre vingt et quatre (1984) gare mu parce que wajenmu babu hopital lokacin da anka haihe ni ban san shekaruna ba, gaskiya. Ihehehe! Makaranta, ban yi makaranta ba sabo da an sa ni makaranta sai daga baya wajenmu babana bai da hali, mammana bai da hali sai mun biya. Akwai nisa tsakaninmu da inda muna karatu. Kilometir kama sha biyar kullum ina tahiya da ƙahwa. To, ha na gaji wani lokaci mu hau jaki, wani lokaci mu hau raƙumi, to wani lokaci ma babu hali, babu karatu. Amman na yi shekara shidda ina karatu ko biyat. Amman ban ji daɗi ba da ban yi karatu ba. Sabo da shi ne daɗin duniya. Mm. To mu Buzaye ne muna yin buzanci. Ana ce muna Tuareg. Mais Tuareg ɗin ma ba guda ba ne. Mu artisans ne zan ce miki. Can ainahinmu ma ba mu da wani aiki sai ƙira. Duka mutanena suna can Abala. Nan ga ni dai na nan ga. Ka gani ina da mata, ina da yaro. Akwai babana, akwai mammana. Ina da ƙanne huɗu, macce biyu da namiji biyu. Suna duka cikin gida. Duka kuma kama ni ne chef de famille. Duka ni ne ina aider ɗinsu. Sabo da babana yana da shekara saba’in da biyar. Vers. Mammana yana da shekara shi ma hamsin da biyar. -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
'Positional Effect' on Consonant Gemination in Japanese Haruo
日本語促音の「位置効果」について On the ‘positional effect’ on consonant gemination in Japanese Haruo KUBOZONO*, Hajime TAKEYASU** and Mikio GIRIKO* *National Institute for Japanese Language and Linguistics, **Mie University Japanese loanwords from English display many interesting phenomena concerning the occurrence or non-occurrence of sokuon, or geminate obstruent. One of them concerns the so-called ‘positional effect’ by which gemination tends to restrictively occur in word-final position. One typical example is the English word picnic [piknik], which yields a geminate consonant only in the original second syllable when borrowed into Japanese: /pi.ku.nik.ku/, */pik.ku.ni.ku/, */pik.ku.nik.ku/. Other examples are given in (1) and (2). Words in (1) have a geminate obstruent, whereas those in (2) do not. (1) cap kyap.pu, dock dok.ku, mix mik.ku.su, sax sak.ku.su, box bok.ku.su, fax fak.ku.su (2) captain kya.pu.ten, doctor do.ku.taa, mixer mi.ki.saa, saxophone sa.ki.so.fon, boxer bo.ku.saa, facsimile fa.ku.si.mi.ri The primary question we would like to address in this talk is where this positional effect comes from. There are at least two possibilities. One hypothesis is that the phonological position itself is a pivotal factor to which native speakers of Japanese are sensitive. According to this hypothesis, native Japanese speakers hear a geminate consonant in word-final position, but not in other positions, for purely structural/positional reasons. Alternatively, it is possible that phonetic properties in the input English words differ between word-medial and final syllables and that native speakers of Japanese display the positional effect in question by reacting to these phonetic properties sensitively. -
Release Notes for Xfree86® 4.8.0 the Xfree86 Project, Inc December 2008
Release Notes for XFree86® 4.8.0 The XFree86 Project, Inc December 2008 Abstract This document contains information about the various features and their current sta- tus in the XFree86 4.8.0 release. 1. Introduction to the 4.x Release Series XFree86 4.0 was the first official release of the XFree86 4 series. The current release (4.8.0) is the latest in that series. The XFree86 4.x series represents a significant redesign of the XFree86 X server,with a strong focus on modularity and configurability. 2. Configuration: aQuickSynopsis Automatic configuration was introduced with XFree86 4.4.0 which makes it possible to start XFree86 without first creating a configuration file. This has been further improved in subsequent releases. If you experienced any problems with automatic configuration in a previous release, it is worth trying it again with this release. While the initial automatic configuration support was originally targeted just for Linux and the FreeBSD variants, as of 4.5.0 it also includes Solaris, NetBSD and OpenBSD support. Full support for automatic configuration is planned for other platforms in futurereleases. If you arerunning Linux, FreeBSD, NetBSD, OpenBSD, or Solaris, try Auto Configuration by run- ning: XFree86 -autoconfig If you want to customise some things afterwards, you can cut and paste the automatically gener- ated configuration from the /var/log/XFree86.0.log file into an XF86Config file and make your customisations there. If you need to customise some parts of the configuration while leav- ing others to be automatically detected, you can combine a partial static configuration with the automatically detected one by running: XFree86 -appendauto If you areusing a platform that is not currently supported, then you must try one of the older methods for getting started like "xf86cfg", which is our graphical configuration tool. -
Frank's Do-It-Yourself Kana Cards V
Frank's do-it-yourself kana cards v. 1.0, 2000-08-07 Frank Stajano University of Cambridge and AT&T Laboratories Cambridge http://www.cl.cam.ac.uk/~fms27/ and http://www.uk.research.att.com/~fms/ This set of flash cards is meant to help you familiar cards and insist on the difficult part of き and さ with a separate stroke, become fluent in the use of the Japanese ones. unlike what happens in the fonts used in hiragana and katakana syllabaries. I made this document. I have followed the stroke it because I needed one myself and could The complete set consists of 10 double- counts of Henshall-Takagaki, even when not find it in the local bookshops (kanji sided sheets (20 printable pages) of 50 they seem weird for the shape of the char- cards were available, and I bought those; cards each, but you may choose to print acter as drawn on the card. but kana cards weren't); if it helps you too, smaller subsets as detailed below. Actu- so much the better. ally there are some blanks, so the total The easiest way to turn this document into number of cards is only 428 instead of 500. a set of cards is simply to print it (double The romanisation system chosen for these It would have been possible to fit them on sided of course!) and then cut each page cards is the Hepburn, which is the most 9 sheets instead of 10, but only by com- into cards with a ruler and a sharp blade. -
Tutor List 2019-2020
Tutor List 2019-2020 Updated September 13, 2019 ALL SUBJECTS Megan Sharp [email protected] Teacher certification: K-6 Elementary Education Grade levels willing to tutor: K-5th Subjects: All Fee: $30 per hour Areas served: Students with ADD/ADHD, autism Christine Holsopple [email protected] Teacher certification: K-12 Special Education & Elementary Education Grade levels willing to tutor: K-8 Subjects: Math, Reading, Social Studies Fee: $24 an hour Areas served: South Charleston and Charleston Jessica Blake [email protected] Teacher certification: K-6, Pre-k Grade levels willing to tutor: 1-6 Subjects: Any Fee: $25 Areas served: Saint Albans Autumn Martin [email protected] Teacher certification: Professional Teacher- MUL-CAT/LD/BD/MI Grade levels willing to tutor: All Subjects: All Fee: $25 per hour Other information: Specializing in students with ADHD, autism, or any other disability. Areas served: Nitro public library, Dunbar public library, Cross Lanes public library, Sissonville public library Lindsay Hyden [email protected] Teacher certification: Elementary K-6 Grade levels willing to tutor: K-5 Subjects: All Fee: $25 per hour Areas served: Cross Lanes, Nitro, Dunbar, St. Albans Abbey Ferrari Johnson [email protected] Teacher certification: Elementary Education & Math 5-9 Grade levels willing to tutor: K-10 Subjects: Algebra, middle school math, any elementary subject, lower level english, spanish Fee: $20 Other Information: Served as a tutor for 4 years at Fairmont State (3 years tutoring kids, 1 year tutoring college students) and a private tutor for 2 years Areas served: Kanawha County Cheryl R Carter [email protected] Teacher certification: Elementary K-8, K-Adult Special Education Grade levels willing to tutor: K-8 Subjects: English, Reading, Math, Science, Social Studies Fee: $20 per hour Areas served: St. -
International Language Environments Guide
International Language Environments Guide Sun Microsystems, Inc. 4150 Network Circle Santa Clara, CA 95054 U.S.A. Part No: 806–6642–10 May, 2002 Copyright 2002 Sun Microsystems, Inc. 4150 Network Circle, Santa Clara, CA 95054 U.S.A. All rights reserved. This product or document is protected by copyright and distributed under licenses restricting its use, copying, distribution, and decompilation. No part of this product or document may be reproduced in any form by any means without prior written authorization of Sun and its licensors, if any. Third-party software, including font technology, is copyrighted and licensed from Sun suppliers. Parts of the product may be derived from Berkeley BSD systems, licensed from the University of California. UNIX is a registered trademark in the U.S. and other countries, exclusively licensed through X/Open Company, Ltd. Sun, Sun Microsystems, the Sun logo, docs.sun.com, AnswerBook, AnswerBook2, Java, XView, ToolTalk, Solstice AdminTools, SunVideo and Solaris are trademarks, registered trademarks, or service marks of Sun Microsystems, Inc. in the U.S. and other countries. All SPARC trademarks are used under license and are trademarks or registered trademarks of SPARC International, Inc. in the U.S. and other countries. Products bearing SPARC trademarks are based upon an architecture developed by Sun Microsystems, Inc. SunOS, Solaris, X11, SPARC, UNIX, PostScript, OpenWindows, AnswerBook, SunExpress, SPARCprinter, JumpStart, Xlib The OPEN LOOK and Sun™ Graphical User Interface was developed by Sun Microsystems, Inc. for its users and licensees. Sun acknowledges the pioneering efforts of Xerox in researching and developing the concept of visual or graphical user interfaces for the computer industry.